Category Archives: New Release

NOFX – Backstage Passport – DVD Review

NOFX
NOFX

For the first time ever punk veterans NOFX did something that might be actually considered “going commercial” by creating a show that was broadcast on TV in 2008.  Last Spring NOFX teamed up with real music station FUSE TV and put out the hilarious yet eye opening series called NOFX Backstage Passport.  The two disc DVD was finally released by the band’s very own Fat Wreck Chords so that now fans can watch this very original show over and over again.

The eight episode documentary that took place from September of 2006 to November 2007 featured NOFX on tour in unfamiliar countries showcasing not only their live performances to their fans but also aired their down time and behind the scene troubles trying to get from one country to another.  The result is a show that is like a punk rock No Reservations complete with drunks, drugs, and disaster.

Any fan of punk rock knows who NOFX is; now admitting you are a fan of NOFX is another thing.  Formed in 1983 the band achieved their own success doing things their way with no commercial help.  Having never signed to a major label, they ignored requests for radio airplay as well as refused to have their music videos aired.  They are godfathers of punk to many and have toured the world as well as have been a staple to the punk rock summer camp also known as the Van’s Warped Tour.

I have been a fan of NOFX since I got my first taste of their adaptation of punk rock music when I was in high school.  14 years ago I purchased a VHS movie put out by them called Ten Years Of F*cking Up.  I swear I watched that video until the tape wore thin.  Their live videos were entertaining in a sense that they just did not care.  Not just seeing them on the television, I have caught them numerous times live as well, I guess you can say like these guys a little.

The moment I heard that they would be putting a show on FUSE TV I made sure I set my DVR to record because I knew I was going to enjoy it.  From the first episode of NOFX Backstage Passport started I was hooked.  With only eight episodes of course I wanted more but thankfully the two disc DVD is now a part of my collection so I can go back and enjoy their tour.

The intro song performed by NOFX pretty much summed up the entire series with:

“We’re NOFX, screwing up since 1983 / These days we’ve got mortgages and families / So we’re going on a sketchy tour / No country is too obscure / We’re going to drink and golf and fight and snort / We’re NOFX this is punk rock passport”

Just alone in the first episode, it is learned that the series would revolve around NOFX playing in countries that punk bands normally would never tour in.  While a comedic gesture it also proves to be the band’s biggest challenge ever.

The band, as if no one knows, includes Fat Mike, Smelly, Eric Melvin, and El Hefe.  Along side the band, their manager Kent was introduced (who becomes a major part of the show, mostly because of his drinking habits) as were multiple crew members (Rugly, Wilkie, Carlos, Jeff, Ryan, Limo & Jay) who are more like family over employees.

Seeing the band at the beginning of the episode leave their actual families for the tour proved that these careless musicians are people too and I almost felt bad for them.  As exciting as a world tour would be, I can only imagine how tough it is to leave your loved ones.

Hanging ten, on a camel...
Hanging ten, on a camel...

The reality of their idea soon is shattered at some of the first episodes when the fans actually turn on the band during a couple of shows because of an instrument mishap as well as a failed joke turned insult.  It’s wild to think that such a thing could happen to a band like NOFX but it did and fans were pretty pissed off at the band.  If that was not bad enough a later venue the band showed up at had no idea that they were even supposed to play and the band was soon forced to leave the country because of death threats their mindless promoter was receiving.

The promoters NOFX worked with to get this tour working were novice if not scam artists.  Some of them kept promising Kent money and never delivered while others just continued to dish out lies.

It was actually sad to see the band get screwed out of money from those brainless promoters, yet humorous to see Kent negotiate with them sternly, fueled by anger and sometimes alcohol.  Kent alone stole the show at times especially during the one episode where he just kept drinking and eventually was carried away.  At the end of the series Ken makes a wise and bold choice that will change his life for the good.

Though the band seemed to have nothing but disappointment during most of their tour in many of the episodes, there were a handful of stops that they made the best of.  From hanging out with curious youth who become excited at one of the roadie’s tattoos to cuddling with wild animals and even swimming in the Dead Sea, NOFX and crew seem to ignore the bad and enjoy their surroundings with what they had.  They even gave acoustic apologies to fans outside their hotel at one point due to a canceled show that quite possibly even lifted the band member’s hopes more so about the situation they were stuck in.

During one of the episodes NOFX randomly made friends with a local while hanging out at a bar.  The local had never heard of NOFX let alone punk rock music and the band was quick to invite him to see their live show for a real taste of punk rock.  The smile alone on the local’s face during the show was priceless.  The band even went so far in one country to self promote themselves reflecting their younger days as an unheard of punk rock band in California.  After all, many of the countries NOFX toured in had no real idea who they were let alone sold their material at local music shops.

From missing band members to strange green powders and some S&M whipping and pain, you clearly are involved in punk rock shenanigans like none other.  Throughout the series I was actually wondering to myself if the band would ever make it home alive and had a very hard time waiting in between episodes to see what happened next.  Thanks to DVD there was no waiting between episodes.  I watched the entire series in one sitting and was ok with my decision to kill an afternoon doing so.  I seriously could talk about this show all day but I really do not want to ruin it for you.

The first disc contains all eight episodes with the band touring in such countries as Brazil, Peru, and Russia.  The second disc is loaded with over two hours of bonus footage from each episode that soon loses it’s appeal.  I really wish the footage would have been included with each episode almost like an uncut version but other then that I have no complaints.  There is also a enclosed NOFX passport full of photos, set lists, and other added memories from the tour.

The release on DVD was supposed to be uncensored but somehow the original footage was lost so the broadcasted episodes on disc one is exactly how it was seen on Fuse.  The deleted scenes however are full of wholesome cussing and fowl mouthed hilarity.  The series were limited on cable thanks to censorship, commercials, and week long waits but I assure you this DVD will make up for all of that.  Loaded with hilarious adventures this DVD will not disappoint and if you think all musicians have it easy, think again.  Granted NOFX traveled in no man’s land at times and narrowly escaped with their lives, this is visual proof of how badly a world tour can go and how awesome the experience can be by taking chances.

Want to buy a copy?  For only $15 it can be yours.  Head over to Fat Wreck Chords to buy a copy online.

DVD Specs:

DISC ONE:
1: Episode 1: Brazil, Chile Watch
2: Episode 2: Argentina, Ecuador, Peru
3: Episode 3: Japan, Singapore
4: Episode 4: Malaysia, South Korea, Taiwan, China
5: Episode 5: Indonesia
6: Episode 6: Israel
7: Episode 7: Russia
8: Episode 8: South Africa

DISC TWO:
Bonus Footage on all eight episodes

A classic NOFX video:

One more:

Bleeding Through – Declaration – CD Review

Photo by Cindy Frey
Photo by Cindy Frey

Straightedge metalcore sensations Bleeding Through continue their mission to rock your face off and implode ear drums while doing so with their latest release Declaration. Combining heavy metal, death metal, punk rock, and even a little black metal, Bleeding Through has their own unique style that is just brutal, and that is an understatement. Having been around since 1999 the band was labeled one of SPIN’s 2003 “Artists To Watch” as well as have been featured in a Revolver “Future of Metal” article. This is the band’s third release once again on metal label Trustkill Records.

Formed by members of other heavy acts such as Eighteen Visions and Throwdown, the band caught my ears when I heard This Is Love, This Is Murderous, the band’s first release with Trustkill Records. I will never forget that day as my ears were introduced to just pure fury. I had just finished up a day at the record store and I was cleaning up getting ready to go. My friend asked if I wanted to hear something heavy and of course I told him to go for it. The moment he hit play on the CD player I was hooked.

This Is Love, This Is Murderous was in heavy rotation on my playlist for years. I was highly disappointed with their next release on Trustkill called The Truth as perhaps I was expecting more from such a strong intro to the band in This Is Love This Is Murderous. I can not say I was that pumped to hear Declaration as I was afraid that their sound may still not compare to taste I enjoyed but that all changed once I finally checked out the CD.

The opening of the CD “Finis Fatalis Spei” was a black metal, evil circus sounding, melodic introduction that set me back for a second until a quote from the movie 300 ended the intro with “Tonight we dine in hell!” From there the CD was an all out mugging on your ears with “Declaration (You Can’t Destroy What You Can Not Replace)”. Death metal, heavy metal, black metal, and even speed metal combine for a powerful first song on this album with Pantera guitar hammering moments thanks to help from As I Lay Dying’s Tim Lambesis.

“Orange Country Blonde and Blue” followed continuing a insane death punch to my ears. Again I can not help me being reminded of Phil Anslemo and crew in this track as well as 90’s metal bands with the chorus. “Germany” really reminded me of Bleeding Through’s earlier years with just non-stop drumming and almost so much guitar that I felt as if the song flew by way too fast.

“There Was A Flood” slowed things down a notch at the beginning with a track that really set well with me. Musically the song was something along the lines of a slower Cradle Of Filth song but I assure you as soon as the song started it seemed to put me in place. Lyrically the song spoke about checking on a mistake from the past and reiterating the high hate for that mistake. For the first time on the CD lead vocalist Brandon Schieppati sings for a moment on the track but is fast to get back to Mastodon-like vocal shredding.

“Reborn From Isolation” has it’s head banging moments until the song actually started making me want to swing my arms carelessly about and attack the air with my fists. It’s songs like these that make me happy I no longer stand in the pit at live shows because I am pretty sure others feel the same way about this track.  “Death Anxiety” had that same fight everyone and everything around you feel.  If you were a fan of This Is Love, This Is Murderous, you agree that this song sounds like it was left off that album.

“The Loving Memory Of England” took a break from the others and had kind of a Pantera “Planet Caravan” moment. The song not only gave me a chance to let your heartbeat settle but it also proved the band has a softer side. “Beneath The Grey” soon dismissed any chance that the CD was going to end mellow with a full blown hard beginning that made me take a second listen when I discovered that the song that had a guitar solo from No Use For A Name’s Dave Nassie.

Closing the CD was “Sister Charlatan” one of my choice cuts on the CD. With a well orchestrated introduction the song still kept with the heavy and has a It Dies Today similarity with a nice mixture of death screaming and harmonious singing. Add intense guitar solos, double bass drumming from hell, and even some beautiful piano playing over a thunderstorm, the song made me feel like I was a schizophrenic with the change ups.

Declaration is everything I was looking for in a Bleeding Though CD including the loud screaming, forceful drumming, and vicious guitar playing combined with enough force and hate to push you down to the ground. Don’t look for this band to clot or heal up anytime soon as there is just too much flowing out right now. If you like your metal loud, heavy, and most of all fast Declaration needs to be in your collection.

Here is the video for “Death Anxiety”:

Did you know that Bleeding Through was featured on Inside Edition report years ago?  It’s true.  The band was on tour and was involved in an accident while traveling.  The band was on their way to a show in Colorado when the bad’s van hit ice and crashed into an already disabled vehicle.  The whole accident was captured on a police cruiser dash-cam as police were on location tending to the previous accident.  Luckily no one was hurt.

DEVO Announce New Studio Album To Debut Fall 2009!!!

I just received word that Akron, OH’s DEVO has announced that they will be working on a studio album for a Fall 2009 release!

Direct from the email I received:

What the iconic new wave, art punk pioneers cautioned us about almost 30 years ago is no longer a humorous theory. It’s pretty much fact–we now live in a devolved world that’s getting wackier each and every day.

The fall of 2009 will bring a new DEVO studio album, their first one since 1990’s Smooth Noodle Maps. It’ll mark their first new music since the strong fan reaction that greeted the 2007 single “Watch Us Work It,” their first new song in 18 years and one that was produced by Sweden’s TeddyBears (Robyn). They’re now in the studio putting the finishing touches on their new album (title TBA).

The five-piece–featuring co-founders and songwriters MARK MOTHERSBAUGH (lead vocals, synthesizer innovations) and GERALD CASALE (lead vocal, bass) and rounded out by BOB CASALE (guitarist), BOB MOTHERSBAUGH (guitars/vocals) and JOSH FREESE (drums)–are set make a special U.S. appearance at SXSW this year including a press conference (4:00pm) and keynote panel (5:00pm)–moderated by radio veteran Nic Harcourt–set for Thursday, March 19 at the Austin Convention Center (500 East Cesar Chavez St.). They’ll follow that up with a Friday, March 20 one-night-only SXSW concert at the Austin Music Hall (208 Nueces St.). Pre SXSW, DEVO fans in Dallas can catch a special one-off show on Wednesday, March 18 at the Palladium Ballroom.

In May, DEVO will head to the United Kingdom for a series of dates. On Wednesday, May 6, DEVO will perform their debut album, the seminal Q: Are We Not Men, We Are Devo! in its entirety from beginning to end at London’s Kentish Town Forum. Released in 1978, the seminal album produced by Brian Eno and recorded in Germany features such notable tracks such as the band’s cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction,” “Mongoloid” and “Jocko Homo.” Next up on Friday, May 8, they’ll headline the All Tomorrow’s Parties festival in Somerset at the Butlins Holiday Centre.

Formed in 1972 in Akron, OH, DEVO–short for “de-evolution”–began as an art project cautioning that humans were devolving and regressing into a herd mentality of American society, not evolving. A conceptual band from the beginning, DEVO were ahead of their time, incorporating elaborate aesthetics into their live shows and seamlessly combining their music with visuals years before MTV or any music-video culture existed. Indeed, the group’s first appearance at Kent State University in 1973 was recorded with a black and white portable video system. Societal satirists, DEVO’s lyrical mix of comedy and quirky wit, warned of the dangers of rampant capitalism in “Whip It” and “Freedom of Choice”, and the devolution of society in “Jocko Homo” and ”Beautiful World.“ Onstage in their early incarnation, the group began with a mixture of synthesizers and rock instruments; as they developed in the late seventies and early eighties, DEVO became one of the first American acts to perform using only synthesizers. DEVO have now returned with an evolved look, ready to impact the vastly devolved world we now find ourselves trying to navigate.

Expect more news regarding DEVO soon and catch up with them at:
www.clubdevo.com
www.myspace.com/devo

P.O.S. – Never Better – CD Review

Pissed Off Seth
P.O.S.

P.O.S., born Stefon Alexander, is a hip hop artist from the city of lakes many refer to as Minneapolis.  P.O.S. can mean a lot of things, but in this instance it is an abbreviation for “Pissed Off Stef,” something he was referred to long before the days of his hip hop career.  Growing up a punk rocker, P.O.S. was not originally a fan of hip hop until he learned it was more of an alternative form of expression over a glorified music genre.

Recently putting out his fifth release, Never Better, once again on Rhymesayers, P.O.S. produced over half of the CD himself.  The album was also released in a limited, custom, do-it-yourself edition, featuring 16 solid picture inserts with six plastic overlays, allowing the owner to create their own cover art combination.  I admit to having some fun with this prior to checking out the CD.

Taking his love of punk rock, P.O.S. chose to try a new way of expressing himself and soon was creating rhymes and beats that elaborated into a style of his own.  It’s hip hop fueled with punk rock suggestions, personal journeys, and accomplishments, making for a striking release.

Already making a name for himself in the underground hip hop world with Doomtree, P.O.S. is slated to be touring a city near you this summer at the Van’s Warped Tour.  Keeping himself occupied until then, P.O.S. will soon will be appearing with label mate, Atmosphere, in the Spring for even some live shows before the Summer kick off.

“Sorry I took so long” is stated by P.O.S. on the beginning track “Let It Rattle.”  This introduction track really proved P.O.S. has something to say with an array of statements fornicated into a rap track with excellent intense drumming.  My first taste of P.O.S. was exactly what I was expecting.

Following the impressive opening was even more insane drum heavy track “Drumroll (We’re All Thirsty)”.  Accompanying P.O.S. was Doomtree making for a thrilling collection of words and beats.  In addition to this track a video that blew my mind accompanies it.  The video is like watching an urban war with people running for their lives while being attacked by… well I think it would be best if you just checked out the video for yourself to come to that determination.  I have my own ideas.

Continuing the CD was the intriguing “Savion Glover,” with P.O.S. taking a lyric from Fugazi‘s “Five Corporations,” and adding it to the already heavily referenced track that seemed like a non-stop expression.  “Purexed” really had a Sage Francis flow style throughout leading up to even more impressive drumming backing the chorus.  I loved the energy and personable, friendly feel throughout the track. “Graves (We Wrote The Book)” was a little more urban hip hop sounding mixed with some guitar jams.  Again, choice words added together with clever rhymes kept me entertained throughout the song.

“Get Smokes” was a freestyle of sorts, with P.O.S. stopping and laughing for a brief moment here and there in between his determined flow, speaking out on everything from Iggy Pop to the disturbed nation.  The beats backing him were a unique mix of funk, and even at times had a record-scratching Kid Koala resemblance.  “Been Afraid” was a little more serious than the previous tracks, speaking of the misfortune of a girl caught up in a violent relationship.

“Low Light Low Life” stood out with the catchy beats, accompanied by horns and keyboard, with the  sweet female flow of Dessa from Doomtree adding to the excitement of the track.  This song not only was one of my favorites on the CD but will get the party moving for sure with amazing RJD2 like beats and Blueprint reminding flows.

The CD seemed to start mixing things up with “Optimist (We Are Not Meant For Them),” as it started out very plain and organic sounding, with beat produced by slapping hands on inanimate objects, perhaps cups. P.O.S. concluded with a screaming and hollering refrain of sorts.

“Terrorish” mixed the rapping some more with a little hard screaming, courtesy of Jason Shevchuk of None More Black.  The quick bass line kept me rocking my head along to the quick track, with P.O.S. spitting out words as fast as he possibly can.  Can you say freestyle group sing-a-long lyricism?

“Never Better” continued with a stray away from the hip hop and more so an indie rock, alt rock approach, reminding me of Cooper Temple Clause mostly from the highly distorted guitars, as well as Judah Nagler, of The Velvet Teen, lending his calm dreary singing.  Closing down the CD was “The Brave And The Snake,” a track that left me wanting more – and thanks to a secret track, I got my craving.  The secret track was a stunning bonus and seemed to calm me down after such an exciting dose of a real hip hop release.

Never Better really grew on me throughout as I listened to the CD.  It was like during each track I was reading a Choose Your Own Adventure book because I had no idea what was coming up next.  The genre combination, especially the punk rock and hip hop, kept things ever so interesting to the point where I have listened to this CD over and over.

P.O.S. does not sound like he is full of himself at all during any of the tracks, and when you add that to his amazing beat creations and genus writing skills, I have nothing bad to say about this release or P.O.S for that matter.  Drums, bass, a constant flow, and a serious widespread talent for expressing himself make me a fan of P.O.S. and I am pretty sure it will for you, too, if you appreciate expression and real hip hop.

Download This! – P.O.S. – “Drumroll”

-Check out P.O.S.’s MySpace page.

-Need something to do?  Head over to Make It Better, a do-it-yourself album cover maker.  The site was inspired by the DIY Never Better CD artwork concept.  You can also check out the entire album while messing around with the fun little program.

-Are you wondering waht the DIY CD artwork is all about?  Check this out:

-Check out the powerful video for “Drumroll” – seriously, this video is insane:

The Prodigy’s Invaders Must Die for $1.99

Check this out:

(EDIT: – My personal blogging analyst Matt just informed me via comment that this is Amazon’s Deal Of The Day.  If you have not heard of this deal of the day you should.)

The ProdigyInvaders Must Die MP3 Download for $1.99 on Amazon.com’ Deal of the Day!!!

Bring back the 90’s techno rock with Prodigy.  From what I have gathered this CD sounds just like Music For The Gilted Generation mixed with The Fat Of The Land. 

If you Twitter add twitter.com/amazonmp3 to your followings…  You never know what you are going to find.

God bless you Matt and Al Gore for creating the internet.