Tag Archives: Folk

BHP Best Albums of 2012

For the record, I suck at blogging and I apologize.  Maybe one of my New Year’s resolutions will be for me to pay more attention to this blog of mine.  In all seriousness though, I have been busy with the paying gig and school, so please excuse the lack of posts and whatnot.  I really do plan on changing that.

Moving from Ohio to New Mexico earlier this year was pretty hard on me for more reasons than one.  The number one thing, aside from extremely missing all my friends and family back home, is the lack of continual live shows out here.  Sure, I could drive to Albuquerque to catch something, but that is a 6 hour round trip I would prefer to avoid alone.  El Paso even had a couple good shows I was all about until I found out they were either sold out or that I had to be up at 5 a.m. the next morning.  Yeah, getting old sucks.  Luckily for me, I still can keep up with new music and pretend I know what is going on.  That is not to say that Las Cruces doesn’t have a music scene, I just have not gotten my feet wet in it yet.

Regardless of my situation, 2012 was an exceptionally good year for music.  I am sure you can easily think of 5 albums that blew your mind this year.  I know I can, in fact I have a whole bunch.  With 2012 is coming to an end,  I suppose it is my time where I get to tell everyone my top albums of 2012.

I think what kills me the most about talking about all these great releases is that I was not able to review them like I originally intended to.  So, do me a favor if you can; if you have not heard of any of my top picks below, please check them out.  Thanks.

In no particular order, here are a bunch of releases that amazed me in 2012:

 

Masked Intruder – Self-Titled Release

-Surprise release of 2012 if you ask me.  The most unique pop-punk you could imagine by a group of fun dudes in ski masks.  I can not even tell you how many times this album played over and over in my car this summer.

 

Luther – Let’s Get You Somewhere Else

-I was so looking forward to this release by these Philly champs.  Easily one of the best releases of the year.  This band is going places.

 

Ma Jolie – …Compared To Giants

-More Philly love.  Once upon a time, Ma Jolie played a basement show for a couple of cool dude’s birthdays in Akron.  They rule and you need to check them out.  Still shocked no one has signed them yet.

 

Cherry Cola Champions – Self-Titled Release

-Last year they made my 2011 Best of list with their EP.  This year they debuted their full-length release and it just rules.  I can not even tell you how many times I have spun this amazing album.  Solid dudes too.

 

Lucero – Women & Work

A bunch of good ol’ boys making some good ol’ music.  I really dug this album a ton.

 

Tony Sly / Joey Cape – Acoustic Volume Two

-This covers project sequel by two of the best names in punk rock was just all so good to listen to.  Sadly as many of you know, Tony Sly passed away on July 31st.  Needless to say, this record is more important than ever to this fan of Sly who has been providing tunes to my ears since I was a young punk rocker.  RIP Tony…

 

The Menzingers – On The Impossible Past

-This band continues to impress me and I am so stoked to watch them mature as musicians in such a short amount of time.   Now that they are on the Epitaph roster, I am pretty sure things will only excel for them.

 

Cheap Girls – Giant Orange

-This is one of those bands that if you have no idea who they are, you need to familiarize yourself with them immediately.  I loved this release from start to finish.  I am also so bummed to have missed them live twice this year!!!  Oh well.

 

The Sidekicks – Awkward Breeds

-Right at the beginning of the year, The Sidekicks shot out an incredible release.  I love this northeast Ohio band.

 

Annabel – Youth In Youth

– Right at the end of the year, Annabel shot out an incredible release.  I love this northeast Ohio band.  Deja vu.  You have no idea how proud I am of these guys.

 

All Dinosaurs – Rules Of Civility And Decent Behavior

Right in the middle of the year….just kidding.  All Dinosaurs did release an hard album that I am still having trouble getting my hands on the vinyl version.  I am not even sure if that is the right album cover above, that is how hard of a time I am having finding it!

 

Old Flings – Spite

Found this pop punk folk indie 90s rock awesomeness totally on accident.  This Asheville, NC trio has my approval.  Looking forward to seeing more from these guys.

 

Joyce Manor – Of All Things I Will Soon Grow Tired

-This was the quickest and most well written release of the year if you ask me.  9 songs in 13 minutes and it all makes perfect sense.

 

Dikembe – Broad Shoulders

-This was a release I almost overlooked – I said almost…  Boy am I glad that did not happen.  Killer album.

 

Hot Water Music – Exister

-It took me exactly two listens of this album for me to fall in love with it.  These punk rock heroes have not lost their touch at all.

 

Japandroids – Celebration Rock

An amazing follow up to their debut that continues their musical expression of fun and living life the rock n roll way.

 

Dinosaur Jr. – I Bet On Sky

-I have adored Dinosaur Jr. since I was a kid.  This release shows no wear and tear of the boys whatsoever.  Love this release.

 

The XX – Coexist

– I remember years ago when I heard Portishead for the first time and the chills I got.  The XX brought back that feeling on their sophomore release.

 

The Gaslight Anthem – Handwritten

-Haters, hate.  I loved this release.  Catchy as hell.

 

Brendan Kelly and the Wandering Birds – I’d Rather Die Than Live Forever

It’s like The Lawrence Arms unplugged, but different.  Seriously though, this was a solid release by a great musician that may have slipped through the cracks for many.  If you like honest, real situations expressed in music, listen to this.

 

The Avett Brothers – The Carpenter

-This band continues to impress and remains one of my all time favorite bands out there.  I will admit, this album took a couple listens for me to fully appreciate it and now I just can not stop listening to it.

 

The Fake Boys – Pig Factory

-Once upon a time, a bunch of dudes from hardcore bands decided they wanted to play the music that they grew up on.  The result is this gracious nod to the 90s that is enjoyable as hell by this music lover.

 

Titus Andronicus – Local Business

-There is just something about this album that appealed to me.  Punk / Indie / Rock goodness.

 

NOFX – Self-ENtitled

-I was like 6 years old when this band first started.  I have been a fan of them since high school.  They have once again not failed in putting out a clever, hilarious pop-punk gem.  If you can not appreciate this band for doing things their way for over 30 years, then I must tell you, they probably do not care, nor do I.

 

Mixtapes – Even On The Worst Nights

-Pop punk dudes and a nice young lady from Ohio continue to make fun singable tunes for all to love.  It was almost impossible to not like this release.

 

Minus The Bear – Infinity Overhead

-I really can not say much about this release aside from how great it is.

 

I am sure I missed a couple there and for all you know, I added more after I initially posted this.  Like I previously mentioned, 2012 was a great year for music.  It seemed like every other week something new and noteworthy dropped.  I really think that this year was the best year for music releases in a long time.

I am proud of all my friends who are in bands that released albums this year as well as the ones who played tons of shows and toured their hearts out.  Nothing pleases me more than seeing you all do what you do for the sake of loving music.  Keep it up everyone.

In 2012, a bunch of bands called it quits or parted ways.  Leatherface broke up as did Daytrader (I really thought they were going to find a replacement for Tym too).  I was so bummed when Spraynard announced they were finished.  Refused broke up again, although I was not really phased by this.  I was bumming when I learned Ween announced they were no more.  Apparently Chumbawumba disbanded too but no one cared.   Ninja Gun even announced at the Fest that they were through – that sucks in my book.

Luckily for us music lovers, as fast as bands break up, new ones form and release sounds for us all to hear.

Let’s see what 2013 has in store for us all.  I can only hope it is just going to continue to get better.

Happy Holidays everyone!

Emily Barker & The Red Clay Halo – “Fields of June” featuring Frank Turner

Once upon a time some guy named Frank Turner met songwriter Emily Barker.  They just so happened to share a stage in 2006 and soon became great friends.  The two musicians soon toured together in the UK after Turner asked Barker to join him.  On that tour, Turner and Barker first performed the amazing duet “Fields Of June.”  I know I was not there to see it and honestly, I never knew who Emily Barker was until today when I heard “Fields Of June” for the first time and fell in love with it.

I am thrilled they decided to do this.  This was the surprise song of the day for this music lover.

I am not sure I have heard such a great duet since I was a little kid.  Turner and Barker both take on strong roles on the song that really is a heart-breaker to absorb.  Seriously, this is no love song.

As an added bonus, a silent movie inspired music video was made for the song.  Check it out:

Emily Barker & The Red Clay Halo are an amazing act to listen to and I am shocked I have been left in the dark about them for so long.  I will be looking to check them out in serious detail.  This song is available for download and on a 7″ through Xtra Mile Recordings.  I am so tempted to order this vinyl as I know it will not be available for much longer.

Album Review: Tim Barry – 40 Miler

If I had to describe Tim Barry in one word, that word would be “real”.  This former punk rocker turned folk rock hero is about as real as they get and I am not just saying that.  He is a talented musician and a wholesome human who just lives life day by day.  Barry, who used to front the legendary Richmond punk rock act Avail, has been going his own route since about 2004 playing solo shows all over the world.

In his fifth release, 40-Miler, Barry seemingly has taken his acoustic guitar and played from his hard-working heart.  The album was put out by Chucksaah Records.

It’s an honest and to the point album where Barry talks about his previous involvements in bands, travels, and personal reflections on the life he has lived.  The album leans more country driven than that of past releases by the man known to hitch rides on trains the old-fashioned way.  The result is hands down his best release I have ever heard to date.  It is safe to say that Barry may have created his own masterpiece without even thinking about it.

“Wezeltown” starting off the album with a soulful yet poignant Barry declaring “I pity the beautiful as the beautiful, they do pity me.”  Fueled by hand-clapping and realization, this song was more than an opening track, it was a preach aimed at all the hardworking folk out there who don’t take everything for granted.  “Driver Pull” was more like a personal conversation between the listener and Barry on a front porch moments before he hitches a ride out of town.

The title track “40-Miler” continued with the Barry’s storytelling and did not disappoint.  Reminiscing about his traveling times in boxcars and tour vans, Barry also states he has “nothing but miles and miles” to continue on.  I especially loved when Barry declared ” I’d rather stay broke than play fake ass shows.”

“Adele and Hell” was heavy on the country rock and perfect in every way.  The duet between Barry and longtime friend and local Richmond recording artist Julie Karr was a match made in heaven.  Karr gets down on this track with Barry that sings about a broken relationship.  The harmonica playing aside the twangy guitar accompanies the signing so well.  Hands down, this is one of the better tracks on the album.  I was floored when I heard it.

Barry pays tribute one of his bad ass friends who plays in Lucero as well as in Glossary in the track titled “T. Beene”.  This track, to me, was the country answer to NOFX’s “Punk Guy” with Barry recalling some crazy ass memories of a talented man who had lead an interesting life.

My favorite track on the album, “Fine Foods Market”, actually pokes fun at Barry as well as many of his fans who have “ironic mustaches” and drink PBR.  I loved when Barry sung “oh look there goes another hipster kid”.  He may have been making fun about everything, but was also quick to wonder how it all came about.

“Amen” was another amazing track full of Barry’s personal attributions and thanks accompanied by harmonica and acoustic guitar.  From singing about breaking his hand in Ottawa to almost making it to every scheduled show, Barry sang about his life on the road and even admitted sometimes he would rather just be home.  I especially got a kick out of the part where he praised a certain New Jersey band for letting him hitch a ride on their tour bus.  It was not just a song sung, it was a celebration of all the hard work Barry has ever done.  “Kick me in the head, watch me get right back up again” ends the album as almost a promise from Barry proving he is in this for the long run.

In a recent interview I did with Barry, he stated he actually erased 40-Miler from his he memory once it was completed.  He said , “when I am done with an album I step away from it.  This helps me gain perspective and hear it freshly.”  He called it a “recording detox”  and continued with, “I never have an intention with my albums. They come out the way they come out.”  How can you not love this man?

Tim Barry is currently touring in support of 40-Miler.  It is not a show to be missed.

Album Review: Lucero – Women & Work

I am sure it’s pretty safe to say that Luerco is a band name that many have you have at least heard of.  Maybe you are a huge fan of them already, or perhaps you have been meaning to check them out.  For all I know, you have no idea who I am talking about. 

My point is, if you are reading this, you now are aware of a band who calls themselves Lucero and I hope by the time you finish reading this mess of works you check them out if you have not done so already.

The boys in Lucero, for those of you who do not know, hail from Memphis, TN, and have been mixing their punk rock roots with their Southern style creating some entertaining  country and indie folk rock music since the late 90s.  Recently the band dropped their ninth release in their career titled Women & Work.

The honky-tonk “On My Way Downtown” started the album right with the pure intention of getting the girl to come out and have some drinks.  “I know the last time we drank I was a little less than behaved” was sung by Ben Nichols and rubbed off as an honest apology.  The horn-heavy title track “Women and Work” followed with a let’s-drink-this-bad-day-away-feeling.  I loved the repeating lyrics: “Come on kid, let’s drink ’em down.  Kid don’t let it get ya down.”

“Juniper” was one of my favorite songs on the album.  It was just a fun upbeat Southern country / rock track perfect for getting weird to.  The combination of horns and twang was perfect.  I could only imagine the appearance (Read: “A dark-eyed beauty and a dangerous thing”) of the woman this song surrounded. 

I found myself enjoying “Who You Waiting On?” mainly with the story told.  It was a simple jam but the lyrics provided a clear image of a guy trying his luck at picking up a lone lady during last call. 

The sorrowful “I Can’t Stand To Leave You” captured perfectly that which is called heart break.  I felt the pain in that song and would be lying if I said I never felt that way once in my life. 

“When I Was Young” reminded me that age may only be a number, but memories will last a lifetime.  “Go Easy” ended the album with a  gospel vibe especially when the  female backing vocals kicked in.  “Go – go easy.  And we’ll find our way” repeated throughout the track and eventually put the album to rest.   It was a nice switch, but something I was not expecting at all.

Overall, the album was a great listen, but there were two changes I noticed.  First, I found myself missing the punk rock vibe.  I did not feel it like I have in previous Lucero albums.  It was almost like they decided to set it on the shelf this round.  Secondly, Nicolis’ voice was not nearly as raspy.  There is just something about his scratchy singing voice I have always been a fan of.  On Women & Work, his voice is a tad smoother, almost as if he was dropping lozenges while singing. 

I will say that this album grew on me tremendously after my initial listen.  At first I was scratching my head on if I liked it, but after a couple of times through, I was hooked.  I loved how personal the album was throughout and how I related with the lyrics.  It’s catchy and it’s something that punk rockers and country lovers can all enjoy equally.  Women & Work is one of those kinds albums I’d have my parents listen to and I know they would not give me shit for it, but rather, ask for more.

Interview: Paul McKenzie of The Real McKenzines

For 20 years now, The Real McKenzies have been taking Celtic music and adding their own punk rock style to it making for some intense and fun music.  The band, who is part of the Fat Wreck Chords family, has toured the world multiple times in their career and prides themselves on making each night a night to remember regardless of how much you had to drink.

Full of punk rock influence, the band contains members of previous acts such as Good Riddance, Rich Kids on LSD, and even DOA.  They take pride in performing traditional Scottish songs as well as write plenty of their own Celtic-heavy punk rock songs that revolve around everything from getting wasted to tough times.  The band is also known to cover other songs from artists including Hendrix and even Turbonegro, but on their own terms of course.

Sure The Dropkick Murphys and Flogging Molly may have taken Celtic punk rock to mainstream levels, but The Real McKenzies have been around just as long and are equally as talented.  If you have not heard of this amazing Scottish influenced band, what the hell are you waiting for?  Check them out today.  You might just like what you hear.

I was lucky enough to chat it up with Paul McKenzie of The Real McKenizes the other day.  Read on to hear about their new album Westwinds as well as the time they did an advertisement for a Canadian beer company and even how it feels to be in a 20 year old band..

BHP – First off, Westwinds is incredible! This might be my favorite album by you guys to date. What did you guys do differently while recording this album?

PMc – We recorded in a wee town in southern Alberta with no distraction with a great piper called Goed Taylor who is no longer in the band because he couldn´t take the rigorous lifestyle of being on the road for long periods of time.

Fair enough.  So sid you get help from anyone while putting these tracks together?

Yes, Steve Loree was a great guy to work with.

This album seemed to be full of songs sailors might sing back in the day while on a journey, definitely more traditional sounding in my opinion. What are you referring to with the album title Westwinds?

We come from western Canada and these are the winds that blow around the world, just like us.

Can you give me a little history about how a bunch of Canadian guys decided to write Scottish punk rock jams? I know there is deep Scot history in Vancouver, but what made you guys decided to mix punk with Scottish music?

Having had grown up with lots of Celtic influence, and being a teenager in the late 70s, I guess the outcome of the Real McKenzies was just meant to be.

And you have been around for almost 20 years correct? How does that feel?

I suppose it should make me feel a bit old…but it doesn´t.  I am still kicking the hell out of the world and please remember that time really does fly when you´re having a blast.

Amen.  Did getting picked up by Fat Wreck Chords help with getting noticed?

Yes. Fat Wreck and all the boys and girls who help represent the company have helped us immensely in our campaign for world domination.

They are indeed some good people.  You guys have shared the stage with everyone from Rancid to Shane MacGowan. How awesome is that?

It is and always will be an honor and a pleasure to share the stage with our peers.

Do people tend to automatically associate you with Irish punk rock bands like Flogging Molly and Dropkick Murphys when they hear you?  Seems to me that every time someone plays Celtic music, it’s automatically labeled Irish.

There have been a considerable amount of confusion in terms of this and that but the bottom line is that we are all great bands helping to keep Celtic music alive for new generations and the generations to come.  We love having the opportunity to be part of a great bunch of bands who like to play Celtic music.

Great answer there.  So you guys promoted Kokanee Beer in the 90s. What exactly did you do and where can I find this beer?

We scared the production crew away and ended up practically doing the commercial with one cameraman and one producer.It is pretty funny. The beer is still available in Canada

Speaking of beer, Westwinds seemed to omit songs about getting hammered. Well, “My Luck Is So Bad” made me want to throw back a few, but still… Did you guys decided to take a break from the drinking songs and focus on something different?

We took a wee break just to catch our breath,but as soon as this hangover has run it´s course ,we shall be right back writing drinking songs for piss tanks like us.

I actually could hear a lot of Scottish pub style songs in this album. It was turned down a notch on some levels at times and really enjoyable to listen to. Who’s idea was it to almost go a cappella on some tracks of the the album?

Well, it´s a funny story and I am glad you asked. We were all ready to do the songs when suddenly , the rental agency with whom we rented our gear came crashing into the studio waggling their fingers at us and repossessed all the gear because we spent all the money on whisky and beer.So there we were with the tape running lots of beer and whisky but no instruments…we had to think of somethingquick so…we just started drinkin´and singing and partying and that is the god honest truth. What does a capella mean anyways ?

I think it is Latin for moose or something.  Wrapping things up, I loved the pipe solo towards the end of the album. Was that something to build up the final end of the album?

We Real McKenzies have always incorporated at least one pipe track on every album. I suppose it has become a sort of tradition with us.

Well, it is amazing to listen to.  I have yet to see you guys play a live show. What am I missing out on?

Beer, blood , sweat, spit, love , hate, and 2 hours of dynamic gut wrenching rock and roll with a bagpipe.

Nice.  So what would you tell someone who has never heard of you before?

Go buy a kilt and some jackboots ,put them on and come to the rock show to have the time of your life.

I believe that.  Do you have any last words before I wrap this up?

I would like to extend a warm welcome to all who wish to attend our Scots rock and roll extravaganza.I guarantee you will not be dissatisfied,if not with the visual spectacle or the quality rock,but we feature some of the most accomplished bagpipers the world has to offer, but don´t take my word for it,come and decide for yourselves. See you at the rock show.


The Real McKenzies’ new album, Westwinds, recently dropped  on March 27th on Fat Wreck Chords.  I will have a review of it shortly and I was completely sincere when I told McKenzie that I thought it was their best album to date.  Check out a track below from the upcoming album:

Download This! The Real McKenzies – “The Message”

Here’s one of their videos from their 2008 release, Off The Leash: