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Polysics @ Musica – Akron, OH – 02/12/2010 – Concert Review

Culture was shocked in Akron last night thanks to Tokyo, Japan’s Polysics making a special appearance at Musica.  The orange jumpsuit wearing foursome traveled half way around the world to perform their Devo inspired music to a packed club on what normally would have been just another regular Friday evening.  Scenesters as well as a couple punk rockers and plenty of proud geeks piled into the quaint club in downtown Akron with perfect knowledge of what would soon progress.

Polysics is best defined as a pop power punk electronica experimental new wave outfit or “technicolor pogo punk” as they dub themselves.  Think heavy synthesizers and guitar matched over insane voice altering vocals as well as a very energetic male lead vocalist Hiroyuki Hayashi (Hiro – and yes, he sounds like Hiro from the TV show Heros) who blasts out English, Japanese, and gibberish lyrics.  Formed in 1997 out of the pure love for Devo as well as The Tubes the band is an underground sensation thanks to their extremely energetic live shows and of course their orange jumpsuits and straight bar-style sunglasses.

Opening the evening was a band called Stiletto hailing from Kent, OH.  The band reminded me of Bedlight For Blue Eyes and Roses Are Red with their slight heavy rock sound.  The lead singer had a good voice and when the band had it together they sounded fine.  They sadly kept having issues starting their songs and it became apparent that they needed some more practice as it became downright annoying to some of the crowd.  Still, they did well and get props from me when the lead signer quoted Tupac but really did not match up to the headliner at all.

Armed with my trusty camera I really thought upon entering Musica that I was going to grab some photos during Polysics’ set but while inside the venue I saw this:

That really was something I did not want to see.  I respected the artist though and did not shoot anything until the very end of the show because who am I kidding…I need at least one shot.

Good thing I did not take photos as there was a dual braided memory card deleting bandit who was part of the Polysics crew.  I understand the premise of his doings but you should have seen this guy.  He stood upon a stool and the moment a flash went off he was bolting over to that non-sign reading schmo and erasing any Polysics related photo from their camera.  Seeing what this guy was all about I really did not want him touching my gear so I parked the camera to my side and just enjoyed the show.

Hands were about the entire evening.  It was a party.
Hands were about the entire evening. It was a party.

You know a crowd is excited to see a band when they cheer insanely as the band is setting up their gear on stage.  Things just got better when the band actually took the stage and just started hammering out songs.  The songs they played ranged from almost industrial heavy pieces to absolute insanity jump-all-over-the-place songs.

Still a novice to this band I just started with amazement throughout their set not having any idea what was going on other than a damn good time. The couple songs I did recognized were “Young OH! OH!”, “Fire Bison”, and just amazing “Shout Aloud!”

As entertaining as Hiro was throughout the night (especially when he screamed “you gruys awre awresoooooome!!!”) I absolutely adored the straight faced Kayo on the synthesizer and vocoder.  I could not help but envision the scene in Revenge Of The Nerds II when the nerds played the concert at Hotel Coral Essex.

According the band’s MySpace page Kayo will be parting ways with the band after the tour so I am pretty psyched I was able to the original line-up.  The whole night was a party with Polysics controlling it.  Fans danced and tossed their hands about to the music.  It was indeed a interesting and fun evening.  If I had to describe the evening I would have to say just imagine Daft Punk, Devo, and the Teen Titans humanized and in orange jumpsuits and you might have some idea what happened.  It was amazing.


Polysics – Young OH! OH!

POLYSICS | MySpace Music Videos


Pretty Good

POLYSICS | MySpace Music Videos


Polysics – Moog Is Love

POLYSICS | MySpace Music Videos

I had to throw this in too…

Fat Wreck Chords – Wrecktrospective – CD Review

If one of your New Year’s resolutions for 2010 was to listen to more punk rock music you are in luck. Recently Fat Wreck Chords put out their first ever anthology full of punk rock goodness — 88 songs to be exact. Wrecktrospective is a three-disc collection of greatest hits, demos, and even limited edition material that spans the 20 years since the label was founded.

Formed by NOFX frontman Fat Mike with little advertising and no commercial help, the independent punk label has issued over 280 releases and is a well known favorite of many Warped Tour fans. The three-CD set contained in the digi-pack is just a sample of all that has been Fat.

The anthology is more or less a musical history of the bands that have put out material over the last 20 years since Fat Mike decided to start the label. Featuring punk bands from the past and present, I can only imagine that it was no easy task to take so many songs from such a span of artists and put them into the compilation, but it was done perfectly.

Throughout the set I was reminded of a slew of bands I stopped listening to over the years and was happy to hear them all over again. When a label has put out over 280 releases, sometimes it’s hard to remember them all.

The first disc is full of non-commercial hit songs also known as “Fattest Hits.” Listening to the first segment was like a blast from the past for me as I have been a Fat Wreck fan since its inception. Featuring familiar tracks by current label mates NOFX, Strung Out, and the Mad Caddies, the CD includes 33 songs by 33 different bands.

The disc also contains tracks from former Fat alumni who either disbanded or went on to bigger and better things over the years such as Against Me!, Less Than Jake, Hi Standard, and others. The first disc alone brought back good memories of amazing bands that I used to rock out to on a daily basis. If I were to make a greatest hits Fat album I might have selected just a handful of other tracks for some of the artists, but all in all they did a good job putting it together.

The demo disc, or disc two, features many tracks that were hidden gems until now. I had heard some of these tracks as well as variations on other Fat compilations before, but having all of them all on one CD is so much more fulfilling. From the Mad Caddies’ “Polyester Khakis” (where they sample Body Count) to the acoustic “Everyone Is Telling Me I’ll Never Win, If I Fall In Love With A Girl From Marin” by Bracket, I really enjoyed the collection.

Perhaps the most exciting feature of this set is the third disc as it contains the limited release Fat Club 7″ series in its entirety. For people like me who missed out on the Fat Club this is a dream come true as it previously was not available on CD. Then again I am sure people who were lucky enough to join the Fat Club will appreciate this as well so they don’t have to figure out how to use the USB record player to transfer their prized collection onto their computers.

I would have loved to have seen a fourth disc in this set including all of NOFX’s 7” of the month club tracks and the joke in its entirety but I’ll take what I can get at this time. At only $15 on the Fat Wreck Chords website this is a steal of a release and even includes a fold-out poster showing every Fat Wreck Chords release ever put out.

My only complaint with this set is the lack of a DVD. I think it would have been fitting to throw in a disc featuring live performances and music videos by an assortment of the bands. Seeing how Fat Wreck Chords strayed away from mainstream overload (aka MTV), I would have thought they would have built up a collection of videos and footage that further helped celebrate the two decades of accomplishment. Who knows, that could be in the works.

Previous Fat fans may not get as much out of this set as a newcomer might mainly because many of the songs on the disc have been on other Fat compilations over the years. Still it’s a nicely put together collection of what makes Fat Wreck Chords.

Upon checking out the music I took a minute to read the insert pertaining to the record label written by Fat Mike himself. It’s really an interesting read as Fat Mike confesses that the record label was all about “putting out punk bands that I really like” and talks about the ups and downs he went through starting his own business.

Knowing how the music business has been going these days, I was not shocked to read that Fat Wreck Chords is basically back where they started with little financial gain but I am so proud of them for doing their best to continue. With so many labels out there that folded over the years due to money issues (i.e. Grand Royal), I really hope to see Fat Wreck Chords last another 20 years and with their roster I have the feeling it will not be that difficult.

To grab a copy of this 3 CD punk gem head over to Fat Wreck Chords and nab it for only $15.

Here is a funny video:

(please note this is for humor purposes only and if you can not take a joke then you are a jerk…)

Track Listing:
1: NOFX – The Separation of Church and Skate
2: Lagwagon – Violins
3: Propagandhi – Back to the Motor League
4: No Use For a Name – Soulmate
5: Bracket – 2RAK005
6: Strung Out – Too Close to See
7: Face To Face – You’ve Done Nothing
8: Good Riddance – Weight of the World
9: Tilt – War Room
10: Me First – Leaving on a Jet Plane
11: Wizo – Raum der Zeit
12: Frenzal Rhomb – Never Had So Much Fun
13: Hi-Standard – Wait for the Sun
14: Snuff – Martin
15: Goober Patrol – Easy Life
16: Swingin’ Utters – Windspitting Punk
17: Screeching Weasel – Cool Kids
18: Mad Caddies – Mary Melody
19: Consumed – Brutal Truth
20: Sick of It All – The Bland Within
21: Avail – Black and Red
22: Less Than Jake – Gainesville Rock City
23: Anti-Flag – Turncoat
24: Rise Against – Heaven Knows
25: The Real McKenzies – Kings of Fife
26: The Lawrence Arms – Like a Record Player
27: Dillinger Four – AMERICASPREMIEREFAITHBASEDINITIATIVE
28: None More Black – Everyday Balloons
29: Against Me! – T.S.R.
30: Descendents – ‘Merican
31: Only Crime – R.J.R.
32: Chixdiggit! – I Remember You
33: Dead To Me – By the Throat
34: Good Riddance – Flies First Class
35: Rise Against – Alive and Well
36: The Flatliners – Eulogy
37: NOFX – It’s My Job to Keep Punk Rock Elite
38: The Lawrence Arms – On With the Show
39: Lagwagon – Bury the Hatchet
40: Western Addiction – The Church of Black Flag
41: The Loved Ones – Living Will (Get You Dead)
42: Star Fucking Hipsters – Immigrants & Hypocrites
43: Bracket – Everyone is Telling Me I’ll Never Win, If I Fall in Love With a Girl From Marin [Acoustic]
44: American Steel – Sons of Avarice
45: Nerf Herder – 5000 Ways to Die
46: Propagandhi – Middle Finger Response
47: None More Black – Slytherin? My Ass!
48: Swingin’ Utters – A Promise to Distinction
49: Against Me! – You Look Like I Need a Drink [Acoustic]
50: The Soviettes – Multiply and Divide
51: Zero Down – No Apologies
52: No Use For a Name – Always Carrie
53: Dead To Me – Writing Letters
54: Strung Out – Alone
55: The Dickies – My Pop the Cop
56: Avail – Done Reckoning
57: Mad Caddies – Polyester Khakis
58: The Sainte Catherines – Hau Weg die Scheisse
59: Epoxies – It’s You
60: Smoke or Fire – Goodbye to Boston
61: Anti-Flag – Underground Network
62: The Vandals – Underground
63: The Vandals – Why Are You Alive
64: American Steel – Middle of the Night
65: American Steel – New Religion Everyday
66: The Real McKenzies – Another Round
67: The Real McKenzies – Loch Lomond
68: MXPX – The Road Less Traveled
69: MXPX – You Hold the Key
70: Strike Anywhere – Antidote
71: Strike Anywhere – Asleep
72: Randy – I’m Stepping Out
73: Randy – Unite
74: Randy – Freedom Song
75: NOFX – Zyklone B Bathouse
76: NOFX – Spaghetti Motel
77: Swingin’ Utters – Black Mountain Rain
78: Swingin’ Utters – Outside Life
79: Strung Out – Dig
80: Strung Out – Lost Motel
81: Enemy You – The Promise Breakers
82: Enemy You – Kind Hearts
83: Enemy You – Emma
84: The Lawrence Arms – Porno and Snuff Films
85: The Lawrence Arms – A Toast
86: The Lawrence Arms – Overheated
87: One Man Army – Victoria
88: One Man Army – She Wants Me Dead

Sans Label: Brooklyn’s Monogold

I have a new feature I will periodically post here about up and coming artists and I call it simply Sans Label.  I was trying to think of a wittier name for this category but apparently I am suffering from brain-melt.  I just can not think of something clever regarding independent unsigned artists.

How often I post Sans Label entries will depend on the alignment of the sun and the moon or simply whenever I am wowed by an independent or underground act.  I will be sure to post a little something something up on this here site along with a MP3 to share with the band’s permission of course.

I am doing this out of the love for all music out there.  I receive so many emails from folk asking me to check out their work.  I feel this will be my thank you to all of the acts out there that spend day after day self-promoting their band.  These bands are unsigned acts trying to get their name out there with a D.I.Y. attitude.  I respect all genres of music so expect to see a variety of acts posted.

So without further delay here is the first Sans Label post:


A few weeks ago a Brooklyn based band named Monogold reached out to me via a simple email asking me to visit their MySpace page to check out their music.  Always looking for something new I clicking on the link in the email and checked out a song titled “Feel Animal”.  I was completely floored by how great it was.  The upbeat dramatic indie rock song was such a pleasant track to hear.

In fact just listen to it for yourself.

DOWNLOAD THIS! – Monogold – “Feel Animal”

The song alone in my opinion is proof this band is going to be going places. Of course I don’t want to jinx them but imagine my surprise of hearing such a track and instantly loving it.  I immediately asked the band for more.

The band kindly sent the rest of the EP to me titled We Animals.  Just as I had hoped the other six tracks that were self recorded, self produced, and self released  by the three members have a very likable feel to them.  The harmonous singing and catchy guitar playing is perfect for a soundtrack to a warm summer evening drive.  Trust me, I speak from personal experience.

The fact that this band is only a three piece amazes me.  Honestly when you hear their sound in the rest of the EP you would like it would take more than a trio to perform such tunes. I thought so highly of this band I decided that I wanted to take their music a step further to help them get their music heard.

Recently I was appointed by my good friends over at Sexy Photo Trip (SPT) as their music director.  I decided that I wanted to use one of Monogold’s songs for an episode of SPT.  Monogold was thrilled I asked them to use their song in the video and honestly so was I.  It fit perfectly.

You can see that episode by clicking HERE (warning all SPT material is NSFW so view at your own 18+ risk).

Look for Monogold to release the amazing We Animals EP next month.  I am hoping they are able to tour as well in support of this sure to be a hit release.

Here’s a video from an earlier track titled “Leaves”:


One a side note, I plan on continuing this trend of using unsigned bands  here in the Sans Label posts as well as in future episodes of SPT so if you know of anyone out there that is unsigned or independent and listenworthy, send them my way.  I would love to hear them and maybe even get one of their hard worked songs into a fun episode on SPT.

Gin & Tonic Tour (Agitate The Gin & Light On The Tonic Please Edition) – Cain Park – Cleveland Hts., OH – 08/21/2009 – Concert Review

I knew I was going to relive some of my high school memories last Friday when Matt tossed me a ticket to the cleverly titled Gin & Tonic tour featuring 90’s grunge rock sensations Tonic and the Gin Blossoms.  The outdoor show was held at the Evans Amphitheater at Cain Park in Cleveland Heights, a venue I had never been to before.  The weather was perfect for a night outside and I was just down right excited to see these two 90’s alt/rock bands take the stage.

Opening act One Lone Car from St. Louis took the stage with a nice little pop guitar rock / piano act and warmed up the crowd.  I could not help myself but wonder why they went on so late.  I was under the impression the show started at 8:00pm but they did not take stage until 9:00pm.

After they finished there was a surprise announcement over the PA that the second act, Tonic, was going to be late to the show due to problems at the airport.  It was then announced that the Gin Blossoms would take the stage next and play.  Everyone seemed ok with the announcement, at least everyone who was not a lead singer of a certain band that just had it’s slot bumped.

Robin Wilson taking it to the crowd.  Moments later he just sulked away.
Robin Wilson taking it to the crowd just before going into sulk mode.

Gin Blossoms took the stage and proceeded to rock out as the crowd went nuts.  Fans in the venue started moving from their assigned seats to get a better look at the rock act and the mom and pop security did not care one bit.  Lead singer Robin Wilson seemed to be happy to see the crowd and even tossed a tambourine to one lucky fan who failed to keep a beat along with the band.  Two songs later the tambourine was tossed back at the stage almost knocking over Robin Wilson’s Red Bull & vodka drink.  I still have no idea why she threw it back, I myself would have kept it for an ultimate souvenir of the evening…I also would have been able to keep a beat.

Early into the set I saw someone on the side of the stage wave the lead signer over to them to hand over a piece of paper with a secret note.  Robin Wilson read it and dropped it to the ground as he continued to sing.  I am pretty sure the note read: “Now is the time to act like a giant douche” and I say that because in mid-song Robin Wilson turned from enjoying himself to just plain annoyed for reasons unknown.  He sulked about and left the stage in between songs through the set leaving the guitarist to introduce the band and try to keep some positive vibe to all the folk who dropped over $40 a ticket.

There was no encore when the band finished.  They thanked the crowd all so non-convincing and left the stage.  Granted the Gin Blossoms were supposed to headline there was no reason for Robin Wilson to act they way he did and in fact he ruined the show for me.  It was the first time I had ever seen the Gin Blossoms live and it will also be my last.  First impressions last on me regardless if you are a person trying to be my friend or a band that I came to see.  I did not go to the show to see someone baby it up on stage because the other act was late or because the turnout was low.

There was a strange silence for a few moments while the stagehands disassembled the Gin Blossoms’ gear.  PA’s started being disconnected and I was just waiting for the announcer of the evening to announce that the show would be ending because Tonic was unable to show up.

Thankfully the stage hands started setting up for Tonic so I knew the night was not going to be a complete bust.  For whatever reason though a good chuck of the crowd left as if they only came there for the Gin Blossoms.  Matt and I took advantage of this and moved to the front center of the seating area and claimed our spot for Tonic.

Tonic showed up and took the stage around 11:00pm and was able to make up for the poor performance by the Gin Blossoms.  Tonic seemed to be down a man and they performed as a three piece although I am not even sure these days how many people are in the band since their reunion.  The fans who stuck around did not let the lack of a Tonic member bother them though.  Heavy and loud cheering filled the area with tons of folk including myself singing along.  Good times were had.  I love that band.

Lead singer Emerson Hart mentioned that they were late because of a plane crash and proceeded to let everyone know how much is sucks to have a plane lose pressure and not have the oxygen masks fall into you laps.  They were not too happy with a certain airline that flys out of the Hopkins International Airport but did not seem to let that bother them at all.  They sounded great but since they were supposed to be a middle act they only played for less than an hour with no encore either.  Matt and I agreed that there was no encore because of curfew as well as Tonic probably did not want to upset a certain lead vocalist for the Gin Blossoms.

When Tonic finished there was that eerie silence again.  I am used to music becing played once concerts are over but this time it was a dead silence with fans discussing the strange events of the evening.  As happy as I was seeing Tonic live finally I just felt the night could and should have been better with no thanks to Robin Wilson of course.

Then again I should thank Robin Wilson seeing how he has inspired me to create a new catergory… The Suck.

Pour Habit – Suiticide – CD Review

There is no black or white, just Pour Habit.
There is no black or white, just Pour Habit.

What’s black and white and punk all over?

The answer is California’s Pour Habit.

Straight out of Compton (no really they are) comes the five piece punk rock band Pour Habit.  Their debut release Suiticide recently dropped on Fat Wreck Chords and I have to contest, it is amazing.  If you are looking for an album that can incite a circle pit from start to finish this is the CD for you.  Full of energy and raw power I have to admit that this was a surprise of a listen for me and I can not believe I did not give it a chance earlier.

Proving that hard work pays off, the band almost could not afford to record demos to offer to Fat Wreck Chords’ owner Fat Mike.  Formed in 2005 the band started for the sake of fun and not trying to make money.  The band got together to make music for themselves and any good punk rock loving patron out there.  Once they obtained a local following thanks to opening for some bigger named punk bands the band threw what money they had toward a studio to record Suiticide and before they knew it they were selling mad amounts of the CD as well as finding themselves opening for NOFX, a band they blame for detouring their path in life.

In fact drummer Colin Walsh had this to say about the effect of the iconic member of the punk rock band NOFX and his independent label:

“Fat Mike ruined me and my brother’s lives.  If it wasn’t for Fat Wreck Chords, I’d probably be working a steady job, but because of those bastards this is my life and there’s no way I could ever quit or stop. None of us could and that’s the thing—the five of us are so plugged into each other that we’re really best friends and that’s why we’re so dedicated to making this work.”

After opening for NOFX numerous times Fat Mike soon signed the band to Fat Wreck Chords after the band opened for NOFX numerous times.  The CD was re-released but hardly modified as Fat Mike was so impressed with the overall sound.  With a melodic mix of energy, metal riffs, and 90’s SoCal punk style, it’s no wonder Fat Mike signed these guys.

In fact the moment I heard the opening track “Institution” I was blown away with it and can see why everyone has been taking such a likening to them.  Fast, punk, and energetic, this song has it all to capture any punk rock loving fan’s attention.  Following was “Light The Torch”, a song that sounded like a younger Offspring from their years with Nitro Records if not better.

“Against Me” has nothing to do with the other one time Fat Wreck Chord label mate and is way more heavier sounding than Tom Gabel and crew create.  The song is thrashy at times and really has a strong Death By Stereo sound.  Sick guitar solos, intense vocals, and enough energy to make one jump around swinging fists about.

“Resignation” was a killer track and very technical at that.  I loved the guitar playing and just the signing, rather screaming demands throughout the track.  “Bad Luck Drunk” emulated everything I love about 90’s thrash punk rock and hinted heavy on Guttermouth with a song about the love of cracking open cold ones.

Starting off a little rasta and detonating into a full fetched riot was “Zion”, a track that stood out over the others with a sick catchy sound, fun guitar playing, and left me wanting more once the track came to an end.

Honestly after the album ended I had to play it again because I was just digging their style so much.  In fact I have listened to Suiticide at least ten times and plan on listening to it a few more times before moving on to something else.  I have not been addicted to an entire album like this for quite some time.

I can keep talking about this CD or you can go drop $8.00 on it and see for yourself on what good punk rock sounds like.  Suiticide is full of what punk rock used to be about, not caring, having a good time, and not giving a crap about what others think.  I can not wait until these guys tour over in my neck of the woods.  I can guarantee you I will be in attendance.

DOWNLOAD THIS! – Pour Habit – “Institution”

Music Video / Interview w/ Pour Habit (lots o cussing…):