Tag Archives: Album

Album Review: Teenage Bottlerocket – Freak Out!

21 July, 2012 Brian Mc Leave a comment

Small town pop punk heroes Teenage Bottlerocket have done it again…

You know what? Why make you all wait to read this entire review to find out what I think, Freak Out is nothing short of what I would ever have expected from this Wyoming foursome. Full of hilarious, catchy, and memorable pop-punk tracks, Teenage Bottlerocket has released one of their best albums to date.

There, review done. Go buy it.

Ok, for the sake of those who might want to know a little more, I suppose I can talk about Freak Out a little more. After all, what else do I have to do right now?

Formed in 2001 in Laramie, WY, Teenage Bottlerocket started small and soon got noticed the old fashioned way. With no gimmicks and hard work the band was not only picked up by Red Scare Records, but also grabbed the attention of the Groovie Ghoulies who had them play their stage at a Warped Tour. In 2009, Teenage Bottlerocket signed to Fat Wreck Cords and dropped They Came From The Shadows, an impressive release that immediately grabbed this listener’s attention. It’s had to believe that it’s been 3 years since that album dropped; I still listen to it regularly.

Freak Out is the band’s fifth release and immediately started off where They Came From The Shadows dropped off. The 39-second title track screamed Ramones in a good good way. I loved the “1, 2, 3, 4” count in the background. Following the opening track was “Headbanger”, and it straight up ruled. There is nothing quite like a punk rock song glorifying an 80s metal party and especially one that rocked out from start to finish. I loved the fact that said headbanger got a concussion from whipping around his hair and the band noting “that shit can’t be good for your brain.”

“Necrocomicon” was brilliant. The song revolved around “the comic book of the dead” in San Diego. Fun lyrics with Yoda and Captain Kirk aiming to attack thanks to an evil curse. Seriously, I totally expected Teenage Bottlerocket to write something like that. “Maverick” continued as a catchy ass track talking about the other guy in Top Gun that did not go on to have a flourishing career making movies while battling to stay in the closet.

Not all jokes and tributes to movies, “Done With Love” was more serious about anti-love surrounded by riffs and hooks that made for one of my favorite tracks on the album. “Punk House Of Horror” was another track I really got a kick out of that had Teenage Bottlerocket just producing fun pop-punk music. “Never Going To Tell You” followed in the lines of something Screeching Weasel might have written without ripping them off one bit.

At my current age, it was nice to find out that “In The Pit” actually made fun of mosh pits rather than glorify them. Once upon a time my dumb ass ran around in circles and probably pissed off tons of people. That was then, and this is now and I appreciated that song a lot and apologize for my mindless actions as a confused youth in the 90s.

“Summertime” screamed to be the anthem for the rest of my summer. Singing of being sick of the cold and snow and going to where it is “hot as Mexico”, I am sure some of you can sense why I liked this song so much. Beyond that, it was a punk rock love song I am sure many of my Ohio friends can relate to.

“Go With The Flow” ended the album on a rather personal level about growing up and moving on. I liked how the song circled back around enough to show different levels of hurt from each side. The music that played with it was a tad different over the other songs in the sense that there was what sounded like a keyboard in there. Seeing two sides of the departure made the song that much more interesting to listen to.

The album is a quick but lasting listen with 14 tracks carrying just below a half hour. Freak Out is one of those albums that easily can be listened to over and over without getting sick of it, trust me on that. Teenage Bottlerocket easily has dropped their best release to date and intend to take their talent to the road for all to hear.

Fans of the Ramones and Screeching Weasel (even early Green Day) probably already know who Teenage Bottlerocket is and what they are all about: pop punk with fun, easy to sing along to lyrics. Nothing more, nothing less. It’s hard to not like this band, especially for the fact that they have not really changed up their style much and still drop excellent releases. It’s nice to see a level of consistency for a 10-year-old band not because they have not gone anywhere, but because they choose to stick to what they do best. As they are just starting to get heavily noticed, I hope to hell they keep their sound for 10 more years. It’s perfect.

Cincinnati, Music, New Release, Pop, Punk, Review

Album Review: Mixtapes – Even On The Worst Nights

24 June, 2012 Brian Mc Leave a comment

I remember a while back when I went to the It’s A Kling Thing house to check out a band from Cincinnati called Mixtapes. Yeah yeah, call me that guy, but it is only fair. You see, a bunch of my friends who were well aware of what Mixtapes were about early on told me told me I needed to see them live and I am glad I listened to their advice.

The pop-punk foursome impressed me immediately with their ever so likable songs that clearly were written on the pure basis of fun and personal events. I remember everyone crammed in that tiny basement singing along and rocking out to some of the catchiest songs I had heard in a long time. I told myself back then that they were going to be going places soon and meant it 100%.

Mixtapes have always had songs that were written to be witty and as close to their hearts as possible making for a very personal listen. To top that, they are super best pals with bands like Direct Hit!, Wonder Years, House Boat, and countless others. They are friendly folk too and never seem to have mosh shorts to sell when I visit them at their merch booths. Quick to crack a joke and incite a smile, this band is always fun to listen to and hang around.

Fast forward to present day and here I sit typing out a review of their new release on No Sleep Records and I have to admit, I excited to be able to talk about it. Even On The Worst Nights is not their first release, but has shaped up to be their most important release to date. The band, who started writing tunes in 2010, has released a bunch of songs that can be found on various 7″s as well as for free download on the Internet. (Don’t believe me? CLICK HERE.)

Starting off Even On The Worst Nights was “Seven Mile”, a 54 second song that pretty much defined what the band surrounds themselves with: lack of friends, long days, small town life, and not a care in life. “Something Better” followed kicking things into gear with a pop-punk anthem of sorts. This song without a doubt will be a sing-a-long. I loved the lyrics “we sat outside talking about movies and music we hate cause there’s not much left to life.” Seriously, it is almost as if this band gets me.

The album title track really sounded like it was aimed at all the punkers out there that have been there and done that. Upon listening to it more though, it is clear the song recalls many of the issues the band has gone through getting to where they are today.

“You & I” was a slow starting ode to a special friendship that ended with a bang in less than a minute. “I’m Wearing The Device (Bridge, Water)” carried the typical personable Mixtapes lyrics I was hoping to hear with the band questioning themselves if they are good enough to continue.

My favorite track on the album easily was “Russian House DJ”. Perhaps it was because of Maura and Ryan’s back-and-forth-vocals throughout or maybe just because it reminded me of all the pop-punk I listened to over 10 years ago. Call it poppy or maybe even emo, all I know is that it was good and I enjoyed the hell out of it.

“Anyways”, featuring Grath Madden of House Boat, threw in jabs to nameless opponents (aka bands) for the sake of hilarity. The group vocals helped make for a good listen as well as lyrics that threw out Mixtapes’s definition of life. “I represent my city but not my scene” was sung with complete honesty proving that this band is all about the music and nothing more than that.

The drum-pounding intro to “One For The Ozarks” was perfect for the high energy track that was almost like a confession from the band admitting to change. Change or not, the song was likable with high and low points as well as a clever ending. “Just When You Thought It Was Over” was a punk rock jam that grabbed my attention in a good way. This song really showcased how much the band has matured as musicians in the past 2 years.

The duet “Golden Sometimes” had Ryan and Maura singing together with help from acoustic guitars and piano. It was a track that really brought back bad memories of relationships of my past that never went to plan. Once again, a certain level of emo-ness could be heard making for a very memorable song.

During “Basement Manners”, Maura took over on most of the vocal duties making for a great track to rock out to. “Mt. Hope” ended the album with the song sounding more like a conversation between good friends. Soupy from The Wonder Years actually contributed some guest vocals during the final track of the album.

I really enjoyed Even On The Worst Nights and know I will be adding this album to my daily playlist for some time to come. The songs overall on the album carried a Mixtapes standard sound I was expecting, but my only vice was that it seemed like Ryan got more attention vocally than Maura did sans “Basement Manners”. I would have preferred both vocalists to be on the same level, but it was not the end of the world. Mixtapes have definitely released a solid album that is going to be getting a lot of attention in a short amount of time.

The band that used to place basements and small stages better get used to some wiggle room, I know these guys (and gal) are going to blow up this year. If you have not heard of Mixtapes yet you really need to fix that and if you have not seen them live yet, boy are you missing out. They tour non-stop and chances are good for them hitting your town sometime this year. First things first though…they are playing the UK in August. Not too shabby for a band that just passed the 2 year mark.

Acoustic, Country, Folk, Music, New Release, Punk, Review, Solo

Album Review: Tim Barry – 40 Miler

7 May, 2012 Brian Mc Leave a comment

If I had to describe Tim Barry in one word, that word would be “real”. This former punk rocker turned folk rock hero is about as real as they get and I am not just saying that. He is a talented musician and a wholesome human who just lives life day by day. Barry, who used to front the legendary Richmond punk rock act Avail, has been going his own route since about 2004 playing solo shows all over the world.

In his fifth release, 40-Miler, Barry seemingly has taken his acoustic guitar and played from his hard-working heart. The album was put out by Chucksaah Records.

It’s an honest and to the point album where Barry talks about his previous involvements in bands, travels, and personal reflections on the life he has lived. The album leans more country driven than that of past releases by the man known to hitch rides on trains the old-fashioned way. The result is hands down his best release I have ever heard to date. It is safe to say that Barry may have created his own masterpiece without even thinking about it.

“Wezeltown” starting off the album with a soulful yet poignant Barry declaring “I pity the beautiful as the beautiful, they do pity me.” Fueled by hand-clapping and realization, this song was more than an opening track, it was a preach aimed at all the hardworking folk out there who don’t take everything for granted. “Driver Pull” was more like a personal conversation between the listener and Barry on a front porch moments before he hitches a ride out of town.

The title track “40-Miler” continued with the Barry’s storytelling and did not disappoint. Reminiscing about his traveling times in boxcars and tour vans, Barry also states he has “nothing but miles and miles” to continue on. I especially loved when Barry declared ” I’d rather stay broke than play fake ass shows.”

“Adele and Hell” was heavy on the country rock and perfect in every way. The duet between Barry and longtime friend and local Richmond recording artist Julie Karr was a match made in heaven. Karr gets down on this track with Barry that sings about a broken relationship. The harmonica playing aside the twangy guitar accompanies the signing so well. Hands down, this is one of the better tracks on the album. I was floored when I heard it.

Barry pays tribute one of his bad ass friends who plays in Lucero as well as in Glossary in the track titled “T. Beene”. This track, to me, was the country answer to NOFX’s “Punk Guy” with Barry recalling some crazy ass memories of a talented man who had lead an interesting life.

My favorite track on the album, “Fine Foods Market”, actually pokes fun at Barry as well as many of his fans who have “ironic mustaches” and drink PBR. I loved when Barry sung “oh look there goes another hipster kid”. He may have been making fun about everything, but was also quick to wonder how it all came about.

“Amen” was another amazing track full of Barry’s personal attributions and thanks accompanied by harmonica and acoustic guitar. From singing about breaking his hand in Ottawa to almost making it to every scheduled show, Barry sang about his life on the road and even admitted sometimes he would rather just be home. I especially got a kick out of the part where he praised a certain New Jersey band for letting him hitch a ride on their tour bus. It was not just a song sung, it was a celebration of all the hard work Barry has ever done. “Kick me in the head, watch me get right back up again” ends the album as almost a promise from Barry proving he is in this for the long run.

In a recent interview I did with Barry, he stated he actually erased 40-Miler from his he memory once it was completed. He said , “when I am done with an album I step away from it. This helps me gain perspective and hear it freshly.” He called it a “recording detox” and continued with, “I never have an intention with my albums. They come out the way they come out.” How can you not love this man?

Tim Barry is currently touring in support of 40-Miler. It is not a show to be missed.

Music, Music Video, New Release, Pop, Punk, Review, Rock

Album Review: Grey Area / The Reveling / The Copyrights / Luther – 4-Way Split

7 May, 2012 Brian Mc Leave a comment

Leave it to Black Numbers to gather up some kick-ass pop-punk/post-hardcore bands and drop a sweet split release on vinyl and CD. At 8 tracks long, the 4-way split features a pair of tracks from Grey Area, The Copyrights, The Reveling, and Luther. The result is a great listen by a group of bands that have been having no difficulty getting noticed lately.

The release was dropped earlier this year, but I kind of fell of the face of Earth, so my apologies in advance. Shall we continue?

NYC’s the Grey Area started off the split with “Lucky”, a pepped up punk rock track that easily reached back to the 90s punk rock scene. This song was amazing and perfect for opening up the album. Following was “Bad Anything”, a track that reminded me of Dag Nasty in a good good way. Having not been too well versed with this band prior to listening, I know what I am going to be doing once I finish this review up.

Brooklyn’s The Reveling was another band I have not gotten into just yet, but of course after hearing their tracks on this release, I intend to change that. “Trust Me” sounded of The Menzingers at times but not in a bad way at all. The song was a little too quick for me and seemed to just drop, but all was well once “Its Time To Ride” kicked in. I must say, I was impressed with what I heard and can’t wait to hear more.

Do I really need to say anything about The Copyrights? Most of you probably know what they are all about already, but still, this is a review so I will at least tell you all that they are from Illinois and they rule. “The New Frontier” was easily the hardest sounding track in the split. Never ceasing to amaze me, they dropped “Straight To The Office” from 90s punkers Scared Of Chaka. The cover was great in my opinion and I hope more kids will check out Scared Of Chaka after hearing the cover.

Philly’s Luther put out one of my favorite EPs last year, so I may sound a little biased here, but their offerings on this split were killer. “Sixty-One” was likable the moment the signing kicked in. Seriously, this track was fun from start to finish and just more proof how talented this band is. “The Door Is A Penthouse” impressed me as well. I told you I probably was going to sound biased, didn’t I?

This split is a great dose of 4 hard-working bands that I feel one day will be all over the music scene. Thanks to Black Numbers for putting together such an excellent 4-way split. Having played the split over and over since I got it, it’s easy for me to think that fans of punk rock of all types will dig this regardless if they know any of the bands on the cover or not.

The split is available on CD, LP, and digital download. What the hell are you waiting for? Go grab you one! Rumor has it you actually appear to be cooler once you have a copy in your hand. Just saying…

Country, Folk, Indie, Music, New Release, Review, Rock

Album Review: Lucero – Women & Work

7 April, 2012 Brian Mc Leave a comment

I am sure it’s pretty safe to say that Luerco is a band name that many have you have at least heard of. Maybe you are a huge fan of them already, or perhaps you have been meaning to check them out. For all I know, you have no idea who I am talking about.

My point is, if you are reading this, you now are aware of a band who calls themselves Lucero and I hope by the time you finish reading this mess of works you check them out if you have not done so already.

The boys in Lucero, for those of you who do not know, hail from Memphis, TN, and have been mixing their punk rock roots with their Southern style creating some entertaining country and indie folk rock music since the late 90s. Recently the band dropped their ninth release in their career titled Women & Work.

The honky-tonk “On My Way Downtown” started the album right with the pure intention of getting the girl to come out and have some drinks. “I know the last time we drank I was a little less than behaved” was sung by Ben Nichols and rubbed off as an honest apology. The horn-heavy title track “Women and Work” followed with a let’s-drink-this-bad-day-away-feeling. I loved the repeating lyrics: “Come on kid, let’s drink ’em down. Kid don’t let it get ya down.”

“Juniper” was one of my favorite songs on the album. It was just a fun upbeat Southern country / rock track perfect for getting weird to. The combination of horns and twang was perfect. I could only imagine the appearance (Read: “A dark-eyed beauty and a dangerous thing”) of the woman this song surrounded.

I found myself enjoying “Who You Waiting On?” mainly with the story told. It was a simple jam but the lyrics provided a clear image of a guy trying his luck at picking up a lone lady during last call.

The sorrowful “I Can’t Stand To Leave You” captured perfectly that which is called heart break. I felt the pain in that song and would be lying if I said I never felt that way once in my life.

“When I Was Young” reminded me that age may only be a number, but memories will last a lifetime. “Go Easy” ended the album with a gospel vibe especially when the female backing vocals kicked in. “Go – go easy. And we’ll find our way” repeated throughout the track and eventually put the album to rest. It was a nice switch, but something I was not expecting at all.

Overall, the album was a great listen, but there were two changes I noticed. First, I found myself missing the punk rock vibe. I did not feel it like I have in previous Lucero albums. It was almost like they decided to set it on the shelf this round. Secondly, Nicolis’ voice was not nearly as raspy. There is just something about his scratchy singing voice I have always been a fan of. On Women & Work, his voice is a tad smoother, almost as if he was dropping lozenges while singing.

I will say that this album grew on me tremendously after my initial listen. At first I was scratching my head on if I liked it, but after a couple of times through, I was hooked. I loved how personal the album was throughout and how I related with the lyrics. It’s catchy and it’s something that punk rockers and country lovers can all enjoy equally. Women & Work is one of those kinds albums I’d have my parents listen to and I know they would not give me shit for it, but rather, ask for more.