Tag Archives: New

Album Review: MakeWar – Get It Together

I’ll never forget the first time I heard of Brooklyn residents MakeWar.  Toby from Red Scare told me to check them out about 3 years back, so naturally I did.  I was completed obsessed with what I heard instantly and moments later realized they were on the bill for the last Dag House show happening in just a couple hours.  I dropped everything I was doing that night and made it to the dark basement in Cleveland to see them play.

After their set, they announced they needed to hightail it out of there to drive to, if I am not mistaken, Nebraska.  I panicked and searched the house for one of the band members because I refused to leave without getting some form of merch from them.

I was able to find Jose Preito just before he finished his goodbyes and stupidly asked him if the merch was already packed up.  He stopped what he was doing and led me out to their tour van and with Edwin Santacruz’s help, dug out their 2015 self-titled amped up release and sold it to me.  He then gave me a big hug, thanked me, and jumped into the van they were about to call home for a few days.

It’s something I will not forget.  I knew then they would not be one of those bands that faded away and that bigger things were in store for them in due time.  It was no surprise to me when they announced they signed to Fat Wreck Chords.  It just made sense.

Get It Together is the band’s 3rd or 4th release pending how you take their self-titled releases into consideration.  In past times, the tracks were tough heart-tugging tracks best served with rounds of liquid courage.  This time around, the band really seemingly took a deep breath, said fuck it, and moved forward less reserved.

Kicking off the album was “Hopeless Dreamers”, a track that brought friendships close thanks to mindsetting lines like “the night is drunk and we are all young”.  This track carried me back to the days of heading to certain lounges that no longer have occupancy while surrounded by pals.

Kicking it up a notch was “No Excuses”, a track that really showed a different side to MakeWar I was not prepared for, but loved.  It was sped up and direct.   There was also the ending breakdown on the track.  Damn fine if you ask me.

“Squeeze” dipped back to the days of flannel shirts and Doc Martins in the best way possible.  Once again the band hit a different territory and nailed it.  Full of anxiety and anxiousness, the track was one of my favs on the album.

Then there was “No Más”.  As a middle-aged white boy, I have no clue what Edwin was screaming but it was awesome.  The same applied with “Inmunda Realized”, but in all honesty, that song kicked major ass,

The highly addictive “Sails” was one of the first singles I heard off the album and it was beautifully down.  This was one of those tracks where I couldn’t help but to think to myself how much these boys have matured as musicians.

“Oh, Brother” was another single I heard previous to the release and carried that MakeWar style I grew accustomed to years back.  The song hit me hard as someone who still struggles with growing up.  There was so much good intentions on this track that also reminded me that getting old isn’t the end of the world and even us old punks can still have fun.

Overall Get It Together was an impressive release. In fact, the second listen is when I really found myself getting lost in the music and lyrics.  I am not saying they redefined punk rock, but they certainly made their own footprint.

MakeWar comes from all over the place literally and this album really showcased that.  Jose was originally from Venezuela, Edwin came from Colombia, and Greg came from that state where that naked dude ate the face off of someone once aka Florida but left the band after album was recorded so Matty from The Moms took over.

All jokes aside, these guys are just getting to their prime as a band and it’s the perfect time to get into them.  Don’t say I didn’t warn you about MakeWar.

Album Review: Heart Attack Man – Fake Blood

There’s just something to be said about hearing an album that brings back great amounts of angst from 20+ years ago.

Sure, we really don’t care to remember when some of the jocks in high school threatened to kick your ass because you were different.  We sure as hell don’t want to think about how pissed off it made you and how you held your ground and prepared to fight back only for them to say they were just kidding.  That never happens to anyone right?

Fake Blood by Cleveland’s very own Heart Attack Man had no problem digging into my hippocampus and ripping out crippling episodes in life offering for a retrospect on how they shaped me.  That right there is exactly what Fake Blood encompassed from start to finish for this listener.

This sophomore album has been on my radar for months now ever since singer / guitarist Eric Egan and drummer extraordinaire Adam Paducah made mention of finishing up recording.  Add to the fact that one of the friendliest guys I know, Ty Sickels, is part of this incredible band and one might just called me jaded when it comes to talking about this act.  Pals or not, this bad rips and I know I am not the only who thinks that.

With riffs that reach all the way back to the 90s “Fake Blood” started off things off with a fierce, intense track that was catchy as hell.  You know you are in for something excellent when the first track immediately gets stuck in your head.

Not trying to sound cliché, but “Blood Blister” brought me back to some awkward teen years of mine when music was my crutch and most folk were my enemy.  Egan’s directness complimented my own thoughts when things just didn’t go my way and you bet your ass I never let it go.

“Out For Blood” is a vindictive jam that will instantly take over your good day and put you in a savage mood.  The kids are going to love this one, i know it.

“Moths in a Lampshade” strayed away from the others in a good way.    This was that kind of track you listen to at 3am when driving in the middle of nowhere trying to just grab ahold of yourself.

Hands down the best track was “Cut My Losses.”  It wasn’t a love song and it sure as hell wasn’t a song about moving on peacefully.  This track’s raw emotion succeeded most of the ill-will I have ever had for someone that’s ever threatened me.  Egan is a total bad ass on this track and when they are ready to do a music video for it, it best be him walking away from an explosion without looking back.

“Sugar Coated” wasn’t nice at all and that’s perfectly fine by me.  This track pretty much could have fueled my worst years as a teen all while begging to be sung along with.

Fake Blood easily is going to be one of my favorite releases in 2019.  This Cleveland band is beyond talented and I really see big things happening to them especially if they continue to just kick ass and forget names.  They have been doing things their way and honestly, I think it’ll work out just fine.

Do not sit on this band.  That’s my advice to you.  You’ve been warned.

Bar Stool Preachers Drop New Release Today!

I can not wait to get some free time this weekend to crank out a review of an amazing band that was recently sent my way.

The band I speak of is The Bar Stool Preachers.  Let’s just say this band has restored my faith in new ska punk music.  I will leave it at that for now.

New Noise Magazine did a great interview and is streaming the album in its entirety.  Check it out!

From the band’s press release:

From the eclectic scene of punk and ska bands in the UK, The Bar Stool Preachers are a band for EVERYONE – a group of blue-collar musicians who can instantly connect with anyone they play for. Exhibiting a tireless DIY work ethic that is unparalleled by its peers, the band has traveled the world gaining fans with engaging performances on the back of its critically acclaimed debut Blatant Propaganda.

Frontman Tom McFaull has a storied musical lineage running through his veins. The son of Colin McFaull, singer of the legendary Cock Sparrer, he’s learned a lesson or two from his father. With this pedigree, the younger McFaull leads the charge for a new generation of punk bands with incomparable charisma and anger that cannot fail to impress.

But their family is more than blood. Having Aimee Interrupter (The Interrupters) lending her voice on “Choose My Friends” and Pirates Press Records’ extended family (including Rancid, The Bouncing Souls, Dropkick Murphys and many others) in their corner, The Preachers are fortunate to have a wealth of experience and support to help lift them to their inevitable heights. They are also already famed for turning every show attendee, writer, photographer, interviewer and other band’s members into fast friends within minutes of meeting. Yes, they are that special.

After an exceptionally successful showing at Punk Rock Bowling 2018 and a West Coast run, a follow up East Coast tour supporting Street Dogs, and more touring planned at the end of 2018 and thought 2019, The Bar Stool Preachers are ready to provide the soundtrack to your summer, and beyond, as they take over North America in support of Grazie Governo!”

Review soon on this album.  Trust me.  I have a lot of good things to say about these UK ska punkers.

Album Review: Anti-Flag – American Fall

You know an album is good when you spend 15 minutes trying to compose an opening sentence for a review.

I’ve been sitting here thinking about how to introduce Anti-Flag and their release, but chances are you’re very well aware of who they are already.  I was unsure how to express how surprised at how great this album was from the moment it hit my ears.  I finally decided to just write this and move on with talking about the album.

No disrespect to the band at all, but the last couple of albums did not do that much for me.  American Fall, however, has completely blown me away from start to finish.  Think of the Clash mixed with Rancid and Green Day with a huge spilling of political and social opinion based on current events and tragedies for that matter.  I know that was probably a tough sentence to take in, but trust me, it works.

Punk rock, pop punk, ska, and even a smidge of arena rock was all thrown together in American Fall, the band’s 11th studio release.  Co-produced by Benji Madden of Good Charlotte, this album has Anti-Flag taking an entirely new approach with their musical abilities all while keeping on with their values.

“American Attraction” started out full-forced with an intro comparable to Green Day’s “American Idiot” but not in an overplayed way at all.  Same style, higher energy, much more appealing to my ears.  This was not what I was expecting to hear honestly, but I love the sound.

“When the Wall Falls” started off as an acoustic track and quickly jumped ship into a ska track.  This track reminded me so much of Rancid at times especially with that organ playing – I almost with Tim Armstrong had guest vocals on this track.  The lyrics of the song were almost frightening when you sit back and think about it.

I could not help but think how close-knit the band sounded in”Trouble Follows Me”.  I loved the bass line and overall harmony with the group vocals.  Very memorable song that got stuck in my head.

“Finish What We Started” carried this huge Clash resemblance which was totally welcomed.  In fact, this was one of my favorite tracks on the album.

If you do not know who “Liar” is about, you just don’t get it.  There’s really nothing else to say about this track.  The same goes with “Throw It Away”.

“Digital Black Out” was just insane.  At times, I thought about a politically charged Joe Strummer leading a revolution.  I really felt that Anti-Flag leaped boundaries in this track.  As much as I hate to say it, a track like this has the potential to take them to Rise Against levels.

“Racists” was a highly prolific punk jam that once again impressed the hell out of me.  I loved the energy and the overall lesson to absorb within their lyrics.

It sucks to think the current state of affairs is what is fueling Anti-Flag, but for what it is worth, I am glad they have a way to release it for others to consume.

Overall, this album was amazing.  From start to finish I found myself getting sucked into the tracks and memorizing the lyrics.  I can not even tell you how many times I have listened to this album.  It has turned into a go to album when I just want to get my blood flowing.

My only complaint about American Fall was that it was only 30 minutes long and I was just so hyped up and ready for 30 more.  If Madden was the cause of the band turning a little poppier on this album, I am fully on board for him to co-product in the future.  This is the best I have heard Anti-Flag sound in years and I am stoked to hear what comes next.

 

 

Album Review: Two Hand Fools – Falling In / Falling Out

Cleveland’s Two Hand Fools are back and have dropped their most important album to date in my opinion.

I’m sure you’ve heard this statement about various bands over and over by people, but honestly, I am dead serious stating this.

The rust-belt punkers are on top of their game in Falling In / Falling Out, putting out a release that has quickly jumped to the top of my best of 2017 list.

Comprised of quality dudes including Ryan Johns (guitar / vocals), Adam Paduch (drums), Tyler Sickels (guitar) , and Nick Schmitt (bass), it’s been 4 years since the band has dropped something and this specific release has actually been 2 years in the making.

With Paduch and Sickels focusing on Heart Attack Man most of the year, Falling In / Falling Out was put on hold until everyone could come together to support it together once it dropped.  Smart move if you ask me.  Hopefully the album releases soon as the band was not able to tell me an exact release date just yet.

I absolutely should mention that the cover art for this release was created by Cleveland artist John G.This is the band’s second full release.

At less than 30 minutes, this album sucked me in and had me wanting so much more by the end.  “Falling Out” complete with some sexy saxophone really got me excited (not in that way you perv) for the rest of the album and then suddenly “Spinning” started and I was sold.  I knew i would adore the rest of this album just after that song.

“Young Again” I think was written about a 40 year old blogger from Cleveland.  I kid about that, but this track had me reminiscing while listening to the harmonic track full of emotion and realistic thoughts.

I loved the compelling “Geraniums”, a track about self-realization and moving on. It’s not a very long song, but carries a sweet set of riffs, spot-on drumming, and is just fun to jam along with.

Following was “(Transitions)”, an instrumental tune that easily could have been pulled from the 90s.  This is the track that had me thinking to myself how mature this band has become.

The saxophone made a return in “Falling In”, an interlude of sorts and it was equally as sexy-sounding as the beginning.  This track moved into “Raindrops”, another short and sweet track that left a bite mark.

“Cut You Up” once again had the band doing what they do best – play together.  This was so genuine sounding and probably my favorite on the album that was far from being over-produced.  Perhaps a little deranged lyrically, I share that sentiment so naturally I dug this.

“No Tip” wasn’t too technical and because of it, it was an entertaining listen even if the somber track reflected a miserable serving.  Add in the ever important group vocals, and you have a damn fine song.  This was one of those emotional tracks that was just infectious to hear out.

“RGB” had some, you guessed it, sexy saxophone playing.  I clearly am joking about the sexiness and should say effectiveness because this song was 400 times better because of that woodwind playing throughout.  This was a hell of a track to end the album with.

I need to admit, the first time I heard Two Hand Fools years back, I was not sold.  In fact, I remember telling myself that they need to rearrange.  Who the hell am I to judge a hard-working group though?  I kept those comments to myself and kept on checking them out when I could.

I am glad I never dismissed them completely because since then they have become one of my favorite Cleveland bands.  I have watched them grow up and embrace who they are as musicians and to me, that is pretty goddamn amazing.

Falling In / Falling Out should serve as a solid testament of accomplishment to some pals who have been in it for 10 years now.  They really impressed me with this one.



Two Hand Fools play Mahall’s on Friday, Oct. 27 in support of this new release.