Tag Archives: New Release

Album Review: Electric Six – Human Zoo

Electric Six - Human ZooI remember the very first time Electric Six (E6) hit my ears.

I was working at a Borders Books, Music & Cafe in some fancy Cleveland suburb one night just minding my own business.  One of my co-workers was unpacking all of the promotional CDs for the listening booths and asked me to help him out.

Flashback Memory: As I am sure many of your remember, there was a time when CDs were the staple of the music industry and at Borders, we literally had to manually input CDs into the CD players that were locked below the CD shelves.  This was done so all you consumers could come in and check out an album prior to its release.  Duh.

Anyways, I remember seeing a copy of E6’s debut release Fire sitting out on the counter.  For whatever reason, I picked up the CD to see what it was all about and soon flipped it over to see the track titles.  I decided to sneak in a listen after I put the CD into the listening station.  I have been a fan ever since.  I just sat there on the floor of the music department loving every song on that title.  Needless to say, I snagged that CD the day it officially released and have had it in rotation for years.

I can’t say every release since Fire had as huge of an impact on me, but I have always appreciated what Dick Valentine and crew have done for 10+ years now.  Last years Mustang left a pretty good impression on me, but I just was not blown away completely.

The Detroit garage/rock/funk/disco/jam/electronica/jack-of-all-trades genre-bending act just dropped an all new album titled Human Zoo.  I am happy to say I mostly enjoyed the living hell out of it and I am pretty confident any E6 fan out there will too.

“Karate Lips” opened with an enthusiastic chant of “Electric Six” that quickly changed to “karate lips”.   The song, clearly about some tough-ass women, was heavy on the funk with an electric indie rock style that closely resembled stuff you might hear from the The Faint.

“It’s Horseshit!” was almost too much for my brain to compute yet I loved it.  It was like listening to a late 80s boy baElectric Sixnd infused with Daft Punk.  Definitely a track that people can get weird to.  The music and just overall feel of this song really resembled that vibe I first felt on Fire.

Valentine swooned beyond senselessly in “Alone With Your Body”.  I listened to this track a couple of times over because I liked it so much.  This was like the working man’s love jam.  Valentine sang as a simple man with plenty of Detroit soul backing him up.  I adored the back up singing as well as candid lyrics like “I’ll be there in a jiffy with a stiffy”.

“Satanic Wheels” grew on me after listening to it a couple of times.  I loved the synth throughout.  I felt like I was listening to typical E6 but with keyboard playing taking queues from 80s arena rock bands.  It was psychedelic yet indie if that makes sense.  I guess what I am trying to say is that this song ruled and was one of my favorites on the album.

“Gun Rights” was bizarre and unexpected.  I thought I was listening to Ween mashed with Mike Patton.  “Don’t take away my rights, my gun rights” repeated over and over with a fun Mexican folk melody.  The quick spoken-word of Valentine in the middle just kept things even more interesting.

“I Need A Restaurant” just did not do it for me.  The song seemed to just downgrade from all the craziness I previously was engulfed in.  Sadly, I skipped this track halfway into and barely made it through “Worst Movie Ever”.

“I’m the Devil” sounded more like something Tenacious D would have done one of their albums.  It was not terrible by any means but seemed more of a skit than a song.  I almost wish Dave Grohl would have jumped in on this track dressed as the devil.  I did like the Young Guns-like guitar playing style.  The best part of this track was at the very end when apparently Jesus Christ had a speaking roll.  Who knew he was such a burnout?

“The Afterlife” ended with a synth-pop tune that thankfully did not let the album end on a bad note for this listener.  I wish it were a little more sped up but for what it is worth, it was not a terrible listen by any means.

Human Zoo overall was a blast.  E6 continues to entertain but I will admit the latter portion of the album kind of fell short.   Regardless, most of the release got me all sorts of excited just like their debut did over 10 years ago.  This band in my opinion still entertains on a higher level.

Album Review: Xerxes – Collision Blonde

Xerxes - Collision BlondeI was waiting for an album to drop this year that would completely steal my undivided attention.  Xerxes has just done that to me.

If any of you know me, chances are you know my love for bands like the Refused, Murder City Devils, Gallows, Thursday and At The Drive-In.  The vocal styles of all those acts is one of the main reasons I have such an appreciation for them.

Xerxes’s new album Collision Blonde seemingly took queues from all those acts and more throwing them together into one killer release.

I love it.  I adore it.  Thank you Xerxes and thank you No Sleep Records for throwing their album on your label.

This young post-punk act from Louisville, KY mixes in so many different musical styles in their jams, I almost hate to classify them into one genre.  With elements of punk,  post-hardcore, goth rock and more, this avant-garde act blew me away the moment I heard their sophomore release Collision Blonde.  

This album overflows with plenty of mental anguish guaranteeing to satisfy any emotional train wreck out there.  Pain, love, and drugs seemingly fueled this release and I’m pretty sure anyone who hasn’t always been in a positive path through life will totally get into Collision Blonde.

Once “I Was Wrong” started I knew this was going to be one of those albums I listened to all the way through with no interruptions.  Calvin Philley just destroys his voice throughout with plenty of distortion that would make Trent Reznor proud.

“Criminal Animal” appealed to me with a garage rock start quickly morphing to something a little more hardcore.  I got a huge kick out of Philley switching to almost a furious spoken word only to start singing again.  “Knife”, toned things down for a moment and clearly was about some object being stuck into one’s back.

“A Toast” had this Cure-like melody and bass line hiding behind intermittent hard riffs and screaming vocals making for a great listen.  The transitions from the singing to the spoken word throughout this track made it even better to listen to.

“Collision Blonde” was beyond a daunting track with Philley just spilling his guts out on top of a melody that easily could be mistaken with The Jesus And Mary Chain or even Bauhaus.  Although dark and lonely, this track really was amazing in so many ways once you got past the emotion and pain.

“Nosedive” ended the album with Philley screaming “just make it stop” over and over.  It was almost like this entire album was a brutal nightmare and it needed to come to an end.

I am not sure if this album was a revelation of pain or a public cry for help.  Regardless, it is powerful lyrically and musically making  Collision Blonde easily one of my favorite releases of 2014 so far.

Perhaps I took in this album a little differently from others.  Having grown up listening to darker styles of music in the 80s and 90s like The Cure and Jesus and Mary Chain, I always wished it were heavier back then.  I loved the music but craved more vocals.  Xerxes seriously captured some of my favorite band styles and added their own harsh twist on it satisfying that younger request.  The result is just insane and I adore it.

Collision Blonde drops on Oct. 21st.  You can pre-order it now over at No Sleep Records.

Album Review: Rise Against – The Black Market

Rise Against - The Black MarketI have always enjoyed watching bands grow, mature, and most importantly, succeed in the music world.

Honestly, if it were not for all the bands out there, this blog, or whatever you want to call it, probably would not have lasted as long as it has.

Like many of you, I don’t always stay a fan of a band throughout their journey due to  conflict between the listener (me) and the the approach that the band may take on over the years.  Sometimes it has to do with change in style due to bandmates coming and going. I can name off a handful of bands right now that I feel that has happened to, but I would rather get to my point.

Rise Against are definitely a band that I have grown with over the years and have remained a fan.  The Chicago punk rockers have more or less transformed themselves into outspoken rock heroes without losing that punk edge that helped capture me as a fan early on.  As they moved from the small stages to headlining, I was there never growing tired of what they continued to push.  Sure, bandmates have come and gone, but I just feel Rise Against never lost their initial style.

With that said, their latest release, The Black Market, is their most radio-friendly album I have heard and I am ok with that.  I have listened to this album over and over and I must say, I am digging it more and more with each listen.

The Black Market is more something that fits in with material you might hear from the likes of  Foo Fighters or Thirty Seconds To Mars at times, but don’t threat, there is plenty of that signature Rise Against contained we all know and love.

If anyone knows anything about Rise Against, it is that they love to speak their minds in their material.  This album certainly showcases that with plenty of pleads for change, forgiveness, and acceptance.

“The Great Die-Off” started the album off with such force as Tim McIlrath and crew rocked out and soon declared “we want it all and we want it now” over and over.  I loved the hammering of the bass and heavy drumming throughout.  Full of just force and just overly catchy, this track is why I will always be a Rise Against fan.

“I Don’t Want To Be Here Anymore” was the first single off of this album and with good reason, this track is amazing.  From start to finish, this song is just a beast.  Mixed with plenty of punk, rock, and even a touch of hardcore, this track about potentially giving up is forceful and likable.

“Tragedy + Time” sounded like a sequel of “Ready To Fall”, a track from the band’s previous album The Sufferer & the Witness.  Once again, McIlrath sung about someone on a rooftop, but this time it’s someone different and they were looking for reasons to continue on.

I would not be surprised if the next single off this album was the title track “The Black Market”.  I loved the break-downs on this track almost as much as the singing.  I have the feeling this song is going to get some attention.

I loved “The Eco-Terrorist In Me” as it started off more old school Rise Against with McIlrath clearly giving it his all vocally.  “When it all comes down will you say you did everything you could” repeated throughout with the rest of the band playing their hearts out.

“A Beautiful Indifference” carried that sound that make me think of Thirty Seconds To Mars.  Don’t worry folks, it is not bad at all and I think plenty of people will be thinking the same  “Methadone” was another track that would slay during a arena show.

“Zero Visibility” sounded a little astray from the other tracks at the beginning but soon conformed with the rest.  I liked the change ups throughout the track and especially the lyrics of defeat and victory. The last 1:30 minutes of the song was pretty bad ass too.

“People Live Here” was really a song of closure for me for another Rise Against track.  For years, “Swing Life Away” haunted me as the song once was deemed “our song” between yours truly and someone that destroyed my heart.  Even though I am over that part of my life, “Swing Life Away”, when heard, always seemed to try and cut open that healed wound.  This track alone hit me in a good way and literally brought a smile to my face.

Rise Against have continually polished their sound making necessary changes that ultimately have resulted in maintaining and building upon their fan base.  I know I said they sound more rock than punk earlier, but that is ok.  They have not lost their sound at all and continue to prove to me they are a strong act with no intentions of slowing it down.

I will admit,  when Rancid opened up for Rise Against in 2009, I was confused and felt it should have been the other way around.  Years later Bad Religion did the same.  It occurred to me though while Rancid and Bad Religion will always be two of my favorite bands, it is Rise Against’s time to shine and they deserve to be headliners.  They have worked so hard and continue to impress this fan, that is a fact.

Having have the opportunity to have done volunteer work with 3/4 of the band, I know they are quality musicians and care about humanity almost more than touring.  For more on that, check out my post I wrote up a few years back.

The Black Market is on sale at pretty much every record store and retail giant out there.

 

 

Me First And The Gimme Gimmes Announce New Album

Perhaps the greatest punk rock cover band of them all, Me First And The Gimme Gimmes have announced an all new gender-bending release Are We Not Men? We Are Diva!  to be dropped on May 13, 2014 on good ol’ Fat Wreck Chords.

Me First And The Gimme Gimmes - Are We Not Men? We Are Diva!

After taking stabs at country, R&B, and even Japanese pop, the band continues to surprise their billions of diehard fans with unique covers of songs that everyone has probably heard in a sappy-ass love story or in an elevator.

I laughed when I saw this last night because I was not expecting them to go this route with their punk-infused covers (plus I appreciated the Devo reference).  I just hope one day they take a stab at 90s hip-hop.  Hearing Spike sing Tupac might be the coolest idea ever.

Track Listing:
1. I Will Survive
2. Straight Up
3. Believe
4. Beautiful
5. My Heart Will Go On
6. I Will Always Love You
7. Top of the World
8. Speechless
9. Karma Chameleon
10. Crazy for You
11. On the Radio
12. The Way We Were

Pre-Orders for the new album should be up soon on the Fat Wreck Chords website!

Album Review: Worlds Scariest Police Chases – NOFX And Out Come The Wolves Dookie

Punk rock has been saved folks and it is all due to this Pittsburgh-based, cop adoring, pizza loving, beer swigging group of working class gentlemen.  In a non-serious attempt at making fun of quite possibly everything in only 24 minutes, Worlds Scariest Police Chases have dropped quite the deuce of an album that is sure to offend some and entertain the rest.  The title you ask?  NOFX And Out Come The Wolves Dookie.

Yes, that is the album title.  The cover for the album is even better.  Seriously, just look at it for a second:

WSPC - NOFX And Out Come The Wolves Dookie

Brilliant.

Taking jabs anyway they can at punk rock, the 7-piece chose to name their debut full-length release NOFX And Out Come The Wolves Dookie.  The cover alone is a clear derivative of the classic Dookie album artwork complete with some rancid-looking dude and a farm animal being more than just friends.  I am still curious to see what feedback is received from all of this.

“Blackin’ In” started off the album talking about blacking out, and I am not talking about anything pertaining to electricity.  “Robocop” gave crazy amounts of nods towards a cop who clearly has a coughing problem and does not necessarily hail from Detroit.

“5000 years ago, when the earth was covered in snow, Jesus and Moses wore fur coats, and rode around on god damned dinos” started off the hilarious track titled “Gay Jesus For President”.  Obviously those who huddle up in houses of god on Sundays, Wednesdays, Thursdays, and maybe Saturdays are going to absolutely love this jam, and when I say love I mean hate, and when I say jam, I am talking about strawberry preserves.  If you dig this track as much as I did, then you need to scroll to the bottom of this post and check out the video.  Watch it with an open mind please.

“Punk Rock Ruined My Life” clearly was all about the art of selling out.  With shout outs to Ian MacKaye and the artist previously known as Tommy Gabel, the band is all about letting everyone know that they make music because they want to and not because they want to fatten up their wallets.

“You’re Only Punk Once” cracked me up when I heard, “when life hands you horses, you make fucking glue”. Needless to say, it stuck with me (pun intended). Aside from that line, the song was about being a self-sufficient, DIY, human being who may still live in their parent’s basement and enjoy microwavable foods.

Released on A-F RecordsNOFX And Out Come The Wolves Dookie reminds me of a less pop, more punk Guttermouth mixed with Propaghandi, D.F.L. and maybe even some Leftover Crack sans the gutter.  Now that I have typed that I am now asking myself if kids these days even know who D.F.L. is.

Anyways… Listening to WSPC really reminded me of the fun and careless hardcore punk of the 80s and 90s.  Apparently my aging ass has been missing that.

Having  played the Playstation 1 game and wasted my life on the television show, it is no surprise that I am a fan of WSPC the band as well.  Their fast and fun punk rock approach is just what I needed in my ears.  If you are tired of all the bullshit and need something to just make you feel like there is hope for humanity in the punk rock world, then perhaps you need a quick dose of NOFX And Out Come The Wolves Dookie.