I hope I am not the only one who thinks of Indiana Jones and the Temple of Doom when I hear the name Kali Masi.
Yes, I realize the evil bald guy who ripped out the beating heart was Kali Ma, but honestly, I really do share the same excitement as seen above after hearing the band’s highly anticipated sophomore release [laughs].
Hailing from Chicago, Kali Masi impressed the hell out of me with their debut, Wind Instrument. They carried their own style and added personal elements making their songs more wholesome once you really dug into them. Add to that a non-repetitive melodic punk style, the band became an instant favorite of mine.
Featuring 10 new songs, [laughs] is a poetic journey that pokes at the truth, no matter how brutal, and self-realization that carries ability to just forget the troubles around you and get lost in one’s self-worth. From current events to aging and even failing friendships, the album, released on Take This To Heart Records, keeps your mind rolling.
“Still Life” was everything I have been waiting for in new Kali Masi material. This song was a straight up jam that pushed together emo and punk rock. The lyrical visuals at the start of this song were clever and held magnitude. Clearly the track was not in positive interest with somber lines like “I never said I love you, I guess I thought you knew” were sung reiterating confused communication so many of us have been through.
“Paint Me Jade” was like a lesson learned through too many trials and tribulations. In getting old, but not giving up when things don’t go to plan, this track was pretty much a series of reminders how quick and unexpected life really is. The best part about it is how those who really are true to you somehow stick around.
The darkened “Hurts To Laugh” wasn’t just a track to blow through. There was a ton going on here with personal battles with oneself. Where solitude seems favorable in this one, other challenges say differently. Just wait for the bass line in this one. It fit perfectly.
“Guilt Like A Gun” was an eulogy of sorts, parting ways with a meaningful someone. The spoken word of “it should be a moment of surreal peace and unity if it weren’t for the don’t-snap-at-me bickering and tension” solidified reason for the ending, welcomed or not. The video the band did for this one was very unique and captured the strain involved.
“Long Term” started with the sound of a flash being charged. From there, the tune just jumped in without letting up. I loved this one with the harmonic intermittent singing and guitar playing holding up high some brutal truth.
“Freer” was provoking but beautiful. I adored this track about essentially cutting ties. I found myself partial to the lyric, “stuck myself in a can, like a man” seeing how I used to live that life. This is a track I know in 10 years I am still going to adore.
“Recurring (I)” was good, like really good. This song seemed tougher, more confident over the rest. I loved the change in style throughout where I wasn’t sure which direction they were going. Things went insane with fury, which I got into, but what really sucked me in the most was when the horn playing started. This was like a Refused song in a sense and I appreciated every second of it.
Closing track, “The Stray” hit heavy on 00s Victory Records bands. I am not sure if this is what they were going for, but this song alone could give Taking Back Sunday a run for their money. I was almost sad that this song ended when it did because I wanted more.
This album is straight up outstanding. I wasn’t sure if they could top their debut, but I was so wrong. [laughs} is full of great material that you know the band put everything they had into. They continue to impress and I only see good things with them moving forward. Kali Masi are not a band to sit on.