Perhaps the hardest sounding band on the Fat Wreck Chords roster -sorry Me First and the Gimme Gimmes- Western Addiction is back with an all new album and it freaking shreds. I think the best thing about this is that we only had to wait 3 years for them to pump out more tunes.
Featuring veteran punks, some of who were perviously Fat staff, Western Addiction are not your ordinary punk band. It’s their sounds of punk, melodic hardcore, and even doses of metal that make this band so unique and just badass.
Hailing from San Francisco, this is the band’s third release and was produced by Jack Shirley who, if you know the name, has helped with more than a few amazing releases.
Starting off the album was “The Leopard and the Juniper”, a precise, methodical hard track that clearly wasn’t just thrown together overnight. The lyrics are out of this world, or at least dimension, and carry well with the brutal guitar playing.
“They Burned Our Paintings’ was just insane. Based off true events, this track recalled the demise of masterpieces without stepping away from the canvas. I loved the lyrics: “You can burn our paintings. We’ll dream a thousand more. Each one more coercive than before”. I just could sense the passion and willingness to fight for creation on this track.
There was something about “Lurchers” that had me thinking about Dave Mustaine often. This track honestly could have passed for a Megadeth track and I do not mean that in a bad way at all. Of course at the end of the track Jason Hall makes a grunt that solidified my notion.
“Rose’s Hammer I” and “Rose’s Hammer II” clearly were about the perils of motherhood. I have to credit Hall and crew for taking a personal approach on their beliefs and putting it to music. Once I learned that Hall’s wife is a doula, it made even more sense. Both tracks are a clear tribute to bringing in life and she who is responsible for it.
“Wildflowers of Italy” was probably my favorite track on the album with a more of a 80s/90s metal feel. Far from cheesy, this track just spoke to me for some reason. I loved the shift of the track when the piano just busted in making for a great listen most likely because it reminded me of some classic TSOL.
“Deranged By Grief” closed the album down with an almost haunting start that just shifted into an all out assault. Tracks like this are why I adore this band.
I’ve listened to Frail Bray a few times now, and my god, it just keeps getting better with each listen. I’m sure I have said that about other albums in the past, but this really hold true. They seemingly touch on so many decades of punk/metal/hardcore without intention and I think that’s what makes them so unique.