“From the eclectic scene of punk and ska bands in the UK, The Bar Stool Preachers are a band for EVERYONE – a group of blue-collar musicians who can instantly connect with anyone they play for. Exhibiting a tireless DIY work ethic that is unparalleled by its peers, the band has traveled the world gaining fans with engaging performances on the back of its critically acclaimed debut Blatant Propaganda.
Frontman Tom McFaull has a storied musical lineage running through his veins. The son of Colin McFaull, singer of the legendary Cock Sparrer, he’s learned a lesson or two from his father. With this pedigree, the younger McFaull leads the charge for a new generation of punk bands with incomparable charisma and anger that cannot fail to impress.
But their family is more than blood. Having Aimee Interrupter (The Interrupters) lending her voice on “Choose My Friends” and Pirates Press Records’ extended family (including Rancid, The Bouncing Souls, Dropkick Murphys and many others) in their corner, The Preachers are fortunate to have a wealth of experience and support to help lift them to their inevitable heights. They are also already famed for turning every show attendee, writer, photographer, interviewer and other band’s members into fast friends within minutes of meeting. Yes, they are that special.
After an exceptionally successful showing at Punk Rock Bowling 2018 and a West Coast run, a follow up East Coast tour supporting Street Dogs, and more touring planned at the end of 2018 and thought 2019, The Bar Stool Preachers are ready to provide the soundtrack to your summer, and beyond, as they take over North America in support of Grazie Governo!”
Review soon on this album. Trust me. I have a lot of good things to say about these UK ska punkers.
San Francisco punk rockers Dead To Me recently dropped a new album titled Moscow Penny Ante on Fat Wreck Chords. The band, having been around since 2003, has had their fair share of changes with musicians coming and going, but never really lost their sound. Their ability to mix up a bunch of genres like reggae and ska into their punk rock groove always stood out to me. Having caught them twice this year, you could say I dig them a little.
Having toured the US in 2011, the band will be heading to Europe for a tour in 2012. I seriously do not think these guys, between touring and recording, ever take a break.
Photo by Katie Hovland
Recently I had the opportunity to chat with bassist / vocalist Chicken. He was more than kind in doing an interview with me. Check it out:
BHP: So, how’d 2011 treat you guys?
Chicken: This year has been great for us! We have toured pretty much non stop and we recorded a new album and released it. So needless to say we have been very, very busy. It’s a good thing.
I’ve been lucky enough to see DTM twice this year, once in SXSW. Any comments about that magical evening in March?
That night was crazy. I learned how to play guitar listening to Screeching Weasel, so I was pretty bummed out about what happened. I just wish the whole thing never happened. It was a bummer too because the other bands that played (Dead To Me, Banner Pilot, The Flatliners) all worked really hard to get to Austin for SXSW and we all played great sets. Unfortunately, no one remembers because of the whole Ben Weasel fiasco.
DTM played CMJ in NYC recently. How did it go for you guys?
CMJ in New York was so much fun. Fat Wreck did a great job of putting together an amazing evening of awesome bands. We had a blast! We played two shows in one day in NYC, and that is super hard to do. Just getting around NYC with all our gear is a nightmare, but we pulled it off. We played a free show in SoHo at the Chrome Bag store with kegs of beer and lots of drunk New York hipsters. Good times.
Your band’s style mixes up a plethora of punk rock goodness that spans from almost a street punk to a reggae-vibe. Was this style how DTM always was since its inception or has the band experimented throughout the years?
We have always just wanted to write songs that we want to hear. If it has a little Reggae vibe to it, then so be it. We love bands from all different genres like Hip Hop, Reggae, Hardcore, World Music, etc… so we just want to be able incorporate all of our influences into the songwriting process.
Fat Wreck Chords has been there for you since your debut. How does it feel to be on their roster? You actually worked for them for a few years correct? Being employed by Fat Mike on two different levels…nice.
Yeah, it is awesome being on FAT. I used to work in the mail room there and it was so much fun. It was like a family vibe for sure. We did tons of stuff together, not just work. We would play in bands together, go to shows together, go out to eat all the time and all that. Now being in a band on the label, I consider it an honor. When I call the label and have questions about this or that, I am talking to people that have known me personally for over ten years now, so I trust them completely. It’s a great feeling for sure.
DTM’s new album Moscow Penny Ante dropped a couple months back. It is a great release by the way. What can you tell me about this new release?
We are all really excited about our new record, Moscow Penny Ante. I love the job Matt Allison did producing it and am so excited to be playing new songs live, it rules. We have been touring so much over the last two years that this batch of songs is a very good reflection of the live spirit of DTM. It is much more cohesive than African Elephants and has a little more straight forward delivery I think.
Does the title have any reference to your country of origin?
No, I grew up in California. The title is taken from a term Malcolm X used to define his crew of small time thugs in Harlem, NY. I feel like a small timer in a sea of boys in bands that want to be big time and I could care less. I am happy with everything we have been able to do and I’m riding this thing until the wheels fall off. I never though in a million years that because of songs I wrote in my bedroom, it would take me to places as far away as Moscow.
What was done differently on this album that stands out over previous releases?
I feel like there as an overall confidence in song writing on this new record that wasn’t as apparent on previous releases. We got experimental on African Elephants and I love that record for that, but on Moscow Penny Ante I felt way more confident with what my melodies would end up sounding like and how I wanted the guitars to sound.
Will the band be taking a break anytime soon. Seems like you boys have been touring all over the world this year?
What is a break? I’ve never heard of that before.
Aside from DTM, your drummer Ian does some amazing artwork on used vinyl. I am kicking myself in the ass for not buying one when you played in Cleveland. How long typically does it take him to turn a beat up vinyl into a work of art?
I am sure he will be bringing some with him on our European tour in Jan/Feb 2012 so come to a show and try to grab one before they sell out. His pieces can take anywhere from an hour to twenty minutes to three hours sometimes. It depends on what materials he has laying around and how much time he has available to work on something.
Would you agree that punk is not dead?
It never has been and never will be!!
Did you ever think that you would be where you are now 20 years ago?
I definitely used to dream about playing in a touring punk band all the time 20 years ago. I knew with all my heart that it was what I wanted to do. I feel so insanely fortunate that I am able to do it now. I have literally traveled much of the globe and met amazing people world wide. I feel very lucky to be on FAT and lucky to have been able to play with some of my all time favorite bands over the years. It’s like living in a dream, it rules.
Awesome. Well that’s all I got…anything you care to add?
Thank you for the interview, we appreciate it! To anyone reading this, come hang out when we come t Europe in early 2012, it’s gonna be a blast!
Street punk shows it has a nicer side thanks to Left Alone, a Wilmington, CA act on their latest self-titled album Left Alone released through Hellcat Records. On the band’s third release they continue to play street punk material but incorporate elements of pop punk, reggae, and ska making for a real fun listen.
Opening track “Spiked With Pain” was a full punk rock track with sing along abilities and guitar and bass riffs suggestive of Rancid. There is a reason why this band was signed to Hellcat and perhaps Tim Armstrong enjoyed the similarities of Left Alone and the band he fronts.
“Branded” follows with the same energy as the first track with front man Elvis Cortez’s raspy voice just appealing to my ears. As if that was not good enough, the bass lines were sick throughout and overall the song is just screaming to be released as a single.
Almost sounding like the Madness meets Operation Ivy was the brisk “Sad Story” with a more ska approach that is easily likable and surly makes you want to skank away. The song was easily one of my favorites on the entire CD. See below for the music video of the song. Good stuff.
The catchy “3 Bottles Of Wine” and “Porcelain” both seem more pop punk tracks. They seem to escape the street punk image held by the band but still are enjoyable for what they are worth.
“Bombs Away” sounding a lot like The Clash’s “Police And Thieves” carries on just fine as the song is not a direct rip off but more so a compliment to the UK grandfathers of punk. “Brindle” starts off with a strong bass line that strays right into a fast paced track sure to be a hit at one of their live shows as it makes you want to swing your arms and dance around carelessly.
I loved “Self Made” with the more so 90s punk feel and an organ playing in the background. “Wishing Well” continued that feeling with a simple yet catchy punk track with some group vocals. These are the kinds of songs that turned me into a punk rock fan in the first place.
It’s nice to see a band like Left Alone not label themselves as one specific genre of music and experiment with their talent. This album is full of tracks with sing along qualities that span back to their previous releases but add a more fine tuned effort making for a good listen if you find yourself a fan of punk rock.
Left Alone is far from a commercial pop punk act and thanks to their recent release they should be grabbing some attention. Perhaps it is a good thing they stay away from the mainstream though as they have too much talent to be considered just another pop-punk act out there. Having already been fans of their previous releases Lonely Starts and Broken Hearts and Dead American Radio I can honestly say this CD is just as good of a listen if not better.
Boston’s Westbound Train are back with an all new album following their impressive 2006 debut Transitions. This time the seven man crew completely outdo themselves in every way possible with Come And Get It. The album was once again released on Hellcat Records and proves to be one of my favorite releases to date this year hands down.
Think ska music infused with jazz, reggae, and heavy doses of R&B and you have the perfect blend of what Westbound Train specializes in. Not to be compared with Motown, although close at times, the band remains a ska act throughout this release but keeps a soulful attitude.
I had the pleasure of reviewing the band’s last CD a while back and was impressed with every moment of it. This time I am back to that same level of excitement with Come And Get It. I must say that I am pretty sure that this CD will be my soundtrack for this summer hands down.
As soon as the CD started with “I Don’t Belong Here” lead singer Obi Fernandez’s voice seems to sooth the soul and set the mood. With horns, a groovy rhythm, and even some background harmony the song immediately put me in the most relaxed of states as the song reminisces about the good times. Almost reminding me of a Smokey Robinson song, “Ain’t Gonna Be Easy”, was a full forced R&B track sure to please any listener one way or another.
“Why You Cry” was an amazing ska soul track with ear catching singing thanks to King Django and also amazing tenor saxophone solos. “Come And Get It” featured some sick organ playing throughout the song with even more impressive singing.
“What You Need” was one of the more diverse tracks on the CD thanks to The Sweet Divines adding their classy soulful backup singing. If that was not good enough they return on “So Many Things A Man Can Say”, one of the albums more Motown inspired songs. If there is any track on this CD that proves this band has soul, this is the track.
“Critical Ska” was just that; a fine instrumental ska track from start to finish with an array of guitar, piano, and sax solos perfect for playing in the background of any outdoor party. “Cheers! The World’s Almost Over” ended the CD but not without leaving a good feeling.
Westbound Train is a ska band that has some serious soul playing abilities and Come And Get It proves it. I’m not saying this album is pure Motown but I am saying this comes very close and Westbound Train does it well. Fans of The Slackers, The Pietasters, and just good soulful music will enjoy this CD over and over as did I. Look for the band this summer at the 2009 Van’s Warped Tour.
In the event that you have not heard these guys it is only right for me to post some videos of material from their previous releases:
