Tag Archives: Fat Wreck Chords

Album Review: NOFX – Single Album

NOFX have been around for almost 40 years now. Why even bother talking about their accomplishments anymore?

If you know them, you know where they are from and what they’ve been through. Hell, if you read their bibliography, you probably know far too much now.

With that said, they probably don’t really care how their wit or charisma rubs off on others. You pretty much either love them or hate them and that’s just how it is.

Today, the band dropped their 14th full-length simply titled Single Album. Why was it called this? Well, the band had every intention of releasing a double album, but that goddamn nightmare of a pandemic got in the way and the bad decided it was best just to release a single album. Get it?

The post-hardcore opener, “The Big Drag”, seemed to be caught in a stupor at first, but after a few listens of it, I still didn’t love it, but appreciated it for all it was worth.

“I Love You More Than I Hate Me” clearly was all about Fat Mike. A personal ode to an unsteady interconnection of love and lust. “Fuck Euphemism” followed suit, although catchier, but more guided toward a certain frontman’s identity labels.

Although not a new track, “Fish In A Gun Barrel” ruffled about as many feathers as the comments made by the band against a certain shooting in a desert city that caused a lot of hell and consquences. Personally, I adored this ska punk track due to the catchiness as well as the hard truth presented.

“Linewleum” was a tongue-in-cheek cover and shoutout to all of the bands out there that ever covered the track that started off Punk In Drublic. I still prefer the original, but appreciated this modern day take.

“Grieve Soto” clearly was dedicated to Steve Soto, the founding member of Agent Orange and The Adolescents. There was plenty of eulogy to other punk rockers over the years that the band was surrounded by. There was even a part where Eric Melvin shouted “Mike Burkett!” to which the music stopped for a moment with Fat Mike responded: “Don’t put me in this song, I’m not dead yet.”

The country twang within “Doors and Fours” really carried a new style I was digging. It did not overtake the song by any means, but I enjoyed it tremendously as it supplied the soundtrack to nostalgic, haunting memories of a young band caught up in early LA punk scene. As sad as some of this was, this was probably the best NOFX track I have heard in years.

The piano was a nice touch to the closing track “Your Last Resort.” Fat Mike slurred though the beginning of this almost Dear John letter of a song. Shit picked up quickly though making for the fasted track on the album. There was a lot of pent up anger in this one where limits were finally broken.

If I can be honest, Fat Mike just sounded bored at times, however the band held up well with their talents. The album is far from being full of bangers and anthems for all to adore. In other words, NOFX fans will appreciate, but this is not the first album I would tell someone who has never heard of them to listen to.

This time around things got darker and, after being goofy bastards for 40 years, I can not blame them for doing what they felt worked. This time it was in Fat Mike’s best interest.

Album Review: No Use For A Name – Rarities Vol. 2 – The Originals

He was an epitome of punk rock music, so it’s no news to this day people still miss Tony Sly. Next year will be 10 years since the frontman of No Use For A Name sadly left this world.

Every NUFAN fan has their memories and stories. Personally, Sly was a huge part of my teenage years thanks to his music and I consider myself lucky to have seen him perform solo as well as with the band.

I remember the Warped Tours sets, packed small club shows, and even the time when Sly opened for NOFX in Covington, KY where some of the crowd hadn’t a clue who he was. Needless to say, I was pretty deviated the day he passed.

I like the fact his memory continues with the band divulging tunes for their fans that really should be heard. Rarities Vol 1. – The Covers did just that compiling covers by the band making for a great listen. To continue on with this tribute, the band and Fat Wreck Chords have just released Rarities Vol. 2 – The Originals.

According to the good peeps at Fat Wreck Chords, it took them about 3 years to look for every possible NUFAN recording out there to toss on this release and clearly with time comes change or some shit like that… Honestly, I am just stoked they dropped this.

Featuring 15 tracks, comprised of rarities and previously unreleased demos, this album is for all NUFAN fans no matter how dedicated. If anything, it was a nice reminder of how many great tunes

A demo of “Sidewalk”, off Making Friends, started off the collection. I liked this raw cut of a great song.

I actually remember the hidden gem, “No Way To Live”, that originally appeared on the Kung Fu Records sampler Punk Rock Is Your Friend. If you have not heard this one before, it is an absolute must listen.

The unrefined cut of “Justified Black Eye” may very well have just been a demo, but it was still as impactful as ever. I personally liked how it was not produced and almost hazy sounding.

“History Defeats” appeared as an unreleased song on All The Best Songs, a NUFAN comp album that dropped in 2007. This killer track was recorded for their 2005 release of Keep Them Confused and i am not quite sure why did not make it initially. If you missed hearing it previously, do yourself a favor and make sure you check it out now.

From the same album I just spoke of came “Stunt Double”, perhaps one of my favorite NUFAN songs. As much as I adore the acoustic version Joey Cape performed, the original just captures me even more.

The quick, obscure “Sara Fisher”, originally part of the 100+ song Short Music For Short People comp reminds you that even a song under 30 seconds can be catchy as all hell.

I really could not hear a defined difference with “Coming Too Close” on this album as it was noted a earlier version, but I am not complaining too much as this is another choice song of mine from the band. For all you older punks, this one was on the 4th Fat Wreck comp Life In The Fat Lane.

The version of “International You Day” put on this release was sped up at points and for some reason the rawness just stuck to me. I adored this demo to no end to the point I listened to it over and over before moving on.

Rarities Vol 2. – The Originals may not hold any unreleased material, but the versions and takes presented kept me satisfied. I’ll definitely be snagging a copy of this on wax for my collection. Fans of NUFAN will appreciate this to no end and honestly, people who may check this out not knowing much about the catalog will get a nice introduction to some of the finest punk rock music out there.

We miss ya Tony!

Album Review: Western Addiction – Frail Bray

Perhaps the hardest sounding band on the Fat Wreck Chords roster -sorry Me First and the Gimme Gimmes-  Western Addiction is back with an all new album and it freaking shreds.  I think the best thing about this is that we only had to wait 3 years for them to pump out more tunes.

Featuring veteran punks, some of who were perviously Fat staff, Western Addiction are not your ordinary punk band.  It’s their sounds of punk, melodic hardcore, and even doses of metal that make this band so unique and just badass.

Hailing from San Francisco, this is the band’s third release and was produced by Jack Shirley who, if you know the name, has helped with more than a few amazing releases.

Starting off the album was “The Leopard and the Juniper”, a precise, methodical hard track that clearly wasn’t just thrown together overnight.  The lyrics are out of this world, or at least dimension, and carry well with the brutal guitar playing.

“They Burned Our Paintings’ was just insane.  Based off true events, this track recalled the demise of masterpieces without stepping away from the canvas.  I loved the lyrics: “You can burn our paintings. We’ll dream a thousand more. Each one more coercive than before”.  I just could sense the passion and willingness to fight for creation on this track.

There was something about “Lurchers” that had me thinking about Dave Mustaine often.  This track honestly could have passed for a Megadeth track and I do not mean that in a bad way at all.  Of course at the end of the track Jason Hall makes a grunt that solidified my notion.

“Rose’s Hammer I” and “Rose’s Hammer II” clearly were about the perils of motherhood.  I have to credit Hall and crew for taking a personal approach on their beliefs and putting it to music.  Once I learned that Hall’s wife is a doula, it made even more sense.  Both tracks are a clear tribute to bringing in life and she who is responsible for it.

“Wildflowers of Italy” was probably my favorite track on the album with a more of a 80s/90s metal feel.  Far from cheesy, this track just spoke to me for some reason.  I loved the shift of the track when the piano just busted in making for a great listen most likely because it reminded me of some classic TSOL.

“Deranged By Grief” closed the album down with an almost haunting start that just shifted into an all out assault.  Tracks like this are why I adore this band.

I’ve listened to Frail Bray a few times now, and my god, it just keeps getting better with each listen.  I’m sure I have said that about other albums in the past, but this really hold true.  They seemingly touch on so many decades of punk/metal/hardcore without intention and I think that’s what makes them so unique.

EP Review: Face To Face – Hold Fast (Acoustic Sessions)

It seems like every punk band out there is dropping acoustic albums as of late.  This facade may come off as lazy or desperate to some, but when stripped down right, it makes so much sense.  Still, it is easy to just dismiss them because of how many are out there.

I have to give it to Unwritten Law though who first captured my fascination with the whole punk rock bands doing acoustic renditions of their songs years back.  I remember hearing Music in High Places and becoming obsessed instantly.  Then Rancid busted out an acoustic set in front of me live once at one of their shows and I adored it.  Perhaps this aging punker just enjoys slowing down things a little bit.

When I heard Face To Face was releasing an EP of acoustic versions of their songs over the years, I was nervous.  Mind you Face To Face is easily one of my all time favorite bands from my 90s, I was worried that it would not go well, but I couldn’t have been so wrong.

Hold Fast simply is songs from Face To Face’s 30+ years (with a slight hiatus) career put into an acoustic style.  Perhaps sparked from their “Econo-Live Tour”, the band decided it was their turn to try.  Actually, Face To Face did acoustic sets years back as I remember a friend’s band opening for them and quickly having to learn how to relearn their songs so they could stay on the bill with them – Back to this EP though.

Hold Fast is listed as an EP, but at 33 minutes, it could easily be an album.  I was impressed to see 10 songs tracked on the Fat Wreck Chords release and was more impressed with where they call came from on their discography.

“All For Nothing” started off the EP with an alt-country twangy version of the catchy Laugh Now, Laugh Later track that I am sure Lucero fans would totally appreciate.  I quickly realized after this song alone the amount of time put in by Face To Face to transformed them into a completely different style.

“Disconnected” was the song I was most worried to hear.  This radio-friendly track that caught the most attention on Big Choice was part of the soundtrack to my life in the late 90s and I’m still quite fond of it to this day.  I held off listening to this song at first and waited until the album came out to take it in.  I had nothing to worry about.  This song was perfected transformed from a pop punk jam to an acoustic masterpiece.  I loved everything about this song from Keith’s slowed down singing to the backing vocals and even the guitar playing.

I was kind of shocked to hear “Keep Your Chin Up” the EP as it was a new song, but as soon as the chorus started I immediately understood.  It fit perfectly.

“Don’t Turn Away” was completely dissected and put together as one hell of a track.  The lyrics remain the same, but everything else about it screams alt-country with even some rockabilly qualities to it.  This was such an enjoyable track to rediscover though a different genre.  Just wait for that guitar solo.

“Aok” was another version I just absorbed and adored instantly.  This is one of those other songs that was part of the soundtrack of my life and hearing it on a different caliber was just so appreciated.

I can not say every track on the EP blew me away as some were at status quo like “Ordinary” and even “Velocity”, but I did not skip past a single song.  Nothing was completely unbearable which led me to believe the band truly gave it their all.

I truly feel Face To Face did this for the sake of trying something new and not looking for a quick paycheck (leave that to Me First and the Gimme Gimmes).  These So. Cal. punks have matured so much since back in the day and clearly have moved past their punk rock roots musically.  I really think people who never were into Face To Face are going to hear this and become fans of these renderings.  I am also hoping they just decided to make new music in this style.  I have the feeling it would be amazing.

Don’t dismiss this EP at all folks.  Face To Face is far more talented than you think, especially if you just assume they are just some aging punk rock band looking for a quick payday.

Album Review: Me First and the Gimme Gimmes – Rake It In: The Greatestest Hits

A few weeks back, I found a photo of myself from when I was working in shipping and receiving at some internet company.

I was about 21 years old at the time and looked ever so thrilled in the picture.  The photo showed me working hard while I rocked a backwards hat as well as a Me First and the Gimme Gimmes shirt, a shirt that I basically wore in the late 90s until it fell apart.  That was almost 20 years ago.

Where am I going with this you ask?

Well, clearly I was a fan back then, and I still am today.  Ever since I heard the Gimmes play “Country Roads” on a Fat Wreck comp, I fell in love.  There was just something so appealing about hearing a song my parents listened to in the 70s altered to my standards.

For those of you who live under a rock, Me First and the Gimme Gimmes consist of Joey Cape, Chris Shiflett, Dave Raun, some guy who calls himself Fat Mike, and good ol’ Spike Slawson.  They have been taking overplayed and classic tunes and covering them the only way they know how to.  The result is catchy, likable, and just downright fun.  i should probably add that they have been doing this since 1995.

Over the years, they have tackled adult contemporary, Motown, show tunes, country, and even Japanese pop songs just to name off a few genres.  I guess you could say they are not the gimmicky type.  Hell, they have 7 studio albums under their belts released on Fat Wreck Chords.  Clearly they are pretty damn important in the punk cover band scene.

To showcase their accomplishments (and squeeze you out of your hard earned cheddar), they are about to drop a greatest hits album on April 7th full of renditions of songs cleverly titled Rake It In: The Greatestest Hits.

Featuring 17 memorable covers, the Gimmes threw together the best of the best for all to hear in one collective listen.  I am sure it was tough for the Gimmes to pick the right songs for this “greatestest” hits album, but I think they did a pretty good job.

Starting with Bob Dylan’s “The Times They Are A-Changin'”, the album spans the Gimme’s eclectic taste in covers.  It was great to hear “Straight Up” and “Jolene” and of course “I Believe I Can Fly”.

I’d be lying if I said I wasn’t stoked to hear “Desperado” as well as “End of the Road”.  I adore the Gimme’s take on these two originally over-played-as-hell songs.

As an added bonus, a few non-album tracks that I have not heard in a long time appeared.  “City of New Orleans” off of Willie, a Fat Mail Order limited edition EP, was an excellent surprise to hear.  The Del Shannon classic “Hats Off to Larry”, originally on the Live Fat, Die Young: Fat Music Vol. V, was the other.

The one track missing that I felt should have been on this greatest hits was the Gimme’s version of “Rocket Man” by Sir Elton John.  Luckily, I have Have A Ball in my collection and can listen to it whenever I please, but for those out there that are just discovering this punk rock cover band, that is one song I know they would enjoy.

To be honest, I was really hoping for the band to have a new album full of covers, but I will take this “greatestest” hits release over nothing.  I hope one day they decide to cover 90s hip hop songs in the key of punk rock, I seriously think that would be amazing and I know they could pull it off.

What I’m trying to say is simple:  Long live the Gimmes.  They are the best cover band of my time.

In support of this release, Me First are touring and have been since February.  I can not even tell you the last time I have seen these guys tour, so make sure you go see them live.  It is going to be an all out blast.  Give them your money.  All of it.  Being in a cover band can’t pay that much, can it?

Tour Dates:

04/11/17 Pittsburgh, PA at The Rex *
04/12/17 Cleveland, OH at House of Blues *
04/13/17 Chicago, IL at Concord *
04/14/17 Detroit, MI at Majestic *
04/15/17 Toronto, ON Canada at Phoenix Theatre *
04/16/17 Montreal, QC Canada at Club Soda *
04/19/17 Boston, MA at Royale *
04/20/17 Philadelphia, PA at Union Transfer *
04/21/17 Baltimore, MD at Baltimore Soundstage *
04/22/17 Asbury Park, NJ at Stone Pony *
04/23/17 New York City, NY at Webster Hall *
05/02/17 Portland, OR at Wonder Ballroom ^
05/03/17 Vancouver, BC Canada at Commodore ^
05/04/17 Seattle, WA at Showbox ^
05/05/17 Boise, ID at The Olympic ^
05/06/17 Salt Lake City, UT at The Depot ^
05/07/17 Denver, CO at Summit Music Hall ^
05/10/17 Scottsdale, AZ at Pub Rock ^
05/11/17 San Diego, CA at House of Blues ^
05/12/17 Santa Ana, CA at The Observatory ^
05/13/17 Los Angeles, CA at The Fonda ^
05/14/17 Berkeley, CA at The UC Theatre ^
05/27/17 Las Vegas, NV at Punk Rock Bowling
06/09/17 Interlaken, Switzerland at Greenfield Festival
06/11/17 Milano, Italy at Carroponte w/ Descendents *
06/14/17 Attnang-Puchheim, Austria at EQUALITY Festival
06/15/17 Nickelsdorf , Austria at Nova Rock Festival
06/16/17 Bischofsmais, Germany at Rock The Hill
06/17/17 Bischofsmais, Germany at Rock The Hill
06/23/17 Neuhausen ob Eck, Germany at Southside Festival
06/23/17 Scheessel, Germany at Hurricane Festival
06/24/17 Neuhausen ob Eck, Germany at Southside Festival
06/24/17 Scheessel, Germany at Hurricane Festival
06/25/17 Scheessel, Germany at Hurricane Festival
06/25/17 Neuhausen ob Eck, Germany at Southside Festival
07/01/17 Würzburg/Giebelstadt , Germany at Flugplatz Mission Ready Festival

* = w/ PEARS & MASKED INTRUDER
^ = w/ Together Pangea