Tag Archives: Screamo

Album Review: Thursday – No Devolución

I remember the first time I heard the one time post-hardcore/screamo outfit Thursday.  They were of a genre of music I swore I would never get into, but there was something about them I really was attracted to.  Over the years I have watched them mature into phenomenal musicians and it’s no surprise that they decided to try something differently on their sixth studio release.

No Devolución is perhaps the band’s most involved album to date.  It is not like any of their previous material and at times and really feels like a well put together work of genius.  Geoff Rickly still does wonders with his signing ability while the rest of the band seems to have really mellowed out this round.  This is the bands second release under Epitaph Records.

“Fast To The End”, a catchy rock jam, opened up the album.  Rickly and crew seemed to keep to that known Thursday sound intact with some screaming thrown in around.   

“No Answers” without a doubt was my choice track thanks to the catchy synths that easily could be compared to MGMT.  The song flowed so well throughout with very poignant lyrics talking of relations with Rickly singing “No answers, no answers when you’re around” at the end of the track.  Sad track, but beyond amazing to listen to.

The piano playing throughout “Sparks Against The Sun” made for a nice, gentle feel throughout.  The song itself was easy on the ears with the synths and distorted bass lines backing calm singing. 

“Open Quotes” on the other hand had a more aggressive approach.  Hinting back at some of older Thursday material, the track had a couple shouts and screams and a little added distorted guitar playing, but overall really could have been a tougher track.  It just seemed to dissolve by the end.

Starting slow was “Past And Future Ruins”, a killer track with heavy Muse matching guitar riffs as well as xylophone both over a steady floor tom beat.  Rickly had no problem showcasing his vocal ability throughout and even tosses it in a distorted mess a couple of times giving for a very loathing tone.

“Empty Glass” was a sad, sad song.  Although beautifully put together, the track was gloomy as hell and easily could bring the happiest person down to a whimpering lull.  The electronic driven music along the pitch-shifting singing was haunting yet almost comforting to listen to.

“A Gun In The First Act” was a darker sounding track with very NIN simular synthesizers in the background.  The more I listened to it, the more I heard NIN’s version of “Dead Souls” originally performed by Joy Division in it.  Overall the track was amazing and was one of my favorite cuts off the album.

“Turnpike Divides” brought the energy back with a old school Thursday feel to it.  The track is a no-place-like-home tribute to good ol’ New Jersey.  I loved the Bruce Springsteen reference, “it’s hard to sleep when you’re born to run.”  This was another song I enjoyed a lot and just stood out over all the other tracks.

Putting an end to the masterpiece called No Devolución was “Stay True”, a motivational track aimed at just about anyone who wants to give it a listen.  The Rollins-esque lyrics were quite stern yet compelling to follow along to.  Aimed at a novice in life, this song has the ability to shed guidance on those who are looking for answers.  Sometimes all it takes is a song for someone to guide them in the right direction.

No Devolución has made me a bigger Thursday fan.  Over the years, my music taste tends to change and I find myself getting discouraged sometimes are bands who never challenge themselves.  Sometimes the outcome is a disaster, but I have to hand it to Thursday, they put together an outstanding release without forgetting who they once were, and still are.

Thursday will be coming back to Cleveland on 7/23 during their tour with Taking Back Sunday at the House Of Blues.  Tickets are $27.50 and are on sale now.

It Dies Today Next Week…

Just received word that one of my favorite metalcore/hardcore/screamo bands out there, It Dies Today, is dropping an album next week.

The Buffalo, NY band formed in 2001 at a very young age and impressed me with their furious sound and mature way of handling the scene.  I love the way they incorporate hardcore with metal and even add a little harmonious singing.  Their songs have been blasted out of my car windows more than once this summer and I can not get enough of them.

Teaming up with Trustkill Records they will be releasing Lividity on Sept. 15th.  I have high hopes of the release and will be sure to review it as soon as I get my hands on a copy of it.  My only concern about the new album is that I learned the band has a new singer since their last album and I am curious to see if he can keep the momentum going that was left in my ears from the previously release Sirens.

Until the CD releases next week I have no idea what to expect, but I was able to find the first single off Lividity entitled “Reckless Abandon”.  The song is freaking awesome.  Give a listen for yourself and see why I dig these guys so much.

DOWNLOAD THIS!It Dies Today – “Reckless Abandon”

I actually like It Dies Today’s take on Depeche Mode‘s “Enjoy The Silence”:

Thursday – Common Existence – CD Review

New Jersey post-hardcore act Thursday has a lot to be proud about.  Being credited with bringing the screamo genre to the mainstream level as well as have been labeled in 2004 as SPIN Magazine’s “The Next Big Thing” are just a couple of reasons why.  This six-piece did not invent the screamo genre but rather took it to a new level.  With all they have accomplished I can not believe they have been a band for just over ten years now.

Currently the band is about to release their fifth full-length album, entitled Common Existence.  This time around the band has teamed up with the punk rock independent label Epitaph Records and hopes to continue to wow their fans while, at the same time, recruit new ones.  The band will be headlining the Taste Of Chaos tour this year in support of their new release alongside rousing acts Bring Me The Horizon, Four Year Strong, Pierce The Veil, and the Cancer Bats.

Just in case you have no idea what screamo exactly is, imagine melodic emo music mixed with post-hardcore fury and occasional throat-destroying screaming throughout.  Some find the music terribly annoying but there are many like myself who can not get enough.  I just love the fragile, sorrow feel during some songs only to be smacked over and over with screams not many can endure.  The first time I heard screamo was actually the first time I listened to Thursday’s debut with Victory Records called Full Collapse and I admit I was highly entertained.

I had already gotten a preview of the CD single “Resuscitation Of A Dead Man” earlier this year when the band streamed the song on their website, but it was not until this second helping that I realized how great of a song it is.  Less screamo and more hardcore is all I can think about on this track that features Rise Against’s Tim McIlrath contributing vocals.  “Last Call” follows with Geoff Ricky’s all-so-familiar, lamenting vocals.

Previously appearing on the band’s 2008 split EP with Japanese hardcore band Envy was “As He Climbed The Dark Mountain.”  The song hinted towards Thursday’s juvenile years with more of their signature screamo fashion but came with a twist as heavy distortion and pitch shifts dominated throughout.

“Friends In The Arms Forces,” which featured Quicksand’s Walkter Schriefels, seemed a little cut down from the other tracks on the CD but was still enjoyable.  The song, inspired by the band member’s friendship with someone currently serving overseas, is a protest of the basis but full of wishes of protection as different emotions spiral throughout.  “Beyond The Visible Spectrum” was very astray from the Thursday norm at times with a more mellow, mostly post-hardcore sound.  As much as I want to say I was not getting into it, the truth is…  I was.  I especially dug the reverb throughout the track and the sudden conclusion that left me wanting more.

“Time’s Arrow” was almost a whisper compared to everything else on this CD.  The song started out ever so gentle and had this, dare I say, almost a Muse/Radiohead experimental style going on.  I loved it.  This song was the most untried song I have heard Thursday perform so far and I still crave more of it.

This album deserves to be listened to over and over again by old school fans of Thursday as well as by random newcomers.  I myself can not keep Common Existence out of my CD player.  The overall sound suggests that the band has taken a departure from the genre commonly attributed to them.  It appears the one-time pioneers of screamo really focused on taking what they know and have expanded it with their musical creativity.  The result is some really amazing songs, some of which I did not expect to hear.

It’s nice to see the band try something new while still holding on to their own uniqueness. Common Existence is ongoing evidence that Thursday continues to mature and, honestly, this album has turned me into an even bigger fan.

Here is a recently released clip of the making of Thursday’s upcoming music video for “Resuscitation Of A Dead Man”:

Thursday – Making The Video: “Resuscitation of A Dead Man” from absolutepunk.net on Vimeo.

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One of the first songs that got me hooked on Thursday:

Thursday To Release New CD Soon…

New Jersey’s Thursday has a new album Common Existence coming out. Here is one of the new tracks for your listening pleasure called “Resuscitation of a Dead Man”:

I was going to review the album early but since some a$$ hat out there leaked the feed I was given, it was removed and now I have to wait.  I am ok with that wait though because I am very excited to hear this release.

I also found this video of Thursday performing “Friends in the Armed Forces” live last month that was featured on AP Magazine’s website.  This song as well will be released on Common Existance which is scheduled to drop on Feb. 17th.  The CD will be released through Epitaph Records.


Thursday – “Friends In The Armed Forces” live (AltPress.com exlusive) from Alternative Press on Vimeo.

Hawthorne Heights – Fragile Future – CD Review

Hawthorne Heights
Hawthorne Heights

A lot has been going on for Ohio’s screamo act Hawthorne Heights since their last release.  Having said goodbye to a friend and band mate as well as dropping a lawsuit with Victory Records, the band continues to cope and mature throughout.  Not letting the past affect them in a downward way, the band proves they refuse to stop with Fragile Future, their third release on Victory Records.

On November 27, 2007 Hawthorne Heights guitarist/screamer Casey Calvert was found dead on the band’s tour bus just prior to their sound check at a Washington D.C. music club.  The cause of death was determined to be a possible drug interaction but according to the band’s drummer Eron Bucciarelli it was not a result of hardcore partying but an accident as Casey Calvert was taking other medicines from a recent root canal.

With the death of a loved one the band stated they would continue to go on and never add another guitarist/screamer to their band.  After taking some time to themselves and writing new material the band hopes to once again achieve success with Fragile Future even though this time they are one man down.

Of course, the first thing that stands out on this release is the omitted vicious screaming.  It would appear that Hawthorne Heights did not even wish to replicate their lost friend’s talent and that, to me, is respectable.  Also dropping the lawsuit with Victory Records and patching up past decisions proved the band is on the rise.

When “The Business Of Paper Stars” started I was waiting for the well known screaming backing up lead singer J.T. Woodruff but instead imagined it in my head.  There is plenty of opportunity in the song for screaming but the band strays away from that and is now more emo. 

Their healed sound continues in “Until The Judgment Day” with memorable lyrics of being “battered and broken” as well as “don’t look back, don’t you ever look back until the judgment day”.  Looks as if the band put down the boom box to win the girl attitude and started to see there are more things in life out there.

“Four Became One” was the track I was looking for on this CD, knowing how they lost Casey Calvert.  The song really is about the band’s closure with the difficult situation they were subject to.  It’s an ode to their friend for the entire world to hear.  Having lost friends in my past, I felt their pain in this song.

“321” is the closest song on the CD that shows aggression with a mild screaming dwelling behind the singing.  The guitar playing is likable and heavier than the other tracks making for one of my choice cuts.  “Come Back Home (Reprise)” was another track that held on to the the old style, especially with borrowed lyrics from “This Is Who We Are” off their sophomore album If Only You Were Lonely.

Fans of Hawthorne Heights will be happy the band continued on and with their change of style and I can see some new folk becoming fans.  It is a change, especially if you put this CD in hoping to hear the screamo. This is not their strongest album to date but the fact that they did not let the past hold them back makes them a tough band now.  Hawthorn Heights defines the emo genre now that they have experienced true sorrow.  Mature and structured, I expect much more from this band in years to come.

Check out their lastest video for the song “Rescue Me”: