Category Archives: Pop

Album Review: Teenage Bottlerocket – Stay Rad!

Consider me a born-again Teenage Bottlerocket super-fan after obsessing Stay Rad!, the band’s latest release.

These Wyoming punkers just did it right in a whooping 33 minutes and the result was me playing this album over and over for a solid week desperately trying to memorize every lyric so I could sing along.

Once again, the band is on Fat Wreck Chords and have dropped what I feel is one of their best efforts in a long time.  The thing I liked the most about this one was that their songs were happy, sad, damaging, adorning, funny, and just real.  Add that to solid, catchy punk rock tunes throughout and it’s easy to understand why I can’t get enough of this album.

I’ll just get to the point with this review that pretty much had me in tears while listening to it.  “Everything To Me”, an ode to Ray Carlisle’s son Milo, punched me right in the heart over and over.  This track stopped me in my tracks the moment I heard it and of course had me gushing over my son while seemingly agreeing with everything Ray had to say about how amazing his kid was.  I’ll never stop listening to this total dad rock track.  I can’t wait to play it for my boy when he’s just a little bit older.

“Night of the Knuckleheads” was like a Misfits track, but pop-punk and fun.  “Creature From the Black Metal Lagoon” was like a Dio song, but not really.  It was however, kind of a solid track to listen to even if they did bash on Deafhaven.

More like something a reformed GG Allen might sing about in a diaper, “The First Time That I Did Acid Was the Last Time That I Did Acid” was a little raw and unordinary at the start but my god it was so true.  I could only imaging some of the people I used to watch have bad trips back in the 90s.  Do people even do acid anymore?

“Stupid Song” really was not that stupid at all.  It was pretty much a day in the life of anyone out there who utilizes music to block all the shit the real world dishes out.

“Little Kid” was a somber track Ray wrote about his brother who, as most of you reading this are well aware of, passed in 2015.  This track was tough to listen to but just so important and I am glad Ray did it.  I hope it gave him, and the band for that matter, some well needed closure.

Album closer “I Never Knew”, the only track written for a girl, was written by yogi extraordinaire and bassist Miguel Chen.  File this track under punk rock love songs to be added to future mixes.  This one was not cheesy at all and clearly an honest track.

As much as I hate to even say this, but these guys are the modern-day Ramones and Riverdales that everyone needs.  They do it on their own accord and have no problem jumping from seriousness to silly in two minutes flat.  They have been through hell after losing a brother/drummer and easily could have hung it all up.  Instead, they  refused to give it up in a blatant honor to their fallen bandmate by releasing Stay Rad!

Album Review: Johnny La Rock – Gold Codes

I hate to break it to you, but summer is almost over.  Soon it’s going to be cold and miserable out.  

No need to get depressed just yet though as there is still plenty of time to get rad.  Luckily Johnny La Rock is here to add fuel to that fire with his debut, dance-your-pants-off release titled Gold Codes.

Cleveland native La Rock, aka Eddie Fleisher, once showcased his talent in hip-hop duo Johnny La Rock & Mushmouth as well as Presque Vu, but has taken an entirely new approach that surely will appeal to all those looking for a good time. 

Gold Codes is La Rock’s solo debut album that is more or less a “life can’t get any worse, let’s party like those people did in Independence Day on top of that skyscraper before the aliens blew that shit up” album.  Yeah, I just said that.  It’s pop, it’s soul, it’s electronic, and most importantly, it’s good.

“Dance to the Rhythm (Party Time)” started things off just right with a body-moving jam complete with a little 90s inspired hip hop enthusiasm.  This was a sincere as hell track that really will make you want to get down.

The inspirational “210 and Mustache” more or less punched negativity in the throat and walked away proud with your head up high.  If you do not know what 210 refers to, go ahead and just Google that along with Urban Dictionary.  

“Swipe Left” is a honest yet candid track about the norm that is called online dating.  I loved the line “you seem cool on the internet, in real life you’re insane.”  I loved the vintage video dating samples, it accompanied perfectly.

“Keep On Keepin’ On” was a fun instrumental jam as was the 80s thriller sounding “Phantasm”.  It was cool to have both songs just change things up for a moment without losing momentum.  Least I not forget about “Lumin8”, that was solid too.

“Blue Away” was an uplifting alternative to shake off any funk currently holding anyone back.  No lie, this song cheered me up.  I think a music video is in order for this one (hint, hint).

“Gold Codes” stuck on me for some reason.  I think it was more or less because I’ve felt what La Rock sung about on a few occasions over the past 20 years.  This was the fight jam I needed to remind me that retaliation happens in many forms as long as you don’t give up.

I’ve seen La Rock live a few times when he focused on rap and most recently with programmer Furface and I have to admit, I am a bigger fan of his solo stuff than I thought I would be.  At first I was set back because I was expecting the hip hop, but when the soul-pop dropped, I was an instant fan.

I have to note that this album fueled my recent trip to Vegas and if I had it my way, I would have played it for everyone around me at all hours.  The release has jumped up high as one of my favorites of 2018 and I’m not sure any music quite like this will be topping it.  I speak high praises because I thoroughly enjoyed almost this entire album from start to finish many times over.

La Rock is the Har Mar Superstar of Cleveland and even manages to keep his clothes on during live sets.  

Interpersonal ,humorous party vibes a al Electric Six, La Rock knows how to deliver a good time to all his fans.  

Check out what La Rock has to offer below and hopefully you’ll agree that it does not disappoint at all.

BHP Best of 2017

It’s crazy that 2017 is coming to an end already.  I feel like I always seem to say that around this time of the year, but it’s true.

It feels like it was just yesterday that I turned into a 40 year old.  Let me tell you, that was kind of a big change for me and I might have sulked about it for 7-8 months.

More importantly, my wife and I welcomed our amazing, chill little daughter to the world in July.  She is the coolest, but don’t tell my son I said that.

Clearly dadage life takes up most of my time these days and this blog is not what it used to be, but I still try to crank out reviews and whatnot when I can because I love it.

I may be busy with life, but I am always listening to music and have checked out tons of albums by amazing bands and artists.  Where I wish I could review everything that I have come across, I simply have to pick and choose when I can.

It’s been a tradition of sorts for me to do a Best Of post, and there is nothing I would rather do that share with you some of my favorite releases of 2017.  So, without further delay…[well maybe some as I am trying to narrow this down to just 20, but who am I kidding???  Edit: I might have added to this best of list a few times now…]

I ‘m super proud to say that four of my favorite releases in 2017 are all Cleveland bands so they obviously need to be mentioned first:


Heart & Lung – You Wanna Know the Truth?
This is the album that caught me by complete surprise.  My pal told me to check them out and I did and I loved this entire pop punk jam of an album to the point that I still listen to it almost daily.  If I was able to sign them and put out a record, I would have already.  This band has so much potential to be huge.


Heart Attack Man – The Manson Family

Words can really not express how great this album is.  It’s punk, it’s grunge, it’s good, and it’s comprised of great folk.  Do not sleep on this one.


Two Hand Fools – Falling In / Falling Out
I was lucky enough to hear this album over the summer and was beyond blown away by how amazing it was.  It is seriously the best thing the band has done so far and I adore it from start to finish.  This is one of Cleveland’s best bands if you ask me.


Warbrides – Regrets

Oh man this album rips…

Of course there were others too…


Iron Chic – You Can’t Stay Here

Do I really need to even say anything?  This album is damn near perfect.


Smith Street Band – More Scared of You Than You Are of Me
These Aussies have put out one of my favorite albums of the year.  I loved how catchy, fun, and overly personal it was.  I still have intentions on getting one of the lyrics off this album tattooed on me. I also need to buy the damn record already for my collection.


Propagandhi – Victory Lap 
It should say a lot how politically charged this album was from a Canadian band about the US mess we are in.  I really adore this album from start to finish.  It’s damn perfect.


Hot Water Music – Never Going Back
The more I listened to this album, the more I appreciated it.  It is a wiser, more mature release by this iconic punk band.


Scorpios – Scorpios Vol. 2

When Joey Cape told me in an interview that Scorpios might just return and someone with the initials C.C. would take over where Sly left off, I was beyond stoked and instantly knew it was Chris Cresswell.  This is one of the albums this year that everyone needs to just give a chance.


Demons – Embrace Wolf
I just found out about these guys from a good friend recently and I have listened to their debut release almost daily since.  This band packs a severe punch with their post-hardcore greatness.


Ho99o9 – United States of Horror
Hardcore punk mixed with hip hop?  Yes please.  This album was beyond insane.  Death Grips ain’t got nothing on these dudes.


Frank Carter and the Rattle Snakes – Modern Ruin
I miss Gallows so much, but what Frank Carter and crew released has me happy that he still puts himself out there for everyone to hear.  This is more of a rock album but it’s so rad.


Sweet Apple – Sing the Night in Sorrow
I was not sold on my first listen, but after a few more I realized I should have paid more attention the first time.  Remarkable release by some amazing musicians.


Anti-Flag – American Fall
I do not really care with anyone thinks here, Anti-Flag released a political, poignant album that everyone who has a clue needs to check out.  They have perfected their sound so much on this album.


The Flatliners – Inviting Light
Upon first listen I was not totally sold on the band tapping their brakes compared to previous releases, but the more and more listened to it, the more and more I appreciated what they had to offer.  This really is a hell of an album.


Fred Thomas – Changer
This man can do no wrong.  I love his style and uniqueness and the fact he gets excited about my Instagram posts every once in a while.  His latest release just hit me as it encompassed change.


Body Count – Bloodlust
Back in ’93, I was a huge Body Count fan.  I am sure I can still recite most of the lyrics off their debut.  After that first album, I just never got into them the same.  Then Bloodlust came out and once again they have grabbed my attention.  Ice T, Ernie C, and crew really delivered a heavy ass album with plenty of special guests.


Menzingers – After the Party
I feel like every album they release I am putting it on my best of list, but hey, it rules and deserves to be noted.


Ride – Weather Diaries
This album is incredible from start to finish.  I honestly was not expecting this seeing how the band hadn’t released material in over 20 years.  Clearly I am dumb for thinking that.


A Giant Dog – Toy
This band is straight up insane and I love the hell out of them for that.


Lil Peep – Come Over When You’re Sober (Part One)

I was strangely fascinated with this kid and his emo rap to the point that I was listening to this album almost daily.  I could not stand some of the topics he was singing about and just felt like I was too old to even admit I was listening, but I loved the music and his overall singing style.  Sadly he OD’d last month so the world will never know how big he could have gotten.  I really felt this kid had so much talent.


Tim Barry – High On 95

Once again this man has taken his honest music and beat up all the emotions inside of me.  Working class hero musician with storytelling abilities like none other.


Quicksand – Interiors
I honestly was not anticipating this release to be as good as it is.  I hate to be that guy, but I was not impressed with the couple of tracks the band released prior to the album.  Little did I know they were just puzzle pieces to a killer album.


Iron Reagan – Crossover Ministry
So much thrash goodness here.  Also, best album cover too.


Needles // Pins – Good Night, Tomorrow
I am thinking that a lot of people might not have hear of these guys here in the states, but you can change that.  This punk rock group released a great album.  Note to self:  Buy the LP already!


The Electric Grandmother – Cancelled.
There is no way I was going to overlook this concept album by two very close friends of mine.  Even if they are too good to play a Cleveland show, I love them dearly and am amazed with Cancelled.  It’s the best thing they have done to date in my opinion.

Honorary Mentions:

  • Choke Up – Stormy Blue
  • Bad Cop/Bad Cop – Warriors
  • Shedders – Dangerous Jumps
  • Rancid – Trouble Maker
  • Gorillaz – Humanz
  • The Afghan Whigs – In Spades
  • Me First and the Gimme Gimmes – Rake It In:  The Greatestest Hits
  • Ethan Danial Davidson – Crows
  • No Use For A Name – Rarities Vol. 1: The Covers
  • Stutter Steps – Floored
  • Western Addiction – Tremulous
  • Cloud Nothings – Life Without Sound
  • Japandroids – Near To the Wild Heart of Life
  • Swingin’ Utters – Drowning in the Sea, Rising with the Sun: Best of Swingin’ Utters
  • TSOL – The Trigger Complex
  • Greg Graffin – Millport
  • Powerflo – Powerflo
  • Quicksand – Interiors
  • Beck – Colors

As always, this was fun to take some time and think about all the great releases that came out over the past year.  I probably could have put even more up here, but the ones listed (along with the honorable mentions) are the ones that impacted me the most.

I’m glad I did not sunset this site as I actually thought about over the summer.  I’m going on 10 years now and after careful thought have no intentions of closing shop anytime soon.

A big you to all the bands and the great PRs who have even thought of asking me to check something new out.  I am sorry I can not always get the review out, but I promise you, I listen to just about everything that is sent my way.

Thank you to you if you are reading this for checking out my site.  Whether you are new or visit often, I appreciate you for checking me out.  Without you, this site would be meaningless.

Happy Holidays to you and yours and all that jazz.

 

Album Review: Anti-Flag – American Fall

You know an album is good when you spend 15 minutes trying to compose an opening sentence for a review.

I’ve been sitting here thinking about how to introduce Anti-Flag and their release, but chances are you’re very well aware of who they are already.  I was unsure how to express how surprised at how great this album was from the moment it hit my ears.  I finally decided to just write this and move on with talking about the album.

No disrespect to the band at all, but the last couple of albums did not do that much for me.  American Fall, however, has completely blown me away from start to finish.  Think of the Clash mixed with Rancid and Green Day with a huge spilling of political and social opinion based on current events and tragedies for that matter.  I know that was probably a tough sentence to take in, but trust me, it works.

Punk rock, pop punk, ska, and even a smidge of arena rock was all thrown together in American Fall, the band’s 11th studio release.  Co-produced by Benji Madden of Good Charlotte, this album has Anti-Flag taking an entirely new approach with their musical abilities all while keeping on with their values.

“American Attraction” started out full-forced with an intro comparable to Green Day’s “American Idiot” but not in an overplayed way at all.  Same style, higher energy, much more appealing to my ears.  This was not what I was expecting to hear honestly, but I love the sound.

“When the Wall Falls” started off as an acoustic track and quickly jumped ship into a ska track.  This track reminded me so much of Rancid at times especially with that organ playing – I almost with Tim Armstrong had guest vocals on this track.  The lyrics of the song were almost frightening when you sit back and think about it.

I could not help but think how close-knit the band sounded in”Trouble Follows Me”.  I loved the bass line and overall harmony with the group vocals.  Very memorable song that got stuck in my head.

“Finish What We Started” carried this huge Clash resemblance which was totally welcomed.  In fact, this was one of my favorite tracks on the album.

If you do not know who “Liar” is about, you just don’t get it.  There’s really nothing else to say about this track.  The same goes with “Throw It Away”.

“Digital Black Out” was just insane.  At times, I thought about a politically charged Joe Strummer leading a revolution.  I really felt that Anti-Flag leaped boundaries in this track.  As much as I hate to say it, a track like this has the potential to take them to Rise Against levels.

“Racists” was a highly prolific punk jam that once again impressed the hell out of me.  I loved the energy and the overall lesson to absorb within their lyrics.

It sucks to think the current state of affairs is what is fueling Anti-Flag, but for what it is worth, I am glad they have a way to release it for others to consume.

Overall, this album was amazing.  From start to finish I found myself getting sucked into the tracks and memorizing the lyrics.  I can not even tell you how many times I have listened to this album.  It has turned into a go to album when I just want to get my blood flowing.

My only complaint about American Fall was that it was only 30 minutes long and I was just so hyped up and ready for 30 more.  If Madden was the cause of the band turning a little poppier on this album, I am fully on board for him to co-product in the future.  This is the best I have heard Anti-Flag sound in years and I am stoked to hear what comes next.

 

 

Album Review: The Electric Grandmother – Cancelled.

There’s great comfort in knowing how in this crazy ass world, two amazing people met from different timezones back in the mid-90s, fell in love, got married, and eventually had kids …a band.

The history behind The Electric Grandmother pretty much revolves around Pete and Mary Alice’s love for 80s and 90s sitcoms as well as absolute love for one another.  It is pretty inspiring where I sit here and think about it.

They are band-mates for life and two of the most genuine people I have gotten to know for over the past twenty-five years.  One grew up in Ohio, the other in Hawaii, it is like a living sitcom when you think about it.

Pete and Mary Alice were actually with me the night the Menzingers had to cancel their Kentucky show due to food poisoning and I miraculously got them in touch with Kent, NOFX’s manager.  I only mention that as they both thought I was the man that night for getting things right.  What can I say?  I’m a legend in my spare time.

In the past, I’ve failed to make mention of their releases as I had this moronic thought process where I would not review material from friend’s bands.  Clearly that has changed within the past couple of years.

I am not sure why I chose that route, but I can say that I almost would prefer to share the talent of those I know and love rather than keep it all to myself.  I am surrounded by some amazing people and it would be unfair not to share what I hear.

Enough about me, let’s talk about The Electric Grandmother some more.

Originally starting in Columbus back in 1999, the duo moved to D.C. and kept on a truckin’.  Their live shows are not to the norm and usually come with a slideshow and bubble machine.  I’ve never met a person who has not gotten a kick out of their shows.  Even the metalheads in Canton at some bizarre house-venue adored them.

The Electric Grandmother is not really for those who carry boundaries on their music genres or lack a humorous imagination.  To be a fan means you need to carry appreciation for experimental approaches and a love for sitcoms.  After all, this is the band that dubbed themselves “sitcom-core”.

Cancelled is a concept album of sorts about a man whose sanity is compromised by the cancellation of his favorite cop TV drama program by a new one.  The album digs far deeper with emotion than previous albums have as duo Pete and Mary Alice take a new approach at their appreciation for television by speaking of a man whose life is affected by change.

In fact, I will just let Pete and Mary Alice explain it a little more:

“Cancelled is this story of a man’s descent into madness following the cancellation of his favorite cop-drama. This is the unfortunate feedback the man received at his office, the mindless reaction to the shallow “Cop Force,” the show that caused “Police Department” to be pushed aside.”

With that said, I’m hoping you can understand the originality of this band and can appreciate the story that surrounds this album.  I know I did.

“TV” was the first track on the album with Pete singing and Mary Alice providing background vocals.  This track was pretty intense to listen to all due to distorted ambient sounds that supplied the introduction to the story of a lonely man and his beloved TV show.

I actually heard “Police Department Theme Song” a few weeks back on and adored it.  This track shed light on how someone could be so obsessed with a show.  It was the intro music for the show that the man more or less worshipped.

“Radial Sunrise” was a happy-go-lucky song showcasing the man in positive spirits thanks to said TV show.  Pete’s quick singing on this track was just great.  Pay attention though, or you might miss something.

“Feedback Lives” is the absolute change in the story where things start going south.  Even the music sounded concerning as well as the signing about two new dudes who change everything.

This change continued with the downward spiral of “Cancelled”.  This track had Pete and Mary Alice taking turns telling the story from the man’s angle as well as the network’s.  I really loved the music on this one too, it was all over the place.

I am not going to sit here and tell the entire story, you will have to hear it for yourself.  I will say though by the time “The End?” came on,  I could gauge a level of uncomfortable restlessness by a man who could not adapt to change.

This songs on album are so much more in-depth than from what I recall their previous albums containing.  It’s like Beck, Cibo Mato, Kraftwerk, Daft Punk, Postal Service, Mike Patton, and Bran Van 3000 all got in a huge ass fistfight.  That’s probably a complete crap shoot there, but at least I got to say crap shoot here on this good ol’ blog.

Seriously though, I was super intrigued throughout the album and loved the variety as well as the overall story.  I was impressed with the music Pete and Mary Alice created as well as their vocals.  They both really have matured into some pretty amazing musicians.

On top of a great idea of an album, there are also music videos for a couple of the songs to give you even more of a visual.  Check them out below and enjoy.

If you have the slightest curiosity about this album, just click play below already.  The Electric Grandmother have hopped boundaries and borders this time.  It only makes sense considering the adventure they have been on from the day they caught each other’s attention.