Tag Archives: Show

Fun Fun Fun Fest 2012 Lineup Announced!

Since 2006, Fun Fun Fun Fest has been nothing short of fun x 3.  Every year, the music/art/food festival seems to turn it up a notch, so much, that last year I actually decided enough is enough and headed to Austin, TX, to check it out.  The result, minus Danzig acting like a little bitch, was a killer weekend with friends fueled by amazing bands.  In other words, I had fun.  A ton of fun.

The festival was well organized, and all three days of music was well worth the $200 or so bucks I dropped on a wristband.  By the want of the fest last year, I told myself and my friends I wanted to return the following year.

This year, the good people at FFF Fest have outdone themselves.  Not only did they get RUN-DMC to reform, but they also had put together almost a dream lineup for this music lover.  Refused, De La Soul, Seaweed, The Promise Ring, Bob Mould, Lucero, Lagwagon, Braid, OFF!, Against Me!, F’d Up, Superchunk, Minus The Bear…I can keep going…P.I.L., Explosions In The Sky, X, Turbonegro…

Seriously, check out all who will be playing this year:

This does not even include the FFFEST Nites, the nightly free (with wristband) concerts around the city.

I am planning on returning to Auditorium Shores in November to take in this festival.  Since I have moved, I have not seen one live band due to a lack of venues, but this festival will make up for it.  Not to mention Austin is one of my favorite cities and I am now only a 6 hour drive away…

For more info, visit FUNFUNFUNFEST.COM

Concert Review: Elliott Brood / The Pack AD / Leah Lou & The 2 Left Shoes – Beachland Tavern – Cleveland, OH – 03/09/2012

I completely forgot that Toronto’s Elliott Brood was coming to town last week and if it wasn’t for a a good friend of mine, I would have surely missed out on an awesome show.  Luckily for me, my pal Kyle was quick to remind me last Friday, hours before the show, that Elliott Brood was playing the Beachland Tavern.  (Thanks Kyle, you are always looking out for me…)

It was a last minute decision to hit up the show, and I can not tell how how glad that I was able to.  The Ontario country / rock act was just about to finish up a stretch of their tour last week in support of their new release Days Into Years, and made sure that Cleveland was one of their destinations.  Touring with their pals The Pack AD, the band turned what could have been a boring Friday evening into something much more entertaining.

Locals Leah Lou & The 2 Left Shoes opened the night with their cute yet harsh indie pop sounds.  At times, I thought that Ms. Leah Lou was going to smash her acoustic guitar into the ground as it would not tune right for her causing the duo to skip over more than one song from their set.  Instead, she hid away her frustrations and used the free time to get to know the crowd as well as introduce her family to them.  When she was able to play some of her songs, the crowd was just eating it up.  I did notice while Leah Lou played her set that Casey Laforet from Elliott Brood was checking her out and was loving what he heard.  How couldn’t he though?  I love this local act.  Lea Lou reminds me of Regina Spektor mixed with Joanna Newsome, but far sassier.  If you have not seen this local act live yet, you really should.

Up next was Vancouver’s The Pack AD and I will admit, I did not know what to expect from this female duo at all.  The young looking lead signer had a punk rock look to her while the drummer appeared to have been well versed in the days of rock n roll.  I was expecting more of a Runaways / Joan Jett sound but was blown away by what I heard.  Their sound was more or less the White Stripes mixed up with some Black Keys with a span of singing stiles that sometimes reminded me of Justin Hawkins (not the high pitched crap) making for some great tunes.  Guitar, drums, and singing was all these ladies delivered and it was awesome.  I loved “Haunt You” as well as when Becky Black just tore up her guitar during “Lights” and also during “Deer” (at least that is what I think the song title was).  A couple gents from Fort Worth, Indiana, actually traveled 3 hours to see these ladies rock out.  At first I questioned why they would do such a thing, but by the set’s end, I fully understood.  I’m shocked that The Pack AD has not already grabbed some major attention already.  I will be checking these girls out more in the near future.

I’ve missed Elliot Brood in the past when they played Cleveland, so I made sure I found a close standing spot to watch the band.  I actually wound up leaning against the small wall by the stage.  As the band played, I could not help but stare at Laforet’s feet as he played what looked like a drum machine hooked up to some organ pedals while playing guitar.  It was a very makeshift instrument, but it was perfect.  He barely even glanced at his feet while playing songs.  It was kind of impressive.

Throughout their set, Marc Sasso joked with the crowd.  At one time he even paid tribute to the SS&W Boardwalk Bar just down on Waterloo and mentioned how he liked to grab drinks there before shows in the past.  He then went on to inform everyone that is where his parents met and eventually conceived him.  Laforet added that he was conceived on the pool table in the corner pocket.  All jokes aside, the band did let the crowd know that they appreciated everyone for coming out.

The band played a lot of tracks off their recent release Days Into Years including “Lindsey” and “If I Get Old”, but was also quick to jam out to some older tunes like “Oh, Alberta” and  my favorite,”Write It All Down For You” (can I tell you all how much better that song sounds when they play it to you in a tavern?).  It was the highlight of my evening.  I would have liked to have seen Stephen Pitkin beat on a suitcase over a drum set like I heard he used to years ago, but I guess you can’t have everything.  Speaking of percussion, Pitkin actually passed out pie tins and wooden spoons towards the end of the set so that the crowd could help Elliott Brood play songs.

Elliot Brood finished up their set and exited the stage.  They had more important things to do, like hang out with the crowd.  It was a great show to start off my weekend and I am sure that all who were there would agree on that.

Concert Review: Frank Turner – Outland On Liberty – Columbus, OH – 02/22/2012

It’s a known fact:  If you speed, you risk a good chance of getting caught.  I can tell you this first hand seeing how I was speeding down I-71 Wednesday evening on my way to see Frank Turner in Columbus.  I was just outside of the state capitol cruising at about 80 m.p.h. not paying attention at all when I saw, out of the corner of my eye, a state trooper shooting my car with his laser gun.  We made eye contact immediately after, and I knew I was screwed.

In a flash, the trooper was tailing my car down I-71 and the moment I switched lanes thinking that maybe, just maybe he would pull the guy over in front of me, he switched lanes again and turned his lights on.

Crap.

I knew I was speeding and was at fault, so I pulled over and waited for the trooper to approach my car and tell me what I already knew.  I tried to tell the state trooper that I was just cruising along and not paying attention to my speed because of how excited I was to be seeing Frank Turner at a venue in Columbus.  The trooper looked at me and asked who Frank Turner was.  I wanted to tell him all about one of my favorite musicians and persuade him to let me off the hook, but just told him that he was a punk rocker folk artist from England.  The trooper smiled at me and told me that he would be back in a moment with my ticket.

Shit.

So, my trip to Columbus from Akron cost me an extra $130 and I have no one to blame but myself.  Then again, if the trooper knew who Frank Turner was, maybe he would have shared his excitement with me and let me off.  After bidding the trooper a farewell, I jumped back on to the highway and made it to the Outland on Liberty.

Having never been to this venue before, I was not sure what to expect at all.  Hell, I had to ask a parking attendant where is was only to feel like a complete idiot when he pointed to the building directly across the street.  To be fair, it was my first time to the brewery district.

Outside, the Outland did not really resemble a venue at all.  Granted Turner’s tour bus was parked in front of it, I did not notice a sign for it nor did it look like your typical concert club.  There was also a Eiffel Tower metal-looking structure in a patio area that towered over everyone that stood out.  I was not sure what the significance was at all, perhaps a tribute.  Walking inside though, I had a completely different impression of the concert venue.  The place looked like what would happen if Austin Powers’ clubhouse turned into a goth club.  Crosses adored the walls and there was a giant tiered stage full of lights.  It was interesting and to be honest, I kind of dug it.

While asking myself if that stage was for real, I realized that there was in a completely different room that hosted the main stage.  Once I made my way to the stage area, I felt a little better about seeing Turner and crew play a normal stage and not a plexi-glass tiered stage, although that might have been awesome.

There were two opening acts and I will not lie,  I did not watch either of the openers as I was too preoccupied with catching up with some of my friends, new and old, who also were attending the show.  I will say though that I did hear one of the guys singing a song about Touchdown Jesus.  That is pretty bad ass if you ask me, but chances are if you are not from Ohio, you have no idea what that heck I am talking about.

Frank Turner and the Sleeping Souls (his full band) took the stage around 10 p.m. to the adoring crowd.  Opening with “Eulogy” from the band’s latest release England Keep My Bones, Turner and crew put forth an amazing set.  Playing songs, old and new, the crowd sung along at the top of their lungs with each song.  It was not just a concert, it was a party, a gathering of friends all having a good time.  Following was “Try This At Home” and I could not help but get lost in the song.

Turner and crew continued on playing tracks such as “I Am Disappeared” as well as his tribute to home “Wessex Song”.  I liked how Turner told everyone that he could care less about songs about NYC and L.A. and wanted to pay tribute to where he grew up.  When he asked the crowd if anyone had ever been to England, a few hands rose, and when he asked if anyone was from England, a girl screamed in excitement that she was. I am sure she appreciated that song more than anyone else that night.

Not just keeping to material the fans knew, Turner played a couple brand new including “Cowboy Chords” and “Four Simple Words”.  The latter of the two was really fun to listen to.  Before he sung it, Turner told the crowd that he hoped one day that the crowd would break into a choreographed dance when he played it.  The crowd did their best to dance together, but it was no Broadway performance.

In between the new songs, Turner played “Dan’s Song” but let the crowd know that no one would be invited on stage to play the harmonica solo as he was afraid that there might be a few people who might get pissed that they were not chosen and punch him in the balls after the show.  Instead, he invited the entire crown to play the “air harmonica”.  Basically, everyone cupped their hands into an O shape and screamed whatever noise they wanted to in their hands.  It was no harmonica solo, but it did the job.

Although one of his more popular songs, I was still psyched to hear the band break into “The Road” and later “I Still Believe”.  I could not help but laugh though when they played “Glory Hallelujah”,  knowing that it was Ash Wednesday.

To end the night, Turner set down his acoustic and took the mic belting out Queen’s “Somebody To Love” while the rest of the band rocked out.  This cover was the perfect way to end the show.

It was kind of suiting that the set ended with a Queen song seeing how in the very first song played that night, Turner sang “not everyone can be Freddie Mercury”.  Did anyone else catch that?

Throughout that impressive cover, everyone went insane and naturally wanted more, so it was no surprise to see Turner return to the stage moments after everyone exited.

To barter with the crowd, Turner promised two more songs during the encore and then added one more .  Turner, sans the Sleeping Souls, played an awesome cover of Tom Petty’s “American Girl” and a lot of people could not help but sing along.  Following was the always fun “Ballad Of Me And My Friends.”

During the last song of the night, “Photosynthesis”, the rest of the band joined Turner  on stage and played along.

Frank piped up just before the last chorus of the song and let the crowd know how he felt about rock n roll and said, “I’m always disappointed when rock n roll turns out to be a bunch of fucking dickheads with a tour bus and a raised piece of flooring who show up and make noise with a bunch of fucking hits and just turn around and go home. And no one talks to anyone anymore and no one fucking interacts and it’s boring and pointless and not the kind of shit we are supposed to be doing with our time.”

He continued with, “rock and roll is and always is, and punk rock especially, was about a run for the people who are equals and who are friends, who don’t have a fucking barrier who are doing something together and something communal, something transcending, something necessary…”

Needless to say, the entire venue went ballistic.  His words may very well single handedly changed they way people look at rock n roll in Columbus.

He was not joking about what he said either.  Once the band finished up, they all hung out with the crowd that stuck around.  Turner actually took time to talk to each and every fan that approached him, allowed photographs, and even signed records, fliers, and even a 20-year-old polo shirt (that was odd if you ask me, but who am I to judge?).  I think the greatest thing though, was that Turner was sincere with each interaction and wholeheartedly smiled and his fans, shook their hands, and even gave out hugs.

When I finally had a moment to chat with him, I thanked him for coming back to Ohio and could not help but tell him about my speeding ticket.  He laughed and grabbed my record  and signed it “Keep Speeding”.  He also was quick to give me a hug after we finished talking and I accidentally head butted him.  I was quick to apologize and he laughed and said “it’s ok, I feel as if we are now closer…”

Star struck?  Not one bit.  The guy is just like you and I.  He is real and does not play out for the paycheck.  He appreciates his fans as much as they appreciate him and that, to me, is beyond admirable.

Wednesday night was a good night in my book, well, not the speeding ticket part, but spending time with with some cool people and listening to one of my favorite acts out there definitely was.

Set List:
Eulogy
Try This At Home
If I Ever Stray
Prufrock
I Am Disappeared
Lore, Ire and Song
Wessex Boy
Fastest Way Back Home
Cowboy Chords
Dan’s Song
Four Simple Words
The Road
Peggy Sang The Blues
One Foot Before The Other
Glory Hallelujah
Long Live The Queen
I Still Believe
Somebody To Love (Queen Cover)

Encore:
American Girl (Tom Petty Cover)
Ballad Of Me And My Friends
Photosynthesis

Concert Review: NOFX / Anti-Flag / Old Man Markley – House Of Blues – Cleveland, OH – 10/12/2011

There is nothing punk rock about the House of Blues at all.  Sure they sell PBRs in those big cans, but it is not the typical place for punk rock bands to take over on any given evening.  That’s not to say punk bands have never played there before, I am just saying when I think of a punk rock show playing a club, it is not HoB.  Hell, there’s even a bathroom attendant who will hand you a paper towel after you just pissed away said PBR.  I will say that the HoB is a clean, organized venue, a venue that hosts some kick ass shows at that.

Wednesday evening was the perfect example of this as the the place was filled to the rim of punk rockers of all types thanks to the popular independent godfathers of punk rock NOFX bringing their Eastcoaster Tour to town with special guests Anti-Flag, Old Man Markley and The Bombpops.

Thanks to an accident on Euclid Ave., it took me a moment to get parked and into the nearly sold-out HoB show.  Apparently someone felt they were ok to cut off one of those giant RTA futuristic train-looking busses.  Needless to say, there were lots of flashing lights and Cleveland’s finest Fire, Police, and EMT cleaning up the mess.  Because of this, I missed the opening act The Bombpops.  From what I heard, their female driven pop punk rock was actually pretty enjoyable not to mention the two ladies in the band are beyond cute.  I will be checking them out soon.

Punk / bluegrass act Old Man Markley took to the stage just before 9 p.m. and showed Cleveland just exactly what they were all about.  Having never been to Cleveland before, the band gave it their all while performing tracks from their Fat Wreck Chords debut Guts n’ Teeth. With seven members on stage playing their version of “Newgrass”, they proved Cleveland that they were not copying the likes of Flogging Molly or Gogol Bordello.

John Carey and Annie DeTemple took turns signing a whole slew of songs including “Do Me Like You Do”, ” Guts n’ Teeth” and the ever catchy “For Better For Worse”.  The crowd clearly was loving what that heard and for the first time ever I witnessed a square-dancing circle pit .  Ryan “Old Man” Markley played the absolute shit out of his washboard and Katie Weed (swoon) just about sawed her fiddle in half.  Then there was Joey Garibaldi and his homemade washtub upright bass – impressive.  The band decided to close their set with their unique rendition of Screeching Weasel’s “Science Of Myth”.

To say I was entertained by the band was an understatement.  I have been wanting to see OMM live since I first heard about them a year ago and can not wait to see them again next month when they play an after show at Fun Fun Fun Fest in Austin.  This band performing live was right up my alley.  I see good things happening with them in the years to come.

Up next was Pittsburgh’s pop political punk rockers Anti-Flag (and clean cut too) who welcomed to the stage by cheers and boos.  Apparently some Browns fans just can not shake the fact that if a band hails from the rival team’s city that they suck too.  I might as well admit that I am not the biggest Anti-Flag fan, or shall I say I have not been the biggest of fans for a while now, but these guys killed it on stage.  Their stage performance was well-done and they had the crowd obeying every command.  Playing what seemed a ton of songs with a few from 2006’s For Blood And Empire including “The Press Corpse”, “This Is The End” and “1 Trillion Dollar$”, the band rocked out throughout their entire set and played like the rock stars they have become.

At times it appeared that Justin Sane and Chris Barker were trying to outdo one another with stage kicks and jumps (Barker actually jumped from atop the bass drum at one time), but it was all in good fun for the foursome.  Barker made the comment that the Cleveland stop was the “second best” show that he had played on the current tour and left it up to Cleveland to make it the absolute best by starting a giant circle pit.  I think Cleveland earned the title of best show after they were just running in circles.

It was no surprise to me that the band started preaching politics and many of the young ears listened.  Speaking of the whole Occupy Wall Street amongst other current political affairs, the bad knew what they were preaching and hopefully inspired one or two folk in the crowd to learn a little more about what goes on in this crazy country we live in.  I was more interested in the rock and not the talk so once they started playing again I started paying attention again and good thing I did as they performed a cover of “Should I Stay Or Should I Go?” and nailed it.

During the last song of their set there was some commotion on stage and suddenly Pat Thetic jumped in the crowd and was handed some of his drum set by Sane and Barker.  In a moment’s time, with help from the fans in the pit, Thetic assembled his set and started playing his drums with fans holding on to it preventing it from moving while the rest of the band played on.  I’m pretty sure they played “Power To The Peaceful” as the closer, but to be honest I was too busy jumping up on the barrier between the stage and crowd so I could take some pictures.  It was a pretty awesome site to witness.

Finally the band that everyone was waiting for all night was to take the stage.  The curtains rose and there was El Hefe standing there by himself admitting he had no idea where anyone else in the band was.  Smelly soon jumped behind his set and did not have a clue either where Fat Mike or Eric Melvin were.  11 minutes later the missing half stumbled onto the stage.  Fat Mike, sporting two drinks in hand, took a few moments to sip out of each cup and made faces that clearly proved whatever he was drinking could fuel a car.

Within the first two songs, the band signaled out a the-die wearing hippie dude in the crowd and started maxing fun of him.  The hippie dude took this opportunity to crowd surf to the front and Fat Mike yelled “dude, you don’t even shave your legs?”

I loved that they played one of my all time favs, “Linoleum”, as well as “Franko Unamerican” and even “Seeing Double At The Triple Rock”.  I also enjoyed hearing “Arming The Proletariat With Potato Guns” as well as watching the people dance around me during El Hefe’s horn playing.  Honestly that may have been more entertaining.  NOFX also played Rancid’s “Radio Radio”, a version I almost prefer more to the original.

During “Lori Myers”, the two girls from Bombpops came out to fill in for female vocal duty after El Hefe called their band “Kids-bop” and sang the part pretty much perfectly followed by a well deserved stage dive into the crowd.  As much I wanted NOFX to play “The Decline”, they did not as they played it at the HoB in 2006 (the only time I missed them), but they did play “Murder The Government”, “Don’t Call Me White” and “Dinosaurs Will Die”, a couple other favorites of mine.

15 years ago I got to see NOFX play a Warped Tour in a gravel parking lot and then later that year with the Bouncing Souls and Hi-Standard at the Agora.  In those 15 years, they have put out 6 albums and toured the world god knows how many times.  A lot of songs played that night spanned throughout their almost 30 year career but they played pretty much the same songs that they have the last two times I have caught them live.  I would have loved to have heard more songs off White Trash, 2 Heebs, and a Bean as well as Punk In Drublic, but I guess there is always next time.  El Hefe seemed to be the sober man of reason that night while Melvin was in his own little work of happiness and Fat Mike, who admitted he was not on pills to the crowd that night, was half way to black-out land.

For a band that never signed to a major label or ever has their songs played on commercial radio, they filled up the HoB with no problem.  It was a good night of music from all the bands on a Wednesday night.  People young and old were all over the place having a good time and sang along at every opportunity.  Based on the condition of the crowd by the end of the show, I am guessing many called off work the next morning or went in with a severe hangover.  That’s punk rock right?  Regardless it it was or not, it was tons of fun thanks to all of the bands played to Cleveland.

Tomorrow: Punk Rock Sunday Night @ The Grog Shop

You know what’s not cool?  Two great shows on the same night across town from each other.  It happens a lot actually.  In fact, this Sunday there were supposed to be two awesome shows, one at Now That’s Class and one at the Grog Shop.  Both shows featured bands I really wanted to see.  I did not know which to attend.

The Menzingers were to play one side of town with the Holy Mess on the westside while Strike Anywhere and Dead To Me were to play the eastside.  Choices, choices…

Then something amazing happened.  The shows combined.

Like a Captain Planet of punk rock, all the bands (well most of them) combined their powers and jumped on the same bill making for one kick ass night of punk rock music.  Rumor has it that the guys in Signals Midwest, who are opening the night, had something to do with this…well done guys.

Tickets are $10 in advance and $12 the day of the show.  Don’t be lame on a Sunday night and get your ass out to the Grog.  Doors are at 7pm.