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Interview: Matt Fish – The Man Behind Melt Bar & Grilled

Being from Cleveland, it’s kind of hard for me these days to not think of Melt Bar & Grilled when someone mentions the words “grilled cheese” in a sentence. Anyone who has had the privilege to devour one of the many gourmet grilled cheese sandwiches can probably agree with me – There is just something about a gigantic sandwich of comfort that is ever so addicting (oh, and the fries are pretty damn good too).

Matt Fish, proprietor/founder/pro-Clevelander/friend to all, is the man behind the grill(s) at Melt Bar and Grilled. It was he who took an idea and made it in to so much more than a place to grab a sandwich and a beer. He took a simple childhood favorite and turned it into a guilted-gourmet delight of stomach-bursting proportions.

In only four years, Fish now has two locations that have received an abundance of local attention as well as national. Wait times for a table alone reach upwards to two hours on the weekends meaning only one thing: Melt is kind of a big deal.

Recently I had the chance to catch up with Fish. The man is such a busy man it pretty much took two weather changes for this interview to finish, but in my opinion it was well worth it. Read on to get to know the man who is responsible for raising cholesterol to many Cleveland-ites, one sandwich at a time…


Photo by Chris Walters
Photo by Chris Walters

Kindly introduce yourself to the folk that have not had the privilege of meeting you yet.

Hello everyone. My name is Matt Fish and I am the owner of Melt Bar and Grilled in Lakewood and Cleveland Heights, Ohio.

What was life like for Matt Fish before Melt Bar & Grilled existed?

Definitely a little less crazy. I have always been a busy person so I was ready for the challenge of restaurant ownership. Life before Melt was a bit more relaxed though. I did more things that gave me personal enjoyment without having to worry about the restaurant all the time. The one thing that I did before Melt and I miss the most was play music. I have been playing in bands as a drummer since 1989 and I had to give that up to open Melt. Music and food have always been my passion but music has always been first. I will hopefully have time to get back into it sometime in the future.

How did the idea of gourmet grilled cheese come about?

There was no real epiphany or voice from above that gave me a vision. It was really just an innocent idea that I had. I wanted to open a restaurant that completely different than anything in the city at the time. Grilled cheese was always a big part of my life and I had always dabbled in making unique grilled type sandwiches with tons of great cheese. Bread and cheese have always been two of my favorite foods on earth. My last meal on earth will hopefully include some great artesian bread a some really sharp cheese.

How big was the original menu when you first opened about 3 years ago?

We have actually been officially open for 4 years now. Our anniversary will be on September 22nd. The menu when we opened is only a little smaller than the one at Melt today. My goal when opening was to offer 30 different gourmet grilled cheese sandwiches and over 100 different beers.

Did you think Melt was going to take off like it did?

Hell No! not even my a long shot. I had no idea that the restaurant would be as popular as it has become. I thought I was opening a small little bar that served great beer and also had this really silly and unique gourmet grilled cheese menu. Right after the first opening weekend I realized that I had something pretty special.

Those sandwiches are not exactly health friendly. How is it that you are still so slim?

I actually eat Melt food at least 5 days a week. I have always had a pretty high metabolism rate but I fear that it is slowing down now as I approach 40! I still work at least 12 hours a day and I try to find time to work out a few times a week. I find it to be a great stress relief for me.

Do you have a favorite sandwich? I am a huge fan of the Big Popper and loved the last couple sandwiches of the month including the Soul Vegetarian and the Guitar Gyro.

I think my favorite sandwich on the menu right now is The Godfather. I am a freak for Italian food and that sandwich is really awesome. It combines all the elements of food that I really love. Great bread, pasta, sauce and cheese. It is so huge though that I can only eat one about once a month.

When did the whole sandwich of the month idea start?

I think the sandwich of the month started sometime during our first full year of operation. It was something that I wanted to do from the beginning but I realized that I was just too busy to pull it off at the very beginning. I worked open to close, 7 days a week for the first 2 years of the restaurant so finding time to create a special was difficult, but I eventually managed. I think the very first special was in July of 2007 and it was the Firecracker Chicken.

Has Melt always catered to vegetarians and vegans?

Being very vegetarian and vegan friendly has always been part of the Melt concept from the beginning. We are actually becoming more vegan friendly than ever. I make it a point to try to create a vegan version of every special that we offer. The vegan version of the Gyro Melt was incredible!

Who’s brilliant idea was it to put the menu on a vinyl album cover?

That was an idea that I came up with right before opening in 2006. I was looking for a very unique way to present the menu. All the ideas that I had were basically boring and over used. My father’s girl friend at the time (now his wife) mentioned that she had been to a restaurant that somehow used records to present the menu’s. That was all the information that I needed to start the ball rolling. I was trying to figure out how to do it the very next day. I actually raped my own record collection for the first two generations of the Melt menu’s. Michael Jackson’s Thriller was the first menu that I made!

Earlier this year, you opened a new location in Cleveland Hts. How exciting was it for you to finally expand your baby to share it with the other half of Cleveland?

It was a complete thrill. Like I mentioned earlier I never intended for Melt to be popular at all. For me to have the opportunity to open a second location in Cleveland in less than 4 years from opening the original is just a dream come true. I feel very privileged to be able to be open on either side of town in two very awesome communities.

You seem like a very hands on person at Melt. In fact when I see you most of the time you are in the kitchen. How tough is it to operate two grills now? I know your staff is amazing and all but I was just curious if you wish you could be on location at both spots all the time.

I definitely wish I could clone myself and be at both locations at the same time. Maybe make 3 of me and the third clone could be sleeping. It is very difficult running 2 restaurants sometimes but I have a fantastic staff and they really keep both places going very well.

Do you ever have a day off? What do you when you’re not working?

Days off for me are very rare. I am such a busy person and workaholic that I hardly ever stop. In fact I am answering these interview questions late on a Friday night instead of going home to relax and recharge for tomorrow. The only days off I have taken recently has been to travel to a wedding for a weekend. I try to take a few hours a week for myself to take care of personal things.

Can you tell me about some of the bands you used to be in?

The first real band that I was in was called Whatever… We were a punk band from Parma that released 2 full length records. The second was on Dr. Strange Records from Alto Loma, CA. Dr. Strange was one of the biggest independent punk labels in the mid 90’s. The last more popular band that I was in was The Chargers Street Gang from Cleveland. We were a garage-punk band that released 2 records on Get Hip! Records from Pittsburgh, PA. Get Hip! is still one of the major independent players in underground garage rock. I loved my time playing in recording and touring rock bands. Sometime I wish I could give it all up and go back to that free lifestyle.

Any special projects going on these days as far as bands go?

Nothing right now, simply not enough time. Last year The Chargers got back together to play the annual x-mas show at the Grog Shop. We practiced once a week for 4 months before the show. It was great fun and I really miss playing and hanging out with those guys. They are truly my best friends on earth.

How did it feel the first time you saw yourself on The Food Network or The Travel Channel?

It was quite odd. I really did not know what to expect so I hoped that I did not make a complete ass out of myself. I was very happy with the way both shows came out. I happen across the reruns every now and then on late night cable and it still a bit weird.

Who was cooler, Guy Fieri or Adam Richman?

That is like choosing between Gene and Paul or Ian and Guy or Steven and Joe or Mick or Keith. They are both pretty cool in their own right. Both pretty different but both heading for the same common goal. Who would I rather do another shoot with? Probably Guy.

As many of my friends and readers know, I was at that Man Vs. Food taping. Was that not the longest day ever? Did you think he was going to be able to kill the Melt Challenge?

It was an extremely long day but actually not as long as the DDD (Diners, Drive-Ins, and Dives) shoot. Plus the DDD shoot was 2 killer days in a row! I had a really good feeling that he was going to kill the challenge. I watch his show pretty often and I have seen Adam destroy much more food. Not that much cheese though – that was certainly a first!

I really want to give the Melt Challenge an attempt- one day. How many people fail it? Have more people been ordering it since the premier of the episode?

The challenge has become very popular since the airing of the MVF episode. We probably serve at least 2 challenges a day in either restaurant. There is still about an 80% failure rate for the challenge. It is a lot more food that you think.

Has business increased because of it?

Business has definitely increased because of the MVF episode and also from the DDD episode. It really exposed us to people that may have never heard of Melt otherwise. We saw a lot of out of town travelers in Melt over the summer because of the shows.

What is the furthest someone has traveled to try Melt?

We see travelers coming into Melt from all over the country every week. The furthest I know about was a couple from Green Bay that just came to Cleveland to try Melt. I know that there are farther travelers but I am not sure exactly from where.

Back to the Cleveland Hts. location. How many other places did you look at before you chose Cedar and South Taylor?

Cleveland Heights was my first choice for the second Melt location. I knew if I really wanted to cement myself in the Cleveland restaurant scene I needed an east side location. Cleveland Heights was the logical location for the second Melt. Very similar city to Lakewood with a very diverse demographic and a very solid hometown feel.

That place used to be the Rhythm Room and a Peabody’s at one time. Had you ever attended a show there?

Yes, I actually attended a few shows there back in the early and mid 90’s. I really don’t remember much except the stage being in the basement. The huge hole in the floor is really all most people remember from The Rhythm Room.

How difficult was it to cover up that huge hole?

It wasn’t really difficult but it was a bit time consuming. Our walk-in coolers now occupy a majority of the basement area. We needed to actually build the coolers first and then fill in the hole second. Looking at the room now it is hard to believe that there was a 20×25 ft hole in the floor.

I need to comment on your staff. They are all wonderful and very personable people at both locations and appear more friends than coworkers. I love how Melt is not full of skinny fake model looking folk which is such a relief, leave that for the W. 6th district. The idea that they are all different one way or another from appearance to attitude is also a nice touch. Is this something you look at when hiring someone?

We actually look at personality first and work history second. I really want the entire staff to be filled with very interesting individuals with a strong personality. You can teach and train most people to do what you need them to do but you can’t teach someone to have an outgoing personality or a strong work ethic.

Was it your idea to have mostly retro movies playing and a constant stream of good music?

Yes. I believe that the atmosphere of the restaurant needs to be as interesting and colorful as the food and staff. I wanted to visually overload guests with fun things to look at and listen to. Melt is all about comfort and nostalgia.

Did you think that many people would actually get a variation of the Melt logo tattooed on them for life?

I never dreamed that the tattoo promotion would grow as fast and large as it has. I originally thought that maybe 20 people would do it and then it would fall off. We are up to over 160 family members so far in just over a year since the promotion begun. I really think that is incredible! The idea came from my favorite band Rocked From The Crypt. They have a rocket logo that they began suggesting their fans get tattooed to get into shows for free. It has grown into a world-wide tattooed fan base with hundreds and hundreds of tattoos. They created a family around the tattooed fans. I always loved that idea and I actually have a RFTC tattoo that I got many years ago. I wanted to capture the same family idea for Melt so I launched the Melt tattoo promotion in Sept 2009.

Has the question “If I get 2 Melt tattoos can I get 50% off” been asked yet?

Oh yes! We hear it quite often. No matter how many Melt tattoos you get, you still only receive the 25% off. I will however consider a larger discount for a full Melt body suit.

So do you have one (Melt tattoo)?

A very common question asked to me and the answer is no. In the tattoo world getting the name of your parents, significant other etc… is bad luck. I choose to not get a Melt tattoo for that very reason. I do not want to welcome any bad luck onto Melt.

This might be too early to ask but any expectancy on adding a 3rd Melt anytime soon? Maybe Akron?

The plans for a 3rd Melt location are already in the works. I am searching the city right now for a location. I plan to stay in the Cleveland area with the 3rd location and then hopefully branch out farther to cities such as Akron. Keep your fingers crossed!

If someone has never been tried Melt before how would you describe it to them?

It is like reliving all your favorite childhood memories again… Only better! The ultimate comfort food fantasy land where all your grilled cheese dreams become a reality!

For more information about Melt Bar & Grilled, head on over to their website and see what you have been missing out on!

Interview: Henry Wagons

Once upon a time – a couple months ago actually – I met a man. I met a big, tall, Aussie man who gave me a towel.

His name was Henry Wagons. He was the opening act at a Those Darlins show I attended and caught me completely by surprise, not just because he gave me a towel but also because he was an amazing artist.

Throughout his set he talked about his band back home, Wagons, that he had to leave behind due to the cost of traveling.

I was intrigued and wanted to hear more of this band, so after his set I grabbed myself a copy of The RIse And Fall Of Goodtown.  Henry was happy to sell me a CD and also chatted with me throughout the night. Turns out he is a big deal in his hometown of Melbourne, Australia.

Henry was a cool cool man and I should add that CD I purchased from him was amazing.

Recently, I was able to catch up with Henry and talk about him and complete randomness:


BHP: The name Henry Wagons is not that well known in the states yet but that is a different story in your homeland correct?

HW – Its true. I think I’m on the D-list back at home. My band does quite well in Australia and I’m a presenter on a TV show so I have enough of a profile to expect to get invited to celebrity filled premieres, but never actually get invited.

Tell me a little bit about yourself…

I’m a Gemini. I like to go to the movies. I’m organized but not a neat freak. I love holidays sipping pina-coladas on a hammock but rarely make it out onto the sand.

Good enough, so how did you get your start as a musician?

I started playing music quite late. I only got into playing the guitar after I finished high school. I became friends with stoner Pink Floyd fans at college, and they couldn’t really talk, so I learned some licks.

In the early days I played in a couple of noise/jam bands, then kinda wanted to try my hand at more traditional song-writing, so found my way through my Mum’s record collection and became fascinated with the likes of Johnny Cash, Tom Jones, Rod Stewart and other manly singers.

Can you give me a brief history on how your band, Wagons, was united?

I went to school with most of them. I was the only one who did my homework.

I started Wagons as a kinda throw away recording project, making a little tape of country songs in which I played all the instruments. I cut and pasted the covers together. Really lo-fi 4 track recordings. I wanted to play them live at a local open mike night at a metal/hardcore pub. I asked my mates to help me out. We got offered our first gig out of open mic night and there seems to have been enough momentum and good times since then to keep it all going. Who knew?

We all take it quite a bit more seriously now and are thankful that people still want to hear us play. I think it really helps to have humble beginnings and relatively low expectations to keep things in perspective.

Pic by Michael Christian
Pic by Michael Christian

How would you describe Wagons to someone who has never heard of them before?

Imagine if Elvis, Johnny Cash, Nick Cave, Dick Clarke, John Wayne and John Forgery all had a child together, and that child was a fat, over-excited nerd. How cool would that be! What was the question?

No idea.  Who are your major influences?

See the proud parents above.

When we spoke outside of the Beachland Tavern weeks back, you mentioned a few things that had me thinking. First off, you were talking about a Visa is needed in the states to perform?

Its true. A lot of bands slip into the country under the radar, but we did this last trip on the books. The performance visa cost us $2.5K. That’s a lotta burgers.

Luckily we are in a position to afford that kinda outlay, but I feel sorry for smaller bands wanting to play in the States for the first time, before you have too much happening at home.

You also mentioned that your homeland helps pay for performing out of country? How exactly does that work?

There is so much red tape you could bind and gag Elvis’ entire fan club.

You basically fill out forms and prove you are a real band, doing good work and, thankfully, government arts funding is there for you.

I understand you left your entire band back home because it was too expensive to fly everyone out. Did you save up for this? Will you be able to do it again, maybe with more of the band?

I definitely want to be able to bring the band over. Wagons music is made to a pretty grand scale, so it would make sense to have a beat behind it.

It is expensive to come over to the US. You can imagine the flights themselves for five band members is thousands and thousands of dollars, let alone transport, food and accommodation.

I’ve come over as an ambassador for the band, to get a feel for whether our stuff might work. I feel good about it. I think, provided I don’t cover my floors in plasma screen dancefloors we will be able to bring the rest of the boys next time.

How important is this solo tour for you?

As much as I love having the boys around, I do love playing solo. I can settle into a long and boring story on stage with a guitarist telling me to shut up.

What was it like going from big crowds in Melbourne to opening for bands like Those Darlins to smaller crowds? Did you feel you were right back where you started?

I try to give my all no matter how many people are there. I’ve felt that way since day one. When it comes down to it, I feel it’s a honor to have anyone’s attention. I’m always going to respect that by putting on a show for em.

Besides, I’m always playing Madison Square Garden when I close my eyes.

What is so different about the American lifestyle you like / hate?

The excellent junk food is a constant source of pleasure and horror. There is nothing I like better than sinking my teeth into the local junk food specialty, be it Chicago pizza, Philly cheese steak, Portland Voodoo donut etc. You guys do guilty pleasure food soooo well it kills me. Problem is, it is also killing me.

What are some of your favorites here in the states?

My favorite roadside chains are: Cracker Barrel, Chipotle, and Starbucks.

Each of these guys brought me so much joy for different reasons.

How are the accommodations during your visit?

Accommodation has been great. I has gotten to know the Day’s Inn franchise very well across the country. When I see those weather beaten white glowing signs out the front of a 70’s yellow brick motel I feel like I’m home again.

In your opinion, do you think Americans dress funny?

Ronald McDonald dresses pretty weird.

How did you get hooked up with Those Darlins? I understand the Cleveland show was the first night you played with them. Who were you performing with prior to that show?

I met Those Darlins at SXSW last year, and we were going to do a tour with them. It was all locked in…we even did a photo shoot together and were on the covers of magazines back home in preparation for the shows (ask Matt to give you the pics!!). Then Nikki broke her arm and had to pull out of the show!! Was a great shame it didn’t work out. But, despite the adversity, Wagons and Those Darlins have been friends ever since.

Before Those Darlins I played a few shows with Justin Townes Earle and Bobby Bare Jr. Both amazing American songwriters and performers!

How long was your trip to the states? How many cities did you play?

I was in the US for about 3 and a half weeks, visiting 13 towns all, across the country. Planes, trains and automobiles. I gather it’s not a massive tour by US standards, but we got around a bit for our first time here.

How have the crowds been during your opening performances?

I was a little worried about playing the opening slot. I haven’t been the warm up guy for quite a while. I was hoping I hadn’t lost my mojo for getting the crowd to be quiet and listen to what’s going on. As it turns out, everyone has been great and quite respectful. Maybe everyone is straining to understand what the hell it is I’m saying in my weird accent. Whatever the reason….I’m not fussy.

Was there any one city that seems to favor you over another?

Justin Townes Earle’s bass player Josh gave me a bag of bacon and choc chip cookies in Bellingham, WA. That city stands out for that reason.

I understand you headed to the UK? What went on over there?

Mostly fantastic Sunday roasts with Yorkshire pudding, Jammy Dodgers, Jaffa cakes, soggy but good fish n chips, pear ciders and cold weather. Playing a couple a gigs in London too. It’s mostly a holiday, but I’m playing over here a little bit before a run of shows back in Australia over Summer. Gotta record a record over New Year’s sometime too!

Is there anything here in the states you look at and shake your head at? Meaning are there major cultural differences you have noticed?

I shook my head when I was crossing the border into Canada and they asked if I was carrying any weapons.

You have a certain upfront humor that I loved but could offend someone easily. Has anyone taken your jokes the wrong way yet?

Someone once asked me the same question as you, with the addition that he was almost going to ram me into the drum-kit behind me. ‘Almost’ was the operative word. A lot of people almost get offended.

Do you have any fun stories you wish to share?

I’m an avid Tweeter and Facebooker – I wear glasses…I’m a nerd. I have shared a lot of my stupid happenings on there. Befriend me! I swear virtually befriending me is probably better than the real thing!

Why should someone check out Henry Wagons and the music he makes?

Because they have finished their daily chores, logged off their email, called their mom, walked their dog, starting to get bored and are looking for something absolutely fucking mind-blowing to do.

Check out Henry Wagons on FACEBOOK and MYSPACE and even TWITTER.

Interview: Christian Martucci of Thousand Watt Stare

Punk rock is not dead.  I say that a lot recently because I know it’s true and there are still bands out there releasing honest, wholesome punk rock albums for the sake of just doing it.  They are not looking for money or fame, just a good time doing something they love.

Here is where I now introduce a punk rock band that I like right?  Well you are half right.

I am going to introduce a punk rocker that I like who has played in some pretty solid bands over the years including Black President, The Chelsea Smiles, and even played in the Dee Dee Ramone Band.  Recently he formed Thousand Watt Stare with a couple of musicians from Unwritten Law, a band I have been a fan of since I first saw them open for Bad Religion in ’96.

Recently I had the chance to talk it up with Christian Martucci about his new band as well as some of his amazing past.  If anyone has lived a punk rock dream, it’s Martucci.

Dylan Howard, Pat Kim, & and Chris Martucci
Dylan Howard, Pat Kim, & and Chris Martucci

BHP: Your new band, Thousand Watt Stare, has an EP dropping next month. What can you tell me about this new project you’ve created?

CM – We just love to play music and have a good time with it… I’m very happy to play with these guys. No ego’s, no pressure… It’s a breath of fresh air.

Why the change-up in sound from previous bands you have been in?

In Dee Dee’s band it was Ramones songs, Black President was all Charlie, and The Chelsea Smiles were more of a straight rock n’ roll band… I’ve had the Thousand Watt Stare stuff in my head for years now. It was just never anything that would work with the other bands. I’m glad they’re finally seeing the light of day.

So how did you hook up with Unwritten Law’s Pat Kim and Dylan Howard?

PK played with Black President early on when Hetson was still in the band. We had a great time hanging out back then and always kept in touch. When Black President ended and it was time to start something new, I called Pat and we started jamming. He brought Dylan on board and two weeks later, we started recording.

Why did Black President disband anyways?

I think Black President had to break up… When you consider some of the guys schedules, it doesn’t really allow them to go full steam a head with a side project. The thing with that band is that it wasn’t supposed to be anything more than a cover band to blow off steam. That was actually my favorite part of doing it… Looking back I’m actually really surprised we even made the record. It wasn’t meant to have a long shelf life. I think of it more as a psycho that everyone cheated on their bands with for a few years.

As you already mentioned, you;ve worked with some heavy hitters in the punk rock world  including Bad Religion’s Greg Hetson and Dee Dee Ramone. How did those opportunities come about?

Your guess is as good as mine… I wasn’t having good luck where I was, so I saved up $600, packed a suitcase, one guitar and just moved from Philly to LA in ’99. I only knew one person out here and was sleeping on his couch. He introduced me to Stefan Adika. Stefan was playing bass for Dee Dee at the time and asked if I’d like to come down and play. I ran home, went over like 30 something songs and showed up at the rehearsal room that night… Dee Dee had NO idea I was coming down and was a little freaked out… He looked at me and said “So, what are you gonna try to play guitar or something?” I didn’t know what to say.

He was one of my biggest hero’s. I just smiled like a nervous idiot, plugged in and we played “Rockaway Beach”. We got done, he looked at me and was like “OK you better sing the next song now… ‘Chinese Rocks’… 1-2-3-4!” “Alright I think we better go to ‘South America’ now…” The whole time I was standing there I couldn’t believe I was playing with Dee Dee Ramone. That feeling lasted the entire 3 years I was able to do it. Everything about him was for real.

The thing with Greg happened from when Black President was still a cover band called Shithead. We had Marc Diamond from The Dwarves playing with us and… I can’t remember what happened. I think The Dwarves had to go on tour, so Charlie told us Greg Hetson wanted to do it. I actually thought he was kidding at first. Next thing you know, he’s at rehearsal playing Dead Kennedy’s songs with us. I really like Greg a lot… Awesome guy and as down to earth as they come…

You started touring recently around California . Any chance of a nationwide tour any time soon?

No definite plans yet but we really hope so…

Your previous bands toured a lot over the years. Who were some of your favorite bands to tour with?

Bouncing Souls, TSOL, New York Dolls, Social D, Backyard Babies… There are so many but those are the ones that stick out the most for me. They are all very good people.

For the punk rock lovers out there, can you tell them why they should check out Thousand Watt Stare?

The punk rock I like is the kind where there aren’t any rules. In the 70’s punk didn’t have a defined sound yet, that’s why I think it was a great as it was. Television, Dead Boys, Ramones, The Clash, etc. None of those bands sound like they should be in the same genre. I think you should check out Thousand Watt Stare because we don’t worry about those things either… It’s just honest rock n’ roll.


Thousand Watt Stare‘s self-titled EP drops on November 16th on Hardline Entertainment.

Interview: Sundowner (aka Chris McCaughan of The Lawrence Arms)

A few weeks back I had the pleasure of reviewing the newest release of Chris McCaughan’s side project, Sundowner.  For those of you who are not familiar with McCaughan, he is a guitarist and vocalist in The Lawrence Arms.   Having been a fan of The Larry Arms for quite some time I was really impressed with what he had to offer on We Chase The Waves It stuck to me in a good way thanks to the mellow feel throughout along side McCaughan’s storytelling.  It’s been, hands down, one of my favorite releases to date this year.

Recently I had the opportunity to chat with McCaughan about Sundowner and just plain old randomness.  He was more than kind to answer some questions for me and actually made me hungry by the end of the interview – a first for me.

Let’s do this…

So let’s start things off…  How did Sundowner start?  Was it something that you wanted to do for a while?

Sundowner started in the attic of my parents house as acoustic songs recorded to an old four track which I posted to a myspace page.  Then eventually there were enough songs to actually consider the idea of making a real record. So, it was born out of wanting to share some songs and enjoying playing the acoustic guitar and singing with it. I didn’t start it with the intention of a fully realized project, just a way to create and have fun.

I know mostly it began with just you during your free time but you have some friends as well who chipped in and soon were playing intimate shows in the Chicago area.  Who all did you recruit or did they sort of just blend in naturally?

It began as a solo foray but as I prepared for making the first record I enlisted Neil of The Lawrence Arms and Jenny Choi, who is a talented musician from Chicago to play on 4152. Only Neil played on We Chase the Waves.  My friend Eli Caterer plays electric guitar live sometimes and adds a really unique element when we have the chance to do that. Now I play solo most of the time but occasionally Neil and Eli join me.

Where did the moniker come from?  Why  Sundowner?  Which sundowner do you refer to with your band name?

It was the original name of a song on 4152 called “Midsummer Classic” but at the time I didn’t want to use my name because it didn’t feel right and I wasn’t certain of where I was going with all this. So I adopted Sundowner and changed the name of that song. I like that the word refers to different things. My initial associations were drinks and sunsets which seemed fitting. If I had to choose the meanings I like the most I’d go with ‘hobo’ or ‘trade wind’ over some of the other references.

Did you ever think that your solo material would make it onto an album, let alone two?

I figured I had one in me but it wasn’t till I was about three quarters of the way through writing the second record that I actually knew I had another one in me and that I wanted to make it. I feel like I’ve just followed where my instincts have taken me and tried to make records that were authentic and genuine. Like I said, I didn’t initially start making acoustic songs as a way to start making records.

Was there any inspiration behind your solo material or was it all you?

Inspiration comes from everywhere, man. I know it sounds funny but for me it’s true. I kind of feel like the songs are a way to filter and understand my experience in the world. It seems cheesy but that’s where it comes from.

I totally get what you are saying.  So what can you tell me about the new album We Chase The Waves that recently dropped on August 10th?

It’s a collection of material that was written, put together and recorded over the last couple years. It’s a homemade album. My friend Neil Hennessy helped me make and played the bass on.  I think it exhibits a progression in sound for me.  I think it offers what a lot of fans of the Lawrence Arms have come to expect from me but my hope is that it displays some kind of evolved focus.

Is it true that it was recorded in eight months at someone’s pad?

Yes, totally true. We recorded some of it at my house and a bunch at Neil’s place. It’s what made the experience so unique and different than any record I’ve ever made. Borrowed gear, just hanging out together making a record with the resources we had and no time limitations or deadlines. It was a super cool process. We were trying to capture the natural feel of the songs and felt like making the record in its home environment was a good way to try to make that happen.

Are there any songs off the new album that you favor over others?  My favorite is easily “Mouth Of A Tiger”.

If I had to choose I would pick “In the Flicker” “What Beadie Said” and “As The Crow Flies”. Those are the songs that I see as the pillars of the record – that hold it all together. “Mouth of A Tiger” is also a song that I think really illustrates what makes the record new and exciting.

Not that I am complaining, but is there any reason why you did your own rendition of “Baseball’s Sad Lexicon”?

I did it cuz it was fun and I’m a lifelong Cubs fan. I like the vintage ditty feel of it. My friend Ryan Suma played the lapsteel on it. It was a blast. I love baseball.

Any offers from the Cubs yet to play that for the fans?  I know Dropkick Murphy’s were asked to play “Tessie” in Boston before.

Not yet but I’d love to sing the seventh inning stretch. Of course I’d probably destroy it. Eh, couldn’t be as bad as Ditka and he’s a god in this town. I’d like to see a bunch of drunk old Cubs fan[s] sing it polka style.

I saw your blog about LeBron James and Chicago a few weeks ago before the final call was made.  I loved the title of the blog – I just hope he remembers to wipe the blood off the knife when he pulls it from Cleveland’s back”.  I am assuming you are a huge sports fan based upon what you wrote.  Are you bummed he did not go to Chicago?

Sure. It would’ve been great. He’s a one of kind talent. But I never really thought we’d get him. We did alright in the off season though and just because the Heat are stacked doesn’t guarantee anything. That’s why they play the games.

Do you agree with me and feel that his stupid ESPN decision special was not needed?

It was poorly executed. I think when everyone tells you you’re a king you’re decision making becomes cloudy. He should’ve gone about it the same way all the big athletes do. It was painful to watch and made him look like kind of a self congratulatory dork.

Seems like a lot of punk rockers turn to folk/acoustic projects as age catches up with them.  Who are some of your favorites?

Of course Chuck Ragan and Tim Barry do great folk punk. I love Joey Cape’s solo stuff a lot. I really love Jose Gonzales. I like to think this new record of mine isn’t really folk/punk. I don’t know entirely how I’d classify it. I think that’s a good thing.

Do you see that movement as a trend or something much more than that?

I don’t know man. I’m not one for identifying movements and trends. I think time and history makes those judgments.

What about in general?  What bands are you currently in to?

I’m not really into a lot of bands. I haven’t really discovered a lot of new music lately. I like Neil Young and Leonard Cohen a lot.

If you had to pick Sundowner or The Lawrence Arms who would you go with?

Picking Sundowner would be quiet, kinda lonesome . . . picking the Arms would be loud, kinda drunk . . . I guess there’s a time for both.

Are you planning on taking Sundowner on the road?

No plans to do any heavy touring but I will get out and play some shows here and there.  It’s tough right now to get out for long runs for a lot of reasons but we’ll see how it all goes.

Technically you could open for yourself.  Has that happened yet?

Yes. Sundowner and The Falcon opened for The Lawrence Arms in 2007. I think that’s something you only try once maybe. I dunno.

During past live Sundowner shows you have covered Lawrence Arms songs, is that something you see happening again when you do get to play out?

Occasionally I play Arms songs, which is fun. I have a lot more Sundowner songs to choose from now so that all depends on timing. I leave those decisions up to the moment and let that happen as it happens.

Why should someone check out Sundowner?

I think fans of the Lawrence Arms will hopefully find something they already kinda like, although it is very different. I think there is something very universal that music fans may be drawn to, melody, lyrics, themes, sounds. I feel like it’s an honest and genuine record and my hope is all types of people will enjoy it.  Cheers.

Finally, what’s next for Chris McCaughan?

Omelettes. . . and some more coffee

Interview: NYC Mash-Up Artist Max Tannone

Mashup

(as taken from Urban Dictionary):
v. To take elements of two or more pre-existing pieces of music and combine them to make a new song. n. A song comprised of elements of two or more pre-existing pieces of music.
2. I’m in the middle of mashing-up songs by Tom Jones and Michael Jackson. (verb usage)

1. I’ll play my mash-up of Tom Jones and Michael Jackson at the club tomorrow night. (noun usage)

Max Tannone might not a name you now until you find out that he is the man behind the mash-up that is called Jaydiohead amongst other music blending projects.  Years ago my pal Kevin shared with me a track called “Wrong Prayer”, a mash-up of Jay-Z and Radiohead.  This was around the time that Dangermouse‘s The Grey Album was getting some attention and being a fan of both Jay-Z and even more so Radiohead I was just impressed with what I heard.  Years later that track was released on Jaydiohead, a free downloadable mash-up album made available by Max Tannone.

Recently I had the opportunity to speak with the music manipulator.  He was more than kind to answer a few questions for me about mashing music.  Enjoy!

BHP: Your name might be unknown to some but it’s safe to say what you have done is talked about by many. Can you quickly introduce yourself?

MT: Sure, well my name is Max Tannone. I’m from New York City and I make music and remixes. I guess this is called a producer, although my definition of a producer is someone who works with other musicians in a studio setting developing a project…perhaps that makes me more of a beat-maker or a remix artist than a traditional producer.

I use the term “mash up” myself a lot in regards to what you do but I know most people prefer to call this form sound manipulation something else. What do you prefer it to be called?

It doesn’t matter to me. People shun the term “mash up” because of the negative connotations it carries. The term has transformed into a signification of a musical gimmick, mainly due to the availability of inexpensive computer software allowing people to experiment with music. I embrace this though. I love the fact that anyone can create a mashup, a remix, an original track, whatever – with little equipment or prior knowledge. I don’t necessarily enjoy everything that’s created, but the fact that it can be done is vital. So, that being said, you can it a mashup, a remix, whatever is easy for you.

To someone who is not familiar with mashing, how would you explain it to them?

In general sound editing is manipulating or combining different sounds together. I only have experience doing this in the digital realm, and have never physically cut and spliced tape like the originators of remix culture – but the principles remain. Its easier to picture visually. Imagine creating a collage, with the different pictures that contribute to the overall image representing different pieces or loops of sound. Pictures can be layered, altered, etc. Imagine having an image of the Mona Lisa and applying 40 consecutive Photoshop filters to it. You probably wouldn’t even recognize it at the end. This is an extreme example, but you get the idea.

How did you get into “mashing” music? Was it something you recently started or have you been toying with it for a while now?

I learned how to mix instrumentals and acapellas (which is just matching their tempos and starting them on the “1”…very easy) several years ago. From here I got heavily into making my own beats, learning how to sample and adding my own elements. At the time the producer group The Neptunes had been producing every R&B and hip-hop song and I was fascinated. It was the first time I began to think about how the music was actually created, rather than just listening to it. After a few years of just doing beats, I got back into the mash-up thing, but wanted to add my own elements as well. The first track I did was “Wrong Prayer” from Jaydiohead and made it into a full out project, just to see what would happen.

Who did you first “mash” and why?

Way back in the day I would just experiment. I had hundreds of acapellas and instrumentals and would just mix random ones together. I remember being really excited the first time I got something on tempo that sounded good. Soon after you realize that this is what DJs do, live, every night. I wanted to go beyond a basic track A vs. track B type thing. The first mash-ups aren’t anything special… Mash-Up 1 , Mash-Up 2 , if you want to hear them. They are perfect examples of something a decent DJ would do live all night. So I tried to expand from this.

How do you go about finding the right songs to mix up? I can not imagine that is an easy task.

For me it starts with a concept. Than I gather as many songs as I can from each artist or genre, and just start listening. I make notes on what I think would sound good together, and just test it out. When I find something I like, I try to make it a complete song. How I choose depends on the vibe of the tracks, their respective sounds, tempos, instrumentation, etc.

How long does it generally take to disassemble songs and recreate them to your liking?

Anywhere from 2 days to 2 weeks to do one track.

Have you experienced any legal issues yet?

I got a cease and desist letter from Minty Fresh Records. They said I had to stop using the name “Minty Fresh Beats”, so now I just go by my regular name. Maybe that’s a good thing because I got a lot flack for that name, haha.

Obviously you can not make a profit from this so you allow your work to be downloaded for free on various websites via P2P sharing. Which album has been downloaded the most?

Probably the original Jaydiohead album – but I don’t know for sure. Everything has been re-uploaded by countless people on many different sharing sites. Not to mention single tracks that have been downloaded via blogs and my soundcloud page. Its impossible to know. The Jaydiohead website has over a million hits but you really cant correlate that to downloads. It could be more or less.

Jaydiohead is genius to my ears. I adore the project and can not help but to think about the ever popular DJ/Produce Dangermouse and his project called The Grey Album. Did he provide any influence to you by doing what he did years ago or did you pave your own path?

Thanks I’m glad you like it. The Grey Album is great, and was just a stepping stone for Dangermouse. The work he’s done since then is amazing – definitely one of my favorite producers. That being said, I never really thought about the Grey Album when I was making Jaydiohead. Not to take anything away from it, I was just concentrated on making something sound cohesive and interesting – just like any piece of music.

So how did you come up with the idea of mixing Radiohead with Jay-Z? Seems so far fetched yet so perfect one you hear it.

I heard “I Might Be Wrong” by Radiohead and thought it would be a nice hip-hop beat. I made a few minor adjustments and it was ready to go. I am very familiar with Jay-Z’s catalog, so he was a natural choice for me. I wasn’t put off by the number of Jay-Z remix albums that already exist. That was one of the reasons I did it, maybe I could do something that would stand out.

Mos-Dub is your most recent work and I think it is brilliant to do what you have done by combining Mos-Def with reggae music many may have never heard of before. How did you come up with this idea?

[I] recently became heavily into dub reggae music and again, thought I could sample it. Like Jay-Z, Mos is one of my favorite MCs and the idea of working with him (obviously not in person) was exciting. Dub can be very political and socially conscious, and Mos Def’s lyrics often represent this too, so they came together nicely. There are a few other MCs that I’d like to do projects with…

Have you heard from Mos Def yet in regards to this? What about Jay Z or any other major artists?

Haven’t heard from Mos Def. Jay-Z wrote about Jaydiohead on his Twitter account which was pretty cool. The Beastie Boys were supportive of Doublecheck Your Head, and posted 4 of that project’s 7 tracks on their website. One thing I want to say about the Beastie Boys is that they have been supporters of remix culture from very early on. They uploaded a bunch of their acapellas on their website a long time ago, before the mash-up and remix culture got to the fevered pitch its at now…so props to them.

That is awesome to hear that about the Beastie Boys! They are indeed one of the biggest supporters of remix culture. How did you feel when you found out their posted your remixes on their website?

I felt honored. Doublecheck Your Head wouldn’t have happened without Adam H (Adrock.) He liked Jaydiohead and contacted me about doing a similar remix with their Check Your Head album. I jumped at the chance.

Seems as if you prefer to tackle on NYC MC’s. Is this something intentional?

I’m most familiar with their work, and they are some of my favorite artists. I grew up listening to them, so these projects are tributes in a way.

Do you make it to a lot of shows in NYC or are you mainly a club kind of guy?

I’m still developing my DJ sets and “live show” per se. But as far as a concert-goer, I see stuff pretty often. The best DJ set I’ve seen in recent memory was Rusko at Webster Hall.

What is your favorite mash up that you created?

I really like “December Backdrifts” from Jaydiohead: The Encore.

How about one that someone else created? Do you have any favorite mash up artists?

DJ Swindle has done some cool stuff. He did an album with Nas and Al Green that I enjoyed. I’m into kind of conceptual projects, or at least ones where every song isn’t 20 songs blended together. I appreciate that from a technical point of view, but its often musically uninteresting for me.

You started a DJ and moved to more of a producer, right? Have you produced many bands/artists you would like to mention?

Yes, although I want to get more involved with DJing. I would like to do some of this live. To be honest, my production experience outside of these projects is really limited. I haven’t been able to work with an artist or group from start to finish on an original project. I hope that’s on the horizon.

You are quite personable, more so than most artists out there. How important is it to you to be friendly to your fans on Twitter and Facebook?

It’s weird to think of people as fans. I don’t like to. I see myself like anyone else, just experimenting with music and putting it out there. I’m honored that other people are into it. Interacting with people is a great way to share ideas and get feedback. If people ever have questions or want to get into doing this stuff I try to help them.

Have you ever considered going your own way and putting out original material?

Yeah. I have a bunch of original beats, sampled beats, and more electronic dancey stuff online at my soundcloud page. I’m most comfortable with hip-hop, and would like to work with an MC on an album from start to finish. I keep coming back to this idea of a concept album where each track is part of a story or something, I don’t know why I’m into it. It could be really corny, I don’t know.

What’s next for you? Any new mashes you can hint on?

I’m working on some stuff now, I don’t want to say anything because I’m not sure how it will turn out yet. Still experimenting…I just want to keep going.

Jaydiohead – Wrong Prayer from Max Tannone on Vimeo.

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