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Cleveland, Folk, Good Eats, Good Times, Live Shows, Music, Review, Rock

The Gaslight Anthem, Good Old War, & Redwater Rojo – Agora Ballroom – Cleveland, OH – 03/31/2009 – Concert Review

2 April, 2009 Brian Mc Leave a comment

Last minute shows are always a good time for me. First I have to see if I can get off work early enough to go home and change from my “business casual” attire so I do not stand out like a sore thumb and then there is the planning of meeting up with friends and trying to grab a quick bite to eat. Sometimes this planning fails immediately as work beckons me to stay, meaning I can not get off that evening. Luckily for me things worked out perfectly this past Tuesday when The Gaslight Anthem came to town.

Matt from Addicted To Vinyl mentioned to me on Monday night that The Gaslight Anthem were playing the Agora Ballroom with special guests Good Old War and local rockers Redwater Rojo the very next night. I honestly did not think I was going to make it to this show and kicked myself for also forgetting about it. I was not 100% sure that I would be able to leave work early enough to head out to Cleveland to see them perform but as luck would have it I was able to.

Matt and I decided to grab a bite to eat before hitting the show and jokingly we discuss eating at My Friends in Lakewood, OH as I was once convinced he lived there because every time I ever picked him up for a show or what have you he insisted on meeting me at My Friends. I give him hell for it all the time but on Tuesday I was shocked when he told me I could pick him up from his dwelling.

Once I arrived Matt asked me if I had ever eaten at The Town Fryer, a local southern cuisine based eatery, and I stated I had not. He reminded me that the restaurant had expanded recently and opened shop in the same building as the Agora. He suggested we eat there since it was literally butted up to the venue and I agreed it was a good idea.

Now normally I do not mix food reviews with concert reviews but something happened while we were eating that involved unknown crew/friends of a band that would play later that night. It was not about the food, that was excellent (the catfish was to die for!), it was about other patrons…

I should take a moment here and clear something up right quick. Originally I thought the people seated behind me were Good Old War with a female friend. I was quick to exchange emails later in the day after writing the blog with my good pal Jonah who informed me that said girl who was associated with Good Old War was the merch girl and she, nor the band, were even able to eat at The Town Fryer as they closed shop shortly after Matt and I finished our meal. So to Good Old War band members/crew, supposed girl, her boss, and anyone else who read this blog originally…oops, my bad. Seriously, I need to stop assuming things…

Anyways…

While seated at The Town Fryer there were some folk seated behind Matt and I who were giving the waitress kind of a rough time. It was apparent the waitress was a little stressed out since she was the only one there and we later learned that she not even 5 minutes before we walked in found out she had to open shop. Apparently The Town Fryer was in the process of moving from one space to another in the building and she had been there since 6:30am.

To make a long story short these cool folk were not too kind and not too cool in my standards. I knew they had something to do with the band because they paid with meal tickets, something that is given to the band and crew only.

There was a female companion who sat along with a few guys who seemed to be making a big stink about “being vegetarian” and gave the waitress kind of a hard time about her order. Granted the restaurant lacked some of the menu items I still found it uncalled for how they were being. They were not exactly a-holes to the waitress but enough to bother me while I was eating.

Regardless of how crappy her day was and how long she had been on her feet busting her ass for a decent paycheck, our waitress gave Matt and I great service and in return we were nice to her as we both understood she was having a rough day. She was a cute girl and just looked ever so tired. I could see the long day she had in her eyes so I decided to be extra friendly and funny to her. I am pretty sure thanks to our conversations with her we put a smile on her face. I will be going there again for sure.

Something that also pissed me off was that later our waitress told us that the tip Ms. I’m A Vegetarian left her was not even $3.00 for a $60.00 bill total (I don’t give a crap if there were coupons/meal tickets/gift cards…your tip should reflect the total bill). Don’t worry friends/crew that hangs out with unknown band, I tipped heavy on account that you suck as patrons and failed to understand how rough of a time that waitress was having. I had been in the food business for many years of my life and this you should know… – respect your servers.

So let’s get back to talking about the show shall we?

The original bill for this show stated that Dayton, OH’s Heartless Bastards were playing as well but for some unknown reason they skipped Cleveland but managed to play Pittsburgh and Columbus just days before. If anyone knows why they skipped out I would love to know especially since I have been wanting to see them live for a while now and am a little bummed they passed up Cleveland. I guess I will see them this summer though as they are playing the 2009 Bonnaroo. Luckily the Agora was able to acquire Redwater Rojo to fill in last minute.

Cleveland’s Redwater Rojo took the stage to a small gathering to start off the night. I have seen their name around and even used to work with the lead singer years ago but I had never seen them live. Their performance was good with a strong mix of southern , smooth , and even at one time some progressive rock. I was shocked to hear how great the lead singer’s voice was as I was not even aware he was the front-man of the band when he told me about it years ago. I liked their music and hope to see them play again. My only complaints really were that the band kind of stood in place their entire set and lacked movement and I was unable to decipher if they were religious or not as some songs seemed to go hand in hand with a bible while others screamed F you to pretentious women.

While hanging out in the lobby of the Agora, Good Old War performed. I had never heard any material by the Langhorne, PA folk fun rockers whose songs really remind me of Paul Simon. They were entertaining and from the medium sized crowd that cheered and sang along with them I would have to say I got a kick out of them and will be checking out their release Only Way To Be Alone sometime soon.

I do need to add though at times during Good Old War’s performance, loud group cheers from the bar area of the Agora overpowered their performance and I knew why. The Cleveland Cavaliers were kicking some serious ass that night and a bunch of the attendees at the show gathered around the television to cheer on LeBron James and others towards another victory. Go Cavs! Only in Cleveland…

The Gaslight Anthem took stage after the Cavs claimed a win so everyone at the venue focused all their attention at the New Jersey quartet. Opening with “Great Expectations” the band sounded just as amazing as they do on their studio releases. All of the members were smiling and playing their hearts out and it was truly enjoyable seeing that. Throughout the show they played some of my favorites like “Old White Lincoln” and “Even Cowgirls Get The Blues” as well as “We Came To Dance” off their first release and “Blue Jeans & White T-Shirts” off the Señor And The Queen EP.

The lead singer Brian Fallon at one time explained to the crowd that they were smiling and laughing so much because of inside jokes the band had with one another. The laughs soon were shared with the fans when Brian Fallon stated that he could not having a hard time understanding what any of the guys were screaming at him but was able to hear the ladies perfectly. I found myself laughing a couple times in between songs when some of the things the guys were screaming translated into “What? Ja Rule was at a Gaslight show?” and “I heard french kissed hot dogs”.

Aside from the great rock and jokes Brian Fallon spoke about a legend of a performer who many compare the band to, Bruce Springsteen. At one time he told the crowd that he met Bruce Springsteen and they talked about New Jersey and their music. It was awesome to hear his short memories of the conversation and his attempt to imitate how the “Boss” speaks.

One statement that Brian Fallon did state earlier in the show about Bruce Springsteen kind of irked me a bit. He mentioned that Bruce Springsteen was being inducted into the Rock Hall later in the week but the truth is that there is a Bruce Springsteen exhibit being opened at the Rock Hall later in the week and that it’s been 10 years since he was inducted into the Rock Hall. I hope for the lead singer’s sake that he was just overcome at the response of the fans and not terribly mistaken.

During the encore Brian Fallon came out with guitar in hand and played a cover of Bruce Springsteen’s “I’m On Fire”. While he performed the classic I thought it would be a good time to head to the merch tables and see what goodies I wanted to pick up. I decided that it was a good idea to pick up Sink Or Swim and The 59 Sound both on vinyl to add them to my collection. I know these will be records I will listen for years to come.

Upon leaving we made a pit stop with the coolest “booking girl” ever and hung out with her for a few moments behind closed doors. I could hear The Gaslight Anthem continue their encore and the very last song they played sounded like “Stand By Me” but was morphed into a song I could not figure out. I thought they played three songs during the encore but I would not be surprised if I am mistaken. If the set list below is not accurate let me know so I can update it. Thanks.

I was really hoping that the boys that night would have played a little more material from Sink Or Swim or Señor And The Queen EP, but this night was mostly all about their latest release The 59 Sound. Regardless of their choice of the songs on the set list it was an awesome performance and I can not wait to see these guys again. I do have the feeling though that next time the show will not be as intimate as this show was. This band is going places.

The Gaslight Anthem Set List:

Great Expectations
High Lonesome
Old White Lincoln
Even Cowgirls Get The Blues
Wooderson
The ‘59 sound
We Came To Dance
Film Noir
Casanova, Baby!
Miles Davis & the Cool
Meet Me By The River’s Edge
Here’s Looking At You Kid
The Backseat

Encore (I could be off on this so if anyone has the correct set list let me know!)

I’m On Fire (Bruce Springsteen cover)
Blue Jeans & White T-Shirts
Stand By Me /I’da Called You Woody, Joe

Here’s a video a fan took of Brian Fallon signing “I’m On FIre” (no I did not take this…)

Box Set, Concert, DVDs, Funny, Live Shows, Music, New Release, Punk, Review

NOFX – Backstage Passport – DVD Review

17 March, 2009 Brian Mc Leave a comment

For the first time ever punk veterans NOFX did something that might be actually considered “going commercial” by creating a show that was broadcast on TV in 2008. Last Spring NOFX teamed up with real music station FUSE TV and put out the hilarious yet eye opening series called NOFX Backstage Passport. The two disc DVD was finally released by the band’s very own Fat Wreck Chords so that now fans can watch this very original show over and over again.

The eight episode documentary that took place from September of 2006 to November 2007 featured NOFX on tour in unfamiliar countries showcasing not only their live performances to their fans but also aired their down time and behind the scene troubles trying to get from one country to another. The result is a show that is like a punk rock No Reservations complete with drunks, drugs, and disaster.

Any fan of punk rock knows who NOFX is; now admitting you are a fan of NOFX is another thing. Formed in 1983 the band achieved their own success doing things their way with no commercial help. Having never signed to a major label, they ignored requests for radio airplay as well as refused to have their music videos aired. They are godfathers of punk to many and have toured the world as well as have been a staple to the punk rock summer camp also known as the Van’s Warped Tour.

I have been a fan of NOFX since I got my first taste of their adaptation of punk rock music when I was in high school. 14 years ago I purchased a VHS movie put out by them called Ten Years Of F*cking Up. I swear I watched that video until the tape wore thin. Their live videos were entertaining in a sense that they just did not care. Not just seeing them on the television, I have caught them numerous times live as well, I guess you can say like these guys a little.

The moment I heard that they would be putting a show on FUSE TV I made sure I set my DVR to record because I knew I was going to enjoy it. From the first episode of NOFX Backstage Passport started I was hooked. With only eight episodes of course I wanted more but thankfully the two disc DVD is now a part of my collection so I can go back and enjoy their tour.

The intro song performed by NOFX pretty much summed up the entire series with:

“We’re NOFX, screwing up since 1983 / These days we’ve got mortgages and families / So we’re going on a sketchy tour / No country is too obscure / We’re going to drink and golf and fight and snort / We’re NOFX this is punk rock passport”

Just alone in the first episode, it is learned that the series would revolve around NOFX playing in countries that punk bands normally would never tour in. While a comedic gesture it also proves to be the band’s biggest challenge ever.

The band, as if no one knows, includes Fat Mike, Smelly, Eric Melvin, and El Hefe. Along side the band, their manager Kent was introduced (who becomes a major part of the show, mostly because of his drinking habits) as were multiple crew members (Rugly, Wilkie, Carlos, Jeff, Ryan, Limo & Jay) who are more like family over employees.

Seeing the band at the beginning of the episode leave their actual families for the tour proved that these careless musicians are people too and I almost felt bad for them. As exciting as a world tour would be, I can only imagine how tough it is to leave your loved ones.

The reality of their idea soon is shattered at some of the first episodes when the fans actually turn on the band during a couple of shows because of an instrument mishap as well as a failed joke turned insult. It’s wild to think that such a thing could happen to a band like NOFX but it did and fans were pretty pissed off at the band. If that was not bad enough a later venue the band showed up at had no idea that they were even supposed to play and the band was soon forced to leave the country because of death threats their mindless promoter was receiving.

The promoters NOFX worked with to get this tour working were novice if not scam artists. Some of them kept promising Kent money and never delivered while others just continued to dish out lies.

It was actually sad to see the band get screwed out of money from those brainless promoters, yet humorous to see Kent negotiate with them sternly, fueled by anger and sometimes alcohol. Kent alone stole the show at times especially during the one episode where he just kept drinking and eventually was carried away. At the end of the series Ken makes a wise and bold choice that will change his life for the good.

Though the band seemed to have nothing but disappointment during most of their tour in many of the episodes, there were a handful of stops that they made the best of. From hanging out with curious youth who become excited at one of the roadie’s tattoos to cuddling with wild animals and even swimming in the Dead Sea, NOFX and crew seem to ignore the bad and enjoy their surroundings with what they had. They even gave acoustic apologies to fans outside their hotel at one point due to a canceled show that quite possibly even lifted the band member’s hopes more so about the situation they were stuck in.

During one of the episodes NOFX randomly made friends with a local while hanging out at a bar. The local had never heard of NOFX let alone punk rock music and the band was quick to invite him to see their live show for a real taste of punk rock. The smile alone on the local’s face during the show was priceless. The band even went so far in one country to self promote themselves reflecting their younger days as an unheard of punk rock band in California. After all, many of the countries NOFX toured in had no real idea who they were let alone sold their material at local music shops.

From missing band members to strange green powders and some S&M whipping and pain, you clearly are involved in punk rock shenanigans like none other. Throughout the series I was actually wondering to myself if the band would ever make it home alive and had a very hard time waiting in between episodes to see what happened next. Thanks to DVD there was no waiting between episodes. I watched the entire series in one sitting and was ok with my decision to kill an afternoon doing so. I seriously could talk about this show all day but I really do not want to ruin it for you.

The first disc contains all eight episodes with the band touring in such countries as Brazil, Peru, and Russia. The second disc is loaded with over two hours of bonus footage from each episode that soon loses it’s appeal. I really wish the footage would have been included with each episode almost like an uncut version but other then that I have no complaints. There is also a enclosed NOFX passport full of photos, set lists, and other added memories from the tour.

The release on DVD was supposed to be uncensored but somehow the original footage was lost so the broadcasted episodes on disc one is exactly how it was seen on Fuse. The deleted scenes however are full of wholesome cussing and fowl mouthed hilarity. The series were limited on cable thanks to censorship, commercials, and week long waits but I assure you this DVD will make up for all of that. Loaded with hilarious adventures this DVD will not disappoint and if you think all musicians have it easy, think again. Granted NOFX traveled in no man’s land at times and narrowly escaped with their lives, this is visual proof of how badly a world tour can go and how awesome the experience can be by taking chances.

Want to buy a copy? For only $15 it can be yours. Head over to Fat Wreck Chords to buy a copy online.

DVD Specs:

DISC ONE:
1: Episode 1: Brazil, Chile Watch
2: Episode 2: Argentina, Ecuador, Peru
3: Episode 3: Japan, Singapore
4: Episode 4: Malaysia, South Korea, Taiwan, China
5: Episode 5: Indonesia
6: Episode 6: Israel
7: Episode 7: Russia
8: Episode 8: South Africa

DISC TWO:
Bonus Footage on all eight episodes

A classic NOFX video:

One more:

Hardcore, Metal, Music, Music Video, New Release, Review

Bleeding Through – Declaration – CD Review

14 March, 2009 Brian Mc 2 Comments

Straightedge metalcore sensations Bleeding Through continue their mission to rock your face off and implode ear drums while doing so with their latest release Declaration. Combining heavy metal, death metal, punk rock, and even a little black metal, Bleeding Through has their own unique style that is just brutal, and that is an understatement. Having been around since 1999 the band was labeled one of SPIN’s 2003 “Artists To Watch” as well as have been featured in a Revolver “Future of Metal” article. This is the band’s third release once again on metal label Trustkill Records.

Formed by members of other heavy acts such as Eighteen Visions and Throwdown, the band caught my ears when I heard This Is Love, This Is Murderous, the band’s first release with Trustkill Records. I will never forget that day as my ears were introduced to just pure fury. I had just finished up a day at the record store and I was cleaning up getting ready to go. My friend asked if I wanted to hear something heavy and of course I told him to go for it. The moment he hit play on the CD player I was hooked.

This Is Love, This Is Murderous was in heavy rotation on my playlist for years. I was highly disappointed with their next release on Trustkill called The Truth as perhaps I was expecting more from such a strong intro to the band in This Is Love This Is Murderous. I can not say I was that pumped to hear Declaration as I was afraid that their sound may still not compare to taste I enjoyed but that all changed once I finally checked out the CD.

The opening of the CD “Finis Fatalis Spei” was a black metal, evil circus sounding, melodic introduction that set me back for a second until a quote from the movie 300 ended the intro with “Tonight we dine in hell!” From there the CD was an all out mugging on your ears with “Declaration (You Can’t Destroy What You Can Not Replace)”. Death metal, heavy metal, black metal, and even speed metal combine for a powerful first song on this album with Pantera guitar hammering moments thanks to help from As I Lay Dying’s Tim Lambesis.

“Orange Country Blonde and Blue” followed continuing a insane death punch to my ears. Again I can not help me being reminded of Phil Anslemo and crew in this track as well as 90’s metal bands with the chorus. “Germany” really reminded me of Bleeding Through’s earlier years with just non-stop drumming and almost so much guitar that I felt as if the song flew by way too fast.

“There Was A Flood” slowed things down a notch at the beginning with a track that really set well with me. Musically the song was something along the lines of a slower Cradle Of Filth song but I assure you as soon as the song started it seemed to put me in place. Lyrically the song spoke about checking on a mistake from the past and reiterating the high hate for that mistake. For the first time on the CD lead vocalist Brandon Schieppati sings for a moment on the track but is fast to get back to Mastodon-like vocal shredding.

“Reborn From Isolation” has it’s head banging moments until the song actually started making me want to swing my arms carelessly about and attack the air with my fists. It’s songs like these that make me happy I no longer stand in the pit at live shows because I am pretty sure others feel the same way about this track. “Death Anxiety” had that same fight everyone and everything around you feel. If you were a fan of This Is Love, This Is Murderous, you agree that this song sounds like it was left off that album.

“The Loving Memory Of England” took a break from the others and had kind of a Pantera “Planet Caravan” moment. The song not only gave me a chance to let your heartbeat settle but it also proved the band has a softer side. “Beneath The Grey” soon dismissed any chance that the CD was going to end mellow with a full blown hard beginning that made me take a second listen when I discovered that the song that had a guitar solo from No Use For A Name’s Dave Nassie.

Closing the CD was “Sister Charlatan” one of my choice cuts on the CD. With a well orchestrated introduction the song still kept with the heavy and has a It Dies Today similarity with a nice mixture of death screaming and harmonious singing. Add intense guitar solos, double bass drumming from hell, and even some beautiful piano playing over a thunderstorm, the song made me feel like I was a schizophrenic with the change ups.

Declaration is everything I was looking for in a Bleeding Though CD including the loud screaming, forceful drumming, and vicious guitar playing combined with enough force and hate to push you down to the ground. Don’t look for this band to clot or heal up anytime soon as there is just too much flowing out right now. If you like your metal loud, heavy, and most of all fast Declaration needs to be in your collection.

Here is the video for “Death Anxiety”:

Did you know that Bleeding Through was featured on Inside Edition report years ago? It’s true. The band was on tour and was involved in an accident while traveling. The band was on their way to a show in Colorado when the bad’s van hit ice and crashed into an already disabled vehicle. The whole accident was captured on a police cruiser dash-cam as police were on location tending to the previous accident. Luckily no one was hurt.

Cleveland, Folk, Indie, Jam, Live Shows, Music, Outlaw Country, Punk, Review, Rock

Those Darlins, Hacienda, & Dan Auerbach – Beachland Ballroom – Cleveland, OH – 03/05/09 – Concert Review

7 March, 2009 Brian Mc 1 Comment

It was an entertaining evening Thursday night fueled by heavy doses of country twang and serious rock n roll thanks to the bands that performed at one of Cleveland’s best little venues, the Beachland Ballroom. The line-up was enough to call for that simple dreadful sign stating that tickets were sold out. All who were lucky enough to obtain admittance to last night’s performance certainly are still talking about the show that Those Darlins, Hacienda, and Dan Auerbach who is known as the lead signer of The Black Keys all put on.

Having heard about the show last week I decided that it was a show not to be missed and make plans to attend. Accompanied with a couple of friends who have love for the country and the rock I was sure they would have a great time checking out all the bands. We arrived to the Waterloo Rd. venue a little early as I was not certain how long it would take to make the trek there. The Beachland Ballroom is not located exactly downtown Cleveland but just a short drive away on a sketchy yet hip part of town. We arrived with no problems and finally made way into the ballroom. One of the things I like about the Beachland Ballroom is how quaint it is. It reminds me of a gymnasium from a middle school of my past with a stage and no real distractions in the main gathering area itself.

Calling them darlings is an understatement...

Once we finally got in we made a pit stop at the merch tables and I dropped five dollars on Those Darlin’s Wild One EP. For three songs the five bucks was totally worth it. The main reason I even planned on attending the concert was because of the trio of ladies otherwise known as Those Darlins. I just had received a taste of their sound last week and promptly posted a blog about it. What I heard not only made my day but also made me what to see them perform live.

Normally people get excited for the main act at a concert and the openers are almost like icebreakers for the evening. For the first time in a long time this was not the case for me. I dig the Black Keys and I have seen them live before. I actually had not heard the solo release yet on Dan Auerbach yet and to be honest I was more interested in seeing the opener over the other two bands.

Nashville’s neighboring sweethearts Those Darlins took the stage to a decent sized crowd and opened with “Wild One“. I think it is safe to say that they impressed the crowd right away physically and musically with their mix of country, folk, bluegrass, and sass. Dressed to impress, the three fine-looking girls and their mustache clad drummer had an amazing stage presence and were all smiles through their set. Sipping on strong drinks in between songs the girls shared singing duties and entertained all. “I love you” was shouted more than one time, and although I admit a major crush on the three darlings, I assure you it was not me.

They played the two other tracks on their Wild One EP including the humorous “Whole Damn Thing” as well as a healthy bout of tunes to be hopefully released on their debut CD in June. At times they sounded like The Carter Family and other times reminded me of a female version of Hank Williams III but much better looking. Seeing them live on stage having such a good time really added to the attraction. I was not ready for them to finish when they did and really could have listened to them play all night with their unique sound. I can only hope for a return by the sassy ladies once their debut CD is released.

Many people were excited to see the San Antonio rock jam band Hacienda take stage. I wish I could say I was too, but honestly the only thing I knew about this band is that they were backing up Dan Auerbach during his set and that their latest album, Loud Is The Night, was recorded at Dan Auerbach’s Akron Analog . I checked out some of the set and at times was shaking my head along to the beat. It was good music, but just not what I was looking to hear at the time.

Dan Auerbach with Hacienda and friends took stage after a short break. It was at this moment that I realized how sold out the show really was as I could barely move through the crowd to find a good place to watch the headliner. With only hearing a track or two off of Dan Auerbach’s Keep It Hid I knew it was not anything Black Keys but still was not completely sure what was going to happen.

The sounds Dan Auerbach and crew put forth reminded me of early rock at it’s finest with a jam feel at times. Each member on the stage had their own specialty to make the live performance even more interesting. Guitar solos, dual vocals, and smiles ear to ear by the performers just added to the good time being had by all. I got a huge kick out of the duel drumming and especially seeing Patrick Hallahan from My Morning Jacket do his thing moving from drum set to congo and maraca and even beating upon a giant triangle. Rocking out until after midnight the band continued to electrify. I can not tell you what songs they played as I still have yet to pick up the CD but I can tell you Keep It Hid is on my “to buy” list.

It was an excellent night for new music to hit my ears thanks to all three acts playing on stage. I became a bigger fan of Those Darlins as well as gotten a good taste of what Dan Auerbach’s solo material sounds like backed with a full band. Spite the sold out crowd it was a great evening and I know I was not the only one who enjoyed it. If these three acts happen to come your way and you are looking for a night of fun and music do yourself a favor and grab a ticket before it sells out.

The tour continues for just a few more dates. Catch them if you can!

March 5 – Cleveland, OH @ Beachland Ballroom
March 6 – Chicago, IL @ Metro
March 7 – Minneapolis, MN @ First Avenue
March 10 – Seattle, WA @ The Showbox
March 11 – Portland, OR @ Wonder Ballroom
March 13 – San Francisco, CA @ Bimbo’s
March 14 – Los Angeles, CA @ El Rey Theatre

Download This!, Hip Hop, Music, Music Video, New Release, Punk, Rap, Review

P.O.S. – Never Better – CD Review

2 March, 2009 Brian Mc 2 Comments

P.O.S., born Stefon Alexander, is a hip hop artist from the city of lakes many refer to as Minneapolis. P.O.S. can mean a lot of things, but in this instance it is an abbreviation for “Pissed Off Stef,” something he was referred to long before the days of his hip hop career. Growing up a punk rocker, P.O.S. was not originally a fan of hip hop until he learned it was more of an alternative form of expression over a glorified music genre.

Recently putting out his fifth release, Never Better, once again on Rhymesayers, P.O.S. produced over half of the CD himself. The album was also released in a limited, custom, do-it-yourself edition, featuring 16 solid picture inserts with six plastic overlays, allowing the owner to create their own cover art combination. I admit to having some fun with this prior to checking out the CD.

Taking his love of punk rock, P.O.S. chose to try a new way of expressing himself and soon was creating rhymes and beats that elaborated into a style of his own. It’s hip hop fueled with punk rock suggestions, personal journeys, and accomplishments, making for a striking release.

Already making a name for himself in the underground hip hop world with Doomtree, P.O.S. is slated to be touring a city near you this summer at the Van’s Warped Tour. Keeping himself occupied until then, P.O.S. will soon will be appearing with label mate, Atmosphere, in the Spring for even some live shows before the Summer kick off.

“Sorry I took so long” is stated by P.O.S. on the beginning track “Let It Rattle.” This introduction track really proved P.O.S. has something to say with an array of statements fornicated into a rap track with excellent intense drumming. My first taste of P.O.S. was exactly what I was expecting.

Following the impressive opening was even more insane drum heavy track “Drumroll (We’re All Thirsty)”. Accompanying P.O.S. was Doomtree making for a thrilling collection of words and beats. In addition to this track a video that blew my mind accompanies it. The video is like watching an urban war with people running for their lives while being attacked by… well I think it would be best if you just checked out the video for yourself to come to that determination. I have my own ideas.

Continuing the CD was the intriguing “Savion Glover,” with P.O.S. taking a lyric from Fugazi‘s “Five Corporations,” and adding it to the already heavily referenced track that seemed like a non-stop expression. “Purexed” really had a Sage Francis flow style throughout leading up to even more impressive drumming backing the chorus. I loved the energy and personable, friendly feel throughout the track. “Graves (We Wrote The Book)” was a little more urban hip hop sounding mixed with some guitar jams. Again, choice words added together with clever rhymes kept me entertained throughout the song.

“Get Smokes” was a freestyle of sorts, with P.O.S. stopping and laughing for a brief moment here and there in between his determined flow, speaking out on everything from Iggy Pop to the disturbed nation. The beats backing him were a unique mix of funk, and even at times had a record-scratching Kid Koala resemblance. “Been Afraid” was a little more serious than the previous tracks, speaking of the misfortune of a girl caught up in a violent relationship.

“Low Light Low Life” stood out with the catchy beats, accompanied by horns and keyboard, with the sweet female flow of Dessa from Doomtree adding to the excitement of the track. This song not only was one of my favorites on the CD but will get the party moving for sure with amazing RJD2 like beats and Blueprint reminding flows.

The CD seemed to start mixing things up with “Optimist (We Are Not Meant For Them),” as it started out very plain and organic sounding, with beat produced by slapping hands on inanimate objects, perhaps cups. P.O.S. concluded with a screaming and hollering refrain of sorts.

“Terrorish” mixed the rapping some more with a little hard screaming, courtesy of Jason Shevchuk of None More Black. The quick bass line kept me rocking my head along to the quick track, with P.O.S. spitting out words as fast as he possibly can. Can you say freestyle group sing-a-long lyricism?

“Never Better” continued with a stray away from the hip hop and more so an indie rock, alt rock approach, reminding me of Cooper Temple Clause mostly from the highly distorted guitars, as well as Judah Nagler, of The Velvet Teen, lending his calm dreary singing. Closing down the CD was “The Brave And The Snake,” a track that left me wanting more – and thanks to a secret track, I got my craving. The secret track was a stunning bonus and seemed to calm me down after such an exciting dose of a real hip hop release.

Never Better really grew on me throughout as I listened to the CD. It was like during each track I was reading a Choose Your Own Adventure book because I had no idea what was coming up next. The genre combination, especially the punk rock and hip hop, kept things ever so interesting to the point where I have listened to this CD over and over.

P.O.S. does not sound like he is full of himself at all during any of the tracks, and when you add that to his amazing beat creations and genus writing skills, I have nothing bad to say about this release or P.O.S for that matter. Drums, bass, a constant flow, and a serious widespread talent for expressing himself make me a fan of P.O.S. and I am pretty sure it will for you, too, if you appreciate expression and real hip hop.

–Download This! – P.O.S. – “Drumroll”

-Check out P.O.S.’s MySpace page.

-Need something to do? Head over to Make It Better, a do-it-yourself album cover maker. The site was inspired by the DIY Never Better CD artwork concept. You can also check out the entire album while messing around with the fun little program.

-Are you wondering waht the DIY CD artwork is all about? Check this out:

-Check out the powerful video for “Drumroll” – seriously, this video is insane:

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