Tag Archives: The Awesome

Harvey Pekar (the band, not the legend)

I love Cleveland and its half-cousin-of a-city Akron.  There are a ton of reasons that have kept me here for so long.  One of them is the good people who I have surrounded myself in.  I know some of the best people in this area and feel privlidged.  The other reason I dg Northeast Ohio so music is because of the music scene.

What?  Cleveland and Akron have a music scene?  You bet your damn ass they do.  Lately it has been picking up too.

Sure, it might be a week or two between a solid show, but the local bands in Cleveland and Akron are good, scratch that, they are amazing.  Well, at least to me and that is all that should matter.  Some of my favorite releases last year were local bands.

Case and point: Harvey Pekar (the band, not the legend)

I love this Cleveland hardcore band so much that I am going to pimp them out to anyone who happened to accidentally read this.  Last December this band opened up for my pals Worship This! and killed it.  I was an instant fan.  With no material released at the time of the show, I was almost bummed all I was able to do was hear them one time.  Luckily a few weeks later they uploaded their EP to Bandcamp.

Harvey Pekar mixes up punk rock and hardcore with intelligence if that makes any sense.  The lyrics are the kind that make me want to research and the music makes me want to go nuts.  Some people might think the breakdowns are a tad excessive on a couple of tracks, but honestly, I think it works.  I dig their Thirty Ghosts EP a whole lot, especially “Confronting Flag” and “Begotten of Ian Fleming” (I do like me some James Bond you know…).  I look forward to seeing this band play out more and more in 2012 and drop a full-length.

Check them out if you want.  Keep it local folks.

Concert Review: Frank Turner – Outland On Liberty – Columbus, OH – 02/22/2012

It’s a known fact:  If you speed, you risk a good chance of getting caught.  I can tell you this first hand seeing how I was speeding down I-71 Wednesday evening on my way to see Frank Turner in Columbus.  I was just outside of the state capitol cruising at about 80 m.p.h. not paying attention at all when I saw, out of the corner of my eye, a state trooper shooting my car with his laser gun.  We made eye contact immediately after, and I knew I was screwed.

In a flash, the trooper was tailing my car down I-71 and the moment I switched lanes thinking that maybe, just maybe he would pull the guy over in front of me, he switched lanes again and turned his lights on.

Crap.

I knew I was speeding and was at fault, so I pulled over and waited for the trooper to approach my car and tell me what I already knew.  I tried to tell the state trooper that I was just cruising along and not paying attention to my speed because of how excited I was to be seeing Frank Turner at a venue in Columbus.  The trooper looked at me and asked who Frank Turner was.  I wanted to tell him all about one of my favorite musicians and persuade him to let me off the hook, but just told him that he was a punk rocker folk artist from England.  The trooper smiled at me and told me that he would be back in a moment with my ticket.

Shit.

So, my trip to Columbus from Akron cost me an extra $130 and I have no one to blame but myself.  Then again, if the trooper knew who Frank Turner was, maybe he would have shared his excitement with me and let me off.  After bidding the trooper a farewell, I jumped back on to the highway and made it to the Outland on Liberty.

Having never been to this venue before, I was not sure what to expect at all.  Hell, I had to ask a parking attendant where is was only to feel like a complete idiot when he pointed to the building directly across the street.  To be fair, it was my first time to the brewery district.

Outside, the Outland did not really resemble a venue at all.  Granted Turner’s tour bus was parked in front of it, I did not notice a sign for it nor did it look like your typical concert club.  There was also a Eiffel Tower metal-looking structure in a patio area that towered over everyone that stood out.  I was not sure what the significance was at all, perhaps a tribute.  Walking inside though, I had a completely different impression of the concert venue.  The place looked like what would happen if Austin Powers’ clubhouse turned into a goth club.  Crosses adored the walls and there was a giant tiered stage full of lights.  It was interesting and to be honest, I kind of dug it.

While asking myself if that stage was for real, I realized that there was in a completely different room that hosted the main stage.  Once I made my way to the stage area, I felt a little better about seeing Turner and crew play a normal stage and not a plexi-glass tiered stage, although that might have been awesome.

There were two opening acts and I will not lie,  I did not watch either of the openers as I was too preoccupied with catching up with some of my friends, new and old, who also were attending the show.  I will say though that I did hear one of the guys singing a song about Touchdown Jesus.  That is pretty bad ass if you ask me, but chances are if you are not from Ohio, you have no idea what that heck I am talking about.

Frank Turner and the Sleeping Souls (his full band) took the stage around 10 p.m. to the adoring crowd.  Opening with “Eulogy” from the band’s latest release England Keep My Bones, Turner and crew put forth an amazing set.  Playing songs, old and new, the crowd sung along at the top of their lungs with each song.  It was not just a concert, it was a party, a gathering of friends all having a good time.  Following was “Try This At Home” and I could not help but get lost in the song.

Turner and crew continued on playing tracks such as “I Am Disappeared” as well as his tribute to home “Wessex Song”.  I liked how Turner told everyone that he could care less about songs about NYC and L.A. and wanted to pay tribute to where he grew up.  When he asked the crowd if anyone had ever been to England, a few hands rose, and when he asked if anyone was from England, a girl screamed in excitement that she was. I am sure she appreciated that song more than anyone else that night.

Not just keeping to material the fans knew, Turner played a couple brand new including “Cowboy Chords” and “Four Simple Words”.  The latter of the two was really fun to listen to.  Before he sung it, Turner told the crowd that he hoped one day that the crowd would break into a choreographed dance when he played it.  The crowd did their best to dance together, but it was no Broadway performance.

In between the new songs, Turner played “Dan’s Song” but let the crowd know that no one would be invited on stage to play the harmonica solo as he was afraid that there might be a few people who might get pissed that they were not chosen and punch him in the balls after the show.  Instead, he invited the entire crown to play the “air harmonica”.  Basically, everyone cupped their hands into an O shape and screamed whatever noise they wanted to in their hands.  It was no harmonica solo, but it did the job.

Although one of his more popular songs, I was still psyched to hear the band break into “The Road” and later “I Still Believe”.  I could not help but laugh though when they played “Glory Hallelujah”,  knowing that it was Ash Wednesday.

To end the night, Turner set down his acoustic and took the mic belting out Queen’s “Somebody To Love” while the rest of the band rocked out.  This cover was the perfect way to end the show.

It was kind of suiting that the set ended with a Queen song seeing how in the very first song played that night, Turner sang “not everyone can be Freddie Mercury”.  Did anyone else catch that?

Throughout that impressive cover, everyone went insane and naturally wanted more, so it was no surprise to see Turner return to the stage moments after everyone exited.

To barter with the crowd, Turner promised two more songs during the encore and then added one more .  Turner, sans the Sleeping Souls, played an awesome cover of Tom Petty’s “American Girl” and a lot of people could not help but sing along.  Following was the always fun “Ballad Of Me And My Friends.”

During the last song of the night, “Photosynthesis”, the rest of the band joined Turner  on stage and played along.

Frank piped up just before the last chorus of the song and let the crowd know how he felt about rock n roll and said, “I’m always disappointed when rock n roll turns out to be a bunch of fucking dickheads with a tour bus and a raised piece of flooring who show up and make noise with a bunch of fucking hits and just turn around and go home. And no one talks to anyone anymore and no one fucking interacts and it’s boring and pointless and not the kind of shit we are supposed to be doing with our time.”

He continued with, “rock and roll is and always is, and punk rock especially, was about a run for the people who are equals and who are friends, who don’t have a fucking barrier who are doing something together and something communal, something transcending, something necessary…”

Needless to say, the entire venue went ballistic.  His words may very well single handedly changed they way people look at rock n roll in Columbus.

He was not joking about what he said either.  Once the band finished up, they all hung out with the crowd that stuck around.  Turner actually took time to talk to each and every fan that approached him, allowed photographs, and even signed records, fliers, and even a 20-year-old polo shirt (that was odd if you ask me, but who am I to judge?).  I think the greatest thing though, was that Turner was sincere with each interaction and wholeheartedly smiled and his fans, shook their hands, and even gave out hugs.

When I finally had a moment to chat with him, I thanked him for coming back to Ohio and could not help but tell him about my speeding ticket.  He laughed and grabbed my record  and signed it “Keep Speeding”.  He also was quick to give me a hug after we finished talking and I accidentally head butted him.  I was quick to apologize and he laughed and said “it’s ok, I feel as if we are now closer…”

Star struck?  Not one bit.  The guy is just like you and I.  He is real and does not play out for the paycheck.  He appreciates his fans as much as they appreciate him and that, to me, is beyond admirable.

Wednesday night was a good night in my book, well, not the speeding ticket part, but spending time with with some cool people and listening to one of my favorite acts out there definitely was.

Set List:
Eulogy
Try This At Home
If I Ever Stray
Prufrock
I Am Disappeared
Lore, Ire and Song
Wessex Boy
Fastest Way Back Home
Cowboy Chords
Dan’s Song
Four Simple Words
The Road
Peggy Sang The Blues
One Foot Before The Other
Glory Hallelujah
Long Live The Queen
I Still Believe
Somebody To Love (Queen Cover)

Encore:
American Girl (Tom Petty Cover)
Ballad Of Me And My Friends
Photosynthesis

Good Riddance To Play Again!

5 years ago, a punk band I had grown up with played their final show.  They called it quits to do their own thing, raise their families, and just live lives with the intention of being done forever (hence the final show). 

 As bummed as I was then, I respected Good Riddance‘s decision. Their final show was recorded  in 2007 and the band released it.  To this day, Remain In Memory – The Final Show is an album I still listen to on a regular basis.  It is just that good.

Today, I was on their website GRpunk.com killing some time and saw this:

After nearly five years, Good Riddance has decided to perform as a band again. The number of shows, when and where and all the other specifics have yet to be determined but for those of us who really missed the songs and those of you who maybe never got to see the band play, there will be Good Riddance shows in 2012 and perhaps beyond.

This is awesome. 

Interview: An Artist That Tattoos Named Evan Lovett

Do you remember your first time?  Think about it for a moment.  Did it hurt?  I know mine did for a moment.  It was not excruciating or anything, but it was a new pain that I slowly found comfort in.  I have returned to that feeling many a time since.  I really do believe everyone should experience it at least once.

I am talking about tattoos of course.  Many of us have them and many more appreciate them.

Whether you have 1 or 100, tattoos these days are becoming a more common trend and seen on people of all ages.  I am not going to get into the ethics of tattoos or anything of that nature, I am just merely pointing out what tattoos have become.  Forget the eyebrow ring piercing…tattoos are one of the more popular forms of socially acceptable self-expression on the human body.

I’ve interviewed all sort of people over the years for this site and others including musicians, artists, authors and once even a roller derby team.  Having my own site has opened doors to so many interesting stories and events.  I feel honored to have talked to so many people from all over the states.

I, until now, had never for whatever reason interviewed a tattoo artist and I honestly do not know what took me so long.  I’ve chatted with Cleveland’s Derek Hess in the past and his art is on the flesh of thousands of fans, but not once did I ever sit down with a tattoo artist and just shoot the breeze and find out a little more about them than many may know.

If any of you have ever met me, you are probably aware that I have a huge appreciation for tattoos and have quite a few all over my body.  I certainly plan on getting many more with visions of a full torso piece getting started this year.  With such a love of permanent art, I realized that a few months ago that I should really try to incorporate something into this site about tattooing.

As luck would have it, one of my favorite people in Austin heard wind of my idea and shared with me a name of someone I should check out: Evan Lovett.

Thanks Morgan.

It was not hard to track Lovett down, thanks to the ever popular social networking, and after I saw his online portfolio, I realized that not only did I want to interview him, but I wanted him to tattoo me.  His drawings and tattoos were more detailed than I was expecting and I was immediately intrigued to learn more about this guy, let alone get something done by him on me.

With him in Austin and myself in Akron though, I was not sure if that was going to happen anytime soon…until I realized I was going to Fun Fun Fun Fest in Austin.  I was sure he was going to be busy that weekend but I was mistaken and on day two of Fun Fun Fun Fest, Lovett texted me and told me to stop by the studio.

After hanging out for a little bit and checking out Lovett’s portfolio, he told me that he had some fun pieces he wanted to tattoo.  I took this as an invitation for him to use my skin as his canvas and was quick to pick out something that he had previously drawn up.  So, not only did I get to interview Lovett, but I also got tattooed by him.  The experience was amazing.  I enjoyed not only chatting with him, but also watching him work.  His shading technique was unlike anyone else’s I had seen before and he basically was painting on me.  Mixing inks and blending sections together.

The result was a great afternoon full of good conversation as well as an amazing tattoo.

How did you get into the tattoo business?  Was it something you wanted to do all along or were you kind of just introduced to it by chance?

Growing up the son of a biker, I was always around tattoos and tattoo art, but the way i got into it was kind of strange.  I was an artist from a young age always drawing and my dad basically handed me over to a tattoo artist that he knew to keep me out of trouble and I spent about everyday of my life in that shop from 15 to 18 years old.

Did you ever think you would ever be tattooing?

Before i stepped foot into that shop, no.  But after my second day there ,the boss made me pick up a machine and outline a skull on his leg just to see if i had the balls.  Well I did and after that I couldn’t think of doing anything else.

You are not as much of a tattoo artist as you are an artist that tattoos correct?

Yes, I agree with that.  Not disrespecting any tattoo artist out there, but I feel to call myself a tattoo artist would be disrespecting the tradition and culture of the tattoo arts.  I wasn’t introduced to tattooing in the traditional sense.  The first shop I worked at, and in fact every shop I’ve worked at, have all been custom shops.  Since I started so young, I was fortunate to attend art school while and after I started tattooing.  I try to look at everything from a fine art perspective. regardless if its skin or canvas, although I have to admit I wish sometimes i could just tattoo!

I feel I take my tattooing too seriously and envy those tattoo artists with a sense of humor.  In fact, I think the tattoo I did on you was the most light hearted tattooing I’ve done in a long time. (laughs)

I will admit, it was a lot of fun.  So, which do you prefer more then, tattooing or drawing?

Drawing for sure.  There is a lot less pressure in drawing.  When it comes to tattooing, I try very hard to not think about the result and focus on the process.  That is why I do my best to work out the drawing as much as possible before hand.  The fact that I draw most of my tattoos directly on the skin before i tattoo is a bit strange for people, until I’m done.  I have to make the drawing as detailed as possible so I end up drawing on people for hours sometimes. Luckily for me no one complains because when I’m done, I feel they have a better understanding of what the tattoo will look like and are a lot more comfortable with wearing it.  Plus it’s fun!

When did you start doing this process of drawing on the skin over doing a stencil?

A few years ago, but only after I had the process worked out on paper first.  A good friend and somewhat of a mentor of mine, Sean Zee, made me do a red pencil sketch for every tattoo i did.   After that, [he] started making me do full color sketches with pencils.   I did this for about a year with every tattoo I did.  After a while, the tonal study was all I needed and I could replace colors in my head.  That’s when the Sharpies came into play.  They allowed me to create a fully rendered monochromatic drawing with a strong enough contrast quickly.

If I feel I still need to better understand something, I will still do a color study.  You can never be too prepared.  The better the understanding, the better the final piece will be whether it be  a tattoo or painting of whatever.

Why a Sharpie though?

I like the shape of the fine point and the fact that they’re alcohol based.

So is there a process when drawing with Sharpies? Are there certain techniques you use when drawing with Sharpies over other drawing instruments? How many colors do you generally use?

The technique is harder to explain, but I basically blend out lighter colors with darker ones.  I do this in layers until i get the result I want.  i can use any colors, but I prefer to use primary ones: red, yellow and blue.

How long have you been drawing with Sharpies?

I’ve been drawing with them for a few years now, and it kind of just snowballed into kind of a style.  It really is my favorite thing to draw with.  The techniques I use originally were just experiments in order to open up some creative doors in my head, but after a while, I had so much fun and found them so versatile that i just stuck with it.  With every shop, convention or guest spot I do, I find others fascinated by how far I can take it which is cool because hopefully by the time I leave, they have took it upon themselves to experiment and open some doors themselves.

That is kind of awesome and makes me want to go out and buy a pack of Sharpies…  So have you reached out to Sharpie yet for a possible sponsorship? I think it is safe to say they are going to be impressed.

Working on it…

Tell me about growing up outside of Philadelphia in New Jersey.

I love that I grew up in that area, surrounded by everything from tree-filled suburbs to vast farm lands and the beach also being 15 minutes away from the city.  I feel it’s made me very adaptable and well-rounded.  Artistically, the east coast can be a little segregated at least in our industry.  No one really talks to other people in shops, it’s very territorial.  Regardless, I always tried to break that stereotype and befriended everyone.  I hope it worked. (laughs)  I was also introduced to some great graffiti artists. Some of New Jerseys finest in fact!   But that’s something I’m not about to get in to.

No doubt, talking graffiti with you would be awesome but let’s stick to the tattoos – at least for now.  What made you move from the east coast to Austin?

I’ve been visiting Texas to see family for as long as I can remember and it always seemed like the place i wanted to be.  I remember my first solo trip out here, I think i was about 13 and I definitely stood out (laughs), but everyone was so nice and friendly.   I was in a store with my aunt and people started asking me questions.   Being from the big dirty, I was suspicious, but when i looked at her she assured me that they were just nice.  [It] took me a while to learn to let my guard down a bit. (laughs)  When it came time for me to finally make that move, I was lucky enough to have a few friends who already lived or moved out here, so it made my decision a little easier.

I have to say, living in Austin is a bit of a comfort. This is the only city I’ve ever been in where people don’t just assume I tattoo. I’m mean everyone is covered out here, and sometimes it’s nice to not stand out.

You still travel to Philly though monthly right? Do you find a lot of appointments for work waiting for you when you visit?

Yeah, I work at Art Machine Production in Philly one week every month.  It started out as just a guest spot, a chance for me to finish up some work on my clients that I left behind.   I guess with almost 8 years of clients there though, I was still in demand.  So I talked to my buddy Tim Pangburn and we made it a regular permanent thing. I’m usually booked solid there which is a good change of pace to my more casual Austin work habits.

Let’s talk about your art.  You had an exhibit going on in Austin that lasted 2 weekends last Fall.   Care to talk about that for a moment?

Yes.  Me and my studio-mate Nick Baxter participated in what they call E.A.S.T. or east Austin studio tour.  It’s a two-week-long open house free to the public that allows anyone to come into our private studio and see our work, checkout what we have to offer, see some cool art and meet us.  There are over 300 individual artists and studios involved, so it was good to feel a part of a creative community.  But I think the coolest part of it was just seeing our work cover the walls of our studio. They were pretty bare until E.A.S.T. gave us a reason to change that. (laughs)

How was the overall response?

Really good. [We] had a lot of positive feedback. had a lot of tattoo folk come threw artists from shops and studios around the city come check us out, it was cool. [It’s] good for people to know; just because we’re a private studio, we’re not some big secret.  We just like to work in a smaller more comfortable atmosphere and make cool art work.

This is the first time you sold prints of your work correct? How did that work out for you?

Not bad, it was a bit weird for me, but had a good response and [I] was encouraged to make more.  My drawings seem to reproduce beautifully.

I’ll say.  Do you think you will make some of these prints available to others maybe via the net?

Never thought about it before, but I don’t see why not.  If someone likes my art enough to want it, the least I could do is get it to them.

Here is the piece that Evan did on me. Hands down one of my favorite pieces.

[I] still don’t feel like I have a style that’s mine yet, but standing back and looking at everything I’ve done at the same time, I guess you can see something there. But either way, I don’t think I’ll ever perfect anything.  [I] can only hope I die trying.

Your shading and detail is beyond amazing. How tough is it to take a piece you drew on paper and put it permanent on skin?

[It’s] way easier than taking something not perfected and putting it on skin. (laughs) But on a more serious note, there are limitations to both skin and paper and sometimes certain things can be pushed farther on one over the other.  I always try to push further when someone is going to be wearing it.  It’s only fair to them.

You’ve opted out the idea of owning a tattoo parlor and instead operate in a studio. When did you decided that you wanted to be more exclusive?

It’s something I’ve always wanted, once i started working on more of a serious clientele, but never pursued it till about a year ago.  When asking the advice of my friend Nick on whether or not he thought I could do it, he told me he did and would be interested in collaborating on it with me.  So, that sold me and here we are a year later.

The studio I work at in Philly is more open to the public, but has a private studio feel.  We all work there by appointment only and do as we please working each in our own style on the things that interest us the most, so i have a good balance.   Even if i did miss the atmosphere of a more street shop,  I can and do often visit my friends at work all around the city, and it’s a honor to be welcomed in.

I am sure your work travels by word of mouth right?  (In fact, when I was on South Congress the day before I flew home, a girl stopped me and asked me who did my piece.)

Well, since I’m am absolute shit at self-promotion, due to my shyness and anti-social behavior and anxieties, yea word of mouth has been the venue of chance for my carrier to spread.   So, thank you to all of you out there who proudly wear my work and show it off.

Really, thank you!  I am trying to have a working website this year!  About time, I know…

Wrapping things up, what’s one important thing you learned in the past that you use daily when drawing or tattooing?

To slow my role! Make sure i know where I’m going with a piece before I start and that in a business that relies completely on the will of another person, that it never hurts to be nice.

What is your favorite thing to draw? How about favorite thing to draw on?

Well I don’t know why, but I really like drawing birds and nature in general with sharpies on skin.  I like to paint with oil on board, and bic pen on diner place mats. (laughs)

You need to show me this place mat art one day.  So, what’s next for Evan Lovett?

I think I’m gonna up my convention game in 2012 and try and hit as many as i can.  Other than that, keep on making art as often as I can.  I’d like also to simplify my life, although that’s what i say everyday, [it] never seems to happen.

Check out the following links for more information on Evan Lovett:

Classic Touch Tattoos (Austin, TX)

Art Machine Productions (Philadelphia, PA)

Best Of 2011 According To BHP

Well it would appear that 2011 is coming to an end.  With that said, it’s time for a “Best Of…” Broken Headphones 2011 edition.

There were a ton of amazing releases throughout the year as well as live shows that I was able to attend.  Below is just a various list of bands that caught my attention, be it a recording or live show, over the past 12 months.

I should add that some of my favorite releases were from local Akron/Cleveland acts.  I am not just dropping their names because we are pals or anything, they all worked hard and put out some excellent releases.  If you have not heard of any of them, you really should check them out.

I may have missed a band here or there, but the following were the ones that stood out over the rest.

Albums of the Year:

SeahavenWinter Forever

*Hands down this is one of my favorite albums to drop this year.  They just have this indie punk rock sound that is ever so likable – trust me on this.  The first time I listened to it, I was hooked.  I see big things happening with this band in the near future.

NothingtonBorrowed Time

*This is another album I favored over the rest this year.  Catchy lyrics layered over wholesome punk rock is what this album is all about.  To make matters even better, they kick ass live.  They are coming back to Cleveland next month and I can not wait to see them again.  Listening to this band brings me band to the punk rock 90s I grew up on.

All DinosaursParanoid Indigenous

*So maybe the music was released in 2010, but the LP dropped this past Spring so I consider it a 2011 release.  This Cleveland act is beyond fun to listen to plus they put on one of the best live shows ever.  They are funny, quote 80s movies and are in it for the fun.  It helps they are also all super cool dudes.  If you are a Cleveland native, you should already know how amazing this band is.

Dave HauseResolutions

*I was a little late checking this album out as it was released in early 2011, but am glad I did not pass it up.  Hause (The Loved Ones) is an amazing musician and proves it in this killer solo release.  With help from his friends, he put together one hell of a release.  Do me a favor, if you like music, listen to this.

Living With LionsHoly Shit

*Words can not really describe how impressed I was when I heard these guys.  All I know is I will have this album playing regularly for a long long time.

Deer TickDivine Providence

*The boys in Deer Tick changed it up a bit and put forth a bitching rock album that I really dug.

DawesNothing Is Wrong

*Oh Dawes…you’ve done it again.  What a solid release.  You guys are on your way to being huge.  Keep it up.

Those DarlinsScrews Get Loose

*The girls and Lynwood dropped a impressive follow-up to their debut this year and I adore it.  Still kicking around the country-punk attitude, the foursome toyed with a more indie / garage rock sound and did a fine job doing so.

Old Man MarkleyGuts n’ Teeth

*This self-proclaimed “New Grass” band was one of the more fun releases I had have the pleasure of checking out this year.  I can not wait to see what happens next with these guys and gals.

Banner PilotHeart Beats Pacific

*Impressive release by a great punk rock band.  They need to play Cleveland soon.

White WivesHappeners

*This was the surprise release of the year for me.  Featuring members of Anti-Flag, this album is far from a pop-punk rock album.  On the lines of indie rock, White Wives needs to be heard.

A.A. BondyBelievers

*This guy really outdid himself.  You really have to check it out for yourself to realize why I appreciate it so much.  It’s a really beautiful release to listen to.

Bon IverBon Iver

*Not normally something I would listen to, but holy shit – it rules.

The Black KeysEl Camino

*Yeah yeah yeah… The former Akron, OH boys once again put out a release I admit I love.  I do not love the fact that the next time they hit Cleveland, they will be playing an arena.  It is safe to say they made it big time.  Let’s hope they don’t screw it up.

Signals MidwestLatitudes & Longitudes

*And yet another local act.  These guys are a big deal though…to me at least.  The dropped a really good record.  For serious.

EPs of the year:

LutherSiblings & Sevens

*Folk / Punk / Rock awesomeness.  I was caught off guard by this band.  They rule.  Sadly they had to cancel their Cleveland show after the band was involved in an accident in Chicago.  Luckily no one was seriously injured.  I can not wait for their full-length to drop.

Harvey PekarThirty Ghosts

*Dear Harvey Pekar (the band), thank you for existing.

Worship This! – Demo

*I normally do not mention bands that I am really good friends with the members, but I adore this band.  That’s all I have to say about that.

Two Hand FoolsBelieveland

*These guys better get signed in 2012 or else I am going to fight someone.  Another Cleveland act with plenty of talent.

Cherry Cola Champions – EP

*I remember the first time I saw these guys live.  I was not into them during their first song, and once their second song started, I was blown away.  Looking forward to seeing what this duo has up their sleeves next year.

The Awesome:

-Going to SXSW and seeing bands such as The Dead Milkmen, Flatliners, Dead To Me, Eyehategod, and tons others at various venues in Austin, TX earlier this Spring.  It was one hell of an experience to see so many bands cramped into such an amazing city.  Sadly when you have that many bands, you tend to miss out on some great sets by amazing bands.  Regardless, it was just awesome.  Plus…I saw Dale Watson play at Ginny’s.  That right there made my trip.

-Hanging out with Ninja Gun for a few days.  These guys are some of the best dudes I know.  They wanted to play shows on the East coast and I was able to lure them to Kent to play a show in September.  We all enjoyed hanging out so much that they kicked it for a couple more days where I took them up to Melt for some cheesy deliciousness.

-Getting Dave Hause to play a house show in Akron.  After seeing that Dave Hause was not playing a show in the Cleveland area just 2 weeks ago, I threw him the idea of a house show and he and tour mate Cory Branan were totally down with the idea.  The result was a show to remember with Hause and Branan trading off songs all night long.

-Hanging out with friends, new and old, at the Inner Sanctum Pier show on the E. 9th pier.  More people could have showed up, but regardless, I had a killer time that sunny day and got to watch Pat The Producer turn into a human tomato.

-Hanging out with Rise Against and doing some charity work them at the Malachi House in Cleveland.  The guys were super cool to hang with and really did not have that “rock star” attitude built from success.  Props to 92.3 for making that happen.

-Making the trip back to Austin, TX early November and attending Fun Fun Fun Fest.  I got to see some of my favorite bands all in one weekend including Murder City Devils, Hot Snakes, Hum, Slayer, Eyehategod, The Damned, Black Joe Lewis & The Honeybears, and Russian Circles.  This was one of my favorite festivals of all time.  It was a festival I had wanted to attend for a a few years now and I decided to go for it.  I am so glad I did.

-It’s A Kling Thing House & Girley House.  Both houses put on some amazing shows in 2011 with local acts as well as touring bands.  Seeing Jeff Rowe over the summer as well as Mixtapes just a month or so ago in a basement is as good as live shows get for this guy.

-Daytrotter’s Barnstormer Tour.  What a great evening of music that was.  The show was in a freaking barn.  Yes, I do not remember much as the beers were going down like water, but I know I had a blast with some pretty special people.

The Suck:

-Ben Weasel’s SXSW blowout.  Sadly I was on the other side of town watching Cleveland’s very own Ringworm in a ghetto ass bar.  Don’t ask me why I skipped out on seeing Screeching Weasel live, I was under the influence of many ice cold Lone Star beers.  Honestly, I am kind of glad I missed Weasel acting like a little girl on stage.

-Danzig’s Fun Fun Fun hissy fit.  One of the main reasons I wanted to go to Fun Fun Fun Fest was because the Danzig Legacy was playing it.  I was stoked to finally see Danzig sing some Misfits songs with Doyle on stage.  Instead I witnessed a diva take the stage late and get their set cut as they played past curfew.  I only heard two Misfits songs and left with a bad taste in my mouth.  People can think what they want about Danzig and that night.  I was in the crowd watching heater being pulled on stage as well as the side of the stage tarped up so that little Glen would not get cold.  It was over an hour until the stage met his needs and the dude was fully aware of the curfew.  I will say that the two Mistfits songs had me feeling like a kid all over again.  Shame I could not witness the entire set that he had planned.  Lucky for me Ted Leo did a TV Casualty set the next day and made up for the Danzig drama.

-Seeing NOFX over Those Darlins.  I regret that decision a lot.  Two of my favorite bands played the same night and I had to choose one over the other.  The good news was that I got to see and meet Old Man Markley.  Sorry Darlins, I will not miss you next time you all hit up Cleveland.  Please forgive me.

-Atari Teenage Riot’s Cleveland show getting cancelled.  I was stoked to see these guys and was prepared to lose my hearing that night.  Hours before the show, their promoter cancelled the show.  Needless to say, I was pissed.

-92.3 and 107.3 changing formats.  Cleveland is a lost cause with radio now that both those stations were yanked.

Wrapping it up…

2011 ended with a bang for this music lover.  Thanks to all my friends from all over who made this year extra special for me.  You all know who you are.  From letting me crashing on couches to allowing bands to play in their basements you helped make this year what it was.  Also to everyone who attended shows with me and shared the same passion I have for music, thanks.

Happy holidays everyone and thanks for taking a part out of your day to visit this site.

Ok 2012, let’s see what you have in store.