Tag Archives: Review

Folk, Music, Music Video, New Release, Punk, Review

Tim Barry – 28th & Stonewall – CD Review

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Tim Barry, most commonly known for being the lead of punk rock outfit Avail, has done it again his way with his most recent release 28th & Stonewall. Once again he has created an honest solid album heavy on the folk with no bells or whistles that any hardworking music loving American can appreciate. The release is a personable attempt and can relate to any hard working person out there who knows all too well what the American dream really is all about.  This is his fourth release on Suburban Home Records.

Still putting time in a 9 to 5 job when not touring, Tim Barry is just like everyone else.  The guy is a true American at heart and is not thrilled about emails and technology.  He is happiest at home with a beer and might just be one of the friendliest guys out there.  Just don’t piss him off as he still has some of that punk rock angst left in him.  Recently some drunk idiot found that out while heckling Barry on stage at a show during a more personal song.  The result was a fight that should never have happened but proved a point – don’t mess with passion.

Granted he used to front a punk rock band, these days the friendly fellow finds himself more of a folk artist.  When time allows he gets together with friends and family in his hometown of Richmond, VA and records songs just for the pure joy of it.  Recording most of the songs in a three week period while home on break from seemingly increasing tours the material turned into 28th & Stonewall and really may be his best work yet.

The boot stomping “Thing Of The Past” started off the album with a very direct sincere track about everyday life of not only the singer but many other folk in this world talking about lack of money and living life. With lyrics like “I want nothing and that’s still all I have” as well as “it’s not what you make or do, it’s how you’re living” how could someone not appreciate his lyricism?

“Prosser’s Gabriel” stuck out over all other tracks on the album as Tim Barry told the story of an attempted slavery uprising Virginia by a former slave who was never added to the history books. I was glued to the story throughout the song featuring Tim Barry and his guitar. The song was not something I would have expected Barry to write but it was done so well. Not only did the song stick in my head days later but also intrigued me to learn more about this unknown hero.

One of the most enjoyable songs on the album was “Will Travel” featuring the No BS Band who supplied some heavy New Orleans style horn playing. “Moving On Blue” was a gloomier track pertaining to a relationship laid to rest featuring Daniel Clark (who has helped out Ryan Adams on more than one occasion) on piano.

“Downtown VCU” tells the story of a girl who was “one part country one part urban thug” (love it!) that passed on a newly enrolled college student. The song is a story of humor that really reminded me of Johnny Cash’s “A Boy Named Sue”. It had a point to it but was also surrounded by all sorts of witty calamity resulting in a fun track.

“Bus Driver” really put an end to the CD in the right way. Tim Barry sang on how he is tired of touring and singing and just wanted to go home. Thanking his booking agent and bashing his tour manager he asks that people let everyone know that he “long gone” and for everyone to “go on” without him. He even requested fans to tip his merch girl because she was not making enough. Not to be taken literally the song is more of a thank you to all the people that surrounded him as he toured.

While listening to the CD on the way to work a couple weeks back my mood changed and I really just wanted to turn around, grab a 12 pack, and just drink myself into a comfortable state while continuing to listen to the CD.  No, I am not a closet drunk or anything but this CD just had that effect. Full of storytelling songs I could just hang out on a porch with friends and listen to on repeat all day long.

Tim Barry really outdid himself on this album and proved the point of being a working man by stating that he “could stay home and make a lot more money working at the Richmond Ballet” but confesses that he “wouldn’t feel fulfilled”.  Thanks for continuing to do what you fo Tim, it is well appreciated.  Look for Tim Barry to tour in a town near you this Spring.  (Tour dates listed below)

Tim Barry 2010 Tour:
3/2/2010 Virginia Beach, VA @ Jewish Mother
3/3/2010 Chapel Hill, NC @ Local 506 w/ Ninja Gun
3/4/2010 Columbia, SC @ New Brookland Tavern w/ Ninja Gun
3/5/2010 Atlanta, GA @ Purgatory at the Masquerade w/ Ninja Gun
3/6/2010 New Orleans, LA @ Zeitgeist w/ Ninja Gun
3/7/2010 Houston, TX @ Walter’s on Washington w/ Ninja Gun
3/8/2010 Austin, TX @ Emo’s w/ Ninja Gun
3/9/2010 Dallas, TX @ the Prophet Bar
3/11/2010 Tempe, AZ @ Yucca Tap Room
3/12/2010 San Diego, CA @ Soda Bar w/ Possessed By Paul James
3/13/2010 Long Beach, CA @ Alex’s Bar w/ Possessed By Paul James
3/14/2010 Los Angeles, CA @Jaunita’s w/ Brian Hanover
3/15/2010 Santa Barbara, CA @ Velvet Jones
3/16/2010 Santa Cruz, CA @ Blue Lagoon
3/17/2010 Sacramento, CA @ Blue Lamp
3/19/2010 Oakland, CA @ The Stork Club
3/20/2010 San Francisco, CA @ Thee Parkside
3/22/2010 Portland, OR @ Hawthorne Theatre Lounge w/ Michael Dean Damron
3/23/2010 Seattle, WA @ El Corazon w/ Lizzie Huffman
3/25,2010 Salt Lake City,UT @ Burt’s Tiki Lounge
3/26/2010 Denver, CO @ Three Kings Lounge
3/27/2010 Lawrence, KS @ Replay Lounge
3/29/2010 Louisville, KY @ Skull Alley w/ Red Clay River
3/30/2010 Indianapolis, IN @ the Vollrath Tavern w/ Red Clay River
3/31/2010 Chicago, IL @ Reggies Rock Club w/ Red Clay River
4/1/2010 Detroit, MI @ Smalls w/ Red Clay River
4/2/2010 Cleveland, OH @ Beachland Tavern w/ Red Clay River
4/3/2010 Harrisonburg, VA @Court Square Theatre (MacRock) w/ Red Clay River
4/5/2010 Washington, DC @ Black Cat Backstage w/ Red Clay River
4/6/2010 Philadelphia, PA @ Johnny Brenda’s w/ The Menzingers, Red Clay River
4/7/2010 Cambridge, MA @ Middle East Upstairs w/ Red Clay River
4/8/2010 Brooklyn, NY @ Knitting Factory w/ Red Clay River, Jonny Corndawg
4/9/2010 Asbury, NJ @ Asbury Lanes w/ Red Clay River
4/10/2010 Richmond, VA @ The Camel w/ Red Clay River
4/22/2010 The Zoo, Brisbane w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/23/2010 Sydney, Australia @ Annandale Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/25/2010 Newcastle, Australia @ Cambridge Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/28/2010 Perth, Australia @ Rosemount w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/29/2010 Adelaide, Australia @ Enigma w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/30/2010 Melbourne, Australia @ Corner w/ Chuck Ragan, Frank Turner, and Ben Nichols
5/1/2010 Hobart, Australia @ Brisbane Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols

00's, Music, Music Video, New Release, Pop, Post-Hardcore, Review, Rock

Story Of The Year – The Constant – CD Review

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St. Louis’ pop/post-hardcore ballad rockers Story Of The Year (SOTY) are back with an all new album entitled The Constant.  Matching the likes of their previous material the CD is heavy on the ballads that so many fans have been accustomed to over the years as well as carries a couple of tracks that are destined for mainstream play.  This is the band’s fourth studio album and has been released on Epitaph Records.

I’ll admit I was not a STOY fan after hearing their first album Page Ave.  The song “Until The Day I Die” was the first and only song I heard by the band  That was just too much for me and of course it was plastered all over the radio and TV so I never checked out the CD.  It was not until the band’s follow-up release that I finally gave them a chance.  In The Wake Of Determination really changed the way I felt about them with their likable post-hardcore tracks.  When I saw them play at the Vans Warped Tour a couple years later I deemed myself a fan.  They were not what I originally pictured them as, they were actually musicians that happened to dish out an instant hit and rocked out especially well live.

The Constant keeps inline with their previous albums with likable tracks as heard in the opening track “The Children Sing”.  The children in the background singing “don’t take this world away from me” instantly reminded me of The Lost Boys but the song itself is catchy as hell and just sounds well written.  “The Ghost Of You And I” follows with heavy intensity and, dare I say, reminded me of something Linkin Park might have done until the chorus fills in.

“I’m Alive” was once of the cuts on the CD that I liked over the others.  It’s a to the point rock ballad, nothing less, nothing more and hints back to the days when those heavy metal hair-bands showed a softer side to life.  “To The Burial” was without a doubt my favorite track on the entire CD with enough energy to incite a circle pit in portions of the song. The guitar solos, the singing, and the drumming on this track all amount to reasons why I am a SOTY fan.

Changing things up was more-so post-hardcore song “The Dream Is Over” but then came “Holding On To You” a track once again showing a softer approach of the quintet. It’s not all rock ballads though as “Won Threw Ate” proved.  This screaming vocal track was perhaps the heaviest on the album and kindly welcomed to my ears.  “Time Goes One” brought a little punk element to the CD as well as some group vocals that I am sure the fans will be singing along to at their live shows.  Ending the CD was another choice track of mine titled “Eye For An Eye”.  I loved the energy of the track throughout with heavier guitar playing and just brutal drumming.

I was honestly hoping for more of a heavier approach though the entire album but still SOTY put out a solid album.  Where as the ballads are welcomed I much prefer SOTY at their angriest and heaviest even though I know they are labeled “post-hardcore”.  As I previously mentioned former fans of this band will enjoy the CD and I am sure once a couple of tracks from The Constant hit the mainstream there will be a slew of new fans.

The band is getting ready to tour in support of The Constant.  If you are looking for a great live show you best check these boys out.  If you need reason why just pier below at some of the videos.

Tour Dates:
Feb 26 – Chicago, IL – Cubby Bear
Mar 25 – Denver, CO – The Marquis Theatre
Mar 26 – Salt Lake City, UT – Murray Theater
Mar 27 – Las Vegas, NV – Desert Breeze Skate Park
Mar 28 – Anaheim, CA – Bamboozle West
Mar 30 – San Francisco, CA – Slim’s
Mar 31 – Orangevale, CA – Boardwalk
Apr 2 – Phoenix, AZ – Clubhouse
Apr 3 – Tucson, AZ – The Rock
Apr 5 – Dallas, TX – The Door/Prophet Bar
Apr 6 – San Antonio, TX – White Rabbit
Apr 7 – Houston, TX – Channel
Apr 9 – St. Petersburg, FL – State Theatre
Apr 10 – Atlanta, GA – Masquerade

Akron, Electronic, Experimental, Good Times, Live Shows, Music, Music Video, Photography, Pop, Punk, Review

Polysics @ Musica – Akron, OH – 02/12/2010 – Concert Review

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Culture was shocked in Akron last night thanks to Tokyo, Japan’s Polysics making a special appearance at Musica.  The orange jumpsuit wearing foursome traveled half way around the world to perform their Devo inspired music to a packed club on what normally would have been just another regular Friday evening.  Scenesters as well as a couple punk rockers and plenty of proud geeks piled into the quaint club in downtown Akron with perfect knowledge of what would soon progress.

Polysics is best defined as a pop power punk electronica experimental new wave outfit or “technicolor pogo punk” as they dub themselves.  Think heavy synthesizers and guitar matched over insane voice altering vocals as well as a very energetic male lead vocalist Hiroyuki Hayashi (Hiro – and yes, he sounds like Hiro from the TV show Heros) who blasts out English, Japanese, and gibberish lyrics.  Formed in 1997 out of the pure love for Devo as well as The Tubes the band is an underground sensation thanks to their extremely energetic live shows and of course their orange jumpsuits and straight bar-style sunglasses.

Opening the evening was a band called Stiletto hailing from Kent, OH.  The band reminded me of Bedlight For Blue Eyes and Roses Are Red with their slight heavy rock sound.  The lead singer had a good voice and when the band had it together they sounded fine.  They sadly kept having issues starting their songs and it became apparent that they needed some more practice as it became downright annoying to some of the crowd.  Still, they did well and get props from me when the lead signer quoted Tupac but really did not match up to the headliner at all.

Armed with my trusty camera I really thought upon entering Musica that I was going to grab some photos during Polysics’ set but while inside the venue I saw this:

That really was something I did not want to see.  I respected the artist though and did not shoot anything until the very end of the show because who am I kidding…I need at least one shot.

Good thing I did not take photos as there was a dual braided memory card deleting bandit who was part of the Polysics crew.  I understand the premise of his doings but you should have seen this guy.  He stood upon a stool and the moment a flash went off he was bolting over to that non-sign reading schmo and erasing any Polysics related photo from their camera.  Seeing what this guy was all about I really did not want him touching my gear so I parked the camera to my side and just enjoyed the show.

Hands were about the entire evening. It was a party.
Hands were about the entire evening. It was a party.

You know a crowd is excited to see a band when they cheer insanely as the band is setting up their gear on stage.  Things just got better when the band actually took the stage and just started hammering out songs.  The songs they played ranged from almost industrial heavy pieces to absolute insanity jump-all-over-the-place songs.

Still a novice to this band I just started with amazement throughout their set not having any idea what was going on other than a damn good time. The couple songs I did recognized were “Young OH! OH!”, “Fire Bison”, and just amazing “Shout Aloud!”

As entertaining as Hiro was throughout the night (especially when he screamed “you gruys awre awresoooooome!!!”) I absolutely adored the straight faced Kayo on the synthesizer and vocoder.  I could not help but envision the scene in Revenge Of The Nerds II when the nerds played the concert at Hotel Coral Essex.

According the band’s MySpace page Kayo will be parting ways with the band after the tour so I am pretty psyched I was able to the original line-up.  The whole night was a party with Polysics controlling it.  Fans danced and tossed their hands about to the music.  It was indeed a interesting and fun evening.  If I had to describe the evening I would have to say just imagine Daft Punk, Devo, and the Teen Titans humanized and in orange jumpsuits and you might have some idea what happened.  It was amazing.


Polysics – Young OH! OH!

POLYSICS | MySpace Music Videos


Pretty Good

POLYSICS | MySpace Music Videos


Polysics – Moog Is Love

POLYSICS | MySpace Music Videos

I had to throw this in too…

Music, New Release, Punk, Review

Fat Wreck Chords – Wrecktrospective – CD Review

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If one of your New Year’s resolutions for 2010 was to listen to more punk rock music you are in luck. Recently Fat Wreck Chords put out their first ever anthology full of punk rock goodness — 88 songs to be exact. Wrecktrospective is a three-disc collection of greatest hits, demos, and even limited edition material that spans the 20 years since the label was founded.

Formed by NOFX frontman Fat Mike with little advertising and no commercial help, the independent punk label has issued over 280 releases and is a well known favorite of many Warped Tour fans. The three-CD set contained in the digi-pack is just a sample of all that has been Fat.

The anthology is more or less a musical history of the bands that have put out material over the last 20 years since Fat Mike decided to start the label. Featuring punk bands from the past and present, I can only imagine that it was no easy task to take so many songs from such a span of artists and put them into the compilation, but it was done perfectly.

Throughout the set I was reminded of a slew of bands I stopped listening to over the years and was happy to hear them all over again. When a label has put out over 280 releases, sometimes it’s hard to remember them all.

The first disc is full of non-commercial hit songs also known as “Fattest Hits.” Listening to the first segment was like a blast from the past for me as I have been a Fat Wreck fan since its inception. Featuring familiar tracks by current label mates NOFX, Strung Out, and the Mad Caddies, the CD includes 33 songs by 33 different bands.

The disc also contains tracks from former Fat alumni who either disbanded or went on to bigger and better things over the years such as Against Me!, Less Than Jake, Hi Standard, and others. The first disc alone brought back good memories of amazing bands that I used to rock out to on a daily basis. If I were to make a greatest hits Fat album I might have selected just a handful of other tracks for some of the artists, but all in all they did a good job putting it together.

The demo disc, or disc two, features many tracks that were hidden gems until now. I had heard some of these tracks as well as variations on other Fat compilations before, but having all of them all on one CD is so much more fulfilling. From the Mad Caddies’ “Polyester Khakis” (where they sample Body Count) to the acoustic “Everyone Is Telling Me I’ll Never Win, If I Fall In Love With A Girl From Marin” by Bracket, I really enjoyed the collection.

Perhaps the most exciting feature of this set is the third disc as it contains the limited release Fat Club 7″ series in its entirety. For people like me who missed out on the Fat Club this is a dream come true as it previously was not available on CD. Then again I am sure people who were lucky enough to join the Fat Club will appreciate this as well so they don’t have to figure out how to use the USB record player to transfer their prized collection onto their computers.

I would have loved to have seen a fourth disc in this set including all of NOFX’s 7” of the month club tracks and the joke in its entirety but I’ll take what I can get at this time. At only $15 on the Fat Wreck Chords website this is a steal of a release and even includes a fold-out poster showing every Fat Wreck Chords release ever put out.

My only complaint with this set is the lack of a DVD. I think it would have been fitting to throw in a disc featuring live performances and music videos by an assortment of the bands. Seeing how Fat Wreck Chords strayed away from mainstream overload (aka MTV), I would have thought they would have built up a collection of videos and footage that further helped celebrate the two decades of accomplishment. Who knows, that could be in the works.

Previous Fat fans may not get as much out of this set as a newcomer might mainly because many of the songs on the disc have been on other Fat compilations over the years. Still it’s a nicely put together collection of what makes Fat Wreck Chords.

Upon checking out the music I took a minute to read the insert pertaining to the record label written by Fat Mike himself. It’s really an interesting read as Fat Mike confesses that the record label was all about “putting out punk bands that I really like” and talks about the ups and downs he went through starting his own business.

Knowing how the music business has been going these days, I was not shocked to read that Fat Wreck Chords is basically back where they started with little financial gain but I am so proud of them for doing their best to continue. With so many labels out there that folded over the years due to money issues (i.e. Grand Royal), I really hope to see Fat Wreck Chords last another 20 years and with their roster I have the feeling it will not be that difficult.

To grab a copy of this 3 CD punk gem head over to Fat Wreck Chords and nab it for only $15.

Here is a funny video:

(please note this is for humor purposes only and if you can not take a joke then you are a jerk…)

Track Listing:
1: NOFX – The Separation of Church and Skate
2: Lagwagon – Violins
3: Propagandhi – Back to the Motor League
4: No Use For a Name – Soulmate
5: Bracket – 2RAK005
6: Strung Out – Too Close to See
7: Face To Face – You’ve Done Nothing
8: Good Riddance – Weight of the World
9: Tilt – War Room
10: Me First – Leaving on a Jet Plane
11: Wizo – Raum der Zeit
12: Frenzal Rhomb – Never Had So Much Fun
13: Hi-Standard – Wait for the Sun
14: Snuff – Martin
15: Goober Patrol – Easy Life
16: Swingin’ Utters – Windspitting Punk
17: Screeching Weasel – Cool Kids
18: Mad Caddies – Mary Melody
19: Consumed – Brutal Truth
20: Sick of It All – The Bland Within
21: Avail – Black and Red
22: Less Than Jake – Gainesville Rock City
23: Anti-Flag – Turncoat
24: Rise Against – Heaven Knows
25: The Real McKenzies – Kings of Fife
26: The Lawrence Arms – Like a Record Player
27: Dillinger Four – AMERICASPREMIEREFAITHBASEDINITIATIVE
28: None More Black – Everyday Balloons
29: Against Me! – T.S.R.
30: Descendents – ‘Merican
31: Only Crime – R.J.R.
32: Chixdiggit! – I Remember You
33: Dead To Me – By the Throat
34: Good Riddance – Flies First Class
35: Rise Against – Alive and Well
36: The Flatliners – Eulogy
37: NOFX – It’s My Job to Keep Punk Rock Elite
38: The Lawrence Arms – On With the Show
39: Lagwagon – Bury the Hatchet
40: Western Addiction – The Church of Black Flag
41: The Loved Ones – Living Will (Get You Dead)
42: Star Fucking Hipsters – Immigrants & Hypocrites
43: Bracket – Everyone is Telling Me I’ll Never Win, If I Fall in Love With a Girl From Marin [Acoustic]
44: American Steel – Sons of Avarice
45: Nerf Herder – 5000 Ways to Die
46: Propagandhi – Middle Finger Response
47: None More Black – Slytherin? My Ass!
48: Swingin’ Utters – A Promise to Distinction
49: Against Me! – You Look Like I Need a Drink [Acoustic]
50: The Soviettes – Multiply and Divide
51: Zero Down – No Apologies
52: No Use For a Name – Always Carrie
53: Dead To Me – Writing Letters
54: Strung Out – Alone
55: The Dickies – My Pop the Cop
56: Avail – Done Reckoning
57: Mad Caddies – Polyester Khakis
58: The Sainte Catherines – Hau Weg die Scheisse
59: Epoxies – It’s You
60: Smoke or Fire – Goodbye to Boston
61: Anti-Flag – Underground Network
62: The Vandals – Underground
63: The Vandals – Why Are You Alive
64: American Steel – Middle of the Night
65: American Steel – New Religion Everyday
66: The Real McKenzies – Another Round
67: The Real McKenzies – Loch Lomond
68: MXPX – The Road Less Traveled
69: MXPX – You Hold the Key
70: Strike Anywhere – Antidote
71: Strike Anywhere – Asleep
72: Randy – I’m Stepping Out
73: Randy – Unite
74: Randy – Freedom Song
75: NOFX – Zyklone B Bathouse
76: NOFX – Spaghetti Motel
77: Swingin’ Utters – Black Mountain Rain
78: Swingin’ Utters – Outside Life
79: Strung Out – Dig
80: Strung Out – Lost Motel
81: Enemy You – The Promise Breakers
82: Enemy You – Kind Hearts
83: Enemy You – Emma
84: The Lawrence Arms – Porno and Snuff Films
85: The Lawrence Arms – A Toast
86: The Lawrence Arms – Overheated
87: One Man Army – Victoria
88: One Man Army – She Wants Me Dead

DIY, Download This!, Indie, Music, Music Video, New Release, Rock, Sans Label

Sans Label: Brooklyn’s Monogold

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I have a new feature I will periodically post here about up and coming artists and I call it simply Sans Label.  I was trying to think of a wittier name for this category but apparently I am suffering from brain-melt.  I just can not think of something clever regarding independent unsigned artists.

How often I post Sans Label entries will depend on the alignment of the sun and the moon or simply whenever I am wowed by an independent or underground act.  I will be sure to post a little something something up on this here site along with a MP3 to share with the band’s permission of course.

I am doing this out of the love for all music out there.  I receive so many emails from folk asking me to check out their work.  I feel this will be my thank you to all of the acts out there that spend day after day self-promoting their band.  These bands are unsigned acts trying to get their name out there with a D.I.Y. attitude.  I respect all genres of music so expect to see a variety of acts posted.

So without further delay here is the first Sans Label post:

A few weeks ago a Brooklyn based band named Monogold reached out to me via a simple email asking me to visit their MySpace page to check out their music.  Always looking for something new I clicking on the link in the email and checked out a song titled “Feel Animal”.  I was completely floored by how great it was.  The upbeat dramatic indie rock song was such a pleasant track to hear.

In fact just listen to it for yourself.

DOWNLOAD THIS! – Monogold – “Feel Animal”

The song alone in my opinion is proof this band is going to be going places. Of course I don’t want to jinx them but imagine my surprise of hearing such a track and instantly loving it.  I immediately asked the band for more.

The band kindly sent the rest of the EP to me titled We Animals.  Just as I had hoped the other six tracks that were self recorded, self produced, and self released  by the three members have a very likable feel to them.  The harmonous singing and catchy guitar playing is perfect for a soundtrack to a warm summer evening drive.  Trust me, I speak from personal experience.

The fact that this band is only a three piece amazes me.  Honestly when you hear their sound in the rest of the EP you would like it would take more than a trio to perform such tunes. I thought so highly of this band I decided that I wanted to take their music a step further to help them get their music heard.

Recently I was appointed by my good friends over at Sexy Photo Trip (SPT) as their music director.  I decided that I wanted to use one of Monogold’s songs for an episode of SPT.  Monogold was thrilled I asked them to use their song in the video and honestly so was I.  It fit perfectly.

You can see that episode by clicking HERE (warning all SPT material is NSFW so view at your own 18+ risk).

Look for Monogold to release the amazing We Animals EP next month.  I am hoping they are able to tour as well in support of this sure to be a hit release.

Here’s a video from an earlier track titled “Leaves”:

One a side note, I plan on continuing this trend of using unsigned bands  here in the Sans Label posts as well as in future episodes of SPT so if you know of anyone out there that is unsigned or independent and listenworthy, send them my way.  I would love to hear them and maybe even get one of their hard worked songs into a fun episode on SPT.