Tag Archives: NoFX

Album Review: NOFX – Single Album

NOFX have been around for almost 40 years now. Why even bother talking about their accomplishments anymore?

If you know them, you know where they are from and what they’ve been through. Hell, if you read their bibliography, you probably know far too much now.

With that said, they probably don’t really care how their wit or charisma rubs off on others. You pretty much either love them or hate them and that’s just how it is.

Today, the band dropped their 14th full-length simply titled Single Album. Why was it called this? Well, the band had every intention of releasing a double album, but that goddamn nightmare of a pandemic got in the way and the bad decided it was best just to release a single album. Get it?

The post-hardcore opener, “The Big Drag”, seemed to be caught in a stupor at first, but after a few listens of it, I still didn’t love it, but appreciated it for all it was worth.

“I Love You More Than I Hate Me” clearly was all about Fat Mike. A personal ode to an unsteady interconnection of love and lust. “Fuck Euphemism” followed suit, although catchier, but more guided toward a certain frontman’s identity labels.

Although not a new track, “Fish In A Gun Barrel” ruffled about as many feathers as the comments made by the band against a certain shooting in a desert city that caused a lot of hell and consquences. Personally, I adored this ska punk track due to the catchiness as well as the hard truth presented.

“Linewleum” was a tongue-in-cheek cover and shoutout to all of the bands out there that ever covered the track that started off Punk In Drublic. I still prefer the original, but appreciated this modern day take.

“Grieve Soto” clearly was dedicated to Steve Soto, the founding member of Agent Orange and The Adolescents. There was plenty of eulogy to other punk rockers over the years that the band was surrounded by. There was even a part where Eric Melvin shouted “Mike Burkett!” to which the music stopped for a moment with Fat Mike responded: “Don’t put me in this song, I’m not dead yet.”

The country twang within “Doors and Fours” really carried a new style I was digging. It did not overtake the song by any means, but I enjoyed it tremendously as it supplied the soundtrack to nostalgic, haunting memories of a young band caught up in early LA punk scene. As sad as some of this was, this was probably the best NOFX track I have heard in years.

The piano was a nice touch to the closing track “Your Last Resort.” Fat Mike slurred though the beginning of this almost Dear John letter of a song. Shit picked up quickly though making for the fasted track on the album. There was a lot of pent up anger in this one where limits were finally broken.

If I can be honest, Fat Mike just sounded bored at times, however the band held up well with their talents. The album is far from being full of bangers and anthems for all to adore. In other words, NOFX fans will appreciate, but this is not the first album I would tell someone who has never heard of them to listen to.

This time around things got darker and, after being goofy bastards for 40 years, I can not blame them for doing what they felt worked. This time it was in Fat Mike’s best interest.

Album Review: NOFX / Frank Turner – West Coast vs. Wessex

It’s not the first time a couple of artists decided to drop a split release for shits and giggles, but it’s probably the first time one to this character was done.

When I learned NOFX and Frank Turner were working on a split, I have to admit I was excited as hell because I knew both sides would try their best to emulate each other.

It’s been a long time since NOFX did a split with another band.  I am sure you older punks recall the last NOFX / Rancid split that dropped some 18 years ago.  This time though, it was not really a punk band covering a punk band but rather a punk band covering a punk-turned-folk-singer band.

West Coast vs. Wessex is a 10 song split released by Fat Wreck Chords featuring two of the most important acts out there.  I was not sure how this was going to play out seeing how their styles are a little far-fetched, but I’m a fool for even dismissing the idea of greatness this album could be.

Leave it to Fat Mike to change up the lyrics to become a tad more personable on “Substitute”.  Less proper and more pervy, the track honestly could pass as a classic NOFX song had Turner not penned it so many years back.

“Thatcher Fucked The Kids” was a two-town-jam cover that I could not imagine was even possible until I heard it.  This was a great take on a killer Turner track.  Full of guest vocals, the only way this could have gotten better was if El Hefe busted out some of his impersonations at the end for the hell of it.

“Glory Hallelujah” was an intense, serious cover that probably will continue to upset those who engage in worship and magic bearded man in the sky.  At first I thought it was just exorbitant, but after a few listens I couldn’t agree more with how it was carried out.

Turner covering “Scavenger Type” was just brilliant.  I have to admit it did not fully carry how I was anticipating it, but it worked so well.  I was expecting a more folk take, but not on this track and that was fine by me.

The take on “Bob” was a perfect jaunt complete with some harmonica and just chill vibes.  The rendition did not require an upbeat undertaking, but when Turner belted out at the end, I was singing along just as I did when I first heard the original in the 90s.  The music video for this is pretty freaking hilarious too.

“Falling In Love” stole the split if you ask me.  As far as I am concerned, NOFX traveled to the future to steal this song from Turner and tossed it on an album when Turner was just a kid.  It has been a long time since I have heard an interpretation sound better than the original.

The cool thing about West Coast vs. Wessex was how well each band took an idea of covers and put absolute thought into it. Both sides took it seriously, well as much as they could, and took their time perfecting their versions of a handful of each band’s earlier material.

Some of me was hoping for more classic NOFX humor at times, perhaps even a continuation where a hilarious Minor Threat cover left off.  Still, plenty of innuendos were tossed in by Fat Mike as well as a huge Fat entourage of guests.

Frank Turner fans need to hear this even if they do not take NOFX serious at all.  NOFX fans will appreciate the continued creativity in taking other work’s and tossing their own style around it.  This idea just worked well and it had nothing to do with luck.  Fat Mike has had a few good ideas you know…

Visit the Fat Wreck Chords site to snag a copy for yourself.

Book Review: NOFX: The Hepatitis Bathtub and Other Stories

NOFXI distinctively remember the first time I heard NOFX in the 90s.

I was a friend’s house who told me there was a band I had to hear and before asking who, he immediately played NOFX for me.  The very second that music hit my ears, I turned into a fan.

I loved their crass style and catchy songs to the point I went out that same day and bought a handful of NOFX cassettes where I proceeded to memorize all of the songs.  I would listen to I Heard They Suck Live daily and even unsuccessfully looked for a pair of NOFX shorts as seen on White Trash, Two Heebs, and Bean album cover.

In 1996, I got to see NOFX for the first time live at a Warped Tour that was held on a gravel parking lot.  There is so much to this story I do not care to get into, but it was pretty much the day that I knew I would be a fan forever.

Last Spring, NOFX released a tell all (and  mean tell all) autobiography titled NOFX: The Hepatitis Bathtub and Other Stories.  With help from Jeff Alulis, the band all took turns telling stories of how they all came to be without holding back anything.

Chapter one started with a confession of the drinking of urine.  From there, the autobiography was everything  expected from to hear from the boys, but there was so much more that I was not ready for including the personal hardships, the suicides, and especially the murders that were revealed.

I loved how the book was split into various chapters by previous and current members.  Sometimes the chapters complimented one another’s recollections, while others were random for a moment and then touched back on something else said.  Where they were not exactly in chronological order, they followed suit enough where I never was trying to connect the dots.  It was almost like I was just hanging out with everyone in a room listening to random stories.

The content was funny, serious, and scary as hell at times.  Where a lot of the band spoke on the good times being in NOFX and touring the world, a lot was spent talking about severe drug abuse and the insane adventures they were involved in.  Reading various memories from original members and current members really encompassed all angles on the story of NOFX.

I loved reading about the bands they saw as kids and the bands they toured with.  Hearing them talk about Rancid and the Offspring signing to major labels while they held their own was interesting.  I was shocked to even learn that NOFX almost signed to a major label but collectively changed their minds and did things their way.

Of course the part where they all talked about playing at Eric Melvin’s aunt and uncle’s house in Aurora, OH stuck with me.  I grew up next to that city and wished to hell I could have seen them play outside in a suburban neighborhood.  Truth is, I was probably a bit too young then, but the best part about this story is that I actually became friend’s with Melvin’s cousin.  She introduced me to his parents once (if you’re reading this, hi Suzanne!)

Reading about Smelly’s heroin addiction and how he eventually overcame it was just intense.  At first, his stories were humorous and chaotic, but soon became almost uncomfortable to read, especially the ones he told as a full blown junkie who hit rock bottom.  One of his stores that had me laughing out loud though was about a stolen van and a kid who turned out to be Billie Joe Armstrong.  When the pieces came together a few chapters later, I lost it.

Fat Mike kept things unfiltered and entertaining.  I know more about his sex life now than I ever cared to, but I made sure I read all of it.  I was mostly surprised to read that he was not the biggest embarrassment early on (sans his singing).  It is crazy to have finished this book knowing that shortly after its release, he decided to chill out on things and go for treatment all because of his pal Tony Sly.  Fat Mike say seem like an a-hole on stage, but he is a family man and a loyal friend.  I really enjoyed reading his story from start to finish.

El Hefe had me cracking up many times with his stories, mostly when he first started the band, but the one thing in the book that I will never forget was the photo he shared with himself and Tori Amos.  If you read the book, I am hoping you know exactly what I am talking about.  I also appreciated learning how he grew up and became the man he is today.

The fact that the band members dropped their own moments of truth to one another in print for the first time just made this book so much more real to me.  Kept promises were broken and made public because they needed to heard and the autobiography was the perfect place to release.  The admissions clearly would open up healed wounds, but were probably never meant to be hidden forever.

Reading how they went from learning about punk rock at an adolescent age to becoming one of the most prolific bands in the punk rock community and beyond was just perfect.  Sadly, the road they traveled for 30 years to get there was not a smooth ride and not easy to read at times.  I especially appreciated not only learning about NOFX, but also other avenues by the band including Smelly’s motocross company, Melvin’s coffee shop, and El Hefe’s hot mess of a nightclub.

You really don’t need to be a fan of NOFX or punk rock for that matter to enjoy this book.  Their stories in this book will suck you in and Jeff Alulis did a great job putting it into print.

Granted it took me a little longer to finish this book than I wanted to, I will tell you that I read almost half of it in just two nights as I could not put it down.  I can honestly say I finished the last chapter with a smile on my face and even a bigger appreciation for the band who I’ve been a fan of now for over 20 years.

If you are just looking for a group of dudes telling you true stories from a punk rock, drug fueled life, NOFX: The Hepatitis Bathtub and Other Stories is a must read.  For the record, you will learn about the bathtub and it is a little nastier than you might think.

 

Album Review: NOFX – First Ditch Effort

NOFX - First Ditch EffortI can sit here and blow a bunch of smoke up all the buttholes of NOFX, but for the sake of time and whatnot, I will skip a few paragraphs of introduction and get to the point.

Chances are if you are reading this, you already know of NOFX and do not need to read any type of introduction, but just in case you have no idea who I am speaking of, I will put in a small, small intro.

So here’s my review:

NOFX have a new album.  It’s called First Ditch Effort.  It’s freaking good.  After 4 long years, the foursome is back and have taken their 13th release and made it a personal triumph of sorts.  I should mention that the band has been around for 30 years now too.

Impressive.

This album was not like the others.  Where I was used to drug fueled witty pokes at anything and everything, this album was serious and seemingly was written from torn pages of the band’s personal journals.

“Six Years On Dope” started with Fat Mike and Melvin arguing who should scream / sing the song.  This romper of a track was a confessional tale of sorts with both Melvin and Fat Mike disclosing their lower times of hardcore partying.  Not surprising, the track was catchy as hell, but destructive in hearing all these two have been through.

“Happy Father’s Day” continued with heavy riffs and had Fat Mike more or less vanquish his father figure.

“Sid and Nancy” is a punk rock conspirator’s dream track in that Fat Mike and crew suggested Nancy Reagan killed Sid Vicious.  Providing an insight to what happened by the hands of Nancy proved to be quite interesting to listen to and very well could become the start to what would be a killer cult movie.

“California Drought” referenced Fat Mike’s current cleanse he been experiencing after years of recreational drug use.  The positives were null in this track as Fat Mike sung about the struggle on wanting to use when he knows he can’t.  It was cool to hear El Hefe supply a horn solo in the middle of this track.

“Oxy Moronic” was brilliant.  Pointing the fingers at the big pharmaceuticals with plenty of tongue-and-cheek references to the thousands of stupid drug names, this track was all about exposing the doctors who prescribe for profit.  See below for the Funny or Die created music video.

Listening to “I Don’t Like Me Anymore” was like listening to Fat Mike have an intervention with himself.  The content of this song was nothing positive, but man, this song ripped.  If this track is what makes Fat Mike feel better about his actions and future, then I would say this is a win.

Maybe it was because of the NOFX autobiography released earlier this year exposing the truth of the band, or maybe it was just for the hell of it, but “I’m a Transvest-Lite” was all about Fat Mike and his cross-dressing tendencies.  As he is open to his dressing preferences these days, the song talked about his secret over the years and how he’s ok with not going full forced cross-dressing as he is too lazy to apply makeup.  He ended the track perfectly with: “You gotta know it’s not just girls who wanna have fun.”

Listening to “I’m So Sorry Tony” was tough for me and really had me bumming after listening to it for like four times in a row.  For years now, I have been waiting for this song.  Ever since Sly left this world, there have been songs and tributes, but I’ve always wanted to hear Fat Mike’s take.  This song was all heart and took it past band mates to a family level.  Forget that Sly was an amazing musician, Sly was also a voice of reason and an inspiration and Fat Mike really emphasized that in this song.  Listen to this track and you’ll get chills, especially the ending…

“Generation Z” could be the last song Fat Mike and crew ever write and I would be ok with it.  This track was about the foreseen sad future according NOFX as seen by the youth with them being the last.  Not holding back, Fat Mike wished his daughters nothing but the best in this messed up world.  Being a father myself, it was kind of rough to hear the lie: “so we tell our daughters and our sons that they’re not the  final ones to see this planet as a decent place to live.”  As if that did not hit me hard enough, hearing Fat Mike’s kids perform a spoken word, just left this record ending in a whole mess of emotions.

It’s been a couple of weeks since this album dropped and I admit I held off on finishing this review as I just kept telling myself to listen to the album one more time.  With each listen, I am becoming a bigger fan of it.  It’s intense to hear an album full of realizations from a band that used be known for partying their asses off.

Having seen this band at least 15 times live in my life and have called myself a fan of them since I was about 17, I can see that these Peter Pan punk rockers are finally growing up a bit and cherishing all they have accomplished.

NOFX is touring with Pears and Useless ID and I am hoping I can check them all out:

10/22/16 Waterfront Park – San Diego, CA
11/02/16 Crystal Ballroom – Portland, OR
11/03/16 Showbox SoDo – Seattle, WA
11/04/16 Commodore Ballroom – Vancouver, BC Canada
11/05/16 Commodore Ballroom – Vancouver, BC Canada
11/07/16 Union Hall – Edmonton, AB Canada
11/08/16 Union Hall – Edmonton, AB Canada
11/09/16 MacEwan Hall – Calgary, AB Canada
11/11/16 Burton Cummings Theatre – Winnipeg, MB Canada
11/12/16 Cabooze on the West Bank – Minneapolis, MN
11/13/16 The Rave – Milwaukee, WI
11/14/16 House of Blues – Cleveland, OH
11/16/16 Sokol Auditorium – Omaha, NE
11/17/16 Liberty Hall – Lawrence, KS
11/18/16 Gas Monkey Live! – Dallas, TX
03/10/17 On A Cruise Ship – Miami, FL
03/18/17 Pot of Gold Music Festival – Chandler, AZ

 

Watch This: NOFX – “Six Years On Dope”

NOFX dropped a new track today and it is bad ass.  Check out the lyric video below:

“Six Years on Dope” is a new track off of First Ditch Effort which drops this October.  The song reflects years of substance abuse by the band and really is not meant to be taken in comical form.

NOFX

To say I am excited about their new album is an understatement.