Tag Archives: New

Album Review: The Flatliners – Inviting Light

I consider myself a pretty big Flatliners fan and have been for most of their career.

The Toronto foursome caught my attention with their debut – even if it was just speedy, loud ska tunes.  It was their followup, The Great Awake, however, that blew me away.

The Flatliners have a punk rock style that is so addictive to me.  They have been playing for almost 15 years now without a single change up in members.  I have seen them live on multiple occasions, including in 2011 at SXSW just before the Ben Weasel blowout.  To this day, Cavalcade remains one of my top albums.

Last week, the band dropped their fifth full-length release on Rise Records.  Having heard a couple songs beforehand, I was pretty damn excited to get my hands on a copy.  Since then, I have listened to it dozens of times and each listen just gets better for me.

Inviting Light has Cresswell singing way more than screaming throughout, and it is extremely likable.  I was set back a little as I was expecting the band to unleash just like some of their older material, but the more I absorbed this release, the more I appreciated how much the band has matured.

Opening track “Mammals” slowly emerged into a pretty catchy track.  Cresswell and crew took it easy but had no problem creating a song that begged to be sung along with.  “Hang My Head” followed sounding more like a well-defined rock tune with a punk edge.  This song in particular got stuck in my head the moment I heard it and I was totally ok with that.

“Indoors” was another track that was more drawn-out without the band’s style jumping ship completely.  The Flatliners if anything, showcased their musical talent to the fullest on this track that seemed to revolve around insecurities and support.  I especially loved Ramirez’s drumming throughout.

I adored “Unconditional Love” as it was to me a spaghetti-western punk rock song.  It moseyed along, but was so impactful especially with Cresswell’s bellowing voice at times.

I found myself getting into “Infinite Wisdom” immediately with Cresswell’s singing style hitting lows and highs in a single breath.  The energy in this song alone had me nodding my head to the beat instantly.

“Chameleon Skin” had Cresswell singing and wailing about adapting to surroundings through others.  The song slowly built up into a great tune that clearly was far-fetched from a traditional Flatliners song, and honestly, I loved it.

Inviting Light is not quite like previous Flatliners albums, but that is not really anything that should be concerning at all given the talent that fills this tenured act.

A couple years back, Cresswell teamed up with Joey Cape for a One Week Records album and I seriously think he took to heart what he learned about himself playing with Cape and propelled that in the creation of Inviting Light.  If you call yourself a Flatliners fan and have not heard that One Week Records album, prepared to be pleasantly shocked, it is outstanding.

Back to this album – If you are sitting there questioning yourself whether or not to listen to Inviting Light, recall what happened to Rise Against over time.  I am not making any immediate comparisons between the two bands by the way, but styles change by decision and not force, and sometimes there is nothing at all wrong with that.

The Flatliners have not sold out, they found a new niche and are going with it.  Think about it, they could still be pushing out ska jams, right?

Album Review: Me First and the Gimme Gimmes – Rake It In: The Greatestest Hits

A few weeks back, I found a photo of myself from when I was working in shipping and receiving at some internet company.

I was about 21 years old at the time and looked ever so thrilled in the picture.  The photo showed me working hard while I rocked a backwards hat as well as a Me First and the Gimme Gimmes shirt, a shirt that I basically wore in the late 90s until it fell apart.  That was almost 20 years ago.

Where am I going with this you ask?

Well, clearly I was a fan back then, and I still am today.  Ever since I heard the Gimmes play “Country Roads” on a Fat Wreck comp, I fell in love.  There was just something so appealing about hearing a song my parents listened to in the 70s altered to my standards.

For those of you who live under a rock, Me First and the Gimme Gimmes consist of Joey Cape, Chris Shiflett, Dave Raun, some guy who calls himself Fat Mike, and good ol’ Spike Slawson.  They have been taking overplayed and classic tunes and covering them the only way they know how to.  The result is catchy, likable, and just downright fun.  i should probably add that they have been doing this since 1995.

Over the years, they have tackled adult contemporary, Motown, show tunes, country, and even Japanese pop songs just to name off a few genres.  I guess you could say they are not the gimmicky type.  Hell, they have 7 studio albums under their belts released on Fat Wreck Chords.  Clearly they are pretty damn important in the punk cover band scene.

To showcase their accomplishments (and squeeze you out of your hard earned cheddar), they are about to drop a greatest hits album on April 7th full of renditions of songs cleverly titled Rake It In: The Greatestest Hits.

Featuring 17 memorable covers, the Gimmes threw together the best of the best for all to hear in one collective listen.  I am sure it was tough for the Gimmes to pick the right songs for this “greatestest” hits album, but I think they did a pretty good job.

Starting with Bob Dylan’s “The Times They Are A-Changin'”, the album spans the Gimme’s eclectic taste in covers.  It was great to hear “Straight Up” and “Jolene” and of course “I Believe I Can Fly”.

I’d be lying if I said I wasn’t stoked to hear “Desperado” as well as “End of the Road”.  I adore the Gimme’s take on these two originally over-played-as-hell songs.

As an added bonus, a few non-album tracks that I have not heard in a long time appeared.  “City of New Orleans” off of Willie, a Fat Mail Order limited edition EP, was an excellent surprise to hear.  The Del Shannon classic “Hats Off to Larry”, originally on the Live Fat, Die Young: Fat Music Vol. V, was the other.

The one track missing that I felt should have been on this greatest hits was the Gimme’s version of “Rocket Man” by Sir Elton John.  Luckily, I have Have A Ball in my collection and can listen to it whenever I please, but for those out there that are just discovering this punk rock cover band, that is one song I know they would enjoy.

To be honest, I was really hoping for the band to have a new album full of covers, but I will take this “greatestest” hits release over nothing.  I hope one day they decide to cover 90s hip hop songs in the key of punk rock, I seriously think that would be amazing and I know they could pull it off.

What I’m trying to say is simple:  Long live the Gimmes.  They are the best cover band of my time.

In support of this release, Me First are touring and have been since February.  I can not even tell you the last time I have seen these guys tour, so make sure you go see them live.  It is going to be an all out blast.  Give them your money.  All of it.  Being in a cover band can’t pay that much, can it?

Tour Dates:

04/11/17 Pittsburgh, PA at The Rex *
04/12/17 Cleveland, OH at House of Blues *
04/13/17 Chicago, IL at Concord *
04/14/17 Detroit, MI at Majestic *
04/15/17 Toronto, ON Canada at Phoenix Theatre *
04/16/17 Montreal, QC Canada at Club Soda *
04/19/17 Boston, MA at Royale *
04/20/17 Philadelphia, PA at Union Transfer *
04/21/17 Baltimore, MD at Baltimore Soundstage *
04/22/17 Asbury Park, NJ at Stone Pony *
04/23/17 New York City, NY at Webster Hall *
05/02/17 Portland, OR at Wonder Ballroom ^
05/03/17 Vancouver, BC Canada at Commodore ^
05/04/17 Seattle, WA at Showbox ^
05/05/17 Boise, ID at The Olympic ^
05/06/17 Salt Lake City, UT at The Depot ^
05/07/17 Denver, CO at Summit Music Hall ^
05/10/17 Scottsdale, AZ at Pub Rock ^
05/11/17 San Diego, CA at House of Blues ^
05/12/17 Santa Ana, CA at The Observatory ^
05/13/17 Los Angeles, CA at The Fonda ^
05/14/17 Berkeley, CA at The UC Theatre ^
05/27/17 Las Vegas, NV at Punk Rock Bowling
06/09/17 Interlaken, Switzerland at Greenfield Festival
06/11/17 Milano, Italy at Carroponte w/ Descendents *
06/14/17 Attnang-Puchheim, Austria at EQUALITY Festival
06/15/17 Nickelsdorf , Austria at Nova Rock Festival
06/16/17 Bischofsmais, Germany at Rock The Hill
06/17/17 Bischofsmais, Germany at Rock The Hill
06/23/17 Neuhausen ob Eck, Germany at Southside Festival
06/23/17 Scheessel, Germany at Hurricane Festival
06/24/17 Neuhausen ob Eck, Germany at Southside Festival
06/24/17 Scheessel, Germany at Hurricane Festival
06/25/17 Scheessel, Germany at Hurricane Festival
06/25/17 Neuhausen ob Eck, Germany at Southside Festival
07/01/17 Würzburg/Giebelstadt , Germany at Flugplatz Mission Ready Festival

* = w/ PEARS & MASKED INTRUDER
^ = w/ Together Pangea

Album Review: Heart Attack Man – The Manson Family

True story: I almost crashed my car this morning because the streets were a sheet of ice.

I was probably driving too fast, but that is not the point.

As I applied the brakes, my car just kept sliding right towards Brookpark Rd. with speed as oncoming traffic continued moving.  I lucked out at the last possible moment and was able to drift my car sideways to avoid crashing into anyone or anything.

So what the hell does this have to do with this album review you ask?

Well, as I sat there sideways at the edge of the intersection, I felt grateful that I was going to be able to get to work on time and listen to the new Heart Attack Man.  I’m quite serious about this – I planned on checking it out as soon as I got to my paying gig.

Cleveland’s Heart Attack Man originally was a solo project of guitarist/vocalist Eric Egan that soon turned into a band once Adam Paduch of Two Hand Fools took on drumming duties.  The duo specializes in creating catchy ass jams that carries equal amounts of alternative rock and indie rock.

Released on Triple Crown RecordsThe Manson Family is Heart Attack Man’s debut full-length.   Full of modern day struggles, the album refuses to hold back.

I knew I was in for something good the moment I heard opening track “Burn Down The Mall”.  Even though the tune was catchy like something Brand New might dish out, the song itself was just dark and melancholy.

“Sitting On the Fringe” was an anthem of just being fed up with everyone and everything while “Life Sucks” was an emo downward spiral, but damn it sounded so good.  “Cut Off At The Knees” also had this defeated sense of humbleness throughout.

“Surrounded By Morons” really reminded me of a long forgotten 90s band, King Missile, due to the singing style alone.  The song  was a literal opinion about living in over-populated cities.  The music that backed it was overly impressive with plenty of fuzz and riffs for all to enjoy.

“Taking Sides” easily was one of my favorite songs on the album.  A personable jam that I really can say I  could relate to over and over.  “Funhouse Mirrors” was another track I found myself getting into.

“Cool Kids Table” closed things down with a Weezer-like similarity, but far less sweet and innocent.  This song made me want to drown my sorrows in the cheapest beer possible.  The best part of this track was the sarcastic screams where you clearly can hear the frustration.  The more I think about it, this was probably my favorite cut off the album.

Heart Attack Man are one of the most exciting up and coming Cleveland bands out there right now in my opinion.  Sure, you’ve probably heard this statement so many times from everyone and their mother about every band out there, but have a listen of The Manson Family and I’m sure you’ll understand why I hold such high regard.

It’s not a happy album, but it is catchy and begs to be replayed over and over.

Check It Out: Signals Midwest “Alchemy Hour” Video

I have had the pleasure of getting to know the dudes in Cleveland’s Signals Midwest for years now, so there is no reason why I would not be stoked on sharing their new music video for “Alchemy Hour”, a track off their latest release, At This Age.

Filmed by their pal Tommy Calderon, the video follows the band during their Fall 2016 tour.  Do not worry if you have noticed JR and Loren missing in some clips and Josh Voland as well as Ryan Williamson filling in when JR and Loren could not make some of the tour.  Just thought I should disclose that.  JV is good dude btw and carries leftovers with extreme pride.

At This Age was one of my top releases in 2016 and if you have not made yourself privy to it, you really should change that.

Check it out:

 

Album Review: MakeWar – Developing a Theory of Integrity

MakeWar "Developing A Theory Of Integrity"I admit, I do not get to crank out reviews like I used to.  If I had it my way, I would quit my paying gig and do this full time, but the truth of the matter is that I do this for fun and not profit and I have bills to pay.  20-year-old me would kick my ass right now for even mentioning that.  I sound like grandpa punk again…

I’ve been trying to find some time to write about one of my favorite albums of 2016 for the past month now.  I am seriously stoked to have found some time tonight to do so.  With that said, here we go.

Developing a Theory of Integrity by Brooklyn’s MakeWar immediately jumped to the top of my favorite albums the moment I heard the first song.  I cannot get enough of this album and have been listening to it almost daily since it dropped on Red Scare Industries in September.

Side note: Not even two days after I heard the album, I learned that they were playing the final Dag House show in Cleveland (RIP DAG).  As luck would have it, I had a free night and I booked it over to that historical home to see MakeWar do their thing in the basement and got to act like a fanboy afterwards who was short $1 when trying to buy their debut self-titled LP out of their van while they were literally trying to back out of the driveway to make a long ass drive to Omaha.  Thanks Jose, I will pay you back that $1 next time you roll through town.

Originally an acoustic act called Sad and French, MakeWar took their songs to a new dynamic and turned themselves into a full fletched punk rock band that carries so many likable qualities from catchy hooks to relatable lyrical content.  Don’t get me wrong, Sad and French were absolutely amazing, but plugging in the guitars and turning up those amps have MakeWar way more exciting to listen to.

As previously mentioned, opening track “Matador Pool Party” blew me away.  There was so much going on with this track from the group singing to the Rancid/Face To Face reminiscing bass playing, brutal drumming, and lyrical content that just brought it all together perfectly.

“Ode” was just that, an ode to living life with booze in hand in NYC.  I loved the line “fuck not drinking for a week” as I’ve said that in my heyday when having a rough week of celebrating but refused to give it up.  I also loved the random thought process throughout the song that really could pertain to any city.  This is about as real as a song gets with spirits raised high.

“DTFH” was another standout track that begged to be sung along to.  Ironically this track reminded me in a sense of more upbeat Iron Chic who used to be on DTFH records.  “Don’t Panic” resembled Taking Back Sunday’s earlier years in a good way.

“On Feelings” might have been the most emotional track on the album but not in a cowering sense.  This track just make me happy for some reason and brought back some memories of great hangouts with great pals.  “Sallie” was another amazing song on this album.  I feel like I keep saying that, but it is true.  There were a lot of songs of this album that caught my attention including this one that referenced the paying back of those stupid ass student loans.

“Distractions” was more technical like Strung Out.  I really loved the change up of musical style on this track which clearly was the heaviest.  “Dust” ended the album in a completely different style full of dismay and sorrow, but damn it was beautiful.

I can not say enough good things about MakeWar.  If you are reading this, you need to at least check out the video for “Ode” below so you can see what got me so excited.  If you dig like I do, snag the album.  You will not be disappointed.

Visit MakeWar on Facebook and check them out live if you can.