Southern California’s Unwritten Law once used to be a skate punk band that was a ritual in my ears. I popped in their cassette in my trusty Walkman daily and used them as a soundtrack to my life. As the years went by, they kept dropping albums and thier songs followed me around.
The first time I ever saw Unwritten Law was at a Warped Tour in some stone-covered parking log in Cleveland in the mid-nineties. They were just what my young ears were looking for. Weeks later they opened for Bad Religion at the infamous Agora. That was all I needed, I was an instant fan. From there on I made a point to see them live every time they came to Cleveland.
I can sit here and recall portions of my life that included an Unwritten Law song. I remember having a first kiss to “Catlin” in my beat up Cutlas Calais and years later hearing a girl admit their love to me in some dindgey-ass Kent State apartment while “Because Of You” played in the background. The songs pose as prompts to personal memories that will last for a lifetime thanks to a band that I have seen live easily over 12 times.
After battles with drugs and alcohol as well as with a brush with death due to a fire that claimed all of lead singer Scott Russo’s possessions (but not family), the band took all of their problems and issues and used them as fuel to write an all new album. Recently the band, including original members Russo and bassist Pat “PK” Kim, dropped Swan, their sixth studio album on Breaksilence Recordings/Suburban Noize Records.
“Starships and Apocalypse” started off the 11-track album with a more rock driven feel with Russo in singing about some Gucci knock-off glasses wearing woman who clearly is out of this world. “Nevermind” followed with a more Killers synthesizer sound going on in the background. “Dark Dayz” slightly hinted to older sounding Unwritten Law making for a good track to listen to. I love the way how Russo can still tell a story while singing.
Out of nowhere came “Sing” an acoustic song that just put the breaks on the entire album. For those of you that have heard Music In High Places you can agree with me that UL plays great acoustical songs. Gentle and just beautiful to listen to, this was one of my favorite cuts on the album.
“Let You Go” was more of a ballad than a song. The track lead up to an explosion of group vocals that laid behind Russo’s vocals. Just by listening to it you can tell there was a lot of effort put into it. I loved the change up when the bass took over only for it to build up again.
“Chicken (Ready To Go)” featured hip-hop god Del Tha Funkee Homosapien. The first time I listened to this song I just shook my head and wondered why in the hell did there have to be a hip-hop/rock song on this album. The truth is, the track is actually kind of catchy. I loved Del’s raps (as always) and really got a kick about half way though the song when Del steps back and lets Russo do his thing for the chorus.
“Love Love Love” was a touching track that I am positive will land on a mix for that next special someone out there that steals my heart. It was a ballad by a punk rock back with a lot of heart and a ton of talent.
Unwritten Law leans more towards a rock act these days, but still they have not completely lost that punk rock edge I adored the first time I heard them. A lot can happen in fifteen years and this band is proof of that. From playing side stages to headlining their own shows, Unwritten Law has paved their way to rock-stardom their own way. Swan is continued proof that this foursome still has what it takes to make it in the music world.
Fueled with a new found (and very welcomed) sex appeal while looking ever so refreshed, Those Darlins are back with their all new sophomore album entitled Screws Get Loose. Nikki, Jesse, Kelley, and Linwood continue their quest to have constant fun, drink the stiff drinks, and tour the country all while leaving a lasting impression on all who join in their nightly rock n roll shambles.
Even amidst non-stop touring, minus a brief timeout due to pair of broken bones in Nikki Darlin’s forearm after she lost a battle with Ohio terrane, the band was quick to record a follow up to their 2009 debut.
Screws Get Loose, in reference to the screws used to hold Nikki’s bones in place last summer, was released once again on Oh Wow Dang Records.
Known for being a more of a country / punk / garage rock sounding act, the foursome have switched things up a tad and added a nice indie rock style to their sound in their mix. One of the coolest aspects of this change is hearing Linwood, the band’s lone male drummer, lend his pipes on the album as well as help write some of the tracks. The girls still trade off with vocals throughout the album keeping it catchy and all so fun.
The title track “Screws Get Loose” open up things with a song carrying a couple of references to why screws were needed in the first place. The new sound coming from the quartet was good and quite the shock to hear. It was almost as if Those Darlins left their country sounds on the porch in Murfreesboro and headed off to the big city for a entirely new prospect.
“Be Your Bro” hands down is my favorite track on the album. Having heard it months earlier at a live show of theirs last Fall, I fell in love with the Darlins a little harder because of this track. Singing of how the girls just “wanna run and play in the dirt” while said guys “just wanna stick it in” just proved how real the girls are and how not afraid they are to tell it how it is. Singing “I may have girly parts but I have a boy’s heart” hopefully will throw a hint at any Darlin chasing fellow, or will it?
“Let U Down” premiered Linwood’s vocals, an improvement in the direction of the band if you ask me. Not that there was anything wrong with the girls taking vocal duties throughout the songs, but Linwood has himself a very fitting voice that goes perfectly with the music that they all create. This is a track that needed to be heard.
“Mystic Mind” was a trippy track that didn’t necessarily fit the rest of the album but was hard not to listen to. “$” was a step back for a moment into what I previously was used to coming from the Darlins and their group vocals.
“Starving for something and it ain’t your touch” start off the hilarious “Fatty Needs A Fix”. The track easily is a continuation to “The Whole Damn Thing” off their debut album, as a drunken end to a night out required some immediate stomach pampering and nothing more than that.
“Waste Away” put a halt to the party with a direct message to a certain someone to knock off the hardcore partying. This track reached back to material from their previous album. “BUMD” closed the album with what sounded like to me something pulled from the 60’s. The song differed from the others with more proof of how much talent these four musicians possess.
It was almost a shock to hardly hear any country driven tracks on this album, but it’s just proof that Those Darlins are maturing into an even more of an amazing act. Shorter than I would have liked, Screws Get Loose is a great album from start to finish with plenty of tracks to help you shake your baby-maker throughout thanks to all of the members coming together and doing what they like to do best. If you were not a fan of their first release, you might just want to pop this one in and see if it catches your fancy.
Today while earning my keep at the paying gig I realized that I still had not received my original order that included a copy of Explosivo! LP.
I decided to hit up the website and try and find out what was going on as it has been a couple of weeks since I handed over my money for the goods.
The moment I got onto the Dead Broke Rekerds website I see a post:
YOUR ORDERS ARE SHIPPING!!!Sorry for the delays but Paypal multi-order shipping was being an asshole, but rest assured all Explosivo Kickstarter orders, Pre-orders and every other order is shipping tomorrow and all through this week. Thanks you for your patience.
I did not need to send 1000 emails to find out what the heck was going on…yet. I just thought it was cool the moment I hit up the site I found exactly what I was looking for.
I am sure the LPs will be at my doorstep in no time and I know I will continue to hand over my cash to this awesome online punk rock music store.
Turner also released the track listing (read below) and album cover today:
I can not even tell you how excited I am to hear this release. Turner has impressed me over the years with his folk/punk/rock sounds. June can not come soon enough.
Rising singer-songwriter Frank Turner will be releasing his much anticipated fourth album entitled England Keep My Bones this coming June 7thvia Epitaph Records/Xtra Mile Recordings.
The new album was produced by Tristan Ivemy and recorded within the stunning confines of Church Studios at Crouch End. The end result is a more thematically introspective affair for Turner, with lyrics addressing topics of mortality, relationships and religion in what proves to be a both brave and emotionally powerful record.
Turner will be showcasing songs from England Keep My Bones this coming April when he takes to the road for a special solo tour, playing intimate venues on both coasts of North America. It will be an ideal opportunity to catch this ascending star up close and personal before he spends the summer inspiring massive festival crowds throughout the world.
England Keep My BonesTrack Listing:
Eulogy – 1:34
Peggy Sang The Blues – 3:33
I Still Believe – 3:45
Rivers – 4:34
I Am Disappeared – 4:47
English Curse – 2:17
One Foot Before The Other – 3:26
If Ever I Stray – 2:54
WessexBoy – 3:34
Nights Become Days – 4:26
Redemption – 4:48
Glory Hallelujah – 4:3
North American Tour Dates:
2011-04-28 Knitting Factory New York NY – Sold Out
2011-04-29 Red Palace Washington DC – Sold Out
2011-04-30 The Bamboozle East Rutherford NJ
2011-05-02 Beat Kitchen Chicago IL – SoldOut
2011-05-04 Bottom of the Hill Oakland CA
2011-05-05 Hotel Cafe Los Angeles CA – Sold Out
Royer is most known as the front man of D.I. as well as was the original drummer for a little band called Social Distortion.
A few years ago I was lucky enough to interview Royer for Blogcritics.org. No, we did not share needles….
It’s actually kind of sad as he stated in the interview I did with him that he “wised up” when I asked about drug addiction. Read on if you would like, I really enjoyed interviewing this guy. He has a ton to say and held nothing back. I hope he gets out of his funk.
Remember when punk was not glorified and when the scene was almost forbidden?
I know it may come to you as quite a surprise, but punk has come a long way over the past 20 years. A lot of bands today credit the founders of the genre many feared when first created. D.I. was there when punk was growing. You may have never heard of them but I can tell you this, they are punk.
I had the opportunity to chat with Casey Royer, the founder of the punk band D.I. and also the only remaining member of the twenty something year old band. He was also once of the original members of Social Distortion, bet you did not know that. (If you did, props to you.)
Here lead vocalist Casey Royer takes some time to give me some excellent answers to some questions I have been pondering since I first put D.I.’s latest release On The Western Front into my CD player.
Where have you guys been? And what have you been doing to keep occupied throughout the years?
We haven’t toured internationally since the mid ’90s so, never breaking up, we’ve been playing west coast shows solely. All the members, past and present of D.I. are still based in Orange County [California]. To keep occupied, I surf, play music, and try to set a good example in this confused world.
We also did a Monster Garage episode with the awesome Jessie James; whose favorite band is D.I. We played the Song “O.C. Life” while Jessie Built a Flying Car. As well as [featuring a song in] Tony Hawks Skate Video 2.
You’re one of the pioneers of the 80’s punk rock movement, what obstacles got in your way throughout the years?
Early on, our parents and teachers thought we were freaks, a dangerous sub-culture that was consuming the children, us. Then, the police battling punk by arresting as many people as they could for any violation they could think of. Then the pop-punk movement that ignored the old school punk style with punk looks but soft musical context.
I know Mike Ness [Social Distortion] suffered with a drug addiction that almost
ended his career; did you incur any experiences like this?
When Mike and I made up Social Distortion in 1976/77, in my bedroom at my parent’s house, pretty much all of us were experimenting with drugs. Luckily, I didn’t hit rock bottom before I wised up. My advice… hard drugs will ruin you and your music, unless you live in Amsterdam. Then you will write good music, but die young.
What brought you to disband Social Distortion? Was it really because of original guitarist Dennis Danell’s inability to play?
Mike and I were jamming for a couple years with bass player, Mark Garrett (RIP), with Rikk Agnew on guitar, and Tom Corvin singing. With a couple personnel changes, Mike wanted Dennis to play guitar. Dennis didn’t know how to play guitar, Rikk and I played well and were ready to play gigs, so we joined the Adolescents when Tony Adolescent asked.
So did you leave Social Distortion to pursue the Adolescents?
You have to understand, no one really was famous or trying to achieve rock and roll fame, so the decisions we made were pretty off the wall. A total disconnected new world that we ruled. Mike and I split up and I became the singer of S.D. for about a year with some early D.I. guys in 78. Even though Mike and I were the first S.D. I did make up the name so I went with it. I broke up S.D. and formed the Adolescents with Rikk Agnew. A new S.D. with Dennis Dannel (RIP), Brent Lyles RIP, (replaced by John Mauer) came about in 79; Social Distortion II… A whole new chapter.
What was it like growing up in the OC [Orange County, California] when punk rock was just starting to rise?
I was a junior in high school and it was the coolest movement you could ever imagine. A bunch of creative, upper-middle class, wasted youth terrorizing southern California. All of our parents had good jobs, living the American Dream, a perfect medium to facilitate a bunch of wild kids to do their thing. Hiding behind the middle-class facade with our parents in denial.
How was D.I. conceived?
A friend of mine, Steve Roberts and I jammed the first D.I. music at a place called Brea Beach in 1980. It didn’t re-surface for a few years after, when we practiced behind the pawn shop.
Have you worked with any other bands over the years?
Yea, I played in Agent Orange for a summer at the Hong Kong Café in Chinatown, Los Angeles. Also, Slayer covered a couple songs I wrote, “Richard Hung Himself” and “Spiritual Law”.
What kind of music are you most into?
Classic punk and a little classic rock.
How did you hook up with Suburban Noize records?
I’ve known Brad X and Lou-Dogg since the late 70’s when they were in a punk band called Doggeystyle. We have run into each other periodically throughout the years. When Daddy X heard that we had a new CD available, he immediately came to us with a deal. Knowing Brad personally, like a brother, I felt that it was our duty to join the ranks of Suburban Noize. I feel, even though we have different styles of music, we both
have the same beliefs and convey the same concepts.
You’ve done a couple of songs with the Kottonmouth Kings in the past, any plans on collaborating with KMK again?
We did some tracks on their recent release, Cloud Nine. The future… ? Who knows the sky’s the limit
Any plans for a tour in support for the new release?
Yes, of course. We plan to tour the US, Europe, or anywhere else they’d let us play. We’ve toured Europe a few times before, and have always received great response.
What’s it like being in the scene for over 20 years? How do you feel about the punk scene today?
It’s kind of weird, punk used to be fresh, dangerous, and violent, then it turned trendy and fashionable with watered down music and lyrics. The true old-school hard core still lingered underground in a non-popular, powerful way only to re-surface 20 years later. Weird.
In the 80’s punk movie Suburbia, you played “Richard Hung Himself” an Adolescent cover. Who’s idea was it for you guys to cover that song?
First of all, “Richard Hung Himself” is and always will be a D.I. song. I wrote the song while I was playing drums for the Adolescents. We never played it live and it wasn’t released on vinyl until 2006. Let me put it this way, in the Adolescents, we played the song for 20 minutes, twice. D.I. has played it for 20 years.
What was it like being behind the camera? Was it more improv or a live show? Was there a lot of takes of your performance during filming?
It was easy being behind camera because they told us all to just be ourselves. There was a script for all the parts in the movie, but all actors and band members fell victim to improv. They shot our performance about 2 or 3 times during filming.
What’s it like to play the movie at home and see yourself on screen as a young punker?
The same as it was when I saw it for the first time. I feel I have never had the chance to grow up and look at myself as old. Being a punk rock singer has locked me into a 20-25 year age bracket, and I can’t get out.
On you latest release On The Western Front, is the song “Punk Rock Suicide” about anyone in particular?
The song is about all the musicians who have given their lives to their musical scene with no regard to their social stature or political persecution. When we lost the Ramones, Joe Strummer, Sid Vicious, Dennis Danell, Brent Lyles, and so many other great artists of the underground, it makes one realize that we don’t seem to appreciate true dedication.
They will be missed but never forgotten.
How long did it take you and crew to record On The Western
Front?
About a year. We hop-scotched all over Los Angeles and Orange County, drum tracks in one studio, guitar tracks in a different studio, vocals, mixing, I’ve gone cross-eyed.
Will D.I. continue to put out new material?
Yes and a lot of it. We already working on the next CDand we’re having the best times of our lives. With Clinton Calton, guitar; Eddie Tatar, bass; Joe Tatar, drums; and Chicken on guitar, I feel we have the potential to go further than any punk band has gone before. And with Suburban Noize behind us, nothing can stop us. Check it out… www.diunderground.com.
Ok, now this is just kick ass…
This music blog could have a driver's license by now…
Southern California’s Unwritten Law once used to be a skate punk band that was a ritual in my ears. I popped in their cassette in my trusty Walkman daily and used them as a soundtrack to my life. As the years went by, they kept dropping albums and thier songs followed me around.
Out of nowhere came “Sing” an acoustic song that just put the breaks on the entire album. For those of you that have heard Music In High Places you can agree with me that UL plays great acoustical songs. Gentle and just beautiful to listen to, this was one of my favorite cuts on the album.
