Category Archives: Folk

Album Review: Sam Russo – Greyhound Dreams

Sam Russo - Greyhound DreamsThere’s something to be said about storytelling and incorporating it into music.  Sam Russo does that without skipping a thought or a beat.

(Speaking of beat, I should be clear and note that I am talking about the musician Sam Russo, not the button pushing DJ.  I just wanted to make myself clear there.  Thanks.)

Hailing from Haverhill, England, Russo has been playing his own style of a punk-ish Americana folk-rock for years now.  Having released his debut over 3 years ago, Greyhound Dreams (Red Scare Industries) is an impressive follow up.

Russo is not just another punker with a guitar and some pent up anger.  When I listen to him, I think of a hybrid mix of Tim Barry, Dave Hause, and Frank Turner.  The beauty of Russo is that his music does not sound like a rip off of any of the previously mentioned and  is genuine and at times flooding with anguished, heartfelt memories.

Opening track “Sometimes”, a blatant blast at a harsh personal outcry, was simple yet whole, especially when others jumped in to sing along in the chorus.  The song was depressing as hell when you realize why Russo admits being unruly.

Sam Russo“Dream All You Want” contained so many visuals in the lyrics that I had to listen to it over a couple of times to my mind could settle down.  Russo singing “you either chase your dreams, or you chase your dreams away” made it clear to me, this was not a happy song.  This song wasn’t just about dreams, it also was the unspoken reality of those dreams never coming true.

“Crayfish Tales” was one of the better tracks on this album in my opinion.  I swear to god, this guy and I have lived in the same shoes at one point in our past.  I almost predicted that he was going to sing a couple of times.  “Runaways” was also a great tune and a little more upbeat and personable.

I loved that “Forever West” spoke on Russo’s journey that he experienced in the states.  While listening to it, I could not help but think of my own past experiences from the time I stayed in a ghetto Motel 6 in the hood of Baltimore to when, years later, my fiancé and I drove 2800 miles to New Mexico almost non-stop.  It really hit home, especially when he sung about the sun coming over the mountains as I experienced that and it was amazing.  It was like a musical observation, but different.

Russo sang his heart out on “Nobody’s Fool”.  I feel that this was a more important track for him as reminisced on his past pain caused from heartbreak.  “I would give you everything and just disappear” was sung towards the end making for a true statement of love.

“Western Union” closed the album down strong.  Things picked up in the middle with some extra help on vocals, but mostly Russo held this song down solo.  Not the happiest of stories, but incredibly impactful on those lonely memories.

Russo touched on something often on Greyhound Dreams that I think we all need to consider:  Life is short and full of difficulties.  We’ve all been through a personal hell at some point, but Russo really leads by example in his songs (and even song titles) by singing about moving on and never stopping.  No one ever said being a human being was an easy thing.

I will be honest and say I never gave Russo the chance I should have.  I missed out, that is a fact.  Hell, the dude even supported The Falcon overseas and I still was lame and did not buy everything he ever recorded.  (Disclosure:  I would have been privy to Russo years ago had I made it to that Tim Barry show at the Grog Shop…)

If you are a fan of early Frank Turner music, you will adore this album.  I am not sitting here trying to compare the two, I just know what I like, and Greyhound Dreams is pretty outstanding.  Russo has won himself a new fan and probably a whole lot more once they give him a well-deserved chance.

With the year coming to an end, I just found myself another album that needs to be penned onto my best of 2015 post.  Nicely done Russo.  I look forward to hearing more from you.

Darius Koski Solo Debut To Drop April 7th

Hey Swingin’ Utters fans,  Darius Koski is about to debut his solo album.  Before you start throwing down assumptions that the guy is going acoustic just to to make a quick buck, please see what he had to say about the whole solo route:

“I’ve been wanting to have an outlet for it for so long—for longer than I’ve been with the Swingin’ Utters, basically. And I just hadn’t done anything with it. I didn’t really know how I was going to release it, I hadn’t done much live, I have problems remembering lyrics… So I’ve been putting it off for so many years, but it’s finally coming together, and I’m thrilled about it. I’m totally going to go for it.”

Now that you’ve read that, how about you take a listen to one of this new songs:

https://soundcloud.com/fat-wreck-chords/darius-koski-listen

You’re weren’t expecting that much twang were you?  I know I was not, but I will tell you this, I love it.

Dropping on April 7th, Sisu, is in a genre really of its own with a plethora (yes I said plethora) instrument playing including guitar, piano, banjo, accordion, violin, glockenspiel, vibraphone, melodica, ukulele, and percussion.  This is not just some solo album.  This is years of built up creativity by Koski finally being released property.

I know I am stoked to hear this.

Pre-orders are up at Fat Wreck as of today.  Hurry up and get you some.

Check It Out: Unsung Episode #1: Jason Molina and Songs: Ohia’s Didn’t It Rain

jmpress_2015aI owe my pal Kyle for turning me into a huge Jason Molina fan.

Yesterday, WXPN aired a hour-long special on the late and great Jason Molina.

 

The moment I learned of this, I stopped what I was doing to tell him.  Now I am sharing this with you.

Last night, WXPN in Philadelphia aired the first of Folkadelphia’s Unsung specials of which Jason Molina and Songs: Ohia were the focus. The hour-long feature centered around a watershed moment in Molina’s career, specifically the time leading up to Didn’t It Rain, it’s creation, and the transition to Magnolia Electric Co. Host Fred Kittel guides us through the time period and explores Molina’s impact on a larger scale. The episode includes conversations with important partners in the creation of Didn’t It Rain as well as a compilation of Songs: Ohia covers by local Philadelphia bands. Stream the full episode, covers, etc via the links below.

STREAM FULL SHOW VIA SOUNDCLOUD
https://soundcloud.com/secretlycanadian/folkadelphia-songs-ohia-xpn/

SONGS: OHIA WXPN FOLKADELPHIA COVERS
https://soundcloud.com/secretlycanadian/sets/folkadelphia-songs-ohia-covers/s-ThSEr

Listen to Unsung Episode #1: Jason Molina and Songs: Ohia’s Didn’t It Rain. Make sure you have some spare time on your hands as you are going to get sucked into this.  It is a very interesting look into Molina and his time in Philadelphia while recording and those influenced by it.

Now comes the cool part…  Some of those folk who were influenced by the late and great Molina have contributed to a very appropriate compilation.

Stream and download the entire Songs: Ohia Folkadelphia Covers Compilation, which features RestorationsPsalmships (ft. Mike “Slo-Mo” Brenner), The Weaks (ft. Frances Quinlan from Hop Along), Teen MenLaura Baird, and Adeline Hotel performing Jason Molina’s music.

Enjoy.  I know I did.  Especially that Restorations cover…

Album Review: Bombadil – Hold On

Bombadil - Hold OnI was told Bombadil, who hail from Durham, NC, were a pop-folk act that I needed to listen to.

Seeing they hail from the same state as a certain Brothers band that I adore enough to tattoo their cover art on me, I figured why the heck not.

I cannot say I’d heard of Bombadil prior to checking them out, but after doing a little research, I learned that they have been around since 2005 and caught the attention of Ramseur Records thanks to their MySpace page.  Next month, the band is dropping their fifth full length album on  titled Hold On.

I was not sure about “Coughing on the F Train” when I first listened to it.  The song reminded me of an 80s track mixed with a storyline Beck might have created in the 90s.  Overall, it was catchy, but just slower in some areas.  One song in and I already started to wonder if this band had any folk in them (Note: Their older material has a much heavier folk appeal to it from what I have listened to after writing this up).

“Amy’s Friend” cleared my question up immediately.  This track was a gentle duet that clearly has swooning abilities with great harmonies throughout.

I enjoyed “Bill You For Your Trash”, especially the guitar solo towards the end.  I could not help but think of Simon & Garfunkel in a sense while listening to this track.

“I Can’t Believe in Myself and Love You Too” made me just want to crawl in a hole with a bottle of something strong.  What a sad track.  I can not say I dug the backing vocals though, it was almost too much.

“Framboise” was one of my favorite tracks on the album.  It was almost like listening to something from the 60s.  I loved the mix of French and English singing on this track.  I secretly wish this song would have morphed into a “Bohemian Rhapsody” of sorts.  The explosion at the end I was waiting for, never happened though.  Still, very creative track.

“Love You Too Much” carried one hell of a Motown feel.    Robinson’s vocal range on this track was impressive to say the least.  I have the feeling this track is ten times better live.

I laughed to myself when I saw the title “Rhapsody in Black and White” given my previous thought regarding Queen.  I was not too sure about this track.  It was almost too weird.  I understood the premise, but was this serious or satire?  Also, can I just comment how much Robinson sounds like Pete Townshend?  I can not tell you how long it took me to find the perfect comparison, but while listening to this song, it finally struck me.

“Honest” should have been called “Brutally Honest”.  If this was not a personal confession of revalation, then Robinson has one creative ass thought process.  This track easily could have been a Brand New track.  I am not sure how many of you will even understand what I just stated, so allow me to clarify:  This track was super heavy on the emo, even with the random electronic breakdown towards the end.  This was an amazing, powerful song that I was not expecting.

“Love Is Simply” closed out the album with a very well put together composure.  There was so much going on in this track.  I candidly thought of Flight of the Concords, but only due to the singing styles.  This track was pro-love, at least I think it is.  The burning bag comment kind of threw me off.

Bombadil has their own unique approach to pop-folk with a more subtle sound that in turn is quite comforting and catchy at times.  I really think their genre is a lot broader than they get credit for.

Plenty of people are going to get into this band with Hold On as it almost caters to everyone.  With plenty of creativity in creating their own style, I can admit that I am now a fan.

Album Review: Tim Barry – Lost & Rootless

Tim Barry - Lost & RootlessIt’s no lie, Tim Barry just dropped one of my favorite albums of 2014.

After hearing it just one time through, I had no choice but to make an immediate edit to my best of 2014 post.  I was blown away.

Lost & Rootless, Barry’s fifth studio release as a solo artist, is the best thing I’ve heard from him to date.

The Richmond, VA folk crooner is one of the most talented music writers I consider myself a fan of and he just further proved that to me with his latest effort.  To say he is on top of his game is a complete understatement.

Barry, on his website, said the sound to his latest release could be described as “Wooden.”  He stated “that’s the feel that I was going for when I picked the songs. There’s violin, voice, a wooden resonator guitar…there’s a very subtle electric bass on one track, but otherwise I wanted to do a wooden record.”

“Wooden” is the perfect description when you think about it.

Hiding out in a backyard shed with his sister and pal Josh Small, Barry recorded Lost & Rootless with no time frame  and no worries at all. The result is a tireless release that I have listened to over and over and found myself enjoying more so than the last listen.

One thing I adore about Barry is his storytelling abilities.  In Lost & Rootless, Barry doesn’t hold back with his tales that do not necessary have a theme to them but certainly reach back to other stores of past albums.  There is no concept to be heard and to be honest, I think Barry and crew just recorded whatever was on their mind.

Starting the album off was “No News From North”.  This was actually taken from Barry’s Laurel Street Demos, but re-recorded just as he has done with other selections. I loved the rendition of this song from its original. It sounded so much more homely and emotional.

“Poppa’s Porch” had me thinking of Barry on his front porch with his wife and kids singing to them on a weekend morning. This song told a story about the neighborhood that surrounds said porch full of fisticuffs and shenanigans. This was overall such a friendly track to listen to. It was like Cheers, but different.

“All My Friends” painted such a beautiful picture of who Barry surrounds himself with. This was a very old-timey sounding story about people who took to the streets for entertainment and communication.

I can honestly say I know exactly what “Breathe Slow Let ‘Em Pass” was all about. My rebel youth recalled those days when the law passed me by and I turned into stone until they were far away only to release a tightly held in breath. This track was amazing based on the idea of it.

The cover of “Clay Pigeons” by the late and great Blaze Foley was just amazing to listen to. Having just learned about the Austin musician myself, I can understand why Barry chose to record his own version of the song.

The somber story told in “Solid Gone” reflected hard times with family and finances and the outlawed methods to make things manageable resulting in further calamity. I can not say I have heard a song quite like this before and found myself captivated throughout it. This is one track I think everyone needs to check out on this album.

“Lela Days” was clearly written for Barry’s daughter. I have the feeling she loves it when he sings this song to her. It is a fun folky jam with real life expectations hidden within.

I can not tell you the number of times that I thought to myself how much I enjoy Tim Barry’s music.  This is coming from a aging punk rocker who has matured just a bit but still has a lot of growing up to do.  It’s nice to see that I still get excited about things.

By now, it shouldn’t matter that Tim Barry once was in Avail.  Even though his former punk act will always be one of my favorites, it is perfectly clear why Barry has moved on and started something he can call his own.

It’s no wonder he has no plans of ever getting Avail back together, his new direction just makes so much sense and does not seem to be going off track.  He has been going strong for 10 years and I hope to hell he has no intention of slowing down.