Tag Archives: Punk

Album Review: Success – Radio Recovery

Success - Radio RecoverySeattle’s Success does not suck.  I repeat, Seattle’s Success does not suck.

In fact, this band has completely won me over almost instantaneously and I am still trying to figure out how the hell they snuck under my radar for so long.

Success are a hybrid of 90s SoCal pop punk and current DIY punk rock.  I have no clue how they met or how many albums they have put out or any of the typical default bio stuff.  I am sure I could find out, but right now I am focused on telling everyone how I am feeling. Deal.

I do know they covered a Spin Doctors song that I found while stalking them online the other night and I’ll be happy to post it at the bottom of this post as a reward for making it through my review.

It’s seriously being a while since I’ve gotten sucked into an album so quickly.  Radio Recovery, dropping March 24th on Red Scare Records, did that in just about 30 minutes.  I can not tell you how many times I have listened to this album over and over since the release was thrown my way (thanks Toby!).

Success“Believe In” opened strong with a pop-punk jam full of sing-alongable qualities.  This track was produced well and impressed the hell out of me.  I loved the bass playing and the guitar solos, but it was the dual singing style that did it for me.  It reminded me of everything I loved about late-90s punk rock music.

“Revolution Schmevolution” continued to keep my attention with this powerhouse of a sing-along.  I especially got a kick out of the lyrics, “what’s the problem with this world today is that every Batman thinks he’s a Bruce Wayne.”

Another track that caught my attention was “Lives That We Deserve”.  Perhaps it was the piano playing that hid behind everything or just the fact that it was a quality tune.  This track was motivational in a sense with the working man’s life being sung upon.  This easily was one of my favorite tracks on the album.

“Flowers” was one of the tracks that that had a huge effect on me.  It was not too personal by any means, but it was just real.  This song was like the polite and caring Rancid that no one ever had the chance to meet.  In fact, I would allow Success to steal my sediment and made a cartoon video of clean-cut versions of Tim and Lars picking bouquets of flowers for their special sweethearts.  Beyond my puke of creativity, this song was incredible and perhaps did not sound anything like Rancid.

The acoustic “Impossible Truth” was a nice chance but was move Revival Tour material and did not necessarily go with the rest of the album.  The organ playing was great throughout and I was really reminded of Frank Turner due to the style.

Closing the album up was “Resignation”, a harmonic punk rock track that pretty much solidifies why I love punk rock music so much.  This track just built up so well and just exploded.  Perfect way to end a great album.

If you like catchy punk rock jams, this band is for you.  Success have won me over and Radio Recovery has earned a well-deserved spot in my Best Of 2015 list.

Hands down, this album rules and while produced well, it still is nothing too clean sounding and has plenty of reasons for multiple listens.

If only more newer bands could sound like Success.  Then we could say stupid things like these guys sound like the sweet, sweet sounds of Success.

OK I’m done.

Enjoy.

Darius Koski Solo Debut To Drop April 7th

Hey Swingin’ Utters fans,  Darius Koski is about to debut his solo album.  Before you start throwing down assumptions that the guy is going acoustic just to to make a quick buck, please see what he had to say about the whole solo route:

“I’ve been wanting to have an outlet for it for so long—for longer than I’ve been with the Swingin’ Utters, basically. And I just hadn’t done anything with it. I didn’t really know how I was going to release it, I hadn’t done much live, I have problems remembering lyrics… So I’ve been putting it off for so many years, but it’s finally coming together, and I’m thrilled about it. I’m totally going to go for it.”

Now that you’ve read that, how about you take a listen to one of this new songs:

https://soundcloud.com/fat-wreck-chords/darius-koski-listen

You’re weren’t expecting that much twang were you?  I know I was not, but I will tell you this, I love it.

Dropping on April 7th, Sisu, is in a genre really of its own with a plethora (yes I said plethora) instrument playing including guitar, piano, banjo, accordion, violin, glockenspiel, vibraphone, melodica, ukulele, and percussion.  This is not just some solo album.  This is years of built up creativity by Koski finally being released property.

I know I am stoked to hear this.

Pre-orders are up at Fat Wreck as of today.  Hurry up and get you some.

Album Review: Big Dick – Disappointment

Big Dick - DisappointmentIndie-punk duo Big Dick have returned with an all new album titled Disappointment.

This is a follow up to the band’s impressive 2013 self-titled debut and once again has been released through Dirt Cult Records.

Before you question the band’s name and its meaning, just note it was taken from a NoMeansNo song title.  Don’t dig in too deep you pervs.  Who am I kidding?  If you ever heard the original song, your questions might be validated instantly.

Anyways…

Cultivating their own sound with just drums, bass, and dueling vocals, Big Dick really reaches back to 90s alternative rock styles while keeping a DIY punk and even garage rock edge.  The result is melodic yet heavy at times making for a truly killer listen.

“Let Down” was a catchy self-esteem downer of a track fueled throughout with a heavy distorted bass.  This opening track was a subtile reminder to me how much I enjoy this band as well as one of my favorite cuts on this release.

“Last Days” straight up ruled with the dual harmonies and just addicting bass riffs.  It’s hard to believe that there are only two dudes in this band when you hear songs like this.  This was another favored track over the rest.

“Up A Step” took  more pop-punk noise route that was totally ok with this listener.  At times, the vocals just seemed off but not enough to ruin the track.

“Out On A Limb” was a tad more technical with intricate bass lines.  The dual vocals and singing on “Crawl” was worth of an immediate second listen.  I dug this track a ton.

Tracks like “Marnier”, “Good Hunting”, and “Another Minute” really showed the band has matured and mastered their own sound.  From the lyrics to the insane drum and bass playing, I could not help but just get sucked into what I was listening to.  Then came “Young Love”, a more experimental track of sorts that clearly could have been a Ween b-side.

“Bad Dream” was one of my favorite tracks on the album.  I loved the different genres I could hear in this track, especially the grungy garage rock.  The slight harmonies in the background and the throat-clearing screams made it that much better.

Disappointment is anything but that.  Fans of Japandroids, Two Gallants, and even Death From Above 1979 are going to eat this up.

4-Way Split Review: Sundae Bloody Sundae

Sundae Bloody Sundae4 bands, 4 songs, all emo.  That is what Sundae Bloody Sundae is all about.

The 4-Way Split was put out by Skeletal Lightning last November and easily has the ability to make you take a break from life and check your feelings.

Don’t worry, it’s ok to do that – we are human after all and this split is not all that sad.

Featuring new and unreleased music by four talented acts, Sundae Bloody Sundae is a great comp to be listening to if you are looking for a little variety by some bands you may have overlooked at one time or have not even heard of.

The World Is A Beautiful Place & I Am No Longer Afraid To Die‘s “Fat Heaven” will depress the shit out of you and make you hungry possibly for a donut.  Man, what a downer of track.  I seriously think listening to this with your head down, walking slowly in public and avoiding all eye contact is the only way to listen to this tune.  I loved it.  There is a reason so many people dig this band…

Rozwell Kid did an impressive cover of Spirit Night’s “The Weather”.   I can’t lie, I thought I liked the original more, but the more and more I listened to this track over and over,  Rozwell Kid’s own Weezer-esque twist on the original won me over.

Kittyhawk….oh Kittyhawk.  You make my heart bleed.  Listening to “Soft Serve” turned me into just a pile of mush.  The thing I loved the most about this track is the 90s feel I sensed throughout.  Dare I say, but the dual vocals remind me of The Cranberries a ton.

Two  Knights‘s “Benji’s Cool Times Summer Jamz” was a little technical, a little instrumental, and plenty interesting to listen to.  Starting off uppity, things soon slowed down with a self-reflection of sorts.

At a whopping $3 to download or $5 for a flexie, I think this would be well spent money to any music fan out there.  This will last a lot longer than a sundae, especially if you are me.

Tracklisting (Two-sided):
Side A:
The World Is A Beautiful Place & I Am No Longer Afraid To Die – “Fat Heaven”
Rozwell Kid – “The Weather (Spirit Night)”

Side B:
Kittyhawk – “Soft Serve”
Two Knights – “Benji’s Cool Times Summer Jamz”

Pressing information
1,000 copies –
– /250 White Flexi w/ screenprinted hand-numbered covers (Available exclusively at FEST 13)
– /750 Clear Flexi w/ full color cover.

Album Review: Various Artists – Todd Is My Co-Pilot

Dirt Cult Comp - Todd C. Is My Co-PilotJust before the end of 2014, Dirt Cult Records head honcho, Chris Mason, decided to drop some tunes for all to hear on a comp called Todd Is My Co-Pilot.

Apparently a few years back, Mason and his pal Walker decided that someone needed to make a Todd C. comp for all to hear.

What once was a booze-fueled conversation between pals turned into reality as Mason reached out to tons of bands and many of them sent in covers to be included.  Maybe it did not go as quickly as he and Walker had intended, but one day Mason realized he had more than enough to make their idea a reality.

So who exactly is Todd you ask?  He’s actually Todd Congelliere, the founder of Recess Records and also  the one-man show / front-man for bands such as The Underground Railroad To Candyland,  F.Y.P. and Toys That Kill.

I am sure if you are a fan of punk rock, you now know who I speak of. Even if you are not, you should check out this comp and become familiar with Todd C.  This dude packs tons of talent.

Todd Is My Co-Pilot features covers by amazing acts like The Brokedowns, Iron Chic, Low Culture, Sundowners, and even Mike Watt and the Secondmen.

Vacation did a great rendition of “Dead Inside” while Iron Chic put their own twist on Toys That Kill’s “White Lies”.  I loved the fuzzy bass on this track.  Apocalypse Meow’s clean cover on “Illegitimate” was very close sounding if not a little slower but still awesome.

Full Sun was an act on this comp who I have not really gotten to know, but after hearing them cover Toys That Kill’s “31 Year Old Daydream”, I realize that needs to change.  The very 80s female driven punk rock sounds were perfect for this take and invited me to check out their original material.

Hearing The Plurals cover Todd C’s “You’ll Hear My Voice” instantly reminded of the very interesting video I saw for this song that was full of Kewpies.  Check it out here.

Of course I need to talk about Mike Watt & the Secondmen’s take on “No One”.  I was so stoked to see Watt and crew on this comp and to be honest, their version of the track  was….well…experimental-ish.  It was like Primus meets Ween meets Toys That Kill.  I still dug.

This is not just some half-assed idea when you look at who all contributed.  The best part about this comp?  Dirt Cult released it for free.  Zero cheddar.  Nada.

So what the hell are you waiting on?  Either head over to the Dirt Cult Band Camp page, or click below and proceed to download.  It’s pay what you want, so do your thing and hope no one finds out how much of a cheap ass you really are.  More importantly, enjoy.