Category Archives: Review

Concert Review: Alkaline Trio / Cursive – House of Blues – Cleveland, OH – 03/04/2010

Pop punk rockers Alkaline Trio paid the House of Blues in Cleveland a visit on Thursday with special guests indie rockers Cursive as well as rock act The Dear & Departed.  This was the second stop for Alkaline Trio who just started touring in support of their new release This Addiction.  The line-up of the evening was an interesting mix but still it looked to be a great evening of music for all who filled up the venue.

Most commonly known as the guy who tattoos along side Kat Von D on the reality show LA Ink, Dan Under and his band did their best to warm up the crowd with their straight forward rock music.  The crowd gave them the respect they deserved but it really did not look as if too many were really getting into them.  A couple fans sang along and gave support but the energy level was still rather low.

Nebraska’s Cursive on the other hand played a solid, yet interesting, set  that eventually caused a lot of cheer by the set’s end.  Hammering through “Some Red Handed Sleight Of Hand” as later playing “Art Is Hard” the band threw on an absolutely amazing show.  I especially enjoyed hearing “From The Hips” off their latest release Mama, I’m Swollen.  Digging deep into their catalog the band even played “Mothership Mothership, Do You Read Me?” which absolutely floored me.  It was clear though that not everyone around me was enjoying the indie, almost experimental, performance with a very vocal Tim Kasher but I will admit that there are some folk out there today looking into who exactly this Cursive band is.

Alkaline Trio took the stage in full force and started the night off with “This Addiction” off their latest release.  The band looked so comfortable on stage and Matt Skiba and Dan Andriano shuffled about on stage as Derek Grant beat the hell out of the drums.  Skiba announced in the middle of songs that he was at a photo shoot earlier in the day for some magazine called High Times admitting that “if it seems like I’m really stoned, it’s because I am.”   Needless to say the crowd went berserk.

Adding to the energy of the night the band carried onward with an amazing set playing old and new songs.  Seeing Andriano pick up the horn on “Lead Poisoning” was one of the highlights of my night for some reason.  I really enjoyed that track off their new album but seeing it live just made me appreciate it even more.  If that was not good enough, once the band finished that more poppy track they jumped back a few years and played “Mr. Chainsaw” only to return to new material again with “Dead On The Floor”.

Throughout the night I was continually impressed to see what song the band would play next.  Hearing “Fuck You Aurora” and later the Manson inspired “Sadie” the set list just kept getting better and better and the band just hit every song head-on with almost everyone in the house singing along.  Just when I thought think things could not get better the band played “’97”.  At that very moment I was completely contempt with Alkaline Trio’s set.

The band exited the stage with fans pleading for one more song.  I decided this might be a good time to make way to the back of the venue and to call it a night.  As I was walking back the crowd exploded in cheer as the band did a little switch up with Skiba on drums, Andriano on guitar, and Grant on bass and vocals.  The band appeased me by playing one of my favorite Misfits songs ever, “Attitude”.  All I could say was “are you kidding me” and stopped dead in my tracks and started singing along with everyone else.  It was the perfect way to end an amazing performance.  I was a happy concert goer.

Alkaline Trio’s Set List
This Addiction
Armageddon
Emma
Dine, Dine My Darling
We’ve Had Enough
Lead Poisoning
Mr. Chainsaw
Dead On The Floor
Fatally Yours
Crawl
Fuck You Aurora
Goodbye Forever
In Vein
Continental
100 Stories
Sadie
Nose Over Tail
’97
Encore:

Attitude

Alkaline Trio – This Addiction – CD Review

Punk rock threesome Alkaline Trio (AK3) recently released their seventh studio album entitled This Addiction on their newly established independent record label properly called Heart & Skull. The label actually is a joint-venture with help from legendary punk record label Epitaph Records. AK3 stated that they took a step back into their punk roots this time while recording This Addiction and have also taken a lot of their personal ventures and incorporated them into this more DIY sounding solid release.

Starting off the album is the title track “This Addiction”, a pop-punk heavy track talking about love being more like an easily addictive drug such as heroin. The track is super catchy and keeps with the AK3 style that they have held over the years.  Following was “Dine, Dine My Darling” a track clearly titled in favor of The Misfits.

Moving along with clearly  somber theme was “Lead Poisoning” that featured an almost NOFX horn style solo that made the song stick out over others.  “Dead On The Floor” was a dreary track speaking of high hoped love falling apart.  Having been in the situation before of a blinded happiness I really took this song in and at the end was actually a little bummed out. Continuing the darker mood was “The American Scream”, a story about sadness and suicide with likable music throughout the track but just chilling to absorb.

Changing things up a tad was “Eating Me Alive” a more upbeat track with interesting synthesizer playing.  “Fine” may have been a slower jam on the album but with lyrics like “it’s ironic that I drink to make my insides stop hurting” it was clear how personable the song about shrugging off the pain was.  “Those Lungs” was a little heavier at the beginning but mellowed out into a tender track guaranteed to make a special someone swoon.

At just over forty minutes the album is enjoyable throughout but one would always appreciate more AK3 right?  Luckily for fans who want more such as myself, the band also released a deluxe edition featuring acoustic tracks of “This Addiction”, “Dine, Dine My Darling”, “Dead On The Floor”, and an awesome version of  “Fine” which to me sounds better than the original.  A DVD is also included in the deluxe version showcasing a live performance of AK3 at the House of Blues in Las Vegas.

If you are a fan of AK3 and were not feeling with their last release Agony & Irony you might be surprised what the guys have to offer this time around.  This Addiction is a worthy AK3 release and can easily be played over and over.  With that said I might as well add that the album debuted at #11 on the Billboard Top 200 so obviously I am not the only one who has been digging This Addiction.

AK3 just embarked on a US tour with indie rockers Cursive as well as The Dear & Departed.  Be sure to check them out when they hit a town near you.  I’ll be there tonight in Cleveland and you can say that I am a little excited about being there!

Alkaline Trio Tour Dates:
03/03/10 – Columbus, OH – Newport Music Hall
03/04/10 – Cleveland, OH – House of Blues
03/05/10 – Pittsburgh, PA – Club Zoo
03/06/10 – Toronto, CAN – The Phoenix Concert Theater
03/08/10 – Clifton Park, NY – Northern Lights
03/09/10 – Hartford, CT – The Webster Theater
03/11/10 – Philadelphia, PA – Trocadero SOLD OUT
03/12/10 – New York, NY – Nokia Theatre Times Square SOLD OUT
03/13/10 – Sayreville, NJ – Starland Ballroom
03/14/10 – Providence, RI – Lupos Heartbreak Hotel
03/16/10 – Towson, MD – Rocher Theatre
03/17/10 – Charlotte, NC – Amos’ Southend
03/18/10 – Charleston, SC – Music Farm
03/19/10 – Atlanta, GA – Masquerade
03/20/10 – Jacksonville Beach, FL – Freebird Live
03/22/10 – Orlando, FL – House of Blues
03/23/10 – Fort Lauderdale, FL – Revolution
03/25/20 – New Orleans, LA – House of Blues
03/26/10 – Houston, TX – Warehouse Live
03/27/10 – Dallas, TX – The Palladium Ballroom
03/28/10 – Austin, TX – Emo’s
03/30/10 – Tempe, AZ – The Marquee Theater
04/01/10 – San Diego, CA – House of Blues
04/02/10 – West Hollywood, CA – House of Blues
04/03/10 – Las Vegas, NV – House of Blues

Clothing giants Hurley just released some special edition AK3 apparel.  Check it out by clicking HERE.

Here are some of my favorite AK3 music videos:

Concert Review: The Avett Brothers – House Of Blues – Cleveland, OH – 02/27/2010

It’s really not a secret anymore, The Avett Brothers are kind of a big deal these days.  Not even a year ago brothers Scott and Seth Avett along with bassist Bob Crawford and cellist Joe Kwon brought their folk act to the Akron Civic theater to a decent sized crowd.

That show was just months before the release of the Rick Rubin produced I and Love and You, an album that would change their status as a band forever putting them in the spotlight they so deserve.

Last Saturday night the North Carolinian foursome returned to Ohio and played to a sold out crowd at the House Of Blues in Cleveland.  With tickets being sold out months prior, it was pretty apparent that this was a show many folk were looking forward to be it new fans or long time followers. Looking around the venue as I arrived it was clear that the attendees of the night were a fine mix old and young.  There were frat boys pounding Miller Lite’s as well as a dread-locked couple hanging back against a wall and even a couple punk rockers loitering by the bar.  It would almost seem as if the night was all about bringing people together at the expense of music.

Folk act The Low Anthem from Providence, Rhode Island had the pleasure of being the opening act.  Starting off with a couple slow folk songs off their latest release Oh My God Charlie Darwin it was clear that most of the crowd was not interested in them at all.  Lead singer Ben Knox Miller did not let that bother him one bit though and continued playing songs to the packed house along with Jeff Prystowsky primarily on the stand-up bass.  Joining them as well was Jocie Adams who took care of most of the percussion duties, and Mat Davidson.  The band all played multiple instruments throughout their set showcasing their talent.

Just about half way into the set they switched gears and started rocking out heavily with Miller and Adams belting out vocals and Prystowsky beating the crap out of his stand up bass ever so passionately.  Adams really caused some jaws to drop when she sang in full force as she was just a small framed thing.  Many of the crowd soon quieted down and gave them the respect they deserved and by the set’s end the whole place was cheering for them.

It was clear that The Avett Brothers have reached that “rock star” level once the curtains were drawn introducing the Avett brothers, Bob Crawford, Joe Kwon, and a new touring drummer Jacob Edwards (of Samantha Crain and the Midnight Shivers) to the crowd that night.  The entire place cheered and sang along as they opened up with the ever appropriate “Salina”.  When the lyrics “Cleveland, I ain’t never felt nothing so strong” were recited the entire crowd went crazy and that would not be the last time that happened.  In fact the boys kept the momentum going following the opening song by playing “Slight Figure of Speech”.

Continuing for the hour and a half set the band played a few songs off their latest release but also dug deep into their catalog as well as even hammered out “Where Have All The Average People Gone”, a Roger Miller cover.   Not surprisingly the touring drummer entered and exited the stage when the time came for Scott Avett to get behind the drums.  It was also nice to see a very energetic Joe Kwon stay on the stage for the entire show.  The last time I had the please of seeing the Avett’s the celloist walked on and off the stage throughout the night but this time he stood his ground and played his heart out.

There was no “Kick Drum Heart” or “I and Love and You” played during their as many might have wanted to hear but “January Wedding” as well as “And It Spread” was suffice to all as everyone sang along when each was played.  I myself was most thrilled to hear “Murder In The City” as I just had listened to the song the other day on my record player.  Still fresh in my mind I sang along with everyone around me just enjoying every second of it.

“Go To Sleep” was perhaps one of my favorite tracks to hear during the evening.  Joe Kwon took his cello and played the beginning of the song and in no time the entire crowd decided to help by screaming “La La, La La La La” throughout as the rest of the band sang and played the boot stomping jam.  Sure the song is not about the happiest of times but the energy exhumed out of the song from all was just incredible.  As the song came to an end the boys left the stage to an over-adoring crowd.

All I could think of in my head was “they get it”.  When I say “they” I meant the crowd, and “it” of course was the music.  Sure the place was sold out, packed, and full of people who had one too many but they all were there for a good time with good people thanks to good music.  Better yet I was overly pleased with the set list of the night as the Avett’s took and played songs from a whole slew of their albums and tried not to just focus on the new stuff and most of the fans around me sang along to every single song.

As the crowd continued to sing “La La, La La La La” in a rather collected harmony the boys returned to the stage and started their encore with a slowed down version of “Traveling Song”.  Ending the night with “If It’s The Beaches” off of The Gleam, the crowd was not ready to let the Avett Brothers call it a night but sadly they exited the stage and the lights were turned back on.  As those lights became brighter I could start to see more people’s faces with smiles reaching ear to ear.  It was proof of how amazing the night was and just how great of a time was had in the venue on a Saturday night in Cleveland.

Set List:
Salina
Slight Figure Of Speech
Where Have All The Average People Gone? (Roger Miller Cover)
Please Pardon Yourself
Distraction #74
Perfect Space
Murder In The City
Tear Down The House
At The Beach
Laundry Room
And It spread
Head Full Of Doubt
I Would Be Sad
January Wedding
Famous Flower of Manhattan
Colorshow
Go To sleep

Encore:
Traveling Song
If It’s The Beaches

Tim Barry – 28th & Stonewall – CD Review

Tim Barry, most commonly known for being the lead of punk rock outfit Avail, has done it again his way with his most recent release 28th & Stonewall. Once again he has created an honest solid album heavy on the folk with no bells or whistles that any hardworking music loving American can appreciate. The release is a personable attempt and can relate to any hard working person out there who knows all too well what the American dream really is all about.  This is his fourth release on Suburban Home Records.

Still putting time in a 9 to 5 job when not touring, Tim Barry is just like everyone else.  The guy is a true American at heart and is not thrilled about emails and technology.  He is happiest at home with a beer and might just be one of the friendliest guys out there.  Just don’t piss him off as he still has some of that punk rock angst left in him.  Recently some drunk idiot found that out while heckling Barry on stage at a show during a more personal song.  The result was a fight that should never have happened but proved a point – don’t mess with passion.

Granted he used to front a punk rock band, these days the friendly fellow finds himself more of a folk artist.  When time allows he gets together with friends and family in his hometown of Richmond, VA and records songs just for the pure joy of it.  Recording most of the songs in a three week period while home on break from seemingly increasing tours the material turned into 28th & Stonewall and really may be his best work yet.

The boot stomping “Thing Of The Past” started off the album with a very direct sincere track about everyday life of not only the singer but many other folk in this world talking about lack of money and living life. With lyrics like “I want nothing and that’s still all I have” as well as “it’s not what you make or do, it’s how you’re living” how could someone not appreciate his lyricism?

“Prosser’s Gabriel” stuck out over all other tracks on the album as Tim Barry told the story of an attempted slavery uprising Virginia by a former slave who was never added to the history books. I was glued to the story throughout the song featuring Tim Barry and his guitar. The song was not something I would have expected Barry to write but it was done so well. Not only did the song stick in my head days later but also intrigued me to learn more about this unknown hero.

One of the most enjoyable songs on the album was “Will Travel” featuring the No BS Band who supplied some heavy New Orleans style horn playing. “Moving On Blue” was a gloomier track pertaining to a relationship laid to rest featuring Daniel Clark (who has helped out Ryan Adams on more than one occasion) on piano.

“Downtown VCU” tells the story of a girl who was “one part country one part urban thug” (love it!) that passed on a newly enrolled college student. The song is a story of humor that really reminded me of Johnny Cash’s “A Boy Named Sue”. It had a point to it but was also surrounded by all sorts of witty calamity resulting in a fun track.

“Bus Driver” really put an end to the CD in the right way. Tim Barry sang on how he is tired of touring and singing and just wanted to go home. Thanking his booking agent and bashing his tour manager he asks that people let everyone know that he “long gone” and for everyone to “go on” without him. He even requested fans to tip his merch girl because she was not making enough. Not to be taken literally the song is more of a thank you to all the people that surrounded him as he toured.

While listening to the CD on the way to work a couple weeks back my mood changed and I really just wanted to turn around, grab a 12 pack, and just drink myself into a comfortable state while continuing to listen to the CD.  No, I am not a closet drunk or anything but this CD just had that effect. Full of storytelling songs I could just hang out on a porch with friends and listen to on repeat all day long.

Tim Barry really outdid himself on this album and proved the point of being a working man by stating that he “could stay home and make a lot more money working at the Richmond Ballet” but confesses that he “wouldn’t feel fulfilled”.  Thanks for continuing to do what you fo Tim, it is well appreciated.  Look for Tim Barry to tour in a town near you this Spring.  (Tour dates listed below)

Tim Barry 2010 Tour:
3/2/2010 Virginia Beach, VA @ Jewish Mother
3/3/2010 Chapel Hill, NC @ Local 506 w/ Ninja Gun
3/4/2010 Columbia, SC @ New Brookland Tavern w/ Ninja Gun
3/5/2010 Atlanta, GA @ Purgatory at the Masquerade w/ Ninja Gun
3/6/2010 New Orleans, LA @ Zeitgeist w/ Ninja Gun
3/7/2010 Houston, TX @ Walter’s on Washington w/ Ninja Gun
3/8/2010 Austin, TX @ Emo’s w/ Ninja Gun
3/9/2010 Dallas, TX @ the Prophet Bar
3/11/2010 Tempe, AZ @ Yucca Tap Room
3/12/2010 San Diego, CA @ Soda Bar w/ Possessed By Paul James
3/13/2010 Long Beach, CA @ Alex’s Bar w/ Possessed By Paul James
3/14/2010 Los Angeles, CA @Jaunita’s w/ Brian Hanover
3/15/2010 Santa Barbara, CA @ Velvet Jones
3/16/2010 Santa Cruz, CA @ Blue Lagoon
3/17/2010 Sacramento, CA @ Blue Lamp
3/19/2010 Oakland, CA @ The Stork Club
3/20/2010 San Francisco, CA @ Thee Parkside
3/22/2010 Portland, OR @ Hawthorne Theatre Lounge w/ Michael Dean Damron
3/23/2010 Seattle, WA @ El Corazon w/ Lizzie Huffman
3/25,2010 Salt Lake City,UT @ Burt’s Tiki Lounge
3/26/2010 Denver, CO @ Three Kings Lounge
3/27/2010 Lawrence, KS @ Replay Lounge
3/29/2010 Louisville, KY @ Skull Alley w/ Red Clay River
3/30/2010 Indianapolis, IN @ the Vollrath Tavern w/ Red Clay River
3/31/2010 Chicago, IL @ Reggies Rock Club w/ Red Clay River
4/1/2010 Detroit, MI @ Smalls w/ Red Clay River
4/2/2010 Cleveland, OH @ Beachland Tavern w/ Red Clay River
4/3/2010 Harrisonburg, VA @Court Square Theatre (MacRock) w/ Red Clay River
4/5/2010 Washington, DC @ Black Cat Backstage w/ Red Clay River
4/6/2010 Philadelphia, PA @ Johnny Brenda’s w/ The Menzingers, Red Clay River
4/7/2010 Cambridge, MA @ Middle East Upstairs w/ Red Clay River
4/8/2010 Brooklyn, NY @ Knitting Factory w/ Red Clay River, Jonny Corndawg
4/9/2010 Asbury, NJ @ Asbury Lanes w/ Red Clay River
4/10/2010 Richmond, VA @ The Camel w/ Red Clay River
4/22/2010 The Zoo, Brisbane w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/23/2010 Sydney, Australia @ Annandale Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/25/2010 Newcastle, Australia @ Cambridge Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/28/2010 Perth, Australia @ Rosemount w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/29/2010 Adelaide, Australia @ Enigma w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/30/2010 Melbourne, Australia @ Corner w/ Chuck Ragan, Frank Turner, and Ben Nichols
5/1/2010 Hobart, Australia @ Brisbane Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols

Story Of The Year – The Constant – CD Review

St. Louis’ pop/post-hardcore ballad rockers Story Of The Year (SOTY) are back with an all new album entitled The Constant.  Matching the likes of their previous material the CD is heavy on the ballads that so many fans have been accustomed to over the years as well as carries a couple of tracks that are destined for mainstream play.  This is the band’s fourth studio album and has been released on Epitaph Records.

I’ll admit I was not a STOY fan after hearing their first album Page Ave.  The song “Until The Day I Die” was the first and only song I heard by the band  That was just too much for me and of course it was plastered all over the radio and TV so I never checked out the CD.  It was not until the band’s follow-up release that I finally gave them a chance.  In The Wake Of Determination really changed the way I felt about them with their likable post-hardcore tracks.  When I saw them play at the Vans Warped Tour a couple years later I deemed myself a fan.  They were not what I originally pictured them as, they were actually musicians that happened to dish out an instant hit and rocked out especially well live.

The Constant keeps inline with their previous albums with likable tracks as heard in the opening track “The Children Sing”.  The children in the background singing “don’t take this world away from me” instantly reminded me of The Lost Boys but the song itself is catchy as hell and just sounds well written.  “The Ghost Of You And I” follows with heavy intensity and, dare I say, reminded me of something Linkin Park might have done until the chorus fills in.

“I’m Alive” was once of the cuts on the CD that I liked over the others.  It’s a to the point rock ballad, nothing less, nothing more and hints back to the days when those heavy metal hair-bands showed a softer side to life.  “To The Burial” was without a doubt my favorite track on the entire CD with enough energy to incite a circle pit in portions of the song. The guitar solos, the singing, and the drumming on this track all amount to reasons why I am a SOTY fan.

Changing things up was more-so post-hardcore song “The Dream Is Over” but then came “Holding On To You” a track once again showing a softer approach of the quintet. It’s not all rock ballads though as “Won Threw Ate” proved.  This screaming vocal track was perhaps the heaviest on the album and kindly welcomed to my ears.  “Time Goes One” brought a little punk element to the CD as well as some group vocals that I am sure the fans will be singing along to at their live shows.  Ending the CD was another choice track of mine titled “Eye For An Eye”.  I loved the energy of the track throughout with heavier guitar playing and just brutal drumming.

I was honestly hoping for more of a heavier approach though the entire album but still SOTY put out a solid album.  Where as the ballads are welcomed I much prefer SOTY at their angriest and heaviest even though I know they are labeled “post-hardcore”.  As I previously mentioned former fans of this band will enjoy the CD and I am sure once a couple of tracks from The Constant hit the mainstream there will be a slew of new fans.

The band is getting ready to tour in support of The Constant.  If you are looking for a great live show you best check these boys out.  If you need reason why just pier below at some of the videos.

Tour Dates:
Feb 26 – Chicago, IL – Cubby Bear
Mar 25 – Denver, CO – The Marquis Theatre
Mar 26 – Salt Lake City, UT – Murray Theater
Mar 27 – Las Vegas, NV – Desert Breeze Skate Park
Mar 28 – Anaheim, CA – Bamboozle West
Mar 30 – San Francisco, CA – Slim’s
Mar 31 – Orangevale, CA – Boardwalk
Apr 2 – Phoenix, AZ – Clubhouse
Apr 3 – Tucson, AZ – The Rock
Apr 5 – Dallas, TX – The Door/Prophet Bar
Apr 6 – San Antonio, TX – White Rabbit
Apr 7 – Houston, TX – Channel
Apr 9 – St. Petersburg, FL – State Theatre
Apr 10 – Atlanta, GA – Masquerade