Tag Archives: Music

BHP Best Of 2018

It’s that time of the year again folks where I share with you the bands and albums that caught my attention throughout the year.

Sure, my reviewing is infrequent these days, may not make total sense or even be read by many for that matter, but I can tell you that I am listening to as much music as possible daily.

If my memory serves me correct, this will be my 10th Best Of post.  Sitting back and just thinking that this blog has been around for 10 years now completely floors me.  Thanks to anyone who’s ever stopped by to see what’s good.  Here’s to however many more years I decide to keep this going.

With that said, happy holidays and here is my list in no particular order:


Timeshares – Out There EP
-Easily one of my most played EPs of the year.  I was obsessed with it for weeks and was caught off guard in a good way by it.  I can not wait for their next full-length now.  Loving their rejuvenated sound.


Strung Out – Blackout the Sky EP
-Not going to lie.  I was not stoked at all to hear Strung Out was going to do an acoustic album.  I do not know why I even doubted that they would not have done something amazing.  This EP was amazing and showed a completely different side to one of the best bands out there.


Spells – Loose Change Vol. 1
-Ok so this is a collection of early out of print tunes by the Colorado punk party rockers, but this was my first taste of the band after somehow missing out of them for all these years.  I caught them touring with Off With Their Heads earlier this year and turned into an instant fan.


Curtail – All Your Luck
-This is probably one of the best releases that came out this year that you may have not heard about.  I could sit here and talk about it for hours, but I will leave it to you and check it out.  Just think 90s alt rock mixed with 00s emo/post-hardcore goodness.


Laura Jane Grace & the Devouring Mothers – Brought to Rot
-This was the most punk rock album to come out all year.  Laura Jane Grace is sincere as she talks about her current dwelling and overall situation without holding back.  I was overly impressed with this one.


Turnstile – Time & Space
-An amazing hardcore release that really is so much more once you get sucked into it.  It really is a genius album to listen to especially with some 80s punk and R&B moments tossed in for the hell of it (just listen to “I Don’t Wanna Be Blind”).  Certainly happy I stumbled on these guys.


Light Years – Afterlife
-Hands down, this is one of the best pop punk albums to come out this year.  I knew it was going to be good, but I did not realize it was going to be that good.


Face To Face – Hold Fast (Acoustic Sessions)
-This album has turned me into an even bigger Face To Face fan.  I feared hearing it because I really did not want to hear a punk band play acoustic renditions of their songs, but man, I was so wrong to doubt them.  They reinvented their songs in the best way possible.


The Interrupters – Fight The Good Fight
-Two-toned, punk fueled, and amazing throughout.  There’s a reason why Tim Armstrong produced this album.


The Ruen Brothers – All My Shades of Blue
-This album was like listening to The Gaslight Anthem team up with Roy Orbison to score a Wes Anderson flick.  I adore these guys and hope to hell I can see them live one day.  This was the album that complete caught me by surprise this year and fell in love with.


Spanish Love Songs – Schmaltz
-This album is like the energy of The Menzingers + the emotion of MakeWar.  The band clearly has matured into something incredible and this release proves it.  Do not sit on this one.


Red City Radio – SkyTigers EP
-This is the best thing this band has ever done.  There was just this certain amount of gallant confidence throughout.  The song “SkyTigers” proved that to me over and over.


Johnny La Rock – Gold Codes
-I was drunk in Vegas earlier this year and admitted Gold Codes was an album of the year for me.  La Rock is a hidden gem in Cleveland that the world really should get to know some.


Bar Stool Preachers – Grazie Governo
-Working class and bad ass all in one album.  These guys rule.  It’s like Dropkick Murphys if they were a ska band.


Mad Caddies – Punk Rocksteady
-Taking punk rock songs and putting their own reggae style to it was just a brilliant idea.  This covers album was done right and received well by this listener.


Restorations – LP5000
-Yeah, this was one of my favorite releases this year.  This band can do no wrong and I appreciated their maturing lyrics more than ever.  Seeming them live finally this year was also an added bonus.


Four Fists – 6666
-This collaboration between P.O.S. and Astronautics completely slays.  This rap duo really dropped an impressive album complete with plenty of punk references and beats guaranteed to get stuck in your head for days.


Vessel of Light – Woodshed
-This album takes everything great about Danzig, White Zombie, and even old Alice in Chains and puts them all together for a solid listen.  Super impressed with this one.


Frank Turner – Be More Kind
-Everyone needs to listen to this album, especially “Be More Kind”.  I am fairly sure it will make your day if not a better person.  Frank Turner is one talented mo-fo.


Lucero – Among The Ghosts
-I love this album mostly for the band embracing where life has taken them over the years.  They have not lost their style one bit and for that I thank them.  This has turned into one of my favorite Lucero releases.

 

Thanks for reading and happy holidays!

Album Review: Restorations – LP5000

I might as well disclose that Philadelphia’s Restorations are easily one of my favorite bands out there.  So if this review sounds biased, well…it is.

Keeping along the lines of a pre-famed Gaslight Anthem and The Menzingers, I have always been attracted to what Restorations produce album after album.  I owe it all to the band’s former and current label Tiny Engines actually, as they were the ones to introduce me to them many years back by just tossing me an EP my way to review.  The rest is history for me as a fan.

LP5000 is the band’s 4th release and to be perfectly honest, this might be their best one yet.  It’s a quick one which sucks because you know, I wanted more, but it’s full of some memorable tracks with equal impacting lyrics and music.

“St.” started off the album with a powerful jam with Jon Loudon and his all too welcoming raspy vocals.  This was kind of a triumphant introduction with haste and honesty thrown hard.  This song’s best moments where when the band came together with force.  It was a perfect indication that this album was going to rule.

“Nonbeliever” followed with more of a political approach about personal current affairs and life in general.  With lines like, “if you burn all the fires, they’re going to make you the king” and the all too close to home “got a partner for starters and a kid on the way/can’t be doing this dumb shit no more.”  The song manages to hit the head on so many points as it progressed onward.

“Remains” was a rocker touching on past memories that probably would have best been buried rather than unearthed due to such disdainful change.  The track carried a great 90s alt-rock feel to it even if it make me want to hang my head low.

Loudon repeating ” no I don’t want to hear that name again” on “Melt” just added to an emo track of sorts clearly about someone once held in a higher regard.  This track was beautiful and dreary at the same time with electronic sounding beats layered behind simple guitar picking.

“The Red Door” was incredibly athematic and contained a guitar solo that easily could suck in some well-deserved attention.  Add to the catchy drumming and bass-line, and you have yourself a quality track that really showcased the talent this band carries.

“Eye” was more Postal Service sounding at first with the electronic noise but was not at all discouraging.  This song was not like the others and was well-received by this listener.  I loved the more experimental approach and word has it that there is a locked grove that permits this song to loop infinitely.  I can not wait for my copy to get here so I can see if there is truth to that.

I have listened to LP5000 over and over (easily 20+ times now) since it’s release and have not gotten tired of it once.  I will tell you it is a lot different from their earlier stuff and is just the cause of maturity and experimentation.  Personally, I adore this new sound.

Of course LP5000 is hitting my best of list for 2018.  Albums like this are the ones I hold onto for the rest of my life and sporadically will spin when I just can’t seem to find anything else to listen to.

I lucked out and caught them on tour a few weeks back when they played the Grog Shop in Cleveland with my pals Signals Midwest and let me tell you, they are even better live.

Anyways, I feel like I do that whole “do yourself a favor and check this band/album out” shtick of a closing sentence, but I am dead serious this time: This band is far more talented than I feel they are credited for and I’m fairly sure you will agree with me upon listening.

Album Review: The Bar Stool Preachers – Grazie Governo

It’s been a long time since a ska punk band has impressed me quite like The Bar Stool Preachers have.

I’m sure there are plenty of great releases out there I just haven’t gotten into, but nothing really has stuck out to me for years.  That ended the moment I popped in Grazie Governo, released though Pirates Press Records.

The UK ska punk act already cut their teeth with their debut release Blatant Propaganda and has been around since 2014, but sadly this music fan missed that album in the sea of releases over the years.  Trust me, I will be checking that out very soon after obsessing over their new one.  I also need to note how pissed I am at myself for missing these guys play Cleveland in June with the Street Dogs.

If you are in the same boat as I am and are not familiar with The Bar Stool Preachers then you’ll probably be instantly intrigued to know that frontman Tom McFaull’s father, Colin McFaull, comes from son little UK band called Cock Sparrer.  Needless to say, this band might just have learned a thing or two over the years just based on the bloodline alone.

Album title track “Grazie Governo” started strong with working class appeal that more or less thanked the government with plenty of rebellious intention.  I adored everything about this track from the horns to the organs that seemingly works with the current reality TV politics we are dealing with here in the states.

“8.6 Days (All The Broken Hearts)” was a love song that held more honest and true than most I have heard in my time.  I enjoyed the blatant honesty in the lyrics on this one and enjoyed the ride of emotion fueled with pop punk riffs and backup vocals, especially at the end when everyone just came together.

“Choose My Friends” featuring Aimee Interrupter is the song everyone needs to check out because it’s just that damn good.  This song has been stuck in my head for days and I am sure it will be for a long time as it made an impression on me as it just brought so many styles of music together.  Without ruining it, just listen to it yourself already.  I even added the music video for the song below.

One of my favorite tracks was “DLTDHYOTHO” most likely because of that Oi attitude layered with the horns and that ever-catchy organ playing.  A fight song indeed and not something you want to be faced up against in a dark alley because you’d surely get your teeth kicked in.  This song just ruled and reminded me of when a young me first heard Operation Ivy and the feeling that quickly infected my innocent mind changing me forever.

“Drive” was great in that McFaull took the listener on a hell of an adventure singing of a heist to pay off debts and escaping like the infamous Steve McQueen.  Sometimes fictitious songs like this seem corny when in the middle of a serious album, but this was done right and just enjoyable.

That piano playing on “Since You” may have sucked me in, but the bass line is what kept me.  A gruff Mad Caddies-like tune with plenty of singable qualities even if about the hard knocks of relationships.  The best was towards the end when things picked up during the moment of clarity.

I’m convinced his band is going to be getting a ton of attention this year based their hybrid of ska and punk rock.  This is the music fans who were told ska was dead once are going to eat up and lace their boots up proudly to.  Did that even make sense?  Well it did to me.  Skank away guys, skank away.

Think along the lines of Rancid, Propagandhi, The Specials, and even The Aggrolites with a more pop punk punch.  It’s like what The Dropkick Murphys might have sounded like if they were from the UK instead of Boston and lost that Irish shtick.  Working collar ska punk anthems galore for everyone to get into.  Do not sit on these guys at all.

Bar Stool Preachers Drop New Release Today!

I can not wait to get some free time this weekend to crank out a review of an amazing band that was recently sent my way.

The band I speak of is The Bar Stool Preachers.  Let’s just say this band has restored my faith in new ska punk music.  I will leave it at that for now.

New Noise Magazine did a great interview and is streaming the album in its entirety.  Check it out!

From the band’s press release:

From the eclectic scene of punk and ska bands in the UK, The Bar Stool Preachers are a band for EVERYONE – a group of blue-collar musicians who can instantly connect with anyone they play for. Exhibiting a tireless DIY work ethic that is unparalleled by its peers, the band has traveled the world gaining fans with engaging performances on the back of its critically acclaimed debut Blatant Propaganda.

Frontman Tom McFaull has a storied musical lineage running through his veins. The son of Colin McFaull, singer of the legendary Cock Sparrer, he’s learned a lesson or two from his father. With this pedigree, the younger McFaull leads the charge for a new generation of punk bands with incomparable charisma and anger that cannot fail to impress.

But their family is more than blood. Having Aimee Interrupter (The Interrupters) lending her voice on “Choose My Friends” and Pirates Press Records’ extended family (including Rancid, The Bouncing Souls, Dropkick Murphys and many others) in their corner, The Preachers are fortunate to have a wealth of experience and support to help lift them to their inevitable heights. They are also already famed for turning every show attendee, writer, photographer, interviewer and other band’s members into fast friends within minutes of meeting. Yes, they are that special.

After an exceptionally successful showing at Punk Rock Bowling 2018 and a West Coast run, a follow up East Coast tour supporting Street Dogs, and more touring planned at the end of 2018 and thought 2019, The Bar Stool Preachers are ready to provide the soundtrack to your summer, and beyond, as they take over North America in support of Grazie Governo!”

Review soon on this album.  Trust me.  I have a lot of good things to say about these UK ska punkers.

EP Review: Face To Face – Hold Fast (Acoustic Sessions)

It seems like every punk band out there is dropping acoustic albums as of late.  This facade may come off as lazy or desperate to some, but when stripped down right, it makes so much sense.  Still, it is easy to just dismiss them because of how many are out there.

I have to give it to Unwritten Law though who first captured my fascination with the whole punk rock bands doing acoustic renditions of their songs years back.  I remember hearing Music in High Places and becoming obsessed instantly.  Then Rancid busted out an acoustic set in front of me live once at one of their shows and I adored it.  Perhaps this aging punker just enjoys slowing down things a little bit.

When I heard Face To Face was releasing an EP of acoustic versions of their songs over the years, I was nervous.  Mind you Face To Face is easily one of my all time favorite bands from my 90s, I was worried that it would not go well, but I couldn’t have been so wrong.

Hold Fast simply is songs from Face To Face’s 30+ years (with a slight hiatus) career put into an acoustic style.  Perhaps sparked from their “Econo-Live Tour”, the band decided it was their turn to try.  Actually, Face To Face did acoustic sets years back as I remember a friend’s band opening for them and quickly having to learn how to relearn their songs so they could stay on the bill with them – Back to this EP though.

Hold Fast is listed as an EP, but at 33 minutes, it could easily be an album.  I was impressed to see 10 songs tracked on the Fat Wreck Chords release and was more impressed with where they call came from on their discography.

“All For Nothing” started off the EP with an alt-country twangy version of the catchy Laugh Now, Laugh Later track that I am sure Lucero fans would totally appreciate.  I quickly realized after this song alone the amount of time put in by Face To Face to transformed them into a completely different style.

“Disconnected” was the song I was most worried to hear.  This radio-friendly track that caught the most attention on Big Choice was part of the soundtrack to my life in the late 90s and I’m still quite fond of it to this day.  I held off listening to this song at first and waited until the album came out to take it in.  I had nothing to worry about.  This song was perfected transformed from a pop punk jam to an acoustic masterpiece.  I loved everything about this song from Keith’s slowed down singing to the backing vocals and even the guitar playing.

I was kind of shocked to hear “Keep Your Chin Up” the EP as it was a new song, but as soon as the chorus started I immediately understood.  It fit perfectly.

“Don’t Turn Away” was completely dissected and put together as one hell of a track.  The lyrics remain the same, but everything else about it screams alt-country with even some rockabilly qualities to it.  This was such an enjoyable track to rediscover though a different genre.  Just wait for that guitar solo.

“Aok” was another version I just absorbed and adored instantly.  This is one of those other songs that was part of the soundtrack of my life and hearing it on a different caliber was just so appreciated.

I can not say every track on the EP blew me away as some were at status quo like “Ordinary” and even “Velocity”, but I did not skip past a single song.  Nothing was completely unbearable which led me to believe the band truly gave it their all.

I truly feel Face To Face did this for the sake of trying something new and not looking for a quick paycheck (leave that to Me First and the Gimme Gimmes).  These So. Cal. punks have matured so much since back in the day and clearly have moved past their punk rock roots musically.  I really think people who never were into Face To Face are going to hear this and become fans of these renderings.  I am also hoping they just decided to make new music in this style.  I have the feeling it would be amazing.

Don’t dismiss this EP at all folks.  Face To Face is far more talented than you think, especially if you just assume they are just some aging punk rock band looking for a quick payday.