Tag Archives: Red Scare

Album Review: Various Artists – Red Scare Industries: 15 Years of Tears and Beers

***Punk rock grandpa rant moment warning***

I remember back in my day when the internet was not readily available at your fingertips.  Streaming music was unheard of.  Kids were not sucked into their so-called smart phones looking like a bunch of goddamn zombies.  People actually talked to one another.  Hell, you had to actually leave your house and go to a record store to buy music.

I remember I could buy punk compilations left and right on cassette by tons of labels  for the cheap.  Like 8 bucks cheap.  I had a plethora of said cassettes to play in my ’86 Dodge Shadow.  Because of that, I have always had a soft spot for comp releases most likely because I relied on them to learn about new bands and just have a nice mix of tunes to get lost in.

Why I am I sitting here telling these tales of yesteryear you ask?  I guess my question is why are you still reading this?

Truth is, it’s been a long time since a comp album hooked me in to the point I found myself listening to it on repeat.  That’s exactly what Red Scare Industries: 15 Years of Tears and Beers, a 15 track compilation celebrating the iconic label’s 15 year anniversary, did.

To reach such a milestone as an independent label is just outstanding especially in this day and age.  Most labels however are not credited with dropping so many amazing releases.  Seriously, this label is responsible for so many of my favorite releases over the years.

It is almost as if Toby has a special gift for finding the best talent in the punk world knowing he one day may need to say goodbye in the nicest way possible with limited middle fingers.  Some of the roster I speak of include no-name talent like The Menzingers, Teenage Bottlerocket, The Sidekicks, my fav dudes MakeWar, and even those dicks Masked Intruder.  I could go on, but this is a review about a comp album, right?

The Copyrights, a band who released an excellent album with Kepi Ghoulie earlier this year (check it out!), started the comp off with the fast-paced “Maine or Oregon”.

Ol’ (rather, young) Sincere Engineer held back nothing with “Dragged Across the Finish Line”, a track clearly about putting up with other’s shit in a good way.  Deanna Belos and crew really have a good thing going for them and, to me, are years ahead of their time musically.

Broadway Calls covering “Sunday Morning” by The Menzingers was actually a great idea.  It’s probably the last cover I would have expected on this comp, but here is was and I admired their take.

Punk rock sweethearts The BombPops kept my attention with “East and West”.  I hate to say it, but it won’t be much longer until this band is a mainstream wonder.  They have been getting so much attention as of late and it is well deserved.

“Dead Body” was the track on this comp that totally won me over.  In fact, for the last few days I have been sining this song to myself.  Creepy, I know.  Garrett Dale (Red City Radio) went all Stand By Me with this incredible track that even tossed out a sax-solo that just brought the whole song together.  The best part was Garrett being out “this is the dumbest song” in the middle of it.  Perhaps he is right, but it ruled.

Leave it to Brendan Kelly to do something completely out of the norm – actually no – these days I expect him to.  He took a perfectly good Lillington’s song, “All I Hear Is Static”, and turned in into a synth-heavy cover that just totally worked.  You can not hate this cover because it’s just brilliant.

“TJ” by MakeWar begged to be played over and over.  This band is one of my favorites and seemingly has a way to make songs so catchy and likable but when you actually really listen to the words, the mood shifts to a more somber approach.

I was thrilled to see The Lippies on here.  “Acid Head” was a killer song and a reminder on how much I love this band.  I hope this means there is a new album to follow.  I know they have been touring as of late.

I really could sit here and say something about every single song on the comp, but honestly I would rather you check it out for yourself.  Personally, this is the best comp I have heard since the days of Survival of the Fattest Vol. 2 and Vagrant Records: 5 Years on the Streets.  For those of you who grew up around me, you’ll now how bold of a statement that is.

I don’t know if Toby blackmailed the bands on this comp by threatening to exploit them with their collective photos of them at Staind meet-and-greets, but whatever he did worked.

Hats off to Sir Toby and the Red Scare Industries crew for 15 years of excellent releases.  This comp is a celebration of an impressive accomplishment and deserves to be heard and purchased by all.

Album Review: Brendan Kelly and the Wandering Birds – Keep Walkin’ Pal

I am not going to blow smoke up Brendan Kelly‘s ass, so I’ll just say it: This guy is fascinating in a  weird as hell way.

He is more clever than you’ll ever aspire to be and he’s much more of a musician than I think he is credited for.

I feel like the smoke is blowing even though I said I wouldn’t.

I do not know him personally and he sure as hell does not know me, but I can tell you I admire him for his comedic approach to life as well as standing his ground for his beliefs.  Then there’s the countless Tweets from @Nihilist_Arbys that he finally fessed up to being behind.

Normally he fronts Chicago’s The Lawrence Arms as well as toys with The Falcon like once every 10 years.  He also has a solo project called Brendan Kelly and the Wandering Birds and let me tell you, it’s different in a good way kind of like putting A-1 sauce on over-easy eggs.

Recently Kelly dropped Keep Walkin’ Pal on the ever awesome Red Scare Records and it’s not really a solo album, but a collective release featuring Kelly and a bunch of his pals including Alkaline Trio’s Derek Grant and Atlas Studio’s Dan Tinkler making for a sporadic listen with no agenda.

Album title track “Keep Walkin’ Pal” had Kelly and his signature raspy voice just spilling brutal truth with lines like “I blacked out 17 of my best years.”

“Shitty Margarita” was this poppy punk jam complete with synthesizer that was all about what extreme amounts of sugar and tequila can do to you good and bad.  Not going to lie, I dug this track a lot mostly due to the music.  It was fun even though the lyrics might have brought back 1 or 7 bad memories at Chi-Chi’s.

“Huggz” should be a theme song for Kelly.  The 80s-ish heavy track was all about simple affections, at least I think it was.  Kelly was pretty damn stern about getting them to function and how music he likes them – even from Sergio.  (Remember I said he was clever?)

“Black Cat Boy” was one of my favorite tracks on the album.  With Kelly’s signature singing over the electronic keyboard and beats, this song was just one that stuck in my head quickly.

Best track on the album by far was “The Ballad of Buffalo Bill”.  From singing about putting the lotion on the skin again to having a dog barking, this song was beyond entertaining.  Clearly you need to know what Kelly is referencing to fully appreciate.  I’m glad he tucked it in here.  (I’m clever too you know)

As much as I wished “I’m the Man” was an Anthrax cover, it was not.  This closing track was pretty much all the drunk and high thoughts packed into 3 minutes and 22 seconds.  It was a bizarre track with shoutouts to Mr. Clean and excellent backup vocals with a digital beat Daft Punk would be jealous of.  I’m not quite sure what the hell was going on there, but I like to think I enjoyed it.

Overall, Keep Walkin’ Pal was a solid listen.  Kelly and pals once again have managed to entertain and confuse me at the same time.  If that was the intent, awesome, but if not, maybe I am getting too old for this shit.  Anyways, check out the album, it was pretty great.

Album Review: Red City Radio – SkyTigers EP

Y’all want to hear something amazing?

Check out the new EP by Oklahoma City’s Red City Radio.  My god, this is the best thing to hit my ears so far this year.

In case you have no idea who I am even talking about, Red City Radio is a punk rock foursome that seemingly can do no wrong with their music style.  They’ve been around since 2007 and have a whole slew of releases full of catchy punk rock tunes for all to adore.

Recently, they dropped SkyTigers with help from Red Scare Industries.  This 21 minute EP is from start to finish is outstanding.  There really is no other way for me to tell you all how impressed I was with this EP.  I can not stop listening to it as of late.

“If You Want Blood (Be My Guest)” exploded into a memorable sing along jam.  The second the drums fully kick in, the energy went through the roof.  Talking about hometown values and not giving up, the band showed major signs of maturing with not only their great lyrics but also their collective sound.

“I’ll Still Be Around” started off very Tim Barry but not in a bad way at all.  Things soon picked up for a pretty great track that one could only wonder is about the band and not as told by the lyrics, “not every pretty girl can sing, not ever ugly guy is funny”.

Garrett Dale’s bellowing voice goes outlaw on “In the Shadows”, a track complete with horns and a healthy 80s-ish guitar solo sans any cheese at all.  This is a powerful punk spaghetti-western track when you actually jump into it and listen for what it’s worth.  The more and more I listened to it, the more I appreciated it, especially that subtle sigh at the end.

“Rebels” was a foot-stomping jam that seemingly defended actions based on other’s behaviors and apologetically called them out on it.

“SkyTigers” was a fantastic song and turned into something so memorable the moment the sample from The Dictator began.  Perhaps more meaningful and truer than ever, Chaplin’s infamous closing speech from classic film was extremely relevant on this song hearing it today based on today’s current affairs.

For an EP, I feel slightly cheated as I wanted more of what Red City Radio was offering.  This is by far some of the best material I have ever heard these guys do, and this comes from a fan of theirs since almost day one.  I love how they have slowed down a little but haven’t given up on their edge one bit.  Fans are going to love the shit out of this.

Don’t skip out on this EP if you can help yourself.  Chances are you are going to be just as blown away as I was upon hearing it.  Red City Radio continues to dominate and SkyTigers is 21 minutes of proof.

Pre-order the EP if you dare: http://redscare.storenvy.com/

 

 

Album Review: Sincere Engineer –Rhombithian

Sincere Engineer‘s  Rhombithian is the album I should not have sat on in 2017.

I cannot explain why I set the album aside when I was asked to check it out, but I will tell you that I regret not popping it in immediately.  To say this album is “sincere” is not just tongue-in-cheek, but absolutely accurate.

Deanna Belos may be a new name to me, but if you’re involved in the punk scene in Chicago, that is a completely different story.  I am sure you can Google her life story, but the highlights are when she picked up the guitar and began writing music as Sincere Engineer.

She mixes melodic punk rock with plenty of emotion and the result is a fantastic debut of an release on Red Scare.  This is the kind of album you can sing and scream do while holding back the tears.

“Corn Dog Sonnet No. 7” started things off right with a jam about memories brought forth thanks to a post corn dog-induced nap.  This track was full of enough emotion to make anyone just stop and think about those tough days of being uncertain and solo.  Luckily, there were more corn dogs to get through the moment.

The descriptiveness in “Ceramic Tile” reminded me I need to buy some more Windex.  In all honestly, Belos really knows how to paint a picture with her lyrics.

“Screw Up” clearly related to those on their worst point in life.  Christ, I feel like some of the things she sung on were directly taken from my adolescent years when I was a nervous wreck.  Bonus points for the “ding” in the middle of the track.

“Here’s Your Two Dollars” was a great track.  I loved the music throughout that kept things moving as Belos battled on verbally with her direct inner ethos.

I loved the upward feeling in “1K Rats” because I have felt that all too often in life.  New interaction always brings out the most in anyone.  Clearly the levels shrink in time, but when the moment is here, all you can do is think and gloat.

“Let You Down” as depressing as hell as it was to listen to, it just so honest.  I was reminded of the thoughts that hit me when the wrong words come out causing me to lie awake for hours.

“Keep You Company” not only made me feel old due to the content of young feeling, but also made me thankful I’ve been there.

This album contains some of the most honest material I’ve heard ina  long time full of scattered inner thoughts from loneliness to failing relationships due to a lack of self confidence.  Belos’s subconscious conversations put to music is the most real shit I have heard in a long time.

Not all punk rock is supposed to be fun and goofy.  Sincere Engineer reminded me of that in a big way.  If you are reading this and have not listened to Rhombithian yet, make sure you change that .  This album is amazing and had my ass not sat on it for so long, it easily would have topped my best of 2017 list.

EP Review: Garrett Dale – Two T’s EP

Forget the filler in this review.  Garrett Dale is the lead singer of Red City Radio and just released three songs as a solo project.

You’d never know that Dale even fronted a punk rock band if you listened to any of these tracks.

Three songs of brutal honesty have been slammed into folkish alt-country music on Two T’s EP and I will tell ya, it’s fantastic.  This gem of an EP was released by the good folk at Red Scare.

“2016 Was…Horseshit” is like Tom Waits meets Slobberbone.  What more can I say about this track other than it is blunt as hell.  Check the video below and add the song to your next porch drinking mix already.

Then there was “House Full Of Dogs”, a track that clearly was fueled by a drunken recollection of personal exchanges.  The saxophone in the middle of the song made it that much more incredible.  This track is like the bastard child of a miserable Brendan Kelly and Bruce Springsteen fling.

“Down The Rabbit Hole” was the last track on this EP.  For someone like myself who is obsessed with Lucero and John Moreland, this song just fit in perfectly.  Not that I ever did not respect Dale, but this song alone has me looking at him and his talent forever differently.

Given this small taste of tunes, I really hope Dale has more of this up his sleeves because I seriously think people are going be just as floored as I was when they hear it.  This is music not to sit on.