Tag Archives: Interview

Interview: Ray From Teenage Bottlerocket

There is nothing like a good ol’ fun punk rock song that keeps me going. Sometimes I like a simple, to the point, quick song that’s perfect for singing along to.  I don’t need anything fancy or over produced all the time to keep me entertained and in fact it’s those short humorous tracks I find myself returning to over and over.

Teenage Bottlerocket (TBR) is one of those bands out there that keeps the fun and the punk flowing at a great level. Hailing from all the way up in Wyoming the foursome has started to make their name in the punk community with their Ramones infused power punk jams.  Recently signing to Fat Wreck Chords the band dropped their fourth release on the independent punk label.  I had a chance to talk with Ray one of the guitarist / vocalists of the band just before they headed out on tour in support of the release.

Shall we begin???


BHP – Thanks for taking a moment to chat. How are you doing today?

Ray – Doing ok, I drank to much last night and had to work for 12 hours today. Life rules though.

Ha ha, before I even continue can you just take a moment and introduce yourself to everyone?

I’m Ray and I sing and play guitar in TBR.

Does the band name Teenage Bottlerocket have anything to do with a certain Wes Anderson movie?

No it doesn’t, but after we came up with the name we watched the movie and really enjoyed it.  Fantastic Mr. Fox was cool too.

You boys are from the mean streets of Wisconsin right?

We are not from Wisconsin but don’t feel bad, we get that all the time. We are from Wyoming.

Oops, I knew that. So anyways how was it growing up in Wyoming?

It’s really cold there, the weather and the people.

How was the punk scene in Laramie, the city you grew up in? Is it any different from cities you have toured in?

It’s a lot different. We have a bit of a home town following but the venue situation is a little weird. We use our practice PA for the shows and it just doesn’t really pack the punch that a regular PA would at a venue in a big city. The kids go off though, and we always have fun playing in Laramie.

What else did you do for fun growing up other than music?

Brandon, TBR drummer and my twin brother, and I have older brothers that got us into skateboarding at a young age. We grew up skating and always looked up to Matt Hensley and other skaters on the H Street Team.

I kind of figured you skated back in the day after hearing a couple of your songs.  So who is the skateboarder in the “Skate or Die” video and where was that shot at?

The skater’s name is Otto Phlanz. He is from Denver, Colorado and skates for Conspiracy. The video was shot at the Laramie skate park.

Rumor has it that not only does the band consist of you and your twin brother but also 2 engineers. Is this true?

This is true. The 2 engineers are Brandon and I. We are in Bakersfield, California right now doing work on an oil well. Technically we are chemical engineers, because of the work we perform, but I graduated with my business degree and Brandon graduated with his Geology degree. We both went to the University of Wyoming. Miguel, our bass player, just graduated from UW with his business degree.

Dumb question, but what do you prefer more, working the oil wells or rocking out the clubs?

Playing music is my real passion. If we were all able to do nothing but play in the band, that would rule. Punk rock saved my life, but my job pays my bills.

I could not agree more. So how hard is it to split up the two career paths?

It’s difficult, but we’ve managed to do alright so far.

Teenage Bottlerocket material clearly shows love for classic punkers like The Ramones, Screeching Weasel, and even the Queers. Who are some of your other influences?

We listen to a lot of crust stuff. We really like Conflict as of lately. I wouldn’t say they are one of our influences but we’ve been listening to them a lot. We really like Cobra Skulls and Randy.

When I think of fun and punk rock in the same sentence I think of Teenage Bottlerocket. You guys are an energetic punk rock act with quick and to the point songs. Was this how Teenage Bottlerocket always was from the get go?

Well shucks dude, that’s cool. We just write tunes that we like and it seems to work.

Do people even use “get go” in sentences anymore?

Yes, they do.

How does it feel to be a part of the Fat Wreck Chords family?

It feels great. It’s exciting. We were always happy on Red Scare and it stokes us that Toby has been so cool with our decision to move to another label.

Who is your favorite band so far that you toured with?

Cobra Skulls.

Is there a certain band you wish you could tour with?

NOFX.

Wait, aren’t you going to tour with NOFX soon? How stoked are you?

We are really excited. We’ve been working on the set list and rehearsing as much as possible. We cant wait to play the Aggie in Ft. Collins. The whole tour is going to be a lot of fun.

“Bigger Than Kiss” was one of my favorite tracks off the new album as well as has a hilarious video for it. Any song that praises Slayer over Kiss is ok with me. Where did the song come from? Would you really “beat the piss out of Peter Criss”?

Kody has a friend named Charlie in Newcastle that said to him, “you know, Gene Simmons is pretty cool, but Paul Stanley is a total d-bag”. I’m not sure if that is exactly what went down, but it was something along those lines. Kody cracked up and got inspired to write the tune. It is my favorite lyrics Kody has ever written. I don’t think I would beat the piss out of Peter Criss, I heard he was in a wheelchair.

What seems to be the favorite foods throughout the band?

I like sushi, Brandon likes this pizza place in Ft. Collins called La Collina, Kody likes everything but seafood, and Miguel likes anything that is hotter than hell.

Best city you have played so far?

That’s a tough one. There’s a bunch: Chicago, Toronto, St. Louis, Orlando, San Diego, and Sheridan Wyoming.

How about the worst?

I’d have to say Las Cruces, New Mexico.

Why?

Probably because it was a Tuesday night and no one in the city of Las Cruces, with the exception of 20 people, knows who we are.

One of my best friend’s kid’s who is 6 adores you guys and listens to you every night before he goes to sleep. Care to say anything to him or give him some advice?

Tell him to play soccer.


I hope Brennan takes Ray’s advice…

Here are some TBR videos for you to all enjoy!

Teenage Bottlerocket will be touring soon. Don’t be a fool – check them out when they hit your town…
03/20/10 Austin, TX – SXSW Music Festival
04/21/10 Eugene, OR – McDonald Theatre
04/22/10 Spokane, WA – Knitting Factory
04/23/10 Billings, MT – Shrine Auditorium
04/25/10 Saskatoon, SK Canada – Odeon Events Center
04/26/10 Winnipeg, MB Canada – Burton Cummings Theater
04/27/10 Fargo, ND – The Venue
04/28/10 Minneapolis, MN – Triple Rock Social Club
04/29/10 Milwaukee, WI – The Riverside Theater
04/30/10 Covington, KY – Madison Theater
05/01/10 Sauget, IL – Pop’s
05/02/10 Kansas City, MO – The Beaumont
05/04/10 Fort Collins, CO – The Aggie
05/05/10 Albuquerque, NM – The Sunshine Theater
05/06/10 Tucson, AZ – Rialto Theatre
05/07/10 Las Vegas, NV – Sunset Station Amphitheatre

The Awesome: An Interview With Frank Turner

Photo by www.gregorynolan.com
Photo by www.gregorynolan.com

I can not even begin to tell you how excited I am about this post.  I had the pleasure today to interview Frank Turner through email and could not be happier.  If anyone knows me, Frank Turner is a big deal to me.  I have to admit my appreciation for me grew to unmeasurable amounts after I heard his latest release Poetry Of The Deed.

I confess, the name Frank Turner was not fresh in my mind beforehand when I heard that album.  I continually smack myself in the head still as I could not put two and two together when listening to it at the time and realizing he was the guy in the UK post-hardcore, now defunct, act Million Dead.  I knew of Frank Turner but prior to his last release was not aware of his solo material.

Some music fan I am right?  Regardless I am a huge fan of Frank Turner so it only made sense for me to try and set up an interview with him.  It was easier for us both just to do it over the email and I must say no one has ever replied faster than him.

Such a proud moment for me here.  Let me take a moment and soak in all that is awesome for what I am about to share…

Ok I am better.

Enjoy!


BHP – Before I even begin, thank you for taking the time to answer a few questions for me. I know you have been a busy man for quite some time touring and all. How long have you actually been on tour now?

FT – Actually I just took 3 weeks off, which is the longest time I’ve gone without playing a show for about 6 years now. I did my first tour when I was 16, and have been pretty much constantly on the road since 2004. It’s great. Answering questions is no bother.

Were you been able to take any breaks prior?

I get little breaks here and there, and like I say I’ve just had quite a bit of time off (by my standards). I get very claustrophobic if I stay in the same place for more than a few days, I think I’ve rewired my brain now, haha. So when I’m not touring or in the studio, I generally find excuses to get on a train or a plane and go visit some friends or something.

Photo by www.christopherdibble.com
Photo by www.christopherdibble.com

I along with many of your other fans have been able to keep tabs on you thanks to your Facebook/Twitter posts. How important is it to be more personal to the fans?

What I like about stuff like Facebook and Twitter is that it pulls aside the curtain on rock’n’roll. I was never that taken with the whole business of mythologizing what it means to be a musician. I like to let people know what the realities of life on the road are like, and to point out that I’m no different from anyone who listens to my music. That’s the strength of the whole web 2.0 thing.

How stressful does it get traveling overseas from the US to the UK and beyond on any given date?

I don’t find it particularly stressful at all – in fact I find it quite liberating, and I find being in the same place quite stressful. I mean, transatlantic flights are always going to be a drag, but it’s a small price to pay. Whenever I get to go to new places I haven’t been to before solely on the basis that I play guitar, I think it’s absolutely wonderful, if a little insane. I pinch myself occasionally.

Seems like 2009 was your year to get noticed thanks to the release of Poetry Of The Deed. How does it feel to have a growing fan base?

It feels great. Without wanting to sound defensive, I’ve worked really hard in the last few years at what I do, to make the best albums and to play as many shows as I can. It’s a great feeling to see hard work pay off, and to see some of the dreams I’ve had since I was a kid start to come true. It’s as awesome as you’d imagine it to be. I’m very privileged to be in these shoes right now.

What prompted you to go into a more so acoustic solo career once Million Dead disbanded or was that something in the works prior to the band’s ending?

I think that when that band ended, in a lot of stress and recrimination and so on, I was just done with hardcore as a sound. I felt like I’d poured everything into that band, and when it didn’t work, I needed to do something different. I’d started listening to folk, country and so on quite extensively in the last few years of the band’s existence, and when it ended, well, it seemed like a good way to go. It also meant I could stay on tour without having to put a band together, without having to rely on other people, something I was very wary to do at the time.

So have you spoken to any of the members?  Or were the differences that led to the band’s departure more personal and evident of a reunion never to happen?

We’re all on at least reasonable terms now. The drummer and I are firm friends. It’s all water under the bridge now – that was a very intense band to be in, but now that we’re all clear and the dust has settled, it doesn’t matter as much. There won’t be a reunion though, I’ll say that for sure. I’m just not interested in looking back like that.

Who are your musical influences these days?

These days I tend to bore into a handful of bands at a time, get really obsessed with them, and they influence my thinking about music.

Springsteen has been an overshadowing presence in my music for the last few years, but more recently I’m super-into Loudon Wainwright III. He’s fucking amazing.

What bands have you been listening to as of late?

Recently I’ve been listening to a lot of Neil Young again because I’m reading a book about him. Beyond that, I’ve finally got into the latest Weakerthans album (which I’m fast starting to think is their best). Also Crazy Arm, who are coming on tour with me in Europe in March and April, and Ben Marwood, a friend of mine who puts me to shame with his excellence in songwriting.

I heard that Flogging Molly recently asked you to join them on tour. What was your initial reaction when they asked you?

I thought it was great, very flattering. And then I found out how popular they are in the States, and I was blown away. The shows we’re doing are biiiig.

Anyone else you would like to mention that you are touring with in 2010?

I’m happy that I’m going to be returning a favour in March – Chuck Ragan has taken me out in the USA and been a great friend and inspiration to me in recent years, and now he’s coming out on my next UK tour, which is a big one – 3000 people a show or so – so it feels good to be paying that one back. I’m also excited about Revival Australia – I’ve never been there before, and I get to play more shows with Tim Barry, someone I can’t get enough of right now.

Are you still going to play house shows here and there now that you are making it into the spotlight? I have a place in Cleveland you can play if you ever want to…

Sure, here and there. If you can put up 6 people (me, band and crew) after the Flogging Molly show in Cleveland, I’ll play a set there as well. Deal?

Sweet!  So you still do house shows?

I still do a fair few of them – I’m playing a house show in Toronto tonight actually. It’s something that’s easy to put together, so it’s always an option.

Obviously there is more to Frank Turner than just yourself. Can you tell me about the backing band that helps you out on the album and tours?

My band [members] are amazing, and I’m really excited about them coming to the USA for the first time next month with Flogging Molly. It took me a while to get the line-up right, I wanted the best, and also a set of people who would gel together well as musicians. We finally got the chemistry right at the end of 2008, and we haven’t looked back. They’re all amazing musicians, much better than me, and they’re great at helping me get ideas out of my head. Plus they’re cool guys.

Any reason there is no actual band name like “The Frank Turner Band” or “Frank Turner and the…whatevers”?

You know, we’ve spent a long time talking about this, I really want a name for them – I don’t want them to be faceless sessionistas or whatever, they’re a band, you know? But we’ve struggled to find something everyone agrees on. The Contraband has been doing the rounds recently, and the 161 Band (a reference to where we used to rehearse and where I recorded my first album) but we’re still tussling over it. Some day.

The video for “The Road” to me was an amazing concept. 24 shows in 24 hours? How difficult was that to shoot?

Logistically it wasn’t so bad, we had a schedule and we stuck to it.

Physically it was a little more challenging. We did 8pm-8pm, and by time we hit around midday, everyone was fucking drained and unhappy, haha. It was pretty miserable for a few hours there. But we burned on through, and we made it to the end. It was a good experience.

Any plans for another music video off your latest release?

We did a tour video for the song “Poetry Of The Deed”, which you can find on YouTube. Then I think I’m making a video for the song “Isabel” when I’m in Los Angeles next week.

Last year you appeared in an alternative 90’s compilation and covered UK’s Kerbdog. Why Kerbdog? “Sally” is a great choice as a cover for a band that never really made it in the states.

I love Kerbdog, they were such an awesome band. I was actually asked to record a song for a Kerbdog tribute album, which I did, and then we decided to use it for the 90s thing as well. Great song, and apparently Cormac thought I did a good job too, which is cool.

You also covered a Bruce Springsteen song at one time. Have you heard any feedback from The Boss himself about your version of “Thunder Road”?

Not directly, though I know Brian Fallon [of the Gaslight Anthem] put a copy of the 7 inch into the Boss’s hands, so he has to be aware of its existence, haha. I’d be very excited to meet Springsteen, he’s a real hero for me.

Speaking of The Boss you are headlining a show at Asbury, NJ on Feb. 24th.  Can we expect to hear about any special guests?

I wish, haha. We shall see.

How does it feel to be a part of the Epitaph family?

Great. It’s a label that I grew up with and that has an amazing roster now, so it’s a cool association. And now I’d count a lot of the people I work with as close friends. They’re very effective at promotion and so on.
So yeah, I’m very happy about it, all in all.

Can you tell me about a certain tattoo you got in Texas while at SXSW?

Haha, uhm, well… I’d been there for a few days and had some great shows, basically sealed the deal with Epitaph, had a lot of old friends around, that kind of thing, so I was in a good mood. I had one day where I had no shows to play so I got wicked drunk with the guys from Fake Problems, we went to see Van Pelt do a one-off reunion show, which was pretty emotional for me. Anyways, after about 14 hours on the booze I ended up in a tattoo parlour with Casey Lee, and we both got Texas tattoos. Seemed like a good idea at the time.. I was a little dismayed at first but I quite like it now. It has a good story with it.

Any regrets in life?

I do my best not to. I’m still sad that Million Dead never quite achieved what I thought we were capable of. Beyond that, not really.

What’s next for Frank Turner?

I’m on tour most of this year, it looks like, all over the world, which is great. I have a rough ambition to get another album recorded before the end of the year, so we can get it out in early 2011. We’ll see. The songs are coming together, it’s more a question of finding the time to record it properly. I also want to do an album of traditional English songs sometime. Keep myself busy.

Why should someone check out Frank Turner?

That’s not for me to say, really. Why not?


Catch Frank Turner playing with Flogging Molly on the Green 17 Tour on March 5th, 2010 at the House Of Blues on Euclid Ave.  Rumor has it the show is sold out but if you look hard enough online you might be able to find a ticket for a decent price.  I will be there.

CLICK HERE to check out Frank Turner’s blog.

I also should mention that Frank Turner is serious about the house show and I am going to be working my magic trying to find a suitable place for him and his crew to play a set as well as crash for the night.  If any of you readers in the Cleveland area know of an appropriate spot where Frank Turner can play a house show please email me at broken@brokenheadphones.com.  I have a few places in mind but am open to suggestions.  Keep in mind the set he plans on playing would be after the Flogging Molly show.  If this falls into place I will also be looking into filming it for the site.

Keep your fingers crossed!!!

If you do not own Poetry Of The Deed yet you really need to have it in your collection.  CLICK HERE to order it (or the album cover below) and if you are wondering why you should own it CLICK HERE to read the review I did of it last year.

Then again you can just watch the following too…

Stay tuned for possible house party featuring Frank Turner!

Oh and if you have never heard of Kerbdog and were wondering what they were all about…

Interview: The Northeast Ohio Rock ‘n’ Roller Girls

It’s been a while since I have done an interview here on BHP but I thought I would make it up all you readers out there by creating a super interview.  I have been wanting to do this for a while now and thank the fine women who make up the Northeast Ohio Rock ‘n’ Roller Girls.

Seeing women of all shapes and sizes skate as a pack on a oval track is indeed something that everyone needs to see.  With music playing, announcers calling out the match, and the fans cheering their team the bout is just as entertaining as any other sport out there.

Just in case you have no clue what I am talking about, I speak of roller derby.  Specifically women’s indoor flat track.

If you have not heard of roller derby you are missing out.  Maybe you live under a rock or just don’t get out much but roller derby is a pretty big deal.  Don’t agree?  Check it out live at least once, I promise you will think differently.

Not only do the girls skate their hearts out all season long but they also get involved with charity and local organizations.  Honestly, out of all of the sporting events I have been to in my life I have never seen the wholeheartedness that is seen during a roller derby bout.  When you go to a match you are also going to a fundraiser of sorts with the money collected from the raffle tickets and beer sales sold by the roller derby grils during and after the bouts.

Last October I attended a roller derby match at the Summit County Fairgrounds.  The bout was between the Northeast Ohio Rock ‘n’ Roller Girls and the Buffalo, NY Assault City Roller Girls.  Along with a nice sized crowd, I cheered the home team on to a victory.  It was actually the final bout of the season so not only was it a pretty important win for the team but also a start to a well deserved break.

For those of you who do not think roller derby is a sport you really need to reconsider.  The girls wear helmets just like football players do, elbow and knee pads like pro skaterboarders wear, and mouth guards (do you see what I am going here?).  To top that,  their playing grounds are flat concrete surfaces where they compete to score points by pushing, blocking, and shoving the opposing team.

I watched girls fall hard on to the concrete that night only for them to get back up and jump back in the game.  A couple of them took falls so hard I don’t think I would have gotten up myself but they were in it to win it and brushed themselves off and jumped back in the game.  It was an exciting event with the fans going crazy and both teams trying their hardest for a win.  When all was said and done the final whistle was blown and the Rock n Roller Girls finished their final bout of the year with a victory.

So who are these girls?  Some are moms and wives, some are students, and many carry successful full time jobs.  They are people just like us and they do not hide their secret of roller derby status like they belong in Fight Club.  They are good people with families and friends with their own lives outside of the rink.

Regardless of what their day gig is or how they live their lives, they all are part of a sport where practice is mandatory and teamwork is key.  When the team comes together they become their own supportive family not only helping one another but also helping the community.

Recently I had the privilege to get some questions answered by a slew of the wonderful girls of the Northeast Ohio Rock & Roller Girls as well as a couple of their referees.  Instead of interviewing one team member I decided to interview as many as I could.  Be prepared, this is a long read…


Continue reading Interview: The Northeast Ohio Rock ‘n’ Roller Girls

The Beastie Boys, A Handheld Recorder, & Me

While clearing some space off of my desktop today I found a certain WAV file I was sure I lost forever.  Perhaps it was a sign of sorts that I found it today so I thought what better thing to do but share the WAV file with the world. The WAV file I speak of is actually a recorded interview with yours truly and NYC’s finest, the Beastie Boys.

The year was 2007 and I was just a freshman at this whole online blogging thing.  I was just getting comfortable with reviewing CDs and live shows for the wonderful Blogcritics.Org.  I was having a good time doing this and decided to try something a little more challenging, review a 2 day festival.

Somehow, some way I scored a press pass to the 2007 Virgin Mobile Festival and successfully covered the 2 days for Blogcritics.Org.  The experience was a positive one and made me want to review more festivals from my perspective because I had so much fun doing so.  You can read the review HERE but I never really got into full detail about the behind the scenes portion of my experience.

Just days before we (Matt, Rad-am, and myself) were to leave for Baltimore I received an email asking me if I wanted to interview the Beastie Boys as they were supporting their latest release The Mix Up by doing select tours and one of the stops was at the Virgin Mobile Festival.  Having never interviewed anyone in person before I was quick to the accepting reply for the opportunity and was told I would receive further instruction.

Day one of the festival once I got situated I received a text message telling me to meet at the press tent to interview the Beastie Boys.  I remember the girl and the guy coordinating it were super cool people and as we made out way through the VIP area I actually passed Virgin owner Richard Branson and gave a “what’s up” nod to the lead singer of the Fountains Of Wayne.

We kept walking till we got to a fenced off area where a couple of the Beastie Boys security members were seated in almost a outdoor living room canopied arrangement and were told that the Beastie Boys were situated inside the trailer next to them.  Security told us to stand aside the fence and wait for our turn.  I chatted with a couple of the guys standing with me and one of them ran an online Detroit radio program and the other was a reporter for MTV online.  Even though I had no idea what I was doing or what to expect I felt good about the situation.

When it was my turn to approach the trailer John Norris of MTV cut me in line and made his way into the trailer.  Time was passing now and I was not sure I was going to be able to interview them.  I was sweating my ass off too as it was hotter than hell outside and the security guys would not share their canopy with us.  No complaints from me though, I was still pumped.

I finally was told I had six minutes to interview the Beastie Boys and made my way into the trailer.

The first thing I noticed when I walked in the trailer were the three Armani suit wearing Beastie Boys all with smiles on their faces.  The second thing I noticed was that the trailer was air conditioned… Score.

I was asked to sit down on one of those fold out chairs and I hit record on my digital recording device.

Here is what happened:
Beastie Boys Interview 2007

As you can hear I was interviewed more by the Beastie Boys but I did not care.  The Beastie Boys are known for not being serious during interviews and I think if anything they really had fun chatting with me.  I was not looking to perform the most amazing interview of my career anyways, I was just looking to hang out with a band I have been a life long fan of.  Talking about LeBron James, breakfast bar buffets, and my Ween t-shirt just made the conversation all the more enjoyable.

I left that trailer with the biggest smile on my face and soon met up with Matt and Rad-am who were both wondering if I was ever going to come back to the festival grounds.  Moments later the Beastie Boys took the stage and blew the three of us away.

When I hear myself speak I think I sound like an idiot but then again I was a little nervous and did not know what the heck I was doing.  I never did so anything with the recording as I was unable to decipher some of the member’s voices from one another when I was transcribing it….then I lost the file (or so I thought I did).

Good times.  I hope you all enjoyed the little WAV file I found.

Here’s a recorded interview I found that SPIN Magazine did with the Beastie Boys on the very same day.

Here are some more vids of the performancee in 2007:

Interview: Doris Muramatsu of Girlyman

When I hear the term “Girlyman” I immediately think of a certain Saturday Night Live (SNL) skit featuring Dana Carvey and Kevin Nealon playing Hans and Franz the Austrian bodybuilders who where said to be cousins of action bodybuilder superstar Arnold Schwarzenegger.  I still laugh at those skits…

The Girlyman I am referring to though is not associated with SNL or even the current governor of California.  Instead I speak of a three piece folk act originally from New York City.  I was introduced to them through my wife who has a love, almost obsession, for them.  She shared them with me one day after saying “We’re still making payments on the cannon” and I had no idea what she was talking about.  After giving her a puzzled look she told me about the Girlyman band.  She sampled some songs to me and I found myself quite interested in them.

Girlyman is a trio of harmonic performers, rather best friends, who have stated they play “harmony-driven gender pop” featuring “leading edge three-part harmony folk-pop”.  Consisting of Nate Borofsky, Doris Muramatsu, and Ty Greenstein, the band has a huge following with their “gender pop” music.

Gender pop?  That’s right folks all of the members from this band are involved in the LGBT (Lesbian, Gay, Bisexual, Transgender) community one way or another.  Don’t let that hold you back though because if you do you are missing out on some amazing harmonic folk music with heavy doses of comedic interludes, especially when seen live.  Think Rupaul meets Simon & Garfunkel with more folk harmony then you have ever heard before.  Where a lot of the songs are fun, many have meaning about life, love, and living but all with perfect collaborated vocals from all three members.

Recently I had the opportunity to chat with Doris Muramatsu, the “tootsie roll center of Girlyman”, who has the duties of vocals, acoustic guitar, mandolin and banjo in the band. The multi-talented musician was more than kind to answer some questions for me.

Doris, Ty, & Nate = Girlyman
Doris + Ty + Nate = Girlyman

So what exactly is a Girlyman?

A Girlyman is whatever you want it to be, just someone who is nontraditional in some sort of way or like to play with gender roles or isn’t afraid to have a sensitive side.

How would you describe Girlyman to someone who has never heard of you before?

We’re a folk pop trio of almost lifelong friends who sing traditional and nontraditional three part harmonies and play multiple instruments and like to laugh and be ourselves on stage.

When you started creating music was it clear you all wanted a more folk sound? Was the harmony always there between the three of you or did it need some fine tuning? I have to admit your combined harmony is all so appealing.

Ty and I started singing harmony when we were 12 years old and have always been fascinated by the beauty of interweaving voices. Our voices blended very well and we knew we wanted to write and sing music that was harmony-based. When we met Nate his voice seemed to naturally blend with ours, so it was a go. Of course there is always fine tuning whenever harmony is involved, for instance, we have realized that if we all don’t sing a certain vowel in the exact same way it will sound out of tune, so we’re always examining how the lead person is pronouncing that vowel.

Who/what are your influences for the music you create?

Growing up, I fell in love with Simon & Garfunkel. I listened to the Mamas and the Papas a lot too as well as old Jefferson Airplane and the Bee Gees. Indigo Girls, The Story, Patty Griffin were also [other] people who influenced me.

I understand that you and Ty have been best friends since elementary school. When did the two of you decide to start your first band The Garden Verge?

We officially started up the Garden Verge out of college although we had been signing together as a duo since middle school.

How and when did you meet up with Nate?

We met Nate [during] our sophomore year at Sarah Lawrence College at a cross-dress cabaret [that was more] like a talent show with more gender-bending. He was backstage [while] Ty and I were singing an Indigo Girls song to warm up. He came [up to us] and joined us out of the blue. We were insta-friends.

How was it being cramped up in NYC trying to start a band? Where are you currently residing?

It didn’t feel cramped at first. [It was] mostly just really exciting and creative time for us all. Of course our first rehearsal for Girlyman was scheduled for September 11th [and] after witnessing the events of that day we were shocked and speechless. We didn’t really know what to do but all that felt right to do was to be together, make music, and share it. So that was the birth of Girlyman; formed in the spirit of upliftment.

After seven years of living together and touring together, however, things did start to feel small and cramped. We were basically living on top of each other with no privacy and the need for expansion, both creatively and physically, became paramount. Nate and Ty moved to Atlanta in 2007 and I chose to stay in Brooklyn [NY] for another year but [soon] joined them in 2008. We all live separately now but happily see each other practically every day.

What types of venues did you first start playing at? Did you have success from the get go or was it more of a slow start?

We played at little coffeehouses and churches as well as some lunchtime college gigs. We just kept building out audience from the get go and even though we didn’t shoot up into massive fame, we definitely started climbing slowly but steadily.

Girlyman
Girlyman

Your live shows are full of humor and fun, especially in between songs.  When did live Girlyman shows turn almost into a stand up performance or has it always been like that?

I have always been a pretty shy person in front of large crowds and I think it was hard for Ty and me [as Garden Verge] to be as funny as we are in private. When Nate joined the group he added an element of humor and improvisation that allowed us all to be more relaxed and silly together. It’s a strength in numbers thing I think. I also thing it keeps things interesting for us to do or day things on stage that makes each other laugh because then every show feels like its own thing. We need to keep things light and fresh in order for the [live] show to feel fun for us too.

In 2006, OUTmusic awarded Girlyman for the OUTSong of the year for “Young James Dean”, how did this make you all feel?

We were really honored! It always means a lot when something you’ve created reaches people and speaks to them in a significant way.

What can you tell someone about OUTmusic who has never heard of the organization before?

OUTmusic is a wonderful organization that connects [the] lesbian, gay, transgender, and bisexual musicians, composers, producers, and artists [together]. It works to create opportunities and tried to raise awareness for the growing number of us [LGBT (Lesbian, Gay, Bisexual, Transgender)] out there.

I understand you are currently touring and will be performing at a couple of folk festivals as well. Having sold out venues before how exciting is it to be on the road?

We love being on the road and we love being at home too. It’s a balance but we are doing exactly what we want to do and have so much fun doing it. Sure being on the road has its challenges, like endless drives and late hours, but when we’re on stage and connecting with each other and the audience it is always worth it no matter now many people show up. It’s the energy from the audience that really helps us keep going.

How long have you actually been touring now?

We have been touring since 2001 when we first became a band.

Do you prefer festivals or venues?

I prefer venues because I find it’s easier to connect with people. Festivals are fun because there’s a feeling of celebration but I also get distracted by all that’s going on… like all the funnel cakes and hot dog stands!

Where is your favorite venue to play? Is there a favorite city you all enjoy?

I love Club Passim in Cambridge, MA, Old Town School of Folk in Chicago, Freight and Salvage in Berkeley, CA, but there are so many! We love New York City of course, and the Bay Area, but Atlanta’s pretty great too.

How are the lodging arrangements when you travel? Have you ever crashed in the van?

Thanks to Priceline.com lodging is fantastic! We often stay in three star hotels which makes us feel rich and comfortable. We don’t stay overnight in the van though we have a loft and a refrigerator set up in it. It’s too small for all of us [to sleep in].

Who usually takes up the driving duties on the road? Is there anyone in the band who is not allowed to drive?

Everyone takes turns driving although I can’t parallel park the Sprinter [van] for the life of me [as it’s] 21 feet long. Ty is not allowed to drive at night because she usually falls asleep.

Girlyman
Girlyman

Any crazy touring stories you want to share? Maybe a run in with the law or just something drunk and hilarious?

Well, the scariest thing that happened on the road was when we hit a deer at two in the morning in the middle of Wyoming and the Sprinter broke down. Nate and I didn’t have cell[phone] service but Ty thankfully did; but only when she stood a few feet from the van. We had to get towed 200 miles to the nearest Dodge dealership in Montana. When the tow truck came and started towing us it broke down too, so we had to wait until [the tow truck] got fixed.

Finally after a scary drive where the driver [of the tow truck] kept falling asleep and running [over] all [of] the rumble strips on the highway we arrived in Billings, MT at seven in the morning. We had to stay there for a couple of days while out manager found a U-Haul truck that could fit three of us in the cab. [We] then made our way though treacherous, snow-covered passes in Washington state [on the way] to Seattle. We were [all] totally traumatized by the whole experience.

You’ve been in Cleveland a few times now. Just curious what you think of the city as it is my hometown.  Any favorite memories?

Our favorite time in Cleveland was when we played at Cleveland Pride. They put us up in a fancy hotel and we shared the stage with Rupaul.

Do you think the folk festivals may help recruit new fans who may not necessary be involved in the LGBT community?

Some of our fans are part of the LGBT community, but just as many are not. We have a wide range of fans of all ages and identities.

Not everyone is accepting of the LGBT community unfortunately, have you ever had problems with people while out on the road?

It’s funny, we have a lot of people who, not knowing our music, initially feel put off by our man, but then when they hear us they immediately get over it or feel surprised that they actually like our music. Other than that, I think we’ve been lucky that we haven’t had many incidents being a queer band.

Tell me about your “Girlyfans”.

Out Girlyfans are our best support network. They are the ones who help promote us and bring new people to our shows. We couldn’t tour and do this for a living without them.

Can you tell me about the Brauner VMA that many of the Girlyfans helped raise money for you all to acquire? It looks like a masterpiece of a microphone. How is it working out for you?

It IS a masterpiece of microphones. It’s a handmade microphone from Germany and sounds out of this world. We are really happy with the sound quality we’re getting out of it.

When can your fans expect some new material to be released?

We are hoping for a fall release of our new studio album, although we’ve been playing out a lot of our new stuff at shows.

What’s next for Girlyman?

More of everything! We love how life just presents us with the next logical stay and that we’re brave enough to take it.

Just one last question… Are you still making payments on the cannon?

Of course!!!


-For more information about Girlyman check out their website.

-Girlyman is still on tour and will actually be making a pit stop in Ohio at the Oberlin Folk Festival.

-Download This! (rather sample…) – Girlyman – “Young James Dean”
-Download This! (rather sample…) – Girlyman – Cannons Skit

-Here are a couple of videos: