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Album Review: Those Darlins – Screws Get Loose

Fueled with a new found (and very welcomed) sex appeal while looking ever so refreshed, Those Darlins are back with their all new sophomore album entitled Screws Get Loose.  Nikki, Jesse, Kelley, and  Linwood continue their quest to have constant fun, drink the stiff drinks, and tour the country all while leaving a lasting impression on all who join in their nightly rock n roll shambles.

Even amidst non-stop touring, minus a brief timeout due to pair of broken bones in Nikki Darlin’s forearm after she lost a battle with Ohio terrane, the band was quick to record a follow up to their 2009 debut.

Screws Get Loose, in reference to the screws used to hold Nikki’s bones in place last summer, was released once again on Oh Wow Dang Records.

Known for being a more of a country / punk / garage rock sounding act, the foursome have switched things up a tad and added a nice indie rock style to their sound in their mix.  One of the coolest aspects of this change is hearing Linwood, the band’s lone male drummer, lend his pipes on the album as well as help write some of the tracks.  The girls still trade off with vocals throughout the album keeping it catchy and all so fun.

The title track “Screws Get Loose” open up things with a song carrying a couple of references to why screws were needed in the first place.  The new sound coming from the quartet was good and quite the shock to hear.  It was almost as if Those Darlins left their country sounds on the porch in Murfreesboro and headed off to the big city for a entirely new prospect.

“Be Your Bro” hands down is my favorite track on the album. Having heard it months earlier at a live show of theirs last Fall, I fell in love with the Darlins a little harder because of this track.  Singing of how the girls just “wanna run and play in the dirt” while said guys “just wanna stick it in” just proved how real the girls are and how not afraid they are to tell it how it is.  Singing “I may have girly parts but I have a boy’s heart” hopefully will throw a hint at any Darlin chasing fellow, or will it?

“Let U Down” premiered Linwood’s vocals, an improvement in the direction of the band if you ask me.  Not that there was anything wrong with the girls taking vocal duties throughout the songs, but Linwood has himself a very fitting voice that goes perfectly with the music that they all create.  This is a track that needed to be heard.

“Mystic Mind” was a trippy track that didn’t necessarily fit the rest of the album but was hard not to listen to.  “$” was a step back for a moment into what I previously was used to coming from the Darlins and their group vocals.

“Starving for something and it ain’t your touch” start off the hilarious “Fatty Needs A Fix”.  The track easily is a continuation to “The Whole Damn Thing” off their debut album, as a drunken end to a night out required some immediate stomach pampering and nothing more than that.

“Waste Away” put a halt to the party with a direct message to a certain someone to knock off the hardcore partying.  This track reached back to material from their previous album.  “BUMD” closed the album with what sounded like to me something pulled from the 60’s.  The song differed from the others with more proof of how much talent these four musicians possess.

It was almost a shock to hardly hear any country driven tracks on this album, but it’s just proof that Those Darlins are maturing into an even more of an amazing act.  Shorter than I would have liked, Screws Get Loose is a great album from start to finish with plenty of tracks to help you shake your baby-maker throughout thanks to all of the members coming together and doing what they like to do best.  If you were not a fan of their first release, you might just want to pop this one in and see if it catches your fancy.

Concert Review: Dropkick Murphys / Against Me! / Off With Their Heads – House Of Blues – Cleveland, OH – 03/06/2011

If anyone in the Cleveland area was suffering from the Irish flu Monday morning, chances are it was because they were one of the many who the filled up the House Of Blues Sunday night to see the Dropkick Murphys (DKM) with special guests Against Me! and Off With Their Heads.  The Irish punk rockers just kicked off their St. Patrick’s Day tour in support of their new album Going Out In Style that was just released last week.  Having been sold out for months now, all who filled that venue last night were well aware that they would be treated to a top-notch performance by two of the most talented punk rock acts out there.

Fans of all ages waited anxiously outside the House Of Blues along Euclid Ave. prior to the doors opening.  The weather was relentless to all who showed up early with frigid winds hammering down upon everyone, especially to those who few decked out in kilts.  Everyone obviously was from Northeastern Ohio though as the cold did not ruin anyone’s spirits.  The doors to the venue soon opened and everyone made their way inside.

Opening act Off With Their Heads took the stage around eight o’clock and played through a straight up punk rock set.  The Minneapolis, MN band had no problem introducing their style to the packed house and by the third song of their set the crowd was getting into them.  Not worrying about initial crowd reaction, the band seemed more focused in on rocking out as they tore through their set with songs including “Fuck This, I’m Out” and “Terrorist Attack”.

Gainesville, Florida’s Against Me! followed soon after delivering one of their best live sets I have seen to date.  These boys have come a long way in their career and really are not that punk rock band they used to be.  They have turned into rockstars, there is no doubt about that, and fully embrace their change in style to the fullest.

The fans went crazy as the band played quite a few selections off their newest release White Crosses as well as older material like “Pints Of Guinness Make You Strong”, “T.S.R.”  and one of my favorites, “Turn Those Clapping Hands Into Angry Balled Fists.”  Tom Gabel, James Bowman and Andrew Seward were beyond energetic and encouraged crowd participation throughout the set.

I was sad to see that Warren Oakes was not behind the drums anymore as he departed from the band back in 2009 in favor of becoming a restauranteur, but their current drummer for 2011, Jay Weinberg, was absolutely amazing.  Many of you may know his father – Max Weinberg, you know, the that guy who played drums for Conan O’Brien as well as some guy named Bruce Springsteen.  Like father, like son, young Weinberg was a treat to watch live with the rest of the band.

Ending their set with “Sink Florida, Sink”, all the Against Me! fans in the crowd sung with the band as loud as they could proving that rockstars or not, there were plenty of true fans gathered to see them play that night.

Gabel with his very similar James “Buffalo Bill” Gumb looking hairdo and crew were all smiles throughout their shorter-than-I-preferred-set.  I may be biased sounding here, but I am used to seeing this band headline shows so to see them fill in a middle slot with no encore was kind of a bummer.  I was not the only one who felt this way either as other Against Me! fans begged for just a couple more songs, but the band needed to make way for the headliners.  Headlining or not, this band gave it their all from the moment they took that stage until the last note was played.

Taking the stage in style, DKM emerged to the crowd in the dark while Thin Lizzy’s “Boys Are Back In Town” blasted over the PA.  The Irish punk rock heroes of the working class took their place on stage and immediately tore into “Hang Em High” with Jeff DaRosa starting things off on banjo as well as Scruffy Wallace doing his thing on the bagpipes.

To say that the crowd went wild would be an understatement.  They went insane and pretty much stayed that way for the band’s entire set.  It probably helped that lead singer Al Barr kept jumping down off the stage and into the crowd throughout the night to get some help from the fans as well as the rest of the band sounding amazing as ever.  Sadly James Lynch was not able to make the Cleveland show, but their guitar tech saved the night and filled in.

Focusing on newer material throughout the set, the band cranked through “Captain Kelly’s Kitchen” as well as “Deeds Not Words” but also played a few gems like “The Gang’s All Here” and even “Johnny, I Hardly Knew Ya”.  “Barroom Hero” with Ken Casey taking the lead was without a doubt my favorite song played.  Casey also was the one in the band who spoke up about the union issues going on currently and dedicated “Worker’s Song” to all who are dealing it.

The female that joined DKM, whose name I did not catch, not only played fiddle throughout the night, but also did a hell of a job singing with Casey and Barr on “The Dirty Glass”.  In fact, for a quick moment I thought Stephanie Dougherty snuck up on stage.

“I’m Shipping Up To Boston” was without a doubt the crowd’s favorite song of the night.  The moment the first notes of that song started everyone knew exactly what was about to happen.  Barr screamed at the crowd with mic in hand atop a wooden box for a moment and soon thereafter jumped towards the crowd again for some more help.

The encore was more like an all out party.  Hordes of female fans were invited onto stage as DKM played the crowd ‘s anthem of the night “Kiss Me, I’m Shitfaced”.  Tons of girls all took advantage of the invite and continued to jump on stage until there was no more room left.

Of course the band had to invite all the boys to the stage soon after to help sing the final song of the night, “Boys On The Docks”.  I was seriously tempted to push my way up front and try my luck at jumping up there, but clearly there was not enough room for the what looked like 100 fans that were already up there.  Honestly I am not quite sure how the band was even able to play, but they did, and it was awesome to watch.

People off all ages (and I mean all ages – there was a seven-year-old front stage and center) were Irish for a night.  It was really cool to see all the different types of people who came out that night and enjoy themselves.  Some folk were holding up union shirts as a symbol of thanks to the DKM for their stand with all that is going on with the workers labor issues while others held up their pints high.  Everyone was signing loud and proud throughout the night all thanks to DKM and their 15-year career.

Off With Their Heads setlist:
1612 Havenhurst
Drive
Their Own Medicine
Trying To Breathe
I Am You
Terrorist Attack
The Eyes Of Death
Fuck This I’m Out
Cover Song (Fake Boys)
Keep Falling Down (I think…)
Die Today
Clear The Air

Against Me! Setlist (from what I gathered):
High Pressure Low
Pints Of Guinness Make You Strong
From Her Lips To God’s Ears
Cliche
Don’t Lose Touch
Rice and Bread
White Crosses
New Wave
I Was A Teenage Anarchist
You Look Like I Need A Drink
Turn Those Clapping Hands Into Angry  Balled Fists
White People For Peace
Bamboo Bones
T.S.R.
Walking Is Still Honest
Thrash Unreal
Sink Florida, Sink

DKM Setlist:
Hang ‘Em High
Captain Kelly’s Kitchen
Barroom Hero
The Gang’s All Here
Johnny, I Hardly Knew Ya
Never Alone
Deeds Not Words
The State Of Massachusetts
Memorial Day
Road Of The Righteous
Curse Of A Fallen Soul
Going Out In Style
Take ‘Em Down
Worker’s Song
Cruel
The Gauntlet
The Dirty Glass
Citizen C.I.A.
The Auld Triangle
Broken Hymns
The Irish Rover
I’m Shipping Up To Boston

Encore:
Kiss Me I’m Shitfaced
Skinhead On The Mbta
Boys On The Docks

Album Review: Me First & The Gimmie Gimmies – Go Down Under

There is a huge difference between a gimmick and a good idea.  For Me First & The Gimmie Gimmies (Me First), a punk rock super-band of sorts, their idea of covering classic songs with a punk rock twist is far from a gimmick.

Featuring members from acts such as Swingin’ Utters, NOFX, Foo Fighters, and Lagwagon, Me First originally was just a side project with the members only wanting record cover songs to offer them up on compilations.  Soon after they were releasing singles followed by full length albums through Fat Wreck Chords that covered all sorts of genres from rock to country and to even showtunes.  16-years later the band is still pushing out cover songs that sometimes (who am I kidding – everytime) sound better than the original.

This time around, Me First has graced everyone with five Australian band covers on the Me First Go Down Under EP.   It’s a quick listen, but at the same time absolutely brilliant.  The band also made sure to drop the EP when they were touring in Australia. 

So what is it about hearing a punk version of  “Never Tear Us Apart” by INXS that is so damn enjoyable?  Maybe because it is sped up, or perhaps because lead vocalist Spike just has a great singing voice.  I should admit that I may have liked that song growing up, but prefer the Me First version hands down – it sounds so much better.

Hearing Air Supply’s “All Out Of Love” made me wonder about the challenge this band endured while covering such a cheesy track.  As much as I despise this song I could not help but crack a smile while it played through and hold myself back from singing along.

“Friday On My Mind” by the Easybeats was entertaining but not as much as hearing the boys cover Olivia Newton-John’s “Have You Never Been Mellow”.  I used to hate that song but now have a new found love for it.  Thanks guys.  Ending the EP was a Rick Springfield cover of “I’ve Done Everything For You”.

It is very possible that Me First recorded this album in a weekend for kicks and giggles on their end as well as for their fans.  I am sure it was still a difficult task to learn the songs with a straight face as well as find some free time to get together.  After all, these guys have full time gigs in the music world.

Being that Me First is just a side project, the band members are all some pretty busy people with their actual bands.  It’s nice to see them keep up this fun little cover band, one that I have been a fan of since high school.  I hope for their sake and mine it continues for years to come. 

I still have yet to see this band live as somehow I missed them when they played the Warped Tour years ago in Cleveland.  I blame beer for that one because I know I was at that show.  Still, I am sure they will be back soon and maybe if I win the lottery anytime soon I can head to Vegas and see them play at the Punk Rock Bowling show on 05/29/2011.  That would be awesome.

I may have mentioned before that Me First is not a gimmick but also they are not to be taken seriously.  They are a group of great guys out there just having some fun reinventing classics into something much more tolerable to most folks’ ears.  Check out their latested EP, I guarantee you will enjoy it.  At just $8 for a 7″ or CD it is well worth the price for something fun to listen to.

Catching Up: Frontier Ruckus @ Musica – Akron, OH – 02/19/2011

Hello to all you happy readers out there.  Sorry for the lack of posts recently, but I have been really caught up with school the last couple weeks.  

So what have I been up to other than studying too much you ask? 

Well…

Last Saturday I headed to Musica in Akron, OH to check out the amazing folk act Frontier Ruckus.  This band blew me away live.  I have been a fan of them for some time now but always missed them when they came to Ohio.  I made damn sure I was not going to miss them this time.

The band made their final stop in Akron before wrapping up their tour and enjoyed every minute of it.  If you have not heard of them yet and like some honest, good folk rock, check them out.  Their saw player is amazing (yes, saw player).

The band played through a great set with everyone in the house signing along and enjoying themselves.  One kind female fan even showed her approval and tossed an undergarment to the stage.  The band loved it and even made the comment that no one had ever done anything like that for them before.  Once they found out the owner of the garment, they jokingly asked her to prove it was hers.  She had no problem doing so…

Other than a couple of highly intoxicated guys who could not control the volume of their voices, the night was a blast.  Frontier Ruckus are one of those bands that sound so much better live and I am glad I finally made it to experience it.

Opening act White Pines were playing when I got there and besides the Kings Of Leon singing similarities, they sounded awesome.  There was an opening local act that I missed but from what I heard from the hyper Moby-looking bartender (I mean that in a good way), the crowd loved them.

I took a crappy video of them playing “Junk-Drawer Sorrow” with my iPhone during their encore.  The coolest thing about the video I took is that the band pulled the plugs on all of their amps, gathered in front of the crowd and played the song a cappella:

Again, sorry for the crappy quality.  I am going to invest in an HD camera soon I think.

I did not bring my camera to this one, but luckily someone named Kayla Muller did and the band posted her photos on their site.  Nice job Kayla!

Frontier Ruckus was offering a pretty unique FUNRAISER recently (it ended  today – 02/25/2011 actually) to help them get a new touring van.  See this letter for the reason behind the request for donations.   I was just checking out what were offering to raise money for a new ride and I must say I was impressed with the idea.

Bundles were offered as an exchange for a donation and they started at $10 for some demos from the band.  The bundles escalated from there.

For a mere $1000 donation you could have received from the band:
Copy of trinity thaw demos
Copy of live at noordbroek
Copy of live at eddie’s attic
A limited edition I Am The Water You Are Pumping EP
A digital download of Deadmalls & Nightfalls
A digital download of The Orion Songbook
The Orion Songbook
on vinyl (2xLP)
A frontier ruckus t-shirt
A personalized song written by Matthew
Hand-written lyrics for personalized song
&
A house concert for you and your friends

I wish I was able to take some donations on my end to make that happen…

Album Review: Social Distortion – Hard Times & Nursery Rhymes

Punk rock icons/godfathers Social Distortion are back with an all new album entitled Hard Times & Nursery Rhymes.  After seven long years, Mike Ness and crew have released a self-produced album on Epitaph Records.  This is the first time the band has taken production into their own hands in their 30+ year career.

Before I go any further, I have to confess that I have been a life long fan of Social D.  Sure, I am sure there are a lot of us out there who can say that, it is almost hard not to admit that.  I was introduced to Social D at a young age thanks to some cool kids and was hooked ever since.  They were one of the bands that helped me identify the genre of music that I liked most – punk rock, however; they were the band that also got me into country and rockabilly.  Over the years they were part of the soundtrack to my life and still are to this day.  They will be one of those bands that stay with me for the rest of my existence.

So with that said and done, let’s talk about Hard Times & Nursery Rhymes.  This is the band’s seventh release in their career and the first on the independent label Epitaph Records.  The major difference in this release over all the others is that Mike Ness produced the album himself giving him the opportunity to do things his way for once.

Opening track “Road Zombie” was a two-minute instrumental piece of awesomeness.  It was almost like a teaser to any listener who has been waiting seven years for Ness and crew.

A less gritty-sounding Ness sang on the following track entitled “California (Hustle and Flow)”.  With female backup vocals that could have fit on any Springsteen track in the past, the track was more rock n roll sounding than I was expecting and honestly, I was impressed.  The smooth and easy going track still had that Social D vibe I was hoping for including a certain ball and chain reference.  Full of soul and a certain twangy feel made this song even more impressive to listen to.

“Gimmie The Sweet And Lowdown” brought back that sound I was looking for previously.  With lyrics that begged to be memorized and a guitar riff that won’t be leaving my mind anytime soon.  The gangster “Machine Gun Blues” was a stand-out track thanks to the old school feel with Ness just tearing up his Les Paul on this track towards the end.

“Bakersfield” really paid helm to the country and blues that Ness grew up on with a clear mention of Buck Owens.  Whether or not the song was based upon a true story, the ending carried a certain hope of return.   The track has been played live for a couple of years now by Ness during his solo tours and by Social D with good reason – it is amazing.

“Writing On The Wall” hinted heavily of Lynyrd Skynyrd (seriously, I was waiting for “Freebird” to interrupt the song), but once I got listening to it I could not help but identify with the heartfelt lyrics like “they say if you love someone you gotta let them go. and if they return to you that’s surely how you’ll know.”

“Can’t Take It With You” was another rock n roll track guaranteed to make you move.  As if Ness’ singing was not good enough, throw in some more lively female vocals, barroom piano playing, and just some bad ass guitar jamming to make for one fun song.

Closing up the album was “Still Alive”,  a track that almost defined the life of Mike Ness and all that is Social D.  This was without a doubt my favorite track off the album.  I loved the lyric “and I’m here to make my stand with a guitar in my hand.”  Poetic justice at its finest.

Upon my first listen of Hard Times & Nursery Rhymes, I think I was a little too focused on looking for the Social D sound that I had become so accustomed to.  I had concerns on how clean the album sounded and not once thought for a moment that maybe this is what Ness wanted to do now that he had full control.  After a couple of listens though my opinion changed.  Not only did I appreciate the collaboration of references throughout the rock n roll album, but I also dug the lyrics Ness put together; lyrics I intend to grow up with further in my life.  The album is solid from start to finish and I doubt there will be many Social D fans out there who will disagree.