Akron, OH’s prom kings Worship This! stopped out at Bad Racket earlier this summer and played one of my favorite OG songs, “Best Parts”.
Check it out:
Bad Racket is one of the coolest recording studios in Cleveland and have been doing their thing since 2009. They specialize in welcoming bands into their studio to play a song and be filmed while doing so. If you want to see more amazing acts do their things, click the below link:
[Passing the mic/keyboard/whatever over to my pal Jason Utes who covered the recent Falcon show that filled up the Grog Shop on Wednesday night. Thanks Utes for the killer review! It appears that I missed one hell of a show]
“I wanna die and I don’t care who knows.”
If you’re reading this, you are probably already a fan of The Falcon. Otherwise, if I told you I was going to see a band with such lyrical presentation, you would imagine something far different from what I experienced Wednesday night.
Ostensibly, The Falcon is a band that exists primarily for the sake of the band members to get together and have fun playing music, free from the expectations of their higher-profile projects which include The Lawrence Arms, Alkaline Trio, The Loved Ones, and the Smoking Popes, to name just a few. Seriously, Neil could add probably a dozen more credits on his own, and this band is now one degree of separation from Blink-182 (more on that later).
So, if the band exists in the name of a good time, how is that going to translate to the stage when they are touring in support of the mostly bleak and harrowing (but excellent) Gather Up the Chaps?
Granted the album cover, which features a despondent leather daddy in the same vein as certain Minor Threat and Rancid album covers, achieves a humorous yet somber sexuality that Third Eye Blind only achieves on accident, this record is still a serious undertaking even with song titles such as “Hasselhoff Cheeseburger” and “You Dumb Dildos” boldly printed on the sleeve. (Enough about the album itself, you can check out the review of the album). Rest assured, the answer is that the show was a great time for band and crowd alike.
The Lippies, from Grand Rapids, kicked things off for me (Note: I did not make it in time for Blacklister to kick things off). The band took the stage led by Tonia Broucek who addressed the crowd with a politeness that bordered on timid that simply didn’t last. Once the band kicked into their brand of 1990’s Lookout Records reminiscent punk rock, she became an authoritative force that demanded (and received) control of the entire Grog Shop.
At one point, she entered the crowd to lay on the ground in a mock temper tantrum and her sheer aggression parted the crowd like riot police. Broucek easily had the most confident and effortless stage command of the entire night. The real pleasant surprise of the set came when the band receded for a haunting solo rendition of “It Boils” off of their eponymous full-length that left everyone rattled. Standout songs to check out: “302” and “It Boils” which you can find on their BandCamp page.
Next up were Worriers, touring in support of the incredible Imaginary Life. This band became one of the highlights of the night for me [as] every song sounded fundamentally different but clearly had the same fingerprints. For fans of thoughtful and melodic rock, hopefully they won’t mind that I mentally catalogued them in the company of The Weakerthans. This was definitely a more highbrow compliment to what the Falcon had in store next (again, hopefully taken as praise by both parties). Check out “Glutton for Distance” and “Plans” on their BandCamp page.
By the time the PA started blaring Bad Lip Reading’s “The Bushes of Love” (I’d be remiss if I didn’t mention that Lovegun played just before), The Falcon took the stage. From the opening riff of “The Angry Cry of the Angry Pie” the show was the usual onslaught of humor and spastic punk rock.
Having only two full length albums and an EP, all of their material was represented, but decidedly centered around songs from Gather Up the Chaps. “Skeleton Dance” prefaced by a sarcastic “this will be great, wait till you get a load of this” and “War of Colossus” being high points for me.
Between songs, the band took playful jabs at one another and Cleveland itself. There were at least three instances of pointing out that Cleveland is indefensible to a touring band’s gravity toward Cleveland Steamer jokes. They quipped that the crowd “Cleveland steamed the wrinkles out of [the song] ‘Sailor’s Grave’.”
Brendan Kelly reveled in pointing out how much Dave Hause hates ska and that he is now sentenced to playing the Falcon’s own ska anthem “The Unicorn Odyssey” on a nightly basis.
Dan Andriano stood helpless as Kelly mused on Dan’s Alkaline Trio bandmate Matt Skiba’s undead persona as well as a few taunts such as, “you BLINK and you’re out of a job!”
Dave Hause is a welcome addition and it’s great to see him playing punk rock again (The Loved Ones will soon be in the midst of a 10th anniversary tour for Keep Your Heart that I’m selfishly hoping will lead to the band being more active. I also don’t mean this to discount Dave Hause’s fantastic solo efforts)
The intended purpose of the Falcon is still front and center, a group of friends having a great time and not taking things too seriously. Still, the Falcon’s set still had its heartfelt moments. On the day of this show, Merle Haggard passed away and Kelly, who has a prominent “Mama Tried” tattoo, was audibly choked up when he memorialized his hero with a story of Merle and Johnny Cash’s first meeting.
Sadly, due to the nature of this being a “side project” for everyone involved, it may be a while until we hear from the Falcon again. This was their first proper tour since 2007. Still, as the show ended with the band leading a conga line around the Grog Shop to Paul Simon’s “You Can Call Me Al” (yes, really) everyone in the club could only hope that this would be the first annual Gathering of the Chaps in Cleveland.
Special thanks to Toby Jeg of Red Scare Industries for inviting us to cover the show, and thanks to Brian for letting me stink up the joint on his behalf.
The Angry Cry of the Angry Pie
War of Colossus
Huffing the Proverbial Line Off the Proverbial Dong or The Blood and the Frog
You Dumb Dildos
The Skeleton Dance
If Dave Did It
The Fighter, The Rube, The Asshole
The La-Z Boy 500
[Man, Utes, this was a damn fine review. I think I just should give you my login info to the site and call it a life. Thanks for covering a solid evening of tunes! – Brian]
Akron, Ohio’s Worship This! have really served up a killer sophomore release simply titled Mint once again on A-F Records.
This foursome punk rock band consists of some of the best humans I have ever had the privilege of calling friends, so chances are you might think this review is a little biased.
The truth is, even if I did not spend years hanging out on porches and in basements with these guys, I would still adore their music. They are like a punk 90s DIY hybrid, but different.
Everything this band has dished out so far I have been a fan of. I just lucked out with the friendship part. Christ, listen to me. I need to calm the hell down and just review this album already…
This is the second time I have had the privilege to review a Worship This! full length. This review comes from the heart, but I’d be doing this even if these guys and I never crossed paths, because I seriously think everyone who likes punk rock needs to hear them.
Starting off the album strong was “Decisions, Decisions”. The chorus on this track alone was insane. I think I listened to this song about five times before moving on. I just loved it. It made me feel a bit old, but also made me realize how true experiences and decisions have shaped me to who I am today.
“Miserable Again” was a quick, catchy intervention of sorts. The start with everyone just letting loose ruled, especially with the nod to their hometown. Listening to this track had me thinking of who they might have written this about and I guess that is the genius of it. The dual singing on the chorus was so bad ass too.
“So Long…Sucker!” proved to me how much this bad has matured over the years. This track started off with all members bringing their all into the music. Very melodic to start and quick to transition. I loved when the group vocals started up followed by simple yet fitting breakdowns.
The tough-to-absorb “19th Street” was a reminder of how life treats us all. No one ever asks for some of the shit that is thrown at us, but we all get by one way or another. This track hit me hard in a few ways knowing what I have been through in my life but also had me appreciate how I handled it.
“Everything Wrong” in my opinion is the best track on this album. Adding a clip of Kenny Shopsin from the documentary I Like Killing Flies was perfect and so fitting. The amount of angst in this song would have benefited me in my teen years. This is one of those anthem tracks that you just immediately want to memorize.
“Loving A Wild Thing” was another song on this album I adored. It was not like the others given the singing styles and I think that is what I liked about it the most. It was just like a catchy conversation. I liked everything about this tune.
Closing down the album was “Relapser”, a just brutal track of breaking down and finding new avenues. There was enough emotion in this one song alone to last a lifetime.
I enjoyed Mint way more than I thought I would. In fact, this follow up is way better than the debut Tomorrow, I’ll Miss You and I adored that album. The band sounds more together and has taken that extra approach at defining their own sound but without worrying about taking chances. Mint is a little harder, more emotional in terms of growing up, and most of all just fun to take in.
It comes as no surprise to me that Worship This! released one of my favorite albums of the year. I have believed in this band since the first time I heard their demos and always anticipated good things for them. Mint is definitely a good thing.
The band is headed on tour next week. If you know what is good for you, you will try and check them out.
It’s been 10 years since The Falcon dropped one of my favorite albums, Unicornography, so for me sitting down to write about this release is pretty compelling.
Anyone who fancies themselves a punk rocker has had to have heard of The Falcon unless they were living in a gutter. They are the enigma of punk rock supergroups and just dropped Gather Up The Chaps on Red Scare. I am sure most people who are reading this already have listened to it 100 times and pre-ordered 7 copies of the record.
I’ll be honest, I didn’t think I was going to like this release at all. Seriously, I just was not anticipating much of anything to get excited over, I mean it has been 10 years after all. Maybe it’s also because I am old and snooty and thinking that by bringing on
Hause, The Falcon’s dynamic might change.
Boy was I wrong. (Note: I am a huge fan of Hause and even have a photo of me and him where I am smiling and he is not – I just needed to disclose that.)
The Chicago punk rock supergroup for those of you who have no idea what I am talking about features Brendan Kelly (The Lawrence Arms), Neil Hennessy, Dan Andriano (Alkaline Trio), and the recently recruited Dave Hause (The Loved Ones).
“The Trash” started things off and immediately proved to me this album was going to be a good one. Hearing three vocalists from three of my favorite bands all chime in at once was awesome. Kelly’s rasp, Hause’s howl, and Andriano’s swooning mixed perfectly.
Hearing Andriano chuckle in “Sergio’s Here” made this satire of a track that much more entertaining to the point that I laughed each time I played the song. Seriously though, this track was just a blast to listen to and you can tell the guys were just having fun throughout. I loved the change up towards the end that just sent the song to bed. This reminded me of older Falcon material so much.
I loved Kelly clearing his voice in the middle of “The Skeleton Dance”. Maybe this was not scripted, but it sure did fit in. This high-powered passion-seeking tune was super catchy but made me feel all so dirty and almost depressed by the end.
“Hasselhoff Cheeseburger” may sound like it would have been hilarious given the song title, but I think I need therapy after listening to this track. I feel old AF right now. Hearing Kelly strain off “I only became a man because this ugly body made me” pretty much had me reflecting past choices in life for a moment.
“If Dave Did It” was probably my favorite track on the album. Obviously from the title, this song was almost all Hause making excuses and calling everyone out, but that did not stop the others from interjecting over him making it for one engrossing listen.
Andriano added his own touch with “You Dumb Dildos”, a song that spanned all over the place. At times I felt I was listening to a Westernized AK3, but in the end, everyone just went berzerk and there I was standing wondering what the hell just happened.
Gather Up The Chaps is totally unbroken when it comes to mingling in the punk and the rock with loads of nonsense and hard knocks. This album was quick and all over the place, but at no point was I ever bored listening to it. I think it is safe to say this is one of the better albums I have heard this year.