Tag Archives: Music

Album Review: Jonathan Richman – Ishkode! Ishkode!

Jonathan RichmanI recall the very day when I was first introduced to Jonathan Richman.

Sometimes I wish I could say it was because I came across a Modern Lovers album at a young age, but the truth is, I learned of him in the mid-90s thanks to Repo Man on VHS.  As many of you know, there was a Modern Lovers song on the soundtrack and I fell in love with it instantly.

That was a long time ago and I have never stopped being a fan.  So I am sure you can imagine how stoked I am to have been given the opportunity to review Richman’s latest release titled Ishkode! Ishkode!.

I have to admit though, I have been sitting on this review for a few weeks now as I wanted to make sure I said the right words as this artist is so important to me.

So here I am pondering and making a big deal about an album by a guy who has inspired me to be myself.  After listening to this album probably for the 100th time, I felt today was the day to share.

Ishkode! Ishkode! dropped last month on Cleveland’s very own Blue Arrow Records.  This is Richman’s first release in over six years and was well worth the wait.  Assisting Richman on this release was Tommy Larkins, Lisa Marie, Kelly Brown, and a handful of other friends.

Starting off the album was “Woah! How Different We All Are!”, a more underground, beatnik sounding track that had Richman and crew taking a darker approach.  Not goofy by any means but certainly something Warhol would have been a fan of.

“Ishkode! Ishkode!” carried the style Richman has presented over and over I have grown to appreciate.  I loved when Richman, once warmed up, just went on a mini tangent with some amped up guitar playing.

I heard “Wait! Wait!” last year when Richman dropped a pair of 45s via Blue Arrow Records.  This track is so fun it is ridiculous.  I hate to repeat myself, so go check out what I said about it previously.  I also talk about “O’Sun!” too.

“‘a Nnammurata Mia” which translates to My Beloved, was easily my favorite track off the entire album.  I felt like I was on vacation listening to it as Richman swooned me away in Italian and English.  Seriously though, Richman displayed himself to me in a new level on this song while blending the two languages so perfectly.  It was beautiful.

The love fueled “Let Me Do This Right!” should be the soundtrack for all mantra.  Even though it was the quickest song on the album, it was gentle, repetitious, and honest.

“Outside Oduffy’s” just had me smirking the entire time the song played.  This was a comical track that just had me visualizing Richman talking to a girl outside of a pub, falling head over heels in 10 minutes.  This was Richman storytelling at it’s finest.  Having the ladies sing along made it that much better.

“Longtemps” returned back to that vacation feeling I had earlier with the versatile Richman showing his true talent in a different tongue – French to be exact.  Originally written by Charles Trenet in 1955, Richman covered it quite well.

Closing the album was “Mother I Give You My Soul Call”, a chant written by Paramahansa Yogananda.  It is beyond why Richman chose this song to cover, but it was absolutely captivating to listen to.  The sitar playing over the low toned instrument that escapes me at this time (please feel free to help me out here) was calm and relaxing to listen to while Richman recited the chant.  This was an incredibly unique listen.

For anyone who is a fan of Richman, listening to this album was an experience of its own.  At first, I could not place my finger on some of the tracks and felt Richman was just doing something different because he can, but as I listened more and more, it made sense to me.  This album was Richman continuing his legacy as a musician and merely enhanced his talents.  It’s a fantastic release.

Head over to Blue Arrow Records to order a copy of Richman’s new album.  If you are lucky enough to live in Cleveland, just take some time and visit their brick and mortar store.  You will not be disappointed.  I always enjoy my visits there and you can just pick up a copy of the LP yourself.

Album Review: Worship This! – Mint

Worship This! - MintAkron, Ohio’s Worship This! have really served up a killer sophomore release simply titled Mint once again on A-F Records.

This foursome punk rock band consists of some of the best humans I have ever had the privilege of calling friends, so chances are you might think this review is a little biased.

The truth is, even if I did not spend years hanging out on porches and in basements with these guys, I would still adore their music.  They are like a punk 90s DIY hybrid, but different.

Everything this band has dished out so far I have been a fan of.  I just lucked out with the friendship part.  Christ, listen to me.  I need to calm the hell down and just review this album already…

This is the second time I have had the privilege to review a Worship This! full length.  This review comes from the heart, but I’d be doing this even if these guys and I never crossed paths, because I seriously think everyone who likes punk rock needs to hear them.

Starting off the album strong was “Decisions, Decisions”.  The chorus on this track alone was insane.  I think I listened to this song about five times before moving on.  I just loved it.  It made me feel a bit old, but also made me realize how true experiences and decisions have shaped me to who I am today.

Worship This!“Miserable Again” was a quick, catchy intervention of sorts.  The start with everyone just letting loose ruled, especially with the nod to their hometown.  Listening to this track had me thinking of who they might have written this about and I guess that is the genius of it.  The dual singing on the chorus was so bad ass too.

“So Long…Sucker!” proved to me how much this bad has matured over the years.  This track started off with all members bringing their all into the music.  Very melodic to start and quick to transition.  I loved when the group vocals started up followed by simple yet fitting breakdowns.

The tough-to-absorb “19th Street” was a reminder of how life treats us all.  No one ever asks for some of the shit that is thrown at us, but we all get by one way or another.  This track hit me hard in a few ways knowing what I have been through in my life but also had me appreciate how I handled it.

“Everything Wrong” in my opinion is the best track on this album.  Adding a clip of Kenny Shopsin from the documentary I Like Killing Flies was perfect and so fitting.  The amount of angst in this song would have benefited me in my teen years.  This is one of those anthem tracks that you just immediately want to memorize.

“Loving A Wild Thing” was another song on this album I adored.  It was not like the others given the singing styles and I think that is what I liked about it the most.  It was just like a catchy conversation.  I liked everything about this tune.

Closing down the album was “Relapser”, a just brutal track of breaking down and finding new avenues.  There was enough emotion in this one song alone to last a lifetime.

I enjoyed Mint way more than I thought I would.  In fact, this follow up is way better than the debut Tomorrow, I’ll Miss You and I adored that album.  The band sounds more together and has taken that extra approach at defining their own sound but without worrying about taking chances.  Mint is a little harder, more emotional in terms of growing up, and most of all just fun to take in.

It comes as no surprise to me that Worship This! released one of my favorite albums of the year.  I have believed in this band since the first time I heard their demos and always anticipated good things for them.  Mint is definitely a good thing.

The band is headed on tour next week.  If you know what is good for you, you will try and check them out.

Worship This Tour

Album Review: The Falcon – Gather Up The Chaps

the-falcon-gather-up-the-chapsIt’s been 10 years since The Falcon dropped one of my favorite albums, Unicornography, so for me sitting down to write about this release is pretty compelling.

Anyone who fancies themselves a punk rocker has had to have heard of The Falcon unless they were living in a gutter.  They are the enigma of punk rock supergroups and just dropped  Gather Up The Chaps on Red Scare.  I am sure most people who are reading this already have listened to it 100 times and pre-ordered 7 copies of the record.

I’ll be honest, I didn’t think I was going to like this release at all.  Seriously, I just was not anticipating much of anything to get excited over, I mean it has been 10 years after all.  Maybe it’s also because I am old and snooty and thinking that by bringing on
Hause,  The Falcon’s dynamic might change.

hause
Dave and Me at the Gurley House in 2011 – Photo by Andee Wells

Boy was I wrong.  (Note:  I am a huge fan of Hause and even have a photo of me and him where I am smiling and he is not – I just needed to disclose that.)

The Chicago punk rock supergroup for those of you who have no idea what I am talking about features Brendan Kelly (The Lawrence Arms), Neil Hennessy, Dan Andriano (Alkaline Trio),  and the recently recruited Dave Hause (The Loved Ones).

“The Trash” started things off and immediately proved to me this album was going to be a good one.  Hearing three vocalists from three of my favorite bands all chime in at once was awesome.  Kelly’s rasp, Hause’s howl, and Andriano’s swooning mixed perfectly.

Hearing Andriano chuckle in “Sergio’s Here” made this satire of a track that much more entertaining to the point that I laughed each time I played the song.  Seriously though, this track was just a blast to listen to and you can tell the guys were just having fun throughout.  I loved the change up towards the end that just sent the song to bed.  This reminded me of older Falcon material so much.

I loved Kelly clearing his voice in the middle of “The Skeleton Dance”.  Maybe this was not scripted, but it sure did fit in.  This high-powered passion-seeking tune was super catchy but made me feel all so dirty and almost depressed by the end.

“Hasselhoff Cheeseburger” may sound like it would have been hilarious given the song title, but I think I need therapy after listening to this track.  I feel old AF right now.  Hearing Kelly strain off “I only became a man because this ugly body made me” pretty much had me reflecting past choices in life for a moment.

“If Dave Did It” was probably my favorite track on the album.  Obviously from the title, this song was almost all Hause making excuses and calling everyone out, but that did not stop the others from interjecting over him making it for one engrossing listen.

Andriano added his own touch with “You Dumb Dildos”, a song that spanned all over the place.  At times I felt I was listening to a Westernized AK3, but in the end, everyone just went berzerk and there I was standing wondering what the hell just happened.

Gather Up The Chaps is totally unbroken when it comes to mingling in the punk and the rock with loads of nonsense and hard knocks.  This album was quick and all over the place, but at no point was I ever bored listening to it.  I think it is safe to say this is one of the better albums I have heard this year.

Album Review: Face To Face – Protection

954_cover_450I am getting to that time in my life where the bands I grew up with and adored are hitting those milestones that make you realize how fast time is moving.

Face To Face have been around for 25 years now.  Seriously?  25 years already???

It certainly does not feel that long, but they did form in 1991, so it makes sense.  This So Cal punk rock band has been a favorite of mine since the mid-nineties and still are to this day.

So, how do you celebrate two and a half decades of being a band?  You release an album with help from an old friend.

Today, Face To Face dropped Protection on Fat Wreck Chords.  Without even breaking down the album yet, I need to tell you that this album is killer and certainly celebrates this band in the best way possible.  Listening to the album in full, it is clear Trever Keith and crew recorded the album for the fun of it for their fans.

“Bent But Not Broken” started off the album with some force.  I loved the quick baseline but loved more hearing Keith sing on what I interpreted as not giving up.  Following was “I Won’t Say I’m Sorry”, a track that has memorable lyrics that got stuck in my mind regarding denying fault.

“Double Crossed” reminded me of a much younger Face To Face complete with hard  bass lines and group vocals.  “See If I Care” to me almost sounded like a statement to those who ever doubted the band.   I’m sure it is about some ex though, still, I like my take on it.

“Fourteen Fifty-Nine” was another track I just dug a ton.  I think the thing I most about this track was how it spoke on the sad current state of affairs when it comes to entitlement.

“Keep Your Chin Up” was an upbeat positive track aimed at those who could use some confidence.  “And So It Goes” closed out the album and was as energetic as the very first track.

To he honest, I have not been this excited by an album for a long time.  Protection is exactly what I was hoping for by a band I have adored for more than half of my life (mind you all, I was about 15 when I first discovered them).  Still full of emotion and plenty of energy, this band certainly does not sound like they have been around for a quarter of a century.

I am not praising this album just because I like what I currently heard.  I am saying this because there are so many bands out there who lose their style that made them great as they mature and go through changes.  Face To Face has certainly seen their fair share of changes over the years.  Hell, I thought they were going to call it quits forever in the early 2000s.

I’ve been listening to Protection almost daily for almost 2 weeks now.  That is saying a lot right there.   In fact, I was not even the biggest fan of their last two releases.  Protection though for me is very up there next to their self-titled and  Big Choice.  I know, bold statement by me, but this album was seriously a great listen.

I am stoked the band dropped Protection.  I hope you are too.

Interview: Trever Keith of Face To Face

FaceToFace45020 years ago, I didn’t care about many things in  life except for punk rock.  I lived and breathed the genre and knew that it was for me.  I fit the role, spoke the language, and enjoyed every single second of it.

I grew up, but refused to leave my love for punk rock behind.  The best times of my life were fueled by the music and filled with other advocates of the genre.  There’s no way I could ever give up something like that.

When I think about the bands in the 90s that meant the the most to me, Face To Face was at the top.  This So-Cal pop punk outfit was the soundtrack to so many episodes of my life.  Their music is timeless and never has grown dull on me.

Fronted by Trever Keith, the band is celebrating 25 years of being a band this year and decided to put out an all new release on a label that is an old friend of theirs – Fat Wreck Chords.

I am actually in the middle of reviewing their new album Protection, but became so amped while listening to it that I wanted to reach out to Trever Keith and just throw a bunch of questions at him.  Of course he was cool with it.  Check it out…

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BHP: First things first, Face to Face is back with Fat Wreck Chords for an all new release in 2016. How did the band and Fat get hooked up again?

TK: I finally figured out that it would be a good idea and I emailed Erin and asked if she wanted to hear our demos. She did and then told Mike. It was very easy

I have to put this out there… I was stoked Face To Face got back together in the late 2000s. You once told me there was a remote chance the band would regroup, but nothing was certain. Was it the fans that brought the band back?

I would say so. We have such a loyal following. The real appeal for us was getting to play live again as face to face. The fans make the live show what it is. We missed that. There is nothing else like it.

The new album is incredible.  What did you guys do differently this time to capture a younger sounding Face To Face and put it in your new material?

We just went back to a simpler more immediate style of arrangement and song. I think they convey the message more clearly. There was a simplicity and honesty to our earlier records. We tried to key into that.

It seriously sounds like you all had fun recording this. This was not a forced release by any means. Am I correct in stating that?

Absolutely. The whole experience really feels like it zoomed by.

“Bent But Not Broken” sounded like a war cry to me as in Face To Face is still here and not going anywhere soon. Was that the intention?

It’s not about us as a band, although I would agree with your sentiment that we intend to stick around for a while longer. It’s more about the type of person who is unwilling to think outside of their dogma.

What is your favorite track off the album? I dig “Double-Crossed” and “See If I Care” a ton, perhaps because they hit on some of my harder times in life.

“Keep Your Chin Up” is probably my favorite song

So, who all is in the band this time around? Scott is, I know that much. 

Danny, who has been drumming with us since 2008, is on the record and so is Dennis Hill who has had guest guitar spots on both records since we started playing again.

Can we expect a proper US tour for this release?

That depends on what you mean by “proper”. I can at least tell you that we plan on hitting all of the big cities.

So how does it feel to be back in the band doing your thing?

Amazing

The band has been around since 1991, did you ever think that Face To Face would ever be around for this long?

I never doubted it, but I never really thought too much about it. It’s not surprising to me. They know what they’re doing over there.

Now that you all are more seasoned musicians and humans for that matter, how different is touring versus back in the 90s?

We get tired easier. There are naps…

I remember seeing Face To Face at the Warped Tour in 2010 and literally yelling at kids to get off their asses and get closer to the stage. Did it bug you seeing those kids more amped to see new acts over yours, or were you guys too busy playing to your true fans?

Trying to focus more on the people who were there to see us.

Out of all of your albums, which one would you consider was your finest?

Protection.

In 2008, you dropped a solo release called Melancholics Anonymous. Personally speaking, I loved that album and still listen to it once in a while. Do you think you will ever go that route again?

I doubt it. It was a fun record to make and I even did a brief tour supporting it. These days Face To Face is enough for me.

What do you think about the music these days? Are there any newer acts that impress you?

Western Settings, Iron Chic, Radioactivity

Finally, this is more of a personal question… Why was Big Choice never properly released on vinyl? That promotional album is the white elephant of all LPs out there to me and one day I would love to have a copy in my hands one day. Seeing the album passed the 20 year mark, I’m just curious why it never made it to the turntable.

I am reissuing Don’t Turn Away, Big Choice, and Face to Face on 180 gram colored gatefold, limited edition vinyl in 2016 on my Antagonist Records label to celebrate our 25th Anniversary as a band.


Can I tell you how excited that last answer made me?  I did not even get to close the interview down, I immediately looked if those LPs were up for pre-order yet.

Face To Face’s new album Protection drops March 4th on Fat Wreck Chords.  Head on over to pre-order it by clicking HERE.

Check out a new track off the release:

Here’s the music video the band just released for “Bent But Not Broken”: