Tag Archives: Fat Wreck

Concert Review: Me First and the Gimme Gimmes / Masked Intruder / Pears – House of Blues – Cleveland, OH – 04/12/2017

It’s not every day that you hear a cover band sold out a venue on a Wednesday, but that is exactly what happened last night at the House of Blues in Cleveland.

This honestly wasn’t a fluke though seeing how said covers band was none other than punk rock supergroup Me First and the Gimme Gimmes.

If I am not mistaken, the last time the Gimmes even played Cleveland was back in 2003 at the Warped Tour, so this was a pretty big deal to all of the Gimmes fans out there.  Needless to say, I was pretty stoked myself to see they were coming back to my hometown with special guests Pears and Masked Intruder.

The Gimmes roster consists of Spike Slawson (Uke Hunt / Swingin Utters), Joey Cape (Lagwagon), Fat Mike (NOFX), Chris Shiflett (No Use For A Name / Foo Fighters), and Dave Raun (Lagwagon).  They have been covering various tunes for over 20 years now and do not take themselves very seriously at all.  The result is an overdose of fun covers of songs with a punk edge that in incredibly addicting  They have 8 covers albums out now featuring all sorts of genres of music and were bold enough to just release a “Greatestest Hits” album.

The one ever so slight downfall with this leg of the tour was that Fat Mike was not playing due to scheduling conflicts, but Jay Bentley from Bad Religion was filling in on bass duties, so there were no complaints from me.  Chris Shiflett also was not playing this stretch of shows, but his brother and Face To Face guitarist, Scott Shiflett was filling in.  If you notice the photo of the flier above, you’ll see that they even took the liberty of photoshopping Jay and Scott in appropriately.

The House of Blues slowly filled up before the show started with big thanks to the Cavs and Indians games both going on at the same time making for parking to be a pricey nightmare.  People of all ages even including some kids with their punk rock folks were hanging about.  I really liked seeing such a variety of fans.

New Orleans hardcore punkers Pears started the night off with a pretty insane set.  Sadly, I think less than 10 people were really into them and the rest were just trying to get their place in the pit for the other bands on the bill.  Those Pears fans did sing along to every single song and had a hell of a time.  Vocalist Zach Quinn noticed this and at one time jumped out into the crowd to hang out with his fans.

I am not sure the crowd really was digging what Pears were playing as many seemed to just observe and take in their set, but when the band played a cover of “Judy is a Punk”, the place erupted.  Playing a few songs off last year’s Green Star as well as some from their debut Go To Prison, I really dug what I heard and was reminded that I really need to listen to them more.

Masked Intruder took stage with Officer Bradford, but there was a noticeable inconsistency.  Red was missing.  Apparently Red was serving time for picking pockets, but  Big Luke Ferguson from Lipstick Homicide was filling in on drumming duties.  Jarret Nathen from Pears actually filled in for one song too.

Blowing through songs like “I Fought the Law”, “I Don’t Wanna Be Alone Tonight”, and “Saturday Night Alone”, the crowd was robbed of all of their attention by the masked musicians and were perfectly ok with it.

Blue at one point instructed the crowd put their hands up in the air and then the band proceeded to played “Stick Em Up”.  There is nothing quite like a sing along with plenty of profanity.

Officer Bradford did his thing throughout the set and at the end pulled a Har Mar Superstar and shed his uniform to reveal a singlet that showed off all of his manly curves.  His stage charisma is like Ben Carr from The Mighty Mighty Bosstones in a sense,  but far crazier.

Between the dance party going on in the pit with fans and Green,  Officer Bradford dancing with the kids who were lucky enough to stand on the backside of the crowd barriers, and even a “literal” gracious mention by Blue to some “Grilled Cheese Sandwiches” place, the band kept the Cleveland crowd wanting much, much more once they finished off their final song of the night, “I Don’t Want to Say Goodbye to You Tonight”.

As this was my first time seeing Masked Intruder after missing countless opportunities before, I was impressed.  The Daft Punk of pop punk were hilarious throughout and sounded pretty great live.

The Gimmes took the stage just around 10pm to a packed house and started playing “Summertime” with Spike running onto the stage dressed to impress.  From there, it was an all out party with the band dipping into their huge catalog of covers.

I was so stoked to hear “Jolene” and “Rocket Man” as well as “End of the Road” all in one night.  The band looked comfortable playing on stage and were just having as much fun as possible.

The Gimmies rocked out their version of the Beach Boy’s “Sloop John B” and Neil Diamond’s “Sweet Caroline” with the crowd singing along loudly.  They also gave Barry Manilow props for announcing to the world the truth before playing “Mandy”.

Cape and Shiflett basically manned the sides of the stage throughout the show.  Cape at times would just vanish leaving Spike to ask if anyone had seen him while Shiflett was just rocking out and having a good ol’ time with Bentley.

At one point during the set, Spike started rambling off a story about another venue in Cleveland he played at with another one of his bands where a awfully friendly man offered to pleasure him out front.  He was quick to admit it was Now That’s Class.

Bentley had me cracking up tons during the set.  When it was not his turn to play, he would pretend to start playing, hesitate, make faces, and then jump into action.  You could tell he really was enjoying the night.  At one point when Spike was shamelessly putting in a plug for Rake It In: The Greatestest Hits album that just came out, a fan in the front row held up the LP and Bentley took it from him.  The fan thought he was just going to hold it up for all to see, which he did, but then put it on the drum stage and left it there until after the set.  He eventually gave it back, but not before Bentley told the fan he would have to buy another copy.

As a special treat, Spike performed a couple of times with a plugged-in ukulele including a song from his other band Uke-Hunt as well as an amazing, intimate cover of Madonna’s “Crazy For You” and also “I Believe I can Fly” with Shiflett playing a Hawaiian riff with eventually the rest of the band kicking in.

With plenty of comedic banter between the bunch, they interacted with the crowd frequently, cracked jokes, and bashed current events just making for just a fun set.  It was like NOFX, but far less wasted.

After leaving the stage only to come back for a four song encore, the band called it a night, but not before thanking the crowd and handing off picks, drumsticks, and setlists to a few lucky fans.

I have to admit, I was kind of worried before the show after hearing that their Pittsburgh show had a shorter set the night before, but the Gimmes played for almost 2 hours.  The full setlist is listed below.

It was a  solid night for punk rock tunes with friends and fans alike thanks to a trio of Fat Wreck Chords bands.  It was my first time seeing all three bands, and I was thoroughly entertained.

Me First and the Gimme Gimmes Set List:
“Summertime”
“Jet Plane”
“Julio”
“Who Put the Bomp”
“Science Fiction”
“Ghost Riders”
“Sloop John B”
“Danny’s Song”
“Country Roads”
“Jolene”
“Crazy For You”
“I Believe I Can Fly”
“Mandy”
“Isn’t She Lovely”
“Over the Rainbow”
“Rocket Man”
“Straight Up”
“Different Drum”
Spike playing the Uke
“All My Lovin'”
“I Will Survive”
“Sweet Caroline”
“End of the Road”

Click on a photo below to open the slideshow:

Interview: Yotam Ben Horin of Useless ID

Quick note to start things off: If you haven’t heard of Useless ID and have appreciation for punk rock, I can honestly say you are missing out on an amazing band and should check them out now.

I’ve been a fan of these guys for a long time now.  They are one of the hardest working bands out there that most people probably have not heard about.  If one or two people find this blog and turn into Useless ID fans, then my job is done.

With that said, let’s continue…

I’m happy to say I got to interview someone who I truly admire as a musician.  Apologies in advance for the long read, but the outcome of this interview was great and I did not want to cut anything out of it.

Yotam Ben Horin fronts Useless ID and to say he is a busy man is an understatement.  He’s fronted the Israeli punk band for 20 years now, toured the US solo for what seemed like most of last year, and seemingly is always doing something either with his band or solo.

Useless ID dropped State is Burning earlier this year on Fat Wreck Chords and it is easily one of my favorite releases of 2016.  Granted there is no proper review of it (yet) on this here ol’ site, I will tell you I listen to it often.

Yotam was cool enough to take some time out of his busy day to chat with me about the new Useless ID album among other things.  Check it out:


yotam4

BHP: First up, I can not tell you how excited I am to hear you are coming back to the states with Useless ID to tour with NOFX. How stoked are you for this tour?

YBH:  For us it’s crazy.  When Useless ID started out, NOFX were one of the key influences to our sound.  There was Green Day and Offspring slowly rising and I liked both at the time, but the good stuff to me was finding NOFX in Thrasher magazine, they just didn’t play by any rules. We played many shows with NOFX throughout our career and they always treated us like family, always having a great time and now this tour. We are stoked as hell and can’t wait!

If I recall correctly, you spent some time in the states a little while back and played tons of solo shows in support of your solo album. Seemed like you were here for a while.  How did that whole tour work out for you?

Well, basically I reached a breaking point in life where I got lost in rent, taxes, and pretty much dug myself into a ditch playing bass for this production in Israel.

yotam1I started hating music altogether cause it became a job so I decided I need a break from life. We celebrated a 20 year anniversary show with Useless ID and I flew to the U.S 3 days later for the next 6 months. I didn’t really have a plan to go solo, I just needed a break to kind of figure out who I am and what I want to do. During this time, I bought a car and booked a few shows in the LA area.  I met a few people and then got an offer to open for the Ataris, so I did that for a few weeks.  From there, I got offered to play bass for Sic Waiting and opened a string of west coast shows as well and that lead to a tour with this French solo artist Forest Pooky.  I let life kind of write itself and didn’t bother interfering and that eventually lead to the recording of the unplanned second solo record “California Sounds” since I’ve been performing with all these new songs that really started taking shape.

That’s insane.  I had no idea it was more than just a tour for you.  Going back home had to be nice after that, but seeing how Useless ID dropped a new release earlier this year, sounds like you and the band did not rest at all.

I had a few songs scattered around that I let the guys hear but not an album’s worth of material, so with my break it gave us time apart and time to draw new inspirations which worked out for the best cause when I returned in June, it was full on writing the new record.  Ishay also brought some songs in so it changed things up.  We had around 50 songs to choose from, we all collectively liked the 15 that made the cut so it worked out great.

It’s been four years  between albums.  Was there any reason for a delay in releases?

We don’t want to release an album every two years cause we have to, we did that in the early days, we were younger, not that I’m against it.  As a writer, I usually like doing other things before I dive back into a new Useless ID record like a solo album or a trip somewhere or have a certain change happen to me.  I don’t like sticking to the same subject either, so if I’m writing about my deteriorating relationship (Symptoms), I wouldn’t want the next record to be about that again so certain time needs to pass and certain changes need to happen.  Honestly, now with the new drummer Corey in the fold, there is a sudden urgency in our sound and live show so I have a feeling the next one should be written sooner than planned.

useless-idI can certainly appreciate that.  So, tell me about your new album State is Burning.  It’s so much harder sounding than the previous release Symptoms. What prompted the change back to your punk rock roots?

We did a European tour in the summer of 2013 and by the first day we were walking in Italy somewhere and Ishay randomly says to me “Our next record should be shorter songs like Frenzal Rhomb or something.” We all love Frenzal Rhomb and it made total sense to me.  We put out Symptoms but ended up playing like 2-3 songs off of it at shows so something was clearly not working with these tunes live. As a studio album, I think it’s great, but not my favorite of ours.  I started thinking maybe I should go back and listen to all those records that got me into this in the first place like NOFX, No Use, Propagandhi, Bad Religion, Pennywise etc.  I was getting a vision for it, in a way, “write the record that you as a 15-year-old fan would want to hear.”  Since I’ve been writing from an artists perspective on “Symptoms” and “Broken Bones”, I wrote from a Fat Wreck fan [perspective] on “State” and it’s my favorite Useless ID record.

That’s awesome.  I really do dig this new one a lot.  “Borrowed Time” was one that stood out to me.  Are there any tracks on the new release you dig more than the rest?

I love “Land of idiocracy.”  I heard it like a zillion times before it was released cause it pretty much sums up all of my frustration living in Israel. I really like “Closer to the edge” as well since it’s my “departure from work life” anthem.

I think “Genetic” is one of the best songs I’ve ever written and it all came to me in 5 minutes while I was out for a run on the beach before a Useless ID rehearsal.  We worked on it the same day and that was that.

yotam2So, tell me just a little about yourself. I’m just curious how you have gotten to where you are today.

From a very young age, I always had a very strong personality about what I want[ed] to do, so when I picked up the guitar at 13, that was it for me,  I knew from that point that I want[ed] to be in a band so when I met the Useless Id guys in ’95 who already existed, I knew that I must join these guys and be on the road.  My first tour with Useless ID was in 1997, I was 18.  I had already played two shows with them in 1996, but I had another year of high school which I dropped out of anyways.  I don’t like getting too comfortable with anything and sometimes it backfires cause I feel as if life is not moving anymore and I like to keep things interesting, create as much as I can, music, art, poetry any figure of self expression appeals to me, and I can’t do without it.  I can lock myself up for weeks watching 80’s movies or something from my past just to trigger a feeling and then the songs come out.

I am sure you are asked this a lot, but what is the punk scene like in Israel?  How is the scene viewed there?

The scene always had its ups and downs.  In 1996, me and a group of friends started this short lived movement in Israel called “Haifa City Hardcore”.  We booked shows, put out tapes, and tried to create a scene but it didn’t really take off.  Then in the early 2000s, I felt like there was some sort of a punk revival – in terms of Israel it’s still pretty small – but the scene was kind of dead in the 90s as far as punk goes.

I can happily say Useless ID was the first punk band from Israel that just took off to the U.S with only one planned show in Gilman St. and learned the ropes through being there and seeing how it’s done.  Nowadays, many Israeli punk bands are touring all over the place cause it’s much easier to book a tour so that’s improved for sure.  I’ve been punk since I moved to Israel in 1993.  I was lame cause I only knew Nirvana, Sex Pistols and Pixies who are considered close to punk and not really punk, so when a year later I discovered all the other stuff through a skateboarding friend [like] Minor Threat, DRI, Black Flag, I knew I found my sound and wondered why I hadn’t till now. I liked the fact that it was underground and hard to find.  

As for the genre, people frown upon this genre cause they listen to middle eastern music, which is by far the worst form of music, and exists only in Israel.  Extremely shitty lyrics with assholes and other dickheads making it and getting famous cause the majority are made up of morons… It’s so shit.

Sounds like recent American hip-hop music, but worse.  I know Israel is a lot different from the states in terms of adversary, but I only know so much about their culture.  I’m just curious, what are some of the major differences in terms of the punk scene from Israel and the US?

I think the biggest thing is that no punk band could live off of their music in Israel.  It doesn’t matter how good you are or how hard you try, the scene is just way too small to accept it as they do in the US where great bands like Descendents or Against Me! can actually make a living playing shows and releasing records, that’s amazing. For any artist, the biggest reward is to be able to live off your art.

So true.  What do you like about current American culture?

Well I grew up in New York in the 80s, so that whole era really speaks in volumes to me and always has.  That sense of naiveté in everything from WWF, John Hughes movies, [and] pop music.  These are the kind[s] of things that can make me choke up like the theme song from the sitcom “Learning the Ropes”.  I like the possibilities in the US.  You can just come out of nowhere with a guitar and if there’s enough passion there, anything is possible.  Having Joey Cape produce a record with me, that would never happen had I stayed in Israel minding my own business.

What don’t you like?

I guess like any other culture the majority decides, getting someone like Donald Trump so far in as a candidate is crazy but that just proves that anything being possible in the U.S. can backfire badly.

I do not even want to thank about that.  So, has Useless ID ever come close to calling it quits over the past 2 decades?  Care to talk about some of the challenges faced?

We have been around for 21 years now so there were obviously some breaking points along the way, but something kept us together and it wasn’t the fear of breaking up. We just love our band, we care too much about the music we do and we don’t want to play these tunes with other people.  There’s a certain energy going on between the four of us cause we come from similar musical backgrounds, but at the same time, we are so different as people and all opinionated.  I think that’s what [makes] a band like The Beatles or The Ramones the greatest band in the world.  The different characters; everyone in the band brought something else to the table.  We’ve obviously had some fallouts in the past but the band is at a very good place right now.  We’re promoting our best record to date and the shows have all been crazy fun.

YotamTell me, what does it feel like to play your heart out in front of all of your fans?

We just did a short run of Russia and Japan and all four shows were packed and great!  I told this to one of the guys last night – in Japan I don’t really feel like I’m playing a show, I’m more like floating on cloud 9 for an hour.  When you have a room packed with people who know every word you wrote and just lose their shit when you play its like an [out-of]-body experience.  You just lose sense of time and life all of a sudden has a different pace.

How did this upcoming tour with NOFX happen?  I know you are stoked about it.

We were just about done with the mixes of “State is Burning” at The Blasting Room and decided to send it to Fat Mike.  By the next day, Mike told me how much he loved the record and would be honored to put it out, so I knew he liked it and eventually we got a mail from Kent Jamieson asking us to do this upcoming tour.  

We are stoked as hell!  Doing all these shows alone in the US for the past two years, I promised many fans that I’d be back with Useless ID soon enough and here we are and PEARS are with us too so that’s extra fun, those guys are nuts!

PEARS are so good.  Stoked for you all to be back on tour in the states.  Might as well ask, what do you do to pass the time while on tour?

I read a lot, take pictures, write in my journal.  If I’m in the U.S., I film a lot of footage and edit them into funny short 5 minute movies called “DRIVER”.  It’s my alter ego in the U.S.  I grow out a beard, wear a trucker cap, a flannel and pretty much turn myself into a Chuck Ragan lookalike. During the long drives, I listen to a lot of music, stuff I don’t know. The drives are good for that.  I find time to exercise, go for a run or workout to stay in shape and not completely lose it.

I need to find some DRIVER clips.  That sounds amazing.  You are very active on social media.  Obviously we did not have this 20 years ago.  How important is it to you to be able to connect to your fans globally thanks to social media?

It’s very important.  That’s the cool thing with Facebook.   For example, I use it mostly for musical purposes less about writing my opinions on politics or what I just ate or who had a baby.  I try to put something there every day whether a picture of where I’m at, a live video playing songs for the people at home, and saying hi to friends all over the world.  My mission overall, besides making music, is to show people that there is an alternative even if it’s hard and a struggle, it’s all possible.  Once you focus your energy into something you really, really love and believe there’s no room for failure and if you do fail, it’s just an obstacle, you get back up and try again.  I receive many mails about people telling me how I inspired them to drop everything and hit the road or form a bluegrass band or go solo, anything.  It means the world to me seeing that.

That’s just perfect,  Wow.  Now that Useless ID has dropped something, when can we expect more solo material from you?

I have an album in Hebrew coming out soon which I wrote in 2013 and recorded in 2014 -before my U.S disappearing- and just finished mastering it a few weeks ago.  Other than that, I’ve been writing alot for my upcoming “One Week Record” which Joey Cape will be producing this coming November.  He really pushed me to write better songs and I’m still writing for it.

I love Cape’s One Week Record project.  I can not wait to hear that when it comes out.  What about the next Useless ID album, any plans on the next release?

As I mentioned before, it’s probably good to tour “State Is Burning” some more before we decide to write the next one, I have a feeling it’s going to be great. I really want us to continue doing the faster stuff for the next one but you never know which direction it’ll go.

Finally, what’s next for Yotam?

As for me, I took up Muay-Thai Kickboxing for the past 4 months and I’m loving it and what it’s adding to my self-confidence, so I’m thinking of doing a month of training in Thailand, hopefully start lining up some solo tours afterwards once my One Week record is out.  {I have] got a few musician friends in mind I really want to tour with for sure. I  have ideas for a few books I want to write so I’m going to try to jump into that for a while and see how it goes.  What else?  There’s a Useless ID movie in the works so were gathering a lot of footage for that at the moment. That’s me, always looking forward to the next exciting thing!

Sheesh man.  You are really keeping busy.  I’ll let you go so you can get back to all of that.  Thank you Sir!


Now here I am sitting here wondering what the hell I am doing with my life while he is kickboxing and traveling the world and even making movies.  I can always just live vicariously through him.  Someone needs to keep updating this site!

BTW – Proud father moment.  I just realized my kiddo is in a Useless ID video:

I really need to thank the band for adding my little dude into their video.

Check out State is Burning below and if you dig it, head over to Fat Wreck and grab a copy.

Useless ID is touring with NOFX and PEARs this November.  Check them out if you can!

11/02/16 – Portland, OR – Crystal Ballroom
11/03/16 – Seattle, WA – Showbox SoDo
11/04/16 – Vancouver, BC Canada – Commodore Ballroom
11/05/16 – Vancouver, BC Canada – Commodore Ballroom
11/07/16 – Edmonton, AB Canada – Union Hall
11/08/16 – Edmonton, AB Canada – Union Hall
11/09/16 – Calgary, AB Canada – MacEwan Hall
11/11/16 – Winnipeg, MB Canada – Burton Cummings Theatre
11/12/16 – Minneapolis, MN – Cabooze on the West Bank
11/13/16 – Milwaukee, WI – The Rave
11/14/16 – Cleveland, OH – House of Blues
11/16/16 – Omaha, NE – Sokol Auditorium
11/17/16 – Lawrence, KS – Liberty Hall
11/18/16 – Dallas, TX – Gas Monkey Live!

Interview: Joey Cape (Lagwagon, One Week Records)

Joey CapeFest. Fest. Fest.

I was not there, so I interviewed Joey Cape.  I guess that is the next best thing, right?

Cape and his band Lagwagon just stopped at Fest in the middle of their tour to play a Halloween show.  Based on the photos and videos I saw on the good ol’ internets, they donned King Diamond’s look and played a killer set.

Now, many of you know that Cape is a busy guy.  Not only is he touring with Lagwagon right now, but he released  Stitch Puppy, an all new solo album on Fat Wreck Chords that has really exceeded my expectations.  Seriously, you should probably check it out before you read my interview so you know I am not just kissing booty throughout.  I sincerely enjoyed it.

For a guy that is pushing 50, he does not seem to be slowing down one bit.  Not only is he focused on his music, but he is also still continuing with One Week Records.  On top of that, he is a family man.  A true hero if you ask me.

I managed to get Cape’s attention the other day and was able to chat about Stitch Puppy, Lagwagon, and even other avenues.  At the end, I was even able to get some fanboy questions answered.  Let me just say that the final question was answered amazingly.

Check it out, and enjoy:


BHP: Man, Stitch Puppy was beautiful. Was the concept of this album leaning towards a darker path? I am not saying all tunes were gloomy, but it certainly had a somber feel to it.

Joey Cape:  Well, I just decided to make it somewhat conceptual in a very broad sense. It was all written within the idea of the doll Stitch Puppy itself. It’s a victorian morning doll my daughter and wife made me. I had had a tough couple years with the death of a few friends, a falling out with an old friend, and a friend going to prison for a capitol crime. The lyrics simply represent the last couple of years of trauma in my life and the lives of others. In that way, the lyrics are no different than what I always write about. I guess I have always been most inspired by the dark side of life. It rings more true to me.

I loved the piano playing in “This Like IS Strange”. It seriously intensified the song for me, especially towards the end. Tell me, who is the monkey in this song?

I’m glad you like it. The piano is my friend Brian Wahlstrom. We have been working together for the last 5 years. We have co-written music together, his and mine and done extensive touring. I just love the way piano fills up the sound and adds tone. Brian and I have a great musical report. I am not going to share the “Monkey” name. Haha. I make an effort now to be discrete. I have gotten into a lot of trouble in the past for being too transparent.

You took a great song from a totally underrated album of yours, re-recorded it with Chris Creswell, and more or less blew my mind. Why did you select “Spill My Guts” off of that The Playing Favorites album?

I have done very little touring with that band and always wanted to play the 5 songs I wrote for that record. It just seems like the best way to re-introduce them by recording them acoustic. I don’t think any of them would work for Lagwagon.

“Moral Compass” was more folky sounding than the other tracks. Who helped you out with this song?

It was a song I originally recorded with Lagwagon for the “Hang” album. It didn’t really fit that record so I decided to do the Stitch Puppy version. The solo was written by Chris Rest of Lagwagon. I asked him if it was cool to use it. Otherwise, it was mine but, I think the reason it sounds a bit different is because I wrote it as a letter to a child and that effected the overall tone of the song. It’s supposed to be a soft delivery I suppose

“Tracks” was so emotional. Seriously, I just got chills listening to you sing “he would lay down on tracks for you”. Who was this song about?

“Tracks” was originally entitled “I Would Have Laid Down On Tracks For You”. A better title but too long for the layout. Haha. I wrote it in third person because it felt more like a story with empathy and less defensive that way. I wrote it as a letter to an old friend. Someone I knew for 30 years and recently had a falling out with. As far as I am concerned I was a scapegoat. Sometimes couples choose that “Me against the world” role in their relationships. They just have to cut friends almost randomly to keep it together. It’s a shitty move and difficult to forgive.

Back_Cover_Photo_450Tell me more about your daughter and the doll that inspired this release.

Yeah, it was all her doll and catharsis. That doll is my most prized possession and it speaks to me. There is something about a child’s ability to give a pure uninhabited view through their art. That sort of thing gets forced out in my cases by this overwhelming world. It’s beautiful and sad but vital to site and source.

I take it the cover art for this album is a representation of said doll? It’s like Powder meets the Nirvana smiley face, but different.

I thought it would be a good idea to embody the doll. It was fun to play the personality I imagined Stitch Puppy would have. I made a video for “This Life IS Strange”. I walked all over San Francisco in that get up. People starred. It was unnerving.

Can I ask, did you treat Stitch Puppy like a One Week Records recording and left it completely raw, or was there some mastering involved?

It was raw at its base. Brian Wahlstrom and I recorded the basics live at my studio just as I do the One Week Records I produce. It was aesthetically inspired by those records. I did bring some additional instrumentalist in for overdubs and had some guest singers lay down background vocals. I like the idea of not being precious with the production and going for the stripped down vibe. I like the idea of a more pure performance.

Were you able to get a lot of friends to help you write this album, or was most of it done by yourself?

I wrote the songs very quickly, then took them to my writing partner Brian Wahlstrom. Brian calls me out when I’m doing the same old same old. He’s the best sounding board I have worked with. We added a few parts, bridges, etc. and we tightened the arrangements up.

How tough is it to balance all you have going on in life? You have your solo material, Lagwagon, and One Week, plus a family on top of that. How do you do it?

As far as music goes, I just keep working and whatever is in front of me is what gets my full attention. It looks more difficult than it is. I don’t like down time. My family is of course, the most important thing to me and I would spend more time at home if possible. Unfortunately, we all need to work. At least I have a great job that I love even if it takes me away from them.

This was your first solo release in 5 years. Can we expect another one in the future?

I hope so. I just write songs and make records accordingly. It’s hard to calculate the best home for the songs. Lagwagon always gets the first right of refusal.

How’s touring going? Do you prefer the solo route or do you enjoy being with Lagwagon?

I like them both. They compliment each other. They alleviate the tension that either can bring. Sometimes a song gets lost in the band dynamic and that is where my true love lies. Doing the acoustic thing keeps that aspect alive. But I need the energy of the band too. They are both like addictions.

What does it feel like to be on an independent label that just passed the 25 year mark?

It feels great. I can’t say enough about the subject. We are so lucky to have foregone the drama and ups and downs of label change. Fat is an absolutely awesome label and they have always respected us and our wishes. We haven’t never had our integrity challenged by them. They support us unconditionally. We are the fortunate ones.

What’s one thing you can tell me that Tony Sly taught you about yourself musically?

Tony reminded me that it’s okay to do anything you want to do in songwriting. I think I reminded him of that fact too. We both recognized each other’s go to chords and melodies and I believe we both reminded each other that it’s okay to have them. They become your personality as a songwriter, your style. They can be a gift if allowed and appreciated.

Did you ever think you would be where you are today? Look at all you have accomplished as an artist. I seriously doubt you have even reached your peak.

Thank you. No, I am always surprised by every step. It’s just one of those things you are gracious for or not. I am very aware of my fortune, to be doing what I love and the ability to nurture it. I know how lucky it is to be able to spend nearly all my time doing this. I used to paint houses for a living. That is a great job and I loved that too but, this is better.

Not everyone can get into your solo stuff. I think sometimes as we grow older, our tastes change and we appreciate a good sounding acoustic track. I guess what I am asking is, which do you prefer more, Lagwagon or your solo material?

I have always loved both but I am a song guy. That’s what it’s about for me. I don’t really care much about the format. I listen for the hook, the lyric and want to identify. That is the universal language we all can speak.

What is this Cape karaoke that I keep hearing about?

I have no idea. Maybe it stems from the few shows over the years where I got sick and lost my voice. When that happens, we opt for Karaoke rather then cancelling the show. It sucks but it’s fun.

What’s next for Joey Cape?

Good question!

BHP FANBOY QUESTIONS:

I was hoping to talk about Bad Astronaut for a quick moment if you are cool with that. How did you get John Popper of Blues Traveler to play harmonica on “Our Greatest Year”?

My wife and him grew up together. I met him through her. I asked. He said yes. That simple. I doubt that will ever happen again.

So what is the fate of Bad Astronaut? Grated you stated there was no Bad Astronaut after Derrick passed on, but reforming in 2010 to play the band’s first live show as well as hints of a b-side album have gotten some of us fans curious.

Well, we still have a bunch of unreleased material but I have used many of the song ideas for other projects over the years. We have done a few tours but have had some drama with drummers and other members life schedules. We are all still very close and I imagine we will eventually record together again. They are amazing musicians and some of my closest friends.

Have you, Wahlstrom, and Snodgrass ever talked about maybe continuing with Scorpios or starting another project collectively?

Funny you ask. We are talking now. Jon and I are going to start working on some stuff in February and there is a new Scorpio in town. His initials might be C.C.. I’ll leave it at that.


Stitch Puppy is available on CD or LP at Fat Wreck Chords.

Cape and Lagwagon are currently on tour.  If you have never seen Lagwagon live before, do yourself a favor and check them out.

Date Location Club Details
10/30/15 Ft. Lauderdale, FL Revolution w/ PEARS, Runaway Kids
10/31/15 Gainesville, FL The Fest 14!!!
11/2/15 Pensacola, FL Vinyl Music Hall w/ Riverboat Gamblers, PEARS, Runaway Kids, Broken Gold
11/3/15 New Orleans, LA Parish at House of Blues w/ PEARS, Runaway Kids
11/4/15 Houston, TX Warehouse Live Studio w/ PEARS, Runaway Kids
11/5/15 Corpus Christi, TX House of Rock w/ PEARS, Runaway Kids
11/6/15 San Antonio, TX Paper Tiger w/ PEARS, Runaway Kids
11/7/15 Dallas , TX Club Dada w/ PEARS, Runaway Kids
11/8/15 Austin, TX FFF Fest Fun Fun Fun Fest
11/10/15 Scottsdale, AZ Pub Rock w/ PEARS, Runaway Kids
11/11/15 Las Vegas, NV Fremont Country Club w/ PEARS, Runaway Kids, The Breifs
11/12/15 Santa Barbara, CA Velvet Jones w/ PEARS, The Runaway Kids
11/13/15 West Hollywood, CA Troubadour w/ Bobgoblin
11/14/15 San Diego, CA The Observatory w/ Runaway Kids
11/15/15 West Hollywood, CA Troubadour w/ PEARS, Runaway Kids
11/23/15 Tokyo, Japan Makuhari Messe Fat Wrecked for 25 Years in Japan w/ NOFX, Strung Out, Good Riddance, Snuff, Swingin’ Utters, Western Addiction, Masked Intruder, toyGuitar and more!
11/26/15 Byron Bay, Australia The Northern w/ The Flatliners
11/27/15 Brisbane, Australia The Triffid w/ The Flatliners
11/28/15 Sydney, Australia Metro Theatre w/ The Flatliners
11/29/15 Central Coast, Australia The Entrance Leagues Club w/ The Flatliners
12/2/15 Geelong, Australia Barwon Club w/ The Flatliners
12/4/15 Melbourne, Australia Max Watt’s w/ The Flatliners
12/5/15 Adelaide, Australia Unibar w/ The Flatliners
12/6/15 Perth, Australia Amplifier w/ The Flatliners
2/26/16 Curitiba , Brazil Music Hall
2/27/16 Sao Paulo , Brazil Clash Club
2/28/16 Rio De Janeiro , Brazil Teatro Odisseia
3/2/16 Buenos Aires , Argentina Groove
3/4/16 Santiago , Chile Teatro Cariola
3/5/16 Lima, Peru Festiva
3/6/16 Bogota , Colombia Festival Skate Punk

Darius Koski Solo Debut To Drop April 7th

Hey Swingin’ Utters fans,  Darius Koski is about to debut his solo album.  Before you start throwing down assumptions that the guy is going acoustic just to to make a quick buck, please see what he had to say about the whole solo route:

“I’ve been wanting to have an outlet for it for so long—for longer than I’ve been with the Swingin’ Utters, basically. And I just hadn’t done anything with it. I didn’t really know how I was going to release it, I hadn’t done much live, I have problems remembering lyrics… So I’ve been putting it off for so many years, but it’s finally coming together, and I’m thrilled about it. I’m totally going to go for it.”

Now that you’ve read that, how about you take a listen to one of this new songs:

You’re weren’t expecting that much twang were you?  I know I was not, but I will tell you this, I love it.

Dropping on April 7th, Sisu, is in a genre really of its own with a plethora (yes I said plethora) instrument playing including guitar, piano, banjo, accordion, violin, glockenspiel, vibraphone, melodica, ukulele, and percussion.  This is not just some solo album.  This is years of built up creativity by Koski finally being released property.

I know I am stoked to hear this.

Pre-orders are up at Fat Wreck as of today.  Hurry up and get you some.

Fat Wreck Announces NOFX Backstage Passport Soundtrack

As many of you probably already know, NOFX’Fat Mike has a mean punch and swift kick ready for anyone who happens to sneak up on him while he is rocking out on stage.

fat_mike_kick_face

Was it a dick move?  Maybe, but you know what?  He not only apologized to the kid on Twitter after the kid Tweeted him an apology, but even invited the kid to join him and the band backstage at the following show and allowed the kid to kick him back.

I really hope that makes a future Backstage Passport episode.

I also hope Ben Weasel can just drop it already.  I do not even wish to get into that quarrel between those two former label mates.  It is almost depressing to even think about.  In fact, I am done even thinking about that bull mess…

Anyways, Fat Wreck Chords announced last week that there would be a soundtrack released for NOFX Backstage Passport.

NOFX Backstage Passport Soundtrack

Normally I would just skip over this idea as it sounds like a quick way to make a quick buck by the band, but this soundtrack is actually rare, unreleased, and remixed material from seasons 1 and 2 of the hilarious show.

Season 2 has not even been released yet if that tells you anything…

The soundtrack drops in a month and there will be a vinyl release that should be pressed and shipped out by  January 13th, 2015.

Taken from the Fat Wreck press release since I am running out of crap to say:
In 2008, NOFX starred in the TV show Backstage Passport, a series that documented the insane hijinks of the band as they weaved an unsteady path through exotic locales where most sane bands fear to tread. Today, we’re pleased to announce that the official Backstage Passport Soundtrack is being released on December 9th (Vinyl in January 2015). Packed with 15 tracks from both seasons (That’s right! The second season is nearing completion as you read this.), the Backstage Passport Soundtrack is a one-stop shop for all the rare, remixed, and unreleased material that folks could only previously enjoy as snippets during the show. If you’re new to the game and haven’t seen Backstage Passport, do yourself a favor and grab a DVD copy. NOFX will be pulling their passports out once again for an extensive headlining tour of Australia.

Pre-orders for the Backstage Passport should be up soon.  Head over to the Fat Wreck site for more info.

Track List (* Previously Unreleased / + Remixed)
1: Backstage Passport *
2: No Fun In Fundamentalism +
3: Insulted By Germans (Again) +
4: All My Friends In New York +
5: You Will Lose Faith +
6: Teenage Punching Bag
7: Leaving Jesusland (Live) *
8: The Greatest Country In the World *
9: Last Night Was Really Fun? +
10: We’re Bros *
11: Your Hubcaps Cost More Than My Car +
12: Fan Mail +
13: Arming the Proletariat With Potato Guns
14: I, Melvin
15: Punk Rock Passport *