Tag Archives: New

Album Review: Tim Barry – High On 95

There is really not much more I can say about Tim Barry these days except that the man is exceptional.

The former Avail frontman has made aging as a punk rocker just so appealing.  Taking each day in stride and being the best father he can be, you might just find inspiration in him just as I have.

His solo material is more of a storytelling process with the soul purpose of letting people hear him out.  Still containing his punk rock roots as well as life-long experiences, Barry just dropped an all new release on Chunksaah Records titled High On 95.

High On 95 is a mixture of acoustic tracks and collective jams with Barry’s family and friends.  Just as he has always done in the past, Barry has no problem combining folk, rock, and punk and  with his own personal touch making for an incredible listen.

The album was recorded once again by Lance Koehler at Minimum Wage Studios in Richmond Virginia.  According to Barry, “it’s just one take” and continued with, “Lance knows the more I do it, the worse it’s gonna get. You lose something when you play it more and more. So get it right.”

One take is all it took to make one hell of an album.

The personal “Slow Down” had Barry and his guitar recollecting life in a busy city and his transition to a small town.  The backing violin playing was so fitting on this track that seemingly aged from the beginning to the end.

The detail in the lyrics on “High On 95” almost seemed like personal memories of my own.  This track was built up with some guitar playing and simple piano playing.  What made this track even better for me was the video that his 4-1/2 year old daughter filmed all on a VHS camcorder.  Life goal right there folks, especially since I have my own little versions of me these days.  Check out the video below.

“O & Dp” was more of a song a close knit of friends would sign around a campfire.  I especially related to this track with lyrics that were personable with life events and self-expectation.

“Riverbank” was a memorable jam that might be one of the more produced songs I have heard by Barry in a while and I loved every second of it.  Friendly and real thoughts put into song while letting dogs run around the river just doesn’t get much more sincere.

The toe-tapping “Gumshoe Andy” brought back train-hopping memories of Barry.  You almost wonder who this gumshoe was and what his intentions were or if it was just an inner-conscious voice taming someone’s wild tendencies.

The observations in “Porter St.” are all to familiar.  This industrialization realization of a small town track has immediately become one of my favorite Barry tracks.  Just listening to it had me thinking and agreeing with what day to day life has turned into.

“Chelsea” was almost a Dear John letter of a track with Barry showing pleasantries followed by dismissal for being deceitful.  Friendly-sounding but stern, this tune was quick to take out the trash.

It was great to hear Barry’s sister Caitlin play violin on “Running Never Tamed Me” along with Barry. Christina Marie Gleixner provided haunting backing vocals on this track about the highs and lows of life and love as told to what I would only assume was Barry’s daughters.  This was one bummer of a track, but beautiful.

At 30 minutes total, High On 95 was an amazing listen that seemed to just fly by.  I have actually listened to it a few times now and some of the tracks became even more poignant once the lyrics were absorbed in my mind.  It’s the kind of album you think with, relate to, and just absorb.

People, including myself, have asked Barry for years if he would ever reunite Avail.  He always responds that he is not interested in doing that.  For a while there, I could not understand, but as the years have progressed with the releases by Barry, I am glad he didn’t.  This man has his priorities set to align with his future on his own accord.  Godspeed sir.

Tour Dates:
9/23 Richmond, Virginia @ Carpenter Theatre
10/05 Washington, DC @ DC9 Nightclub
10/06 Pittsburgh, PA @ Cattivo
10/07 Cleveland, OH @ Grog Shop
10/8 Detroit, MI @ Smalls
10/10 Columbus, OH @ Rumba Cafe
10/11 St Louis, Mo @ Blueberry Hill
10/12 Chicago, Il @ Cobra Lounge
10/13 Indianapolis @ White Rabbit
10/14 Louisville, KY @ Haymarket
10/26 Ybor City, FL @ Pre-FEST
10/27 Gainesville, FL @ FEST
11/09 Garwood, NJ @ Crossroads
11/10 Philadelphia @ Underground Arts
11/11 Cambridge, MA @ Middle East Upstairs.
11/12 Brooklyn, NY @ Rough Trade
12/07 San Diego, CA @ Casbah
12/08 Santa Ana, CA @ The Observatory
12/09 Los Angeles, CA @ The Echo
12/10 San Francisco, CA @ Bottom of the Hill.

Album Review: Heart & Lung – You Wanna Know the Truth?

When a great pal tells me to check out a band that one of his bandmates happens to be in, I stop what I am doing and look for my headphones.

Heart & Lung is the band I speak of and thanks to Jeremy (most call him Rozco), I can not stop listening to these guys.

This four-piece pop-punk act hails from tropical Cleveland and has been doing their thing for a couple of years now.  Featuring current members of Throw Shade and former members of The Fucking Cops, Let em’ Run, and The Public, it is safe to say that this band has plenty of rustbelt punk rock talent.

You Wanna Know the Truth is the band’s debut release and I must say, it is pretty damn impressive.  Released independently, you’d think someone from an independent label would have scooped them up already (hint, hint to you label owners out there).

As far as the sound goes, think the energy of Direct Hit! mixed with the singing style of Say Anything, the memorable lyrics of Iron Chic, and glorious group harmonies of Masked Intruder.

As an avid Cleveland Indians fan, I certainly appreciated the opening sample with Hammy doing this thing on “Telecaster”.  This opening track just has the band jumping right in and giving it their all.

“Hey Man” was kind of like a fun blend of Max Bemis and Masked Intruder, hence my previous comparison.  This happy-go-lucky track is best played with friends.  Nice job incorporating the band name into the lyrics by the way…

I am not sure what “1954” is all about, but I do know that is the year the Cleveland Indians went to the World Series.  I also know that is the year the infamous Sam Sheppard  supposedly murdered his wife.   I appreciated the Cleveland pride and references throughout this jam.

“You Wanna Know the Truth?” was easily my favorite track off the album.  The steady yet furious drumming, the piano playing, and just the honest chorus “you wanna know the truth?  I’m fucking in love with all of you” pretty much did it in for me.  Hearing the band profess enjoyment while on tour as well as their admiration for the great state they all hail from was all too intoxicating.  The ending though…man, that was so perfect (you can check out the song below).

“Recession” was 50 seconds of the ups and downs of corporate America and the broke asses who live there.  “Don’t Need You” was as you guessed it, a song about tacos from someone who is trying to diet furiously.  I love tacos.

“The Sound” ended things in almost Weezer fashion sans the heavy repeating bass line.  Hearing this song build up, explode, and just exhale with piano playing at the end put this album to rest in a good way (no pun intended of course).  With lyrics about ending it all, carrying fear in doing so, and finally seeing someone looking back eliminating said fear, this wasn’t exactly a happy-go-lucky track.

My only complaint about this album?  It clocked in at a whopping 27 minutes.  11 great songs, but I would have gone for a few more.

This Cleveland pop punk act has what it takes to turn heads and snag the attention of many.  Don’t believe me?  Check out what the bassist John’s sixth-grade students had to say about it…

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I feel like I should have just started out the review with their quotes.

This band has been playing like crazy lately here in Cleveland as of late, most recently with Off With Their Heads, and I am excited to see what happens with them next.  If you are looking for something new and fun, check these dudes out.


https://heartandlung.bandcamp.com/album/you-wanna-know-the-truth
https://www.facebook.com/heartandlungcleveland/
https://www.instagram.com/heartandlung/

 

Album Review: Everymen – May Your Ashes Have Stories To Tell

I could be quick to say Lake Worth, Florida’s Everymen is just a folk punk band and move on with life, but that would be incredibly lazy on my part.

This band may carry some of the punk and  folk qualities attributed to that genre, but they are so much more than that.

I cannot say I’d heard of this band before, but they just dropped a new release on Say-10 Records called May Your Ashes Have Stores To Tell, and I found myself really digging what they had to offer.

Everymen is like what a young Against Me! might have sounded like if a hyped Tim Barry took over some of the singing duties while the dudes from Gogol Bordello jumped onboard.  I could not help but also think of Tin Horn Prayer when listening to this album as well as Old Man Markley and even Larry and His Flask.

The more I listened to this album though, the more I kept thinking that lead singer of Everymen sounded like the lead singer of one of my favorite unheard of 90s bands, Stompbox.  Once I made that observation, I could not get it out of my head.

Sure that is a lot of comparisons to be throwing out there, but the band stands out with their own style and energy which made it much more interesting to get into.

The moment “Shake Your Bones” started off the album, I knew I was in for something good.  This toe-tapping jam really caught me off guard, especially with the horns and crazy guitar playing.

“Dead Friends”, an ode to lost pals, kept an upbeat feel while paying tribute to those who were taken too soon.  Sadly this was not the only track on the album to sing about loved ones who were no longer as “M.B.” paid tribute to Erik Petersen, the lead singer of Mischief Brew and great friend to the band, who took his own life.

“How To Live” was more of a basement sing along track over the rest.   Listening to this song brought back lots of memories of me being smashed in tiny, dark basements screaming lyrics at the top of my lungs along with some of my favorite bands.

The sing along opportunities continued with he fun “Don’t Rain On My Parade”, a track that easily could have fueled an all night rager in a small, remote bar.  Ironically, “Waking Up Hurts” seemed to be the morning after song compared to the previous jam.

“Don’t Stay” was dark as hell with a certain gypsy-polka sound that was all too inviting.  I loved the female vocals tossed into this track as well as the fiddle playing.

It’s nice to hear such a unique album that does not necessarily rip off anyone else’s sound.  I can only imagine what this band sounds like live.  I am sure it is a hell of a drunken good ol time.

If you are looking for something a little different from the norm, check out what Everymen has to offer.  This is one of those bands I am glad someone reached out to me asking to check out because now I can tell you to do the same.  Totally worth it.

Album Review: The Flatliners – Inviting Light

I consider myself a pretty big Flatliners fan and have been for most of their career.

The Toronto foursome caught my attention with their debut – even if it was just speedy, loud ska tunes.  It was their followup, The Great Awake, however, that blew me away.

The Flatliners have a punk rock style that is so addictive to me.  They have been playing for almost 15 years now without a single change up in members.  I have seen them live on multiple occasions, including in 2011 at SXSW just before the Ben Weasel blowout.  To this day, Cavalcade remains one of my top albums.

Last week, the band dropped their fifth full-length release on Rise Records.  Having heard a couple songs beforehand, I was pretty damn excited to get my hands on a copy.  Since then, I have listened to it dozens of times and each listen just gets better for me.

Inviting Light has Cresswell singing way more than screaming throughout, and it is extremely likable.  I was set back a little as I was expecting the band to unleash just like some of their older material, but the more I absorbed this release, the more I appreciated how much the band has matured.

Opening track “Mammals” slowly emerged into a pretty catchy track.  Cresswell and crew took it easy but had no problem creating a song that begged to be sung along with.  “Hang My Head” followed sounding more like a well-defined rock tune with a punk edge.  This song in particular got stuck in my head the moment I heard it and I was totally ok with that.

“Indoors” was another track that was more drawn-out without the band’s style jumping ship completely.  The Flatliners if anything, showcased their musical talent to the fullest on this track that seemed to revolve around insecurities and support.  I especially loved Ramirez’s drumming throughout.

I adored “Unconditional Love” as it was to me a spaghetti-western punk rock song.  It moseyed along, but was so impactful especially with Cresswell’s bellowing voice at times.

I found myself getting into “Infinite Wisdom” immediately with Cresswell’s singing style hitting lows and highs in a single breath.  The energy in this song alone had me nodding my head to the beat instantly.

“Chameleon Skin” had Cresswell singing and wailing about adapting to surroundings through others.  The song slowly built up into a great tune that clearly was far-fetched from a traditional Flatliners song, and honestly, I loved it.

Inviting Light is not quite like previous Flatliners albums, but that is not really anything that should be concerning at all given the talent that fills this tenured act.

A couple years back, Cresswell teamed up with Joey Cape for a One Week Records album and I seriously think he took to heart what he learned about himself playing with Cape and propelled that in the creation of Inviting Light.  If you call yourself a Flatliners fan and have not heard that One Week Records album, prepared to be pleasantly shocked, it is outstanding.

Back to this album – If you are sitting there questioning yourself whether or not to listen to Inviting Light, recall what happened to Rise Against over time.  I am not making any immediate comparisons between the two bands by the way, but styles change by decision and not force, and sometimes there is nothing at all wrong with that.

The Flatliners have not sold out, they found a new niche and are going with it.  Think about it, they could still be pushing out ska jams, right?

Album Review: Me First and the Gimme Gimmes – Rake It In: The Greatestest Hits

A few weeks back, I found a photo of myself from when I was working in shipping and receiving at some internet company.

I was about 21 years old at the time and looked ever so thrilled in the picture.  The photo showed me working hard while I rocked a backwards hat as well as a Me First and the Gimme Gimmes shirt, a shirt that I basically wore in the late 90s until it fell apart.  That was almost 20 years ago.

Where am I going with this you ask?

Well, clearly I was a fan back then, and I still am today.  Ever since I heard the Gimmes play “Country Roads” on a Fat Wreck comp, I fell in love.  There was just something so appealing about hearing a song my parents listened to in the 70s altered to my standards.

For those of you who live under a rock, Me First and the Gimme Gimmes consist of Joey Cape, Chris Shiflett, Dave Raun, some guy who calls himself Fat Mike, and good ol’ Spike Slawson.  They have been taking overplayed and classic tunes and covering them the only way they know how to.  The result is catchy, likable, and just downright fun.  i should probably add that they have been doing this since 1995.

Over the years, they have tackled adult contemporary, Motown, show tunes, country, and even Japanese pop songs just to name off a few genres.  I guess you could say they are not the gimmicky type.  Hell, they have 7 studio albums under their belts released on Fat Wreck Chords.  Clearly they are pretty damn important in the punk cover band scene.

To showcase their accomplishments (and squeeze you out of your hard earned cheddar), they are about to drop a greatest hits album on April 7th full of renditions of songs cleverly titled Rake It In: The Greatestest Hits.

Featuring 17 memorable covers, the Gimmes threw together the best of the best for all to hear in one collective listen.  I am sure it was tough for the Gimmes to pick the right songs for this “greatestest” hits album, but I think they did a pretty good job.

Starting with Bob Dylan’s “The Times They Are A-Changin'”, the album spans the Gimme’s eclectic taste in covers.  It was great to hear “Straight Up” and “Jolene” and of course “I Believe I Can Fly”.

I’d be lying if I said I wasn’t stoked to hear “Desperado” as well as “End of the Road”.  I adore the Gimme’s take on these two originally over-played-as-hell songs.

As an added bonus, a few non-album tracks that I have not heard in a long time appeared.  “City of New Orleans” off of Willie, a Fat Mail Order limited edition EP, was an excellent surprise to hear.  The Del Shannon classic “Hats Off to Larry”, originally on the Live Fat, Die Young: Fat Music Vol. V, was the other.

The one track missing that I felt should have been on this greatest hits was the Gimme’s version of “Rocket Man” by Sir Elton John.  Luckily, I have Have A Ball in my collection and can listen to it whenever I please, but for those out there that are just discovering this punk rock cover band, that is one song I know they would enjoy.

To be honest, I was really hoping for the band to have a new album full of covers, but I will take this “greatestest” hits release over nothing.  I hope one day they decide to cover 90s hip hop songs in the key of punk rock, I seriously think that would be amazing and I know they could pull it off.

What I’m trying to say is simple:  Long live the Gimmes.  They are the best cover band of my time.

In support of this release, Me First are touring and have been since February.  I can not even tell you the last time I have seen these guys tour, so make sure you go see them live.  It is going to be an all out blast.  Give them your money.  All of it.  Being in a cover band can’t pay that much, can it?

Tour Dates:

04/11/17 Pittsburgh, PA at The Rex *
04/12/17 Cleveland, OH at House of Blues *
04/13/17 Chicago, IL at Concord *
04/14/17 Detroit, MI at Majestic *
04/15/17 Toronto, ON Canada at Phoenix Theatre *
04/16/17 Montreal, QC Canada at Club Soda *
04/19/17 Boston, MA at Royale *
04/20/17 Philadelphia, PA at Union Transfer *
04/21/17 Baltimore, MD at Baltimore Soundstage *
04/22/17 Asbury Park, NJ at Stone Pony *
04/23/17 New York City, NY at Webster Hall *
05/02/17 Portland, OR at Wonder Ballroom ^
05/03/17 Vancouver, BC Canada at Commodore ^
05/04/17 Seattle, WA at Showbox ^
05/05/17 Boise, ID at The Olympic ^
05/06/17 Salt Lake City, UT at The Depot ^
05/07/17 Denver, CO at Summit Music Hall ^
05/10/17 Scottsdale, AZ at Pub Rock ^
05/11/17 San Diego, CA at House of Blues ^
05/12/17 Santa Ana, CA at The Observatory ^
05/13/17 Los Angeles, CA at The Fonda ^
05/14/17 Berkeley, CA at The UC Theatre ^
05/27/17 Las Vegas, NV at Punk Rock Bowling
06/09/17 Interlaken, Switzerland at Greenfield Festival
06/11/17 Milano, Italy at Carroponte w/ Descendents *
06/14/17 Attnang-Puchheim, Austria at EQUALITY Festival
06/15/17 Nickelsdorf , Austria at Nova Rock Festival
06/16/17 Bischofsmais, Germany at Rock The Hill
06/17/17 Bischofsmais, Germany at Rock The Hill
06/23/17 Neuhausen ob Eck, Germany at Southside Festival
06/23/17 Scheessel, Germany at Hurricane Festival
06/24/17 Neuhausen ob Eck, Germany at Southside Festival
06/24/17 Scheessel, Germany at Hurricane Festival
06/25/17 Scheessel, Germany at Hurricane Festival
06/25/17 Neuhausen ob Eck, Germany at Southside Festival
07/01/17 Würzburg/Giebelstadt , Germany at Flugplatz Mission Ready Festival

* = w/ PEARS & MASKED INTRUDER
^ = w/ Together Pangea