Tag Archives: Rock

Rock Hall Induction Ceremony 2009 From My Eyes

Rock & Roll Hall of Fame Induction Ceremony 2009

For the first time ever the Rock & Roll Hall of Fame Induction Ceremony was opened to the public.  The second I had found out about this amazing opportunity I just had to go.  Thanks to Matt at Addicted To Vinyl, he helped make that happen.  Last night was amazing to say the least.

Before heading to the event, Matt and I met up with Clevelandrockandroll.com‘s Bear and his son.  We met up at the Great Lakes Brewing Company for some eats, drinks, and great conversation.  Bear is a great guy and had plenty of awesome concert stories from the past to share at the table.  It was really cool meeting him and I will be checking his site out frequently for sure.

Towards the seven o’clock hour we all headed to the famed Public Hall for the event.  The traffic was lighter than expected and as we rounded the corner on to St. Clair it was obvious that something big was going on.  Media vans, limos, mobile satellites…and this was at the rear of the venue.

As luck would have it Bear and his son followed us to the event so we all took a small hike around the building that once hosted memorable concerts such as the Beatles and Janis Joplin and made our way into the sardine cramped hallways of the Public Hall once we bypassed the red carpet.  This was the first time the induction ceremony had been in Cleveland since 1997 and this was the first time that people like me could attend without spending outrageous amounts of money.

None of us dressed formally.  We dressed rock causal.  After all we were going to a concert right?.  I sported jeans, my Adidas (Run-DMC love), a CBGB’s shirt, and a Sage Francis hoodie because that is how I roll.  You would not believe how many tuxedo wearing people complimented me on that shirt.  I was asked if I had even been then and regretfully I said I had not.  Luckily others in attendance wore equal amounts of street clothes so that we did not stick out too much.

Now I’m going to break this post down into a couple of sections just for the heck of it.  First I will talk about all the positive aspects of the night, mostly the performances, followed by a few things that really made the night not so enjoyable.  Nothing can ever be perfect can it?  Well the good news is that the bad things that did happen did not ruin my fun too much and all in all I would say this was one of the coolest things I have ever been to in my life.

Matt and I sat in section 19 row H which is on the left side of the hall to the back rear.  We sat in the row that butted up against the rails and walkway so the plus was that there were no people behind us.  Of course the rest of our night would be spent shifting our bodies to ease the aches on our necks from looking left, but it was a small price to pay for a great evening.

The place seemed to fill up slowly in regards to public seating.  The high rollers who spent one of my car payments for a table seat in the VIP area were engaged in dinner already and were finishing up.  Looking around I could see cameras and all sorts of lighting and of course the giant crane like camera in the center that towered over the VIPs.

Mayor Frank Jackson, I’m sorry… Cleveland Mayor Frank Jackson, had some nice words to say about the ceremony returning to town.  I joked with Matt and Said “Cleveland has a mayor?” and got some laughs by the others seated around us.  He spoke about the excitement for the induction ceremony as well as hopes to see it return every three years.  Next up were some Rock Hall higher ups who had more positive things to say about the night’s event, but seriously I was not there to see high paid people with dream jobs speak, I wanted some music.

Section 19 Row H

At about this time the music was about to begin I took a quick photo (seen right) with my handy iPhone just so I could share it here on the site.  Soon the night’s first inductees took the stage, Anthony & The Imperials.  The Brooklyn doo-wop turned soul revivalists blew me away with their three song performance including “Tears On My Pillow” and “Shout”.  Smokey Robinson soon inducted the act into the Rock Hall once they completed their performance.

I laughed when Little Anthony told the crowd that Little Anthony & The Imperials had never won a Grammy but announced the band did have a new release and hoped that would change.

After a fun collection of Wanda Jackson footage appeared on screen Rosanne Cash took the podium to induct once of the first females to play rock and roll.  Rosanne Cash spoke about her father, Johnny Cash, and Elvis and of course the lady in the spotlight Wanda Jackson who soon came out and gave some words of her own.  She then waltzed to the main stage grabbed her guitar and proved that age is nothing but a number while playing “Mean Mean Man” and “Let’s Have A Party”.

Paul Schaffer introduced Spooner Oldham and some classic tunes were played like “When A Man Loves A Woman” and “Natural Women”.  Sadly the crowd did not seem to be in to this fun little performance.

Classic footage of Bobby Womack from Soul Train appeared on the big screen with some really awesome footage.  Once completed The Rolling Stones’ Ron Wood inducted Cleveland’s Bobby Womack (who actually wrote “It’s All Over Now” for the Stones).  Ron Wood had a nice touching speech and actually looked like he had some tears in his eyes while introducing Bobby Womack to the stage.  It was nice to see a hometown musician make his worthy way into the Rock Hall.  Never in my life did I ever think I would see a Bobby Womack performance live but that all changed as he began his set with acoustic guitar in had seated on a stool for everyone to hear.  He jammed to “Wait Until Tonight” and then with a full horn section “It’s All Over Now” took down the house with Ron Wood ripping up a guitar solo.  Amazing.

Detroit hip hop artist Eminem had the privilege and honor of inducting RUN-DMC into the Rock Hall.  His introduction speech was very personal talking about the act that “turned Marchal Mathers into Eminem”.  Controversial concerns earlier were omitted as everyone in the house cheered for RUN-DMC as they were accepted into the Rock Hall.  They were the first rap band to appear on MTV, to go platinum, to tour the world, to infuse rock into their rap, and now are the first to be inducted.

Each member gave their acceptance speech and Jam Master Jay’s mother spoke on behalf of the fallen DJ.  I laughed when she stated that Jam Master Jay broke every turntable of hers.  She also stated that she never hesitiated buying a new turntable though.  Hearing Rev Run and DMC speak of how they got their start was really interesting.  I did find it a little annoying however to see the entire group with multiple family members on stage together.  It was a little too MTV Music Awards for me.  Sadly the act did not perform at the awards.  I was not aware that they were not and was actually kind of bummed.  I know it would have been amazing to see them play out live but they chose not to.

Here is Eminem’s speech:

Bass guitarist of the E Street Band Gary Tallent as well as celebrity drummer Max Weinberg collectively inducted drummer D.J. Fontana and the late bassist Bill Black both of who played with Elvis Presley.  I am curious to see the FUSE version of the awards as Max Weinberg had a very long speech eventually thanking D.J. Fontana who joined them at the podium.

Legendary Jimmy Page inducted his friend Jeff Beck into the Rock Hall.  After some kind words the former Yardbird hit the podium with some choice words and first middle finger of the evening.  The two then took the stage and did this:

Seriously that was once of the cooler things I have seen in my time.

It was pretty apparent that most of the public came to see heavy metal rockers Metallica.  The rock casual attire seen worn by everyone included a lot of Metallica t-shirts, some brand new, and some from years ago when I feel the band was at their strongest.  Some chose to wear sport jackets over the shirts making for an interesting choice in attire.

It was no surprise to hear the loudest cheers of the evening when Metallica’s name appeared on the big screen followed by a brief film of the band.  By this time many of the people in the public sections were heavily sauced.  I’ll get into that more later.

Who better than to induct Metallica than the Red Hot Chili Pepper’s bassist Flea.  Sporting a blue hairdo, Flea gave one of the best speeches of the night.  He spoke, and swore, about how much the band influenced him as a troubled youth and how they helped him get to where he is today.

Flea said it best when he stated:

“This music comes on the radio, and I couldn’t believe that it fucking existed. It was like I had been living in this normal world, where I knew what everything was that came on the radio, and all of a sudden my mind was being blown by this beautiful, violent thing that was unlike anything I had ever heard before in my life.”

Metallica, including Jason Newsted and Cliff Burton’s father who rightfully so gave the first acceptance speech, all took a few moments each to speak.  As a long time fan of Metallica, especially in my youth, I listened to every word each of them had to say about how it came about that a heavy metal band got where they are today.  Cliff Burton’s dad I could tell was so proud of his son’s accomplishments of the late musician and as a fan it meant a lot to me to see someone from his family to be there.

Robert Trujillo, who spoke after Jason Newsted, rightfully gave thanks to Mike Muir of Suicidal Tendencies and the second he did I had a big ol’ smile on my face.

Lars Ulrich did not have a speech written up at all.  He huddle over the microphone and gave thanks to family, friends, and fans.  While pompous sometimes he actually said something I wanted share:

“I think rock and roll is about possibilities and about dreams. The fact that the six of us can be up on the stage tonight, snot-nosed kids, outcasts, loners who grew up in very different parts of the world, in very different situations and make it here tonight, to this wonderful night in front of all these people down here … Rock and roll truly is about possibilities. Look at us. Metallica’s in the Rock and Roll Hall of Fame!”

It was true, the band has been through a lot and seeing them all on stage really proved they fought their battles and proved their way into the Rock Hall.  At this moment I really was happy to be a part of that night witnessing only the second metal band to ever be inducted into the Rock Hall.

Seeing Metallica get inducted really got me thinking about future inductees.  Will bands like Iron Maiden, Motorhead, or even Social Distortion ever have their day?  Only time will tell I guess.

I was not sure what was going to happen next as the band exited the stage.  I was hoping for Jason Newsted to at least play one song with them and much to my surprise Metallica and Jason Newsted took the stage and pumped out “Master Of Puppets” with two bassists.  Yes…two bassists.  It was incredible.

They may have formed in 1981 and show signs of aging but good lord these guys sounded just as awesome as every time I have ever seen them live.  I do want to add that the above video does not include the entire public singing along and cheering their hearts out and the sound live was much better than what is heard. The video also omitted the VIP section sitting there motionlessly and looking scared.  The band also played the commercially overplayed “Enter Sandman” and even though I really do not care for that track anymore it still caught my ear and I sang along…

I really hope that their performance at the ceremony leads Jason Newsted back to the band some how.  Metallica with two bassists would be pretty sick.  I know they had their disagreements and fights amongst one another but Jason Newsted looked so happy to be on stage with his former crew.  Maybe it was just because of an awesome weekend they all had reconnecting, or maybe it is more.  We shall see.

Once Metallica finished up many folk started leaving and that was a huge mistake as they missed out on the two finales.

First up Anthony & The Imperials, Wanda Jackson, D.J. Fontana (who was inducted earlier in the evening), Jeff Beck, Bobby Womank, and Rosanne Cash all took the stage and performed “Jail House Rock”.  It was a pretty insane cover of a track that helped pave rock and roll to where it stands now.

After their performance I only knew it was going to get better, and it did.  Metallica, Jason Newsted, Jimmy Page, Jeff Beck, Flea and Joe Perry all took stage and played the Yardbird’s “Train Kept A Rolling”.  Talk about guitar overload!  There was so much going on at once I did not know who to look at.

My night was complete after that.

And so ended the 2009 Rock & Roll Hall of Fame Induction Ceremony…and I was a part of it.  How sweet is that?  Hoping to be invited to an after party or notified of a secret show, which did not happen, Matt and I squeezed out way out of Public Hall and called it a night.


That was the good, now time to me to bring up some of the events that really had me wanting to swing my fists…

First off I have a top 10 of drunks I would like to punch in the throat that were seated around us.  Yes it is a concert, and yes it was being filmed for television, but seriously did you really need to drink to the point where you are most likely going to forget the entire evening?   There were people around me that had no idea what was going on and would try and leave to take a piss every ten minutes.

With that said during some segments of the night the sweet ushers (more on that in a second) would shut the doors not to allow anyone back to their seats until a commercial break.  This made the drunks unhappy and loud.  Luckily Matt and I were seated directly in front of a door way into the concession area so all of the jackasses who went to get drinks had to finish them in the halls and created a ton of noise.  So much I might add that I was not even able to hear DJ Fontana’s acceptance speech.  That was about the time I turned around and screamed “Shut the eff up!”

People were yelling at the ushers when they were denied to be seated such as one princess saying “Do you know how much money I spent to get here?”  – Yes lady I do know how much because it is the exact amount I spent to go there too and I sure as hell did not spend that money to hear your tramp ass complain.

Another finely dressed douche bag had no idea where he left his seat due to one too many and when the ushers told him he was a row off he yelled at them for wasting his time.  Idiot.  Drunk idiot.

Oh I almost forgot about the dad who asked me if “Evil Knievel jumped over the Public Hall in the 60’s”.  Do I look that old?  He almost ate it a few times down the steps too and I was secretly hoping he would have…

Honestly I could not believe the number of people that were just out of control wasted.  If it were a Metallica concert I could understand but this was a serious ceremony of sorts that meant a lot to the artists involved.

Then there was the lady five rows in front of us screaming and wooing while failing to throw the devil horns.  Seriously, I am not kidding.  This drunk bimbo looked like she was having seizures at times because she was so blasted.  She would throw her hand out, make a peace sign followed by what looked like the “shocker” and once even the “Live Long and Prosper” Spock Star Trek sign.  She eventually used her other overly tan hand to mold her fingers into the most pathetic devil horns I have ever seen.  If I did not love my iPhone so much I would have surly chucked it at her head.

Took this right when Mr. Awesome Security guard tapped me in the back of the head...
Took this right when Mr. Awesome Security guard tapped me in the back of the head...

Oh yea, my iPhone.  I was trying to take a picture of the Jimmy Page / Jeff Beck performance and a security tapped me on the back of the head and yelled I am not allowed to take video making for a blurring picture.  I told him I was taking a picture with my phone and he said it was taking me too long as I was holding the phone like a video player.  I pointed to the crane sized camera and told him I was waiting for it to move.  Ass.

Are you tired of my ramblings yet?

I have a couple more.

The ushers when we got there were friendly and showed us to our seats but as soon as the ceremony started they started talking behind us and their walkie talkies were going off.

I understand having contol at a show and hiring outside help to maintain, but the guys behind us did not respect the paying crowd and kept laighing and talking.  I was getting so frustrated and I know I was not the only one.

One usher in particular had that face and smile that just read “punch me” and he pretty much annoyed me all night.  During the Jeff Beck performance he danced like a fool mocking the legend.  I know he had no idea what was going on and was only there to make his $7 an hour.

The same usher made the comment “Enter Sandman” made Metallica.  Instantly I envisioned myself jumping over the rail behind me, grabbing the kid by the head, and knocking him out.  It is one thing to be dumb but another thing to be musically dumb.

Finally there were the fans that just had to yell things out during the speeches in hopes that their voices would be heard on national television.  A shout out or two can be humorous but some of these people were tying to out shout one another.  Someone would scream “I love Metallica” and a moment later “I love Metallica more” could be heard.  It was sad really.  Any respectful fan would have allowed any of the inductees give their acceptance speech without drunk interuption and saved the shout outs for the live shows.

I am happy to say I kept my cool and did not get myself thrown out of the event.  I wanted to so badly, but did not.  There is a chance I upset the father sitting next to me when I dropped the F-bomb but I was pissed and it just came out.  I think if I would have flipped out and punched people in their throats it would have made for a better read here but I did not want to miss a thing that night.

So there.  There were some of my complaints.  I am sure Matt could add a few more.  Other than the drunks and the ushers it was a swell time for sure.

I really hope that in three years the ceremony comes back to Cleveland and if it does I will be there.  There is something about being a part of rock history that is all so appealing.  Sure I am not a rock star nor did I walk down the red carpet to the VIP area and eat cake but I did get to witness the same thing high rollers have been doing for years and that felt pretty damn awesome.

Bragging Rights: Coheed & Cambria – Neverender: Children Of The Fence Edition

After 4 long months of waiting it finally came:

Coheed & Cambria: Neverender: Children Of The Fence Edition
Coheed & Cambria: Neverender: Children Of The Fence Edition

I am now the proud owner of Coheed & Cambria’s Neverender: Children Of The Fence Edition DVD/CD box set.  This is the ultimate Coheed & Cambria collection and I know I have mentioned it before on my site and I have the right to as I am a HUGE Coheed & Cambria fan. That’s what fans do!

For those of you that did not know, Coheed & Cambria put on a concert series tour like none other last October that spanned four days in the select cities of New York, Los Angeles, Chicago, and London.  The band performed one of their four albums from beginning to end each night in sequence.  This DVD/CD box set is all four performances both on DVD and CD from the live show in NYC.  As bummed out as I am for having missed this amazing set of shows I am so happy I have this box set in my possession.

The Neverender: Children Of The Fence Edition includes:
– 4 Live DVDS
– 4 Live CDs
– 1 Documentary DVD
– 10×10 hardcover photo book (and I have to mention that my actual name appears in the “Children Of The Fence” portion of the book as I was quick to order this back in December.  I know, I am the ultimate geek)
– Custom metal dragonfly keepsake piece 7.5 x 5.5

The collection comes boxed and lucky me even got an added certificate of authenticity signed by all four band members.  During the initial pre-sale it was said that the first 3000 copies sold would be autographed by the band.  I feel gypped in a sense as I thought they would sign the actual box set and not a tiny piece of paper.  Still this thing is awesome.

I have yet to watch the actual DVDs as I know I will want to try and watch it in one sitting.  I listened to all of the CDs already and loved it.  Coheed & Cambria really put on an amazing live show and I can say that having seen them three times now.  Add a sold out crowd that is just as excited as the band is to be a part of music history and you have yourself a masterpiece of a live show.

Having ordered months ago, this was well worth the wait and undisclosed amount of money I shelled out for it.  I am pretty sure this will tie me over too until I cross paths with them at Bonnaroo in a couple of months…

Interview: Steve Smith of Dirty Vegas

This interview is actually over a year old.  It posted on 02/07/2008 on Blogcritics.org.  Rather than archive it I decided to share it with you today:


Steve Smith
Steve Smith

It wasn’t so long ago that a British house rock/pop trio took the world by storm.  The band was called Dirty Vegas and released their debut album including a track named “Days Go By”.  This track soon made its way into the clubs and onto airwaves gaining lots of attention.  The band consisted of three gentlemen who formed the group in 2001 thanks to a little love song that vocalist Steve Smith wrote for someone special.  The song, originally an acoustic track, took a twist and was transformed into a dance club hit.  The song even earned the trio a Grammy in 2003.

The band earned gross amounts of fame but due to low sales on Dirty Vegas’ sophomore album the hype simmered down and soon two of the trio called it quits.  Steve Smith however did not have any intentions of quitting the music scene and recorded his own music.  He actually had been recording music all of his life and now found it the right time after a break to release it.  This Town was recently released as a solo project by Steve Smith who relocated from the UK to Boston with his wife.  The CD is more of a personal project to Steve Smith, his best work yet.

I recently had the opportunity to talk with Steve Smith.  In between changing guitar strings and baby diapers (he and his wife just had a newborn) Steve Smith took some time to answer some questions about the past, present, and future of his musical career.

Why such the long hiatus?

Well, when Ben and Paul left in 2005, I decided to have some time away from music to really get my head around what I wanted to do.  I moved to the US in early 2006 and began to feel really inspired. I started to write a lot of music and spent the year collecting songs for my solo album.  I also began my dream of writing music for film by scoring the brilliant movie, Boys and Girls Guide to Getting Down and for the FOX show Standoff.

Why did the band disband?  I know everyone was growing  mature and going their own ways but were there any other reasons?

Well, we we’re in a bad situation with our record company and Ben and Paul felt that we had taken the band as far as we could, but I truly felt there was more to come.

The band Dirty Vegas took the world by storm.  You wrote a song “Days Go By” that was transformed from an acoustic track to a techno hit.  What were your original thoughts on manipulating your original cut?

I have always loved the idea of taking a song where you wouldn’t necessarily expect it to go!

Steve Smith
Steve Smith

So who was “Days Go By” exactly written about?

My then girlfriend Charlotte, who is now my wife (songs always win a girls heart!)

Any plans ever of maybe creating another Dirty Vegas release in the future?

Who knows!

Once the band split up you got back together with your long time girlfriend (now wife) and moved to Boston.  Why Boston?  I know it is an amazing city but I am just curious.

I have always felt that Boston has a very European feel to it.  It has a great music scene and I have discovered a lot of creative people live/work here.

How was the transition from London to Boston for you?

Very smooth!  The people of Massachusetts have been great to us.

How long before you decided it was time to release a self-titled album?

It kind of happened when I started to play friends some of the songs.  The more I played them, the more people said I must get this stuff out there!

Is there a possibility you may tour in support of this release?

Absolutely! I cannot wait to get out there and perform the songs in front of people.

Can we expect a follow up to This Town sooner than later?

Anything is possible.

Who would you say are your musical influences?

I would say that growing up it was everything from Pink Floyd to Marvin Gaye.  I was always listening to the Top 40 and raiding my brothers and sisters record collection.  So I got to hear Joan Armatrading and Neil Young [because of them]. When I heard Neil Young’s After the Goldrush album it blew my mind.

I am still amazed that the actor John Savage from the Deer Hunter agreed to perform a spoken word on the first track of your CD.  How did he get involved?  He is the last person I would ever expect to speak on an album, yet it seemed so perfect once I heard it.

Every guest on the record was someone that naturally came along. My manager was in a furniture store and spotted John. She told him about the song and he agreed to come along and we just spoke about his life experiences and the message of the song. That was one of many incidents that happened with the recording of the album.

Speaking of incidences, you were also able to recruit a violinist for the track “Smile” who in turn wrote a piece that was the favorite of your father.  Do you think that was pure coincidence or a calling?

That was another one of those natural moments with the record.  I still cannot believe that the actual guy that performed the solo parts of my late father’s favorite pieces of music, came and performed on a song about him!  A calling I’d say. And my old man is looking down laughing.

Can you tell me a little about your father?  Was he a music lover as well?

My dad was never a professional musician but my mother told me he had a beautiful voice as a young man, and people would often ask him to sing in pubs and parties.

You are definitely a multi-talented individual with the ability to play acoustic guitar as well as spin house sets.  Which do you prefer over the other?

I am a very lucky person that gets to experience the buzz of a dance floor move to a pumping bass line as well as sing with an acoustic guitar in a small folk club.  Both have amazing energies that I find complete polar opposites but have the same rewards!

When did you learn to play guitar?  Was it before or after you learned percussion?

I learned to play the guitar quite late, I was around 21. I had been playing percussion, but needed to learn a melodic instrument to craft the songwriting.

In your spare time you continue to guest DJ.  What is different these days about the club scene as opposed to yesteryear?  Are there things you miss about the overseas club scene?

I think with the way the internet is now, you can hear a brand new track played in Ibiza (Spain) and [in] Kansas on the same night!  Gone are those days of the kid in the middle of nowhere ordering a track from a record store 6 months after it was first heard in NYC.

Do you still communicate with any of the DJs from the past you once toured with such as Sasha or Paul Oakenfield?

Sometimes you see DJ’s/Musicians that you have worked with over the years, I have been going to Ibiza for many years and there is always a familiar face there.

Do you think the DJ / techno genre will make a comeback in the states?

I think all genres of music will have exciting times ahead,  just look at the festival line-ups now, Rock Bands, DJ’s… there all there.
The song “Late Nights and Street Fights” was the main theme for Fox’s now defunct Standoff.  How were you able to land that?

The music supervisor for that show had used Dirty Vegas music before and heard I was recording my solo album, and asked if I had a rock song that could suit.  I played them “Late Night” and they loved it.

You won a Grammy while in Dirty Vegas for the song “Days Go By”.  I am just curious if you display it in your home or use it as a paperweight?

It’s on the mantle-piece

Any plans for the future?

Well, I want to head out and play live shows to support the solo album, and then I am looking at scoring a musical with the director of Boys and Girls Guide and of course Dirty Vegas.

Why should people check out This Town?

Because it is the best piece of work I have ever done.


Steve Smith’s This Town is available on G.A.S. Records.  For a sneak peak at his self titled release and to see if he’ll be touring in your area you can visit his website or his MySpace page.  Word is Steve Smith and Dirty Vegas are working on new material.  More to come about that…

Until then, here are some videos to keep you entertained:

The song that started it all… Still love this video too:

My 2010 SXSW Promise.

This is a promise that this time next year I will be in Austin, TX engaging in some 2010 SXSW action.  I will skip all other festivals next year to ensure this happens.

I am missing out on so many good shows this week it makes me want to cry.  Punk rock, hip hop, metal, country… 

Just check out the SXSW schedule.  There is enough live music to last me for the whole year.

Aside from the live music there will be film and other interactive entertainment not to mention a handful of awesome friends who live there.  For more info check out the SXSW official website.

So yes, 2010 will be a SXSW year.  Who is joining me?  Anyone going this year?  I’d love to hear about your experiences.

To all the awesome record labels and marketing companies I deal with thank you so much for the many invites.  I promise you I will take you up on those offers next year.

DEVO Announce New Studio Album To Debut Fall 2009!!!

I just received word that Akron, OH’s DEVO has announced that they will be working on a studio album for a Fall 2009 release!

Direct from the email I received:

What the iconic new wave, art punk pioneers cautioned us about almost 30 years ago is no longer a humorous theory. It’s pretty much fact–we now live in a devolved world that’s getting wackier each and every day.

The fall of 2009 will bring a new DEVO studio album, their first one since 1990’s Smooth Noodle Maps. It’ll mark their first new music since the strong fan reaction that greeted the 2007 single “Watch Us Work It,” their first new song in 18 years and one that was produced by Sweden’s TeddyBears (Robyn). They’re now in the studio putting the finishing touches on their new album (title TBA).

The five-piece–featuring co-founders and songwriters MARK MOTHERSBAUGH (lead vocals, synthesizer innovations) and GERALD CASALE (lead vocal, bass) and rounded out by BOB CASALE (guitarist), BOB MOTHERSBAUGH (guitars/vocals) and JOSH FREESE (drums)–are set make a special U.S. appearance at SXSW this year including a press conference (4:00pm) and keynote panel (5:00pm)–moderated by radio veteran Nic Harcourt–set for Thursday, March 19 at the Austin Convention Center (500 East Cesar Chavez St.). They’ll follow that up with a Friday, March 20 one-night-only SXSW concert at the Austin Music Hall (208 Nueces St.). Pre SXSW, DEVO fans in Dallas can catch a special one-off show on Wednesday, March 18 at the Palladium Ballroom.

In May, DEVO will head to the United Kingdom for a series of dates. On Wednesday, May 6, DEVO will perform their debut album, the seminal Q: Are We Not Men, We Are Devo! in its entirety from beginning to end at London’s Kentish Town Forum. Released in 1978, the seminal album produced by Brian Eno and recorded in Germany features such notable tracks such as the band’s cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction,” “Mongoloid” and “Jocko Homo.” Next up on Friday, May 8, they’ll headline the All Tomorrow’s Parties festival in Somerset at the Butlins Holiday Centre.

Formed in 1972 in Akron, OH, DEVO–short for “de-evolution”–began as an art project cautioning that humans were devolving and regressing into a herd mentality of American society, not evolving. A conceptual band from the beginning, DEVO were ahead of their time, incorporating elaborate aesthetics into their live shows and seamlessly combining their music with visuals years before MTV or any music-video culture existed. Indeed, the group’s first appearance at Kent State University in 1973 was recorded with a black and white portable video system. Societal satirists, DEVO’s lyrical mix of comedy and quirky wit, warned of the dangers of rampant capitalism in “Whip It” and “Freedom of Choice”, and the devolution of society in “Jocko Homo” and ”Beautiful World.“ Onstage in their early incarnation, the group began with a mixture of synthesizers and rock instruments; as they developed in the late seventies and early eighties, DEVO became one of the first American acts to perform using only synthesizers. DEVO have now returned with an evolved look, ready to impact the vastly devolved world we now find ourselves trying to navigate.

Expect more news regarding DEVO soon and catch up with them at:
www.clubdevo.com
www.myspace.com/devo