Category Archives: Review

The 15th Annual Van’s Warped Tour – Tower City Amphitheater – Cleveland, OH – 07/09/2009 – Concert Review

The Van’s Warped Tour, currently in their 15th year of touring, made their annual stop in Cleveland, OH last Thursday at the Tower City Amphitheater (and parking lot).

The one time punk rock summer camp really should be redefined as a punk, metal, emo, hip-hop, freak rock, scream, indie, and whatnot summer camp festival thanks to the huge array of bands that dedicated their summer to touring the states as well as other countries to play out and travel.

Before even going to this year’s Warped Tour I announced it would be my last; not because I was not enjoying them but I feel I have been to enough. I don’t feel old at all as a lot of the bands I have seen over the years trump me in age, but the whole ambiance of the festival slowly has been wearing off for me. This is a festival for the kids and the young at heart and where I feel like I am 19 all over again when I make way into the festival I want to withdraw while it’s still a good feeling.

Teamed up with a small group of friends this year we made way to downtown Cleveland on a sky blue beautiful day. Saving myself $20 once again by avoiding the pay lots, I parked about a mile away from the venue and hoofed it to the venue alongside my three friends. I find it outrageous that people are charging that much for parking seeing on how that is half the price of the ticket. I have no problem walking a little further and to be honest, I love making that trek from Nautica to Tower City.

Anti-Flag was already on the main stage officially opening the day as we cut in front of the huge line of kids that spanned all the way up to the parking deck at Tower City. Honestly it was amusing to see the structured line of fans dwell up top from the street, down through the parking lot, and to the entry way. No one told them to stand in such a line but they did it anyways. Being a jerk, I walked around them alongside my friends and made my way in.

One of the things that is unique about the Warped Tour is that each stop has different time slots dedicated for the bands that play. To the attendees it is completely random and one can not plan out who they want to see until they get a copy of the schedule or find the inflatable schedule over by the main stage.

The downfall of this is that sometimes you miss some of the bands you would like to check out because bands you love are playing. Case and point, Anti-Flag was playing at 11:15am, well before the festival got going. I was able to see a brief moment of their set and you could tell they were ok with the early set and playing just has hard and loud as if they were closing the day.

Another distress to such a festival is that not all the bands hang on for the entire tour. Some of the bands only make it though half of the tour for reasons unknown while others stick it out from start to finish. I was bummed that the Bouncing Souls as well as Shooter Jennings would not be playing at the Warped Tour in Cleveland. Still how can I complain about something like the Warped Tour when it brings so many amazing bands together?

After making a quick lap around the area to see where the stages were positioned my friends and I obtained a schedule and started our ritual of planning out who we were going to be checking out as well as whom we would be avoiding. I pointed out on the schedule to my friends that there was a special guest playing today, with no clue what act it was we could only wonder and hope it was someone we wanted to see. Rumors later in the day pointed towards a possible Blink 182 performance. That right there would have made my day.

I was sad to see that some of the bigger bands I came to see were playing super early in the day. Still the point was they were playing and I was planning on being there to see them.  In order to do so though I was going to miss some of the acts I would not have minded checking out, but there was no way I was going to skip out on some of my favorite acts especially since they were playing 45 minute sets this year. This year I came to see specific bands instead of touring around the grounds to see what is good.

Less Than Jake put on one of the better sets of the day. The punk / ska act was full of energy and did not seem to care about their early slot. Their performance of “The Silence Of Selling Yourself Short”, being one of my favorite songs by them, was awesome to hear live. Another highlight of their set is when they started shooting t-shirts into the packed crowd with a t-shirt gun.

With a few moments to kill I decided to see what Brokencyde was all about. As I walked towards the SkullCandy stage I thought I was hearing 3OH!3, but no, it was just the emulate Brokencyde. They were just finishing up their set to a decent gathering and that was enough for me.

Bad Religion being one of my all time favorite bands was a highlight to my day and I made sure I would stay for the whole set. Having seen them every time they have played a Warped Tour I would have to say this was one of their better performances. Rocking through songs old and new the band sounded amazing. During “Let Them Eat War” one of the members of Aiden (as stated by Greg Graffin) filled in for the vocals usually sung by Sage Francis on the album version. Other songs during their set included “New America”, “Supersonic”, “American Jesus” as well as “Generator” and “Sorrow”, two of my personal favorites.

For a band that been around for over twenty years they looked so comfortable on stage and played better than a lot of the younger acts that day. Their live performance reminded me why it is I love punk rock music so much.

Getting away from the main stage, I checked out a couple of random acts on stages throughout including ska act Staylefish, UK pop punk band TAT, and the more so folk indie rockers Dear and Headlights. TAT was one of those bands I wish I would have been able to see more of where Dear and Headlights was the surprise of the day for me and I will be looking for their album shortly. Sadly I missed a pop rock act called Lights, a band that seemed to be getting talked about a lot during the day.

Minneapolis rapper P.O.S. performed at the Hurley.Com stage but really was not on the stage but rather in the crowd. Showcasing a more intimate performance the hip hop lyricist was perched atop one of his equipment cases in the middle of the crowd rapping away. I am not sure if you have heard P.O.S. before but I can tell you this, he is that damn good live too. The surrounding fans on P.O.S.’s declared stage were going nuts over his ability to flow at a fast pace.

Last year 3OH!3, Nat Motte and Sean Foreman, played on a smaller stage at the Warped Tour but thanks to their increasing popularity they took over the main stage to one of the larger crowds of the day. Backed by a live band the Boulder, CO duo performed their mix of punk and hip hop to what seemed like an endless sea of fans. Performing a ton of tracks off their latest release Want they gave their fans their best.

I was content to see Nat pick up a guitar while performing a new 3OH!3 song as I know many question the duo on really being musicians. The new song they played, according to Sean, was about LeBron James. Regardless if it was or not it was a nice peek into what 3OH!3 has in store for their next release.

On the other side of the venue Bayside was playing out to a decent sized crowd by the time I tore through the crowds. I enjoyed them from a distance while reconnecting with a couple other friends who finally arrived. With the temperatures not being too extreme it really was rather enjoyable to just hang out in a fenced in parking lot under a bridge listening to the punk rock act.

As the UK hardcore punk act Gallows set up their gear, I noticed a Paramore poster duct taped to the asphalt with a note saying “This Stop Only”. It was clear to me that Paramore was the special guest of the day that would be playing the main stage. All rumors of Blink 182 were shot down. The gaining stardom group took a day of from their tour with No Doubt to play the Warped Tour in Cleveland.

I myself prefer Gallows over pop-punk so I avoided the insanity that took place at the main stage to enjoy an act I was more so a fan of. I found out later in the day from the bouncers of the main stage that Paramore drew in a huge gathering fun of excited fans.

Having seen the Gallows in 2007 I wanted to make sure I did not miss their performance as lead vocalist Frank Carter takes his aggression out on the mic as well as has no problem speaking his mind. The skinny, tattoo covered, redhead alongside his band put on the hardest punk rock performance of the day. To me it was like witnessing a modern day Black Flag.

After a couple of songs in, Frank Carter jumped into the pit with his microphone where the fans respectfully gave him his space to sing, rather, scream songs and jump around. At times he would walk around and put the mic in fan’s faces to give them a chance to sing a lyric. Frank Carter had a look of angry approval each time a fan would sing into the mic. I could only wonder what would happen if a fan did not know any of the song.

Midway through the Gallows set Frank Carter started speaking his mind and the fans were all ears. He spoke on his disapproval for bands like 3OH!3, Jeffery Star, and Brokencyde. He did not seem to be too thrilled about the way the Warped Tour has been going as well and mentioned that “Jeffree Star is a confused individual”. He called out 3OH!3 multiple times and started the Warped Tour was just not punk anymore.

It was not all negativity though as Frank Carter did comment on how there still were punk bands out there like NOFX and Bayside that keep the punk in Warped. He also admitted to the crowd that played corn hole for the first time and just did not care for the scoring rules. It was not all talk of course as the band hammered through songs from the band’s two albums to a assembly of rowdy fans.

Another Warped Tour veteran act, NOFX, took the stage a little inebriated and a lot excited. The person the most excited was Eric Melvin who earlier told me behind the scenes that it was his birthday. He kept announcing it to the crowd that it was his birthday and it was pretty clear he got his party on well before the set.

In almost a Jane’s Addiction “Mountain Song” flashback someone threw a flip-flop on stage almost hitting Fat Mike in the junk. Laughing he picked up the flip-flop and asked who would wear flip-flops to a Warped Tour, let alone wear them in a pit.

I could not believe some of the tracks NOFX dished out. Opening with “My Heart Is Yearning” as well as later on playing “Arming The Proletariat With Potato Guns” from a 7” Of The Month release I was excited to see such a array of tracks being played.

I got a kick out of hearing NOFX cover Rancid’s “Radio, Radio” more so because I just saw Rancid on the very same stage just weeks before. NOFX of course did the cover their own way and to be honest, it took me a minute to figure out what song it was.

“Linoleum”, “What The Matter With The Parents Today?”, “Quitter”, “Franco Unamerican”, and the humorous “Creeping Out Sara” were other tracks the band performed to a huge crowd of all ages. I honestly think I lost some of my voice while signing along and it was totally worth it. I felt like I was nineteen all over again.

Westbound Train had a half hour set in between NOFX and Flogging Molly and I tried my best to catch at least a few songs by the smooth soulful ska act. The bottleneck human traffic jam did not make it too easy for me and sadly I just gave up. Westbound train is one of those bands I could watch for hours and I hope they return again soon so that I can actually see them this time. On a good note though I did stop at their merch tent earlier where I picked up one of their earlier releases as well as a t-shirt.

Flogging Molly would be the last band I would ever see live at the Warped Tour bearing in mind on how I previously announced my retirement from the punk rock county fair after the day’s end. They are an amazing band to see live and I am so happy they were on the bill this year.

Everyone in the crowd got a heavy dose of Irish spirit thanks to the men and woman of Flogging Molly. Slamming Guinness and playing out like it was their most important show, the band had the crowd in the palm of their hand and put on a near perfect performance.

There were a few bands I missed I would have loved to see live like Alexisonfire, Senses Fail, Fake Problems but when NOFX and Bad Religion are playing an aging punk like myself will drop all interest for other acts to see them. I am sure the veteran bands will be playing for many more years but honestly I am not the type to miss out on the bands I cherish most in life.

The Warped Tour this year was a remarkable event and I hands down enjoyed it a lot more than last years. Not only was the line up a bit more catered to me, but I felt that I had no down time at all and the sun was not too brutal. In fact I really felt this year’s tour flew by be and before I knew it, it was over.

As I stood outside of the venue I had to remind myself that this was it for me. The towel was thrown in and I stand by my decision. I’ll keep my eye on next year’s line-up and years to come because I know this festival has the capability to go on for another 15 years easily. Who would have thought such a tour could last a decade and a half?

I really need to thank Kevin Lyman for creating the Warped Tour as well as his crew, the promoters, and especially all of the bands devoted to playing on the tours over the years. His insane idea of taking punk rock music and everything good about it on a tour all over the United States and beyond has kept me entertained since I was a teenager just looking for something to do.

Against Me! – The Original Cowboy – CD Review

Gainsville punk residents Against Me! recently dropped a special release for all of their fans.  The band once again reunited with the independent punk record label Fat Wreck Chords to put out The Original Cowboy, an eight song, never before heard demo album.  Available on CD and LP, this release gives the fans a pre-game,  a younger Against Me! attempt, something as an enthusiast I was happy they chose to share.

Recorded in summer of 2003, these demos are what was to become the band’s second full length release and the Fat Wreck Chords debut titled As The Eternal Cowboy.  The demo was actually recorded for the producers of the album just to make sure they were familiar with the songs as Against Me! was looking to make an all analog recording.  Since the band was to record at a different studio (Memphis’ Ardent Studios) they wanted to have something to help keep what they were looking to create on their final version.

Minus the track “Sink, Florida, Sink” all of the other songs from As The Eternal Cowboy appear on the demo release but not in the same order. The combined opening track “A Brief Yet Triumphant Introduction / Cliché Guevarra” even if not fully produced carries enough energy to get you past that grainy sound.  It’s interesting to hear these first takes on songs that later turned into a must have album for many punk rockers out there.

“Mutiny On The Electronic Bay” actually sounded better than the studio mastered version as did “T.S.R.”  Perhaps it was the lack of overdubbing or just the pure integrity of the track making it that much more enjoyable. 

The beginning of “Cavalier Eternal” cracked me up with the comedic prelude to the song with the boys of Against Me! goofing around briefly just as it appears on the mastered release.  The sincere acoustic demo of the song, to me, should have been just put in with the final release.  It sounded a lot better under-processed than that of which appears on As The Eternal Cowboy.

Closing the demo is another combined track “You Look Like I Need A Drink / Turn Those Clapping Hands Into Angry Balled Fists” a track guaranteed to get all the diehard Against Me! disciples to go insane upon hearing it regardless of the take.  After hearing this song, and album for that matter, I wondered why the band even bothered to travel to Memphis in the first place.

The demos may very well just be a money maker for Against Me! and Fat Wreck Chords but honestly, who cares?  It was a good listen and I am happy to add it to my Against Me! collection.  Tom Gabel actually had this to say about the demos, “Recorded and mixed in only a couple of hours, The Original Cowboy was only meant to be a trial run, but, listening to it today, there’s a part of me that feels foolish for ever recording these songs a second time.”  I could not agree anymore Mr. Gabel.  These demos sound better than most fully mastered stuff out there.

DOWNLOAD THIS! – Against Me! – “Unsubstantiated Rumors (Are Good Enough For Me To Base My Life On)

Against Me! videos not related to the above review but still fun to watch:

Those Darlins – Those Darlins – CD Review

Nikki, Jessie, and

Before I even start this review you all should know that this band hit me hard in the ears with something good.  Ever since my introduction I have been a fan and I really like to support these girls hense all of the posts in recent months.

I guess that is one of the cool things about having your own blog, freedom to do what you want.  Well what I want is to help out three ladies from the Nashville area be heard.  I know they should have no problem doing so but it does not hurt to help.

Next week Those Darlins return to Cleveland on July 14th and you can bet your grits I will be there.  Do yourself a favor and get up to the Beachland Tavern to check out this great up and coming band.  I would not talk about them so much if I did not think they were all that.

 So what that said, here is the review of the debut release by Those Darlins:


Tennessee’s best kept little secret no longer remains hidden as Those Darlins have released their debut self titled album on their very own label Oh Wow Dang! Records. Kelly Darlin, Nikki Darlin, and Jessie Darlin who make up Those Darlins do their own thing their own way. The result is a band that spills out some great tunes combining pop with rock, punk, and country.

Hailing from Murfreesboro, TN the musically inclined trio of women have already made their way around the US playing shows small and large. With their constant touring with acts such as Dan Auerbach, The Features, and even playing a stage at this year’s Bonnaroo, the girls have finally released their debut album for all to hear.

Having already been a huge fan, I was excited for their music to spread to a larger audience. I think it will not be too difficult for that to happen thanks to this release.

So what is it about this band that has more or less turned me into an obsessed fan? The girls mix the perfect blend of garage rock, punk, and even some country rock style all into a sound I just can not get enough of. They have enough sass to knock your grandpa to the floor, the looks that guarantee instant crushes, the smiles of angels, and can party down like no other. I’m pretty sure they can all kick your ass too with out any help.

Their Appalachian sounds seems to clash with a punk attitude as well as female strong ideals.  This mix becomes smashed into a fine sounding bar-rock jam fom three good looking gals who drink their whiskey from the bottle. Think Wanda Jackson and Patsy Cline  meet Joan Jett with even a taste of some Kathleen Hanna.

The classic covers of the Carter Family’s “Who’s That Knocking At My Window?” as well as “Cannonball Blues” proved Those Darlins have a rendering for the country genre but when you move throughout the album you can clearly hear that their musical roots are not just from Nashville

Opening track “Red Light Love” does not even suggest they are a country act as they play a more bar-rock song. What I like about this one so much is I can actually feel them smiling as they sing this fun song.

“Wild One” is more or less the girls’ anthem/reminder of being wild and crazy. This song is Wanda Jackson with punk rock authority and provides a fair warning to all the folk out there that have a more than a musical liken for Those Darlins. This was the first song I had heard from the band and was the reason became so fond of them.

“The Whole Damn Thing”, to me, was the funniest song on the album as the girls sing about getting hammered and eating an entire chicken. To make things even more amusing the song continues with the consumed chicken being forgotten about.

Almost reminding me of something Johnny Cash might have written during his raging days was “Glass To You”, a drunken slur of a track. I almost felt bad for the girls in this painful song as they declare they are having “whiskey blues” and have “been drunk since half past noon” because of their man. Having more than one vocalist sing throughout just keeps it unhappy.

“Snaggle Tooth Mama” is a boot-stomping country jam with some fun intermitting guitar and bar room piano playing that by the end of the track will have you singing along. “222” is a tough track about all about boys, parties, and fun. Coincidentally one of the studios that the girls recorded at was in NYC at Jeff Curtin’s basement studio called 222.  Jeff Curtin also took on the drumming duties for most of the tracks on this album.

“DUI Or Die” was more of a tale of an alcohol infused evening out all ending with sirens and jail bars as well as blaming to booze. “Drunk driving, I’m guilty, and I’m blaming the booze” pretty much summed up the song in a comical way also giving hint to all the ladies who want to avoid DUIs but going home with someone and letting them drive.

Even though some of the songs suggest a country rock like style, they add much more rock and roll and punk rock finesse giving for a fiercer sound. Having the girls split up vocal duties just keeps their songs that much more interesting. Their debut album is an instant classic to my ears and I am sure it will be for many as all of the songs are very catchy, musically and lyrically. This is not a band you will forget about after just one album. These girls are going places.

Seeing them live is a whole experience in its own. Big crowds or small crowds these girls play their hearts out, drink the big boy drinks, and will force you to have a good time. When they take the stage one might think they do not have the capabilities that make up what Those Darlins are all about – loud music and good times. The moment the guitars are strummed and the vocals start it’s clear that something fun is about to happen.

Need some proof? Here, check out these videos:

May The Fourth Be With You – Weekend Follies In Fours

There is nothing better than having a four day weekend. Well maybe there are some other things out there that can be better, but one of them is definitely not having to work for four straight days and getting paid for one of them as it is a holiday. Add buying stuff, hanging with friends, and good eats and I would have to argue that nothing could be better.

Anyways…

Thursday the lady and I went for an amazing lunch at Yellow Tail in Fairlawn.  For $10 a person we got to engulf as much sushi, salads, desserts, and other buffet quality foods.  It was awesome and I am going back there very soon.  I was obsessed with the seaweed salad as well as the sushi tempura.

After we stuffed ourselves silly we stopped at Square Records in Akron for a quick look around at what was good.  I left there with some sweet finds including a Judgement Night soundtrack single and some Thom Yorke remixes from his album Eraser.

It was a nice little date for the two of us.  She had plans to go to go over to a friends for movie night and I just kicked it in the bedroom for the rest of the night.  It was a perfect way for me to start the weekend.

Last Friday was a day I really need to recap with a little more detail seeing how on much fun it was.  For starters I decided to head out to the good shops on Waterloo Rd. in East Cleveland where I dropped some $$$ on some vinyl at Music Saves (new Dinosaur Jr & Against Me! if you were wondering) and then killed some time at Shoparooni and Blue Arrow before heading to Lakewood to meet up with my pal Matt.

Once Matt and I met up we decided to grab a bite to eat but not before making a stop at My Mind’s Eye where I snagged up a couple more records (Coner Oberst & another Against Me!).  With my wallet feeling a little lighter we headed across the street to Angelo’s where for the first time I actually tried something other than the pizza.

Feeling full thanks to devouring my shrimp fettuccine alfredo and a slice of tiramisu, Matt and I ventured out to the Gordon Square Arts District area and made way in to the Happy Dog, a quaint little bar where Chris Allen & The Guilty Hearts with very special guest Don Dixon were to play a show that night.  Earlier in the week Matt had asked me if I wanted to join him as he was very excited to see Don Dixon live finally.  Figuring he would never make it down my way unless someone else drove him I happy oblidged to join him.

After dropping over $80 on records and a sweet Music Saves pint glass earlier in the day I feel as if I was given a break by the door-lady at the Happy Dog as she kindly waved us in saying it was not 9pm yet so no cover charge was needed.  Scoping out the bar we found a booth that was pretty close to the stage and parked it there for the night.

A very young and green opening act (their band’s name escapes me) took the stage and cranked out some original tunes as well as a Tom Petty cover and even a bold Wilco cover of “Jesus Etc.”, I was impressed with the kids.  I almost felt bad for them seeing how nervous they were but they really did a good job and everyone in attendance made sure they they let the kids know they were doing a good job.

Chris Allen was joined on stage by Don Dixon for the whole set.  Where as I am not familiar with any of their music I just relaxed and enjoyed the music.  Good times.

When Chris Allen and his band left Don Dixon to be alone for a while I became intrigued.  I was aware, thanks to Matt, that Don Dixon produced the Smithereens and R.E.M. back in the day so it was pretty clear the man was a veteran musician.  I was not sure what he was going to sound like as he started playing his acoustical guitar but was soon answered that question when he started to sing.  He had, to me, a very Elvis Costello resemblance and I really enjoyed the few songs he played.

Chris Allen and band joined Don Dixon back on the stage for play the second half of their set.  The mostly middle aged crowd there was going nuts.  The locals who use the Happy Dog as a Friday night drinking hole were not too excited, especially the ones who learned they needed to pay to get in the doors.

It was about at this time that another person was added to our table.  The very cool Emily who runs The Cleveland Caper met up with us to enjoy some of the tunes.

Honestly I think we had more fun making jokes at one another and surrounding people.  Regardless it was a good time.  Emily’s boss even met up with us for a couple of drinks after the band finished playing their songs.  We all sat snugly in the booth and continued to poke fun at one another as well as just engage in good conversation.

At one time Matt was telling us about how he and the Cleveland Bachelor went to see Kevin Costner play at the House Of Blues.  Somewhere in the conversation Matt hollered “Waterworld” where Don Dixon heard us and walked over to join our small party.

It was awesome just to sit there and talk to this guy who has a lot of music history running through his blood.  Trying not to talk to much I just let Matt and Don Dixon chat for a moment because I knew Matt was really excited to have him sit with us and talk shop even if it were only for a few minutes.

Having drained my iPhone battery earlier in the night from posting tons of Twitter lies about Matt, I had just enough juice to take a photo of Matt and Don Dixon.  After a warm shake for the guys and a more gentleman kiss on the hand for the ladies Don Dixon bid us a good evening and went back to collecting his gear.

Back to a table of four we kept conversing for a bit and before I knew it the time was after 2am and I really needed to get a start on that almost hour drive home.

Friday night was an awesome night even if I hardly slept.  I needed a night like that and I thank Matt and Emily for being a part of it (and Emily’s friend/boss too).

Saturday of course was the 4th of July. Woo, a day where people can go up to local fireworks stores, lie about where they are going to blow them off at since it is illegal to discharge fireworks in Ohio, and return home only to narrowly blow off a finger while carelessly lighting off M-80’s after a full day of drinking…

The day does not mean much to me as far as a drinking aspect goes so it was more like a day off from the work.  I did however have to go to my work as I left a flash drive there and needed it for review purposes.  After picking up my much needed storage device the lady and I headed up to the grocery store to buy junk food and grill food.  Jalapeno Cheetos are the bomb by the way.

The day (as well as the next day, Sunday) was all about hanging out with friends and family (and the pups) and was something that I needed.  I had some good eats, good sleeps, and just overall good times.  When I had down time I took a few moments to spin a couple of the records I had purchased.  I also joined the lady in some long ass naps.  I never nap so it was even that much more special.

So now that I have some alone time once again I thought it would be best to reflet upon about the weekend as well as relax a little bit more once again with the needle on the record…

The Avett Brothers w/ Special Guest Samantha Crain & the Midnight Shivers – Akron Civic Theatre – 06/19/2009 – Concert Review

Friday night in downtown Akron was one of those nights to remember for many thanks to The Avett Brothers.  It was one of those nights that anyone who came to the show will think of for years to come with help from their amazing performance.  Intimate at times as well as a full on rock show, everyone who had a ticket to that show left satisfied.

North Carolinian brothers Scott and Seth Avett once used to fill the quaint Kent Stage in Kent, OH but thanks to their success as a folk rock band they needed a bigger place to play.  With help from the Kent Stage crew the boys left that smaller stage for the classy Akron Civic Theatre, a stage I think suited them perfectly.

Having no idea that there was even an opening act, I was thrilled when the curator of the Kent Stage announced that Samantha Crain & The Midnight Shivers were taking the stage.  Having just recently been introduced to the country rock act I found myself even more excited to be at the show.

Samantha Crain and crew took the stage and received a warm welcome just after eight o’clock.  After a few songs in it was clear that the crowd had accepted them into their ears, thanks to her unique singing style and country rock, and were cheering loudly after each song.

During one moment after a song Samantha Crain stated she missed a note and declared “everyone hits a wrong note” and continued on how she is hard on herself for doing so even though she knows it happens.  The crowd all seemed to agree with what she said and not once did I hear any wrong notes played.  Then again I only had heard a couple of songs prior to seeing her set live.

Samantha Crain admitted it was only the second show her and the band had played with The Avett Brothers and thanked them for the opportunity to share the stage.  Admitting she came from a small town in Oklahoma she basically confessed to living the dream.  Seeing her jump around excitedly on stage as she strummed her acoustic guitar just proved how excited she was to be up on that stage.

Shortly before the Avett’s took the stage, die-hard fans started screaming out “Happy Birthday Scott!”  Clearly many of the fans knew that one of the members was celebrating their birthday in Akron that night.

With the curtains still drawn The Avett brothers along with Bob Crawford started their set off with “PGFA”.  Everyone in the house went wild upon hearing the music begin and once the curtains were opened it was clear to everyone how great this band truly is.  With an array of instruments behind the trio everyone’s attention was focused on the amazing folk-rock playing from the banjo, the stand up bass, and acoustic guitar as well as dual signing that had just begun.  To add to the stage’s appeal there was a giant backdrop of a ship that resembled Scott Avett’s art.

While standing in literally the middle of the venue I felt that I had the best place to hangout at for the night while taking in all that The Avett Brothers dished out.  Their songs, as my friend Seth said it best, gave me that feeling that many in the past had to have felt when the Beatles first started playing their music live.  I was heavily sucked into each song they played and had a smile on my face that lasted pretty much until I got home that night and finally fell asleep.

Throughout the set Joe Kwon would join the trio and add cello to some of the songs.  The brothers would share singing duties and seemed to swap out guitars during every song and at times even during some of the songs.  It was really interesting to see Seth Avett swap guitars and narrowly miss continuing the song but he is a pro at what he does and there were no interruptions.

Playing through songs such as “Please Pardon Yourself”, “Die Die Die”, and “It Goes On & On” The Avett Brothers sounded as amazing as I thought they would.  I missed many the opportunity to see this band live in the past and regretted it each time.  Finally though I found myself at one of their live shows feeling privileged to be in their presence.

In between songs fans were screaming out requests to the stage in hopes that their favorite song would be performed spur of the moment but The Avett Brothers thanked them for their requests and continued on.  Seeing them smile up on stage as they performed just proved how great of a time they were having as well.  At one time a fan screamed that she loved them and Seth Avett responded “we love you too.”  The band even played a new song from their upcoming album to be released in September.

That one new song the band played just made my night.  It was titled “I & Love & You” off of their upcoming late summer release I & Love & You.  With Scott Avett taking the drumming duties as well as signing out the I and love and you with his hand as the crowd sang along I found myself getting chills.  It was a great feeling and a great love song.

After the band played “Skin & Bones” they exited the stage.  Fans screamed and applauded the amazing performance while at the same time were still hungry for more.  Luckily the Avett’s were not quite done yet and returned to the stage moments later with a couple of extra helpers, Kent’s very own folk star Jessica Lea Mayfield and her bearded brother David.  It was the perfect end to an amazing evening.

The Avett Brother’s live show turned me into a bigger fan than I already was.  I really think the live experience just intensified their talent.  While leaving the historic Akron Civic Theatre I heard no complaints at all and everyone was just in a great mood.  I do not think I have ever attended a show quite like the one I did on that warm Friday night.  I can not wait till the next time these boys come back to a city near me.  I know I will be there in a heartbeat.

The Avett Brothers Setlist (as taken from the band’s web forum):
PGFA
Solomon
Paranoia
Please Pardon Yourself
Die Die Die
PGFR
Down With The Glistening Shine
Gift For Melody Ann
Song Of The Dying Sailor
Greensboro Woman
Salina
It Goes On & On
I & Love & You
At The Beach
Murder In The City
Swept Away
Talk Of Indolence
Matrimony
Skin & Bones

Encore (with Jessica Lea & David Mayfield)
Talk Of
Will You Return