I am not going to blow smoke up Brendan Kelly‘s ass, so I’ll just say it: This guy is fascinating in a weird as hell way.
He is more clever than you’ll ever aspire to be and he’s much more of a musician than I think he is credited for.
I feel like the smoke is blowing even though I said I wouldn’t.
I do not know him personally and he sure as hell does not know me, but I can tell you I admire him for his comedic approach to life as well as standing his ground for his beliefs. Then there’s the countless Tweets from @Nihilist_Arbys that he finally fessed up to being behind.
Normally he fronts Chicago’s The Lawrence Arms as well as toys with The Falcon like once every 10 years. He also has a solo project called Brendan Kelly and the Wandering Birds and let me tell you, it’s different in a good way kind of like putting A-1 sauce on over-easy eggs.
Recently Kelly dropped Keep Walkin’ Pal on the ever awesome Red Scare Records and it’s not really a solo album, but a collective release featuring Kelly and a bunch of his pals including Alkaline Trio’s Derek Grant and Atlas Studio’s Dan Tinkler making for a sporadic listen with no agenda.
Album title track “Keep Walkin’ Pal” had Kelly and his signature raspy voice just spilling brutal truth with lines like “I blacked out 17 of my best years.”
“Shitty Margarita” was this poppy punk jam complete with synthesizer that was all about what extreme amounts of sugar and tequila can do to you good and bad. Not going to lie, I dug this track a lot mostly due to the music. It was fun even though the lyrics might have brought back 1 or 7 bad memories at Chi-Chi’s.
“Huggz” should be a theme song for Kelly. The 80s-ish heavy track was all about simple affections, at least I think it was. Kelly was pretty damn stern about getting them to function and how music he likes them – even from Sergio. (Remember I said he was clever?)
“Black Cat Boy” was one of my favorite tracks on the album. With Kelly’s signature singing over the electronic keyboard and beats, this song was just one that stuck in my head quickly.
Best track on the album by far was “The Ballad of Buffalo Bill”. From singing about putting the lotion on the skin again to having a dog barking, this song was beyond entertaining. Clearly you need to know what Kelly is referencing to fully appreciate. I’m glad he tucked it in here. (I’m clever too you know)
As much as I wished “I’m the Man” was an Anthrax cover, it was not. This closing track was pretty much all the drunk and high thoughts packed into 3 minutes and 22 seconds. It was a bizarre track with shoutouts to Mr. Clean and excellent backup vocals with a digital beat Daft Punk would be jealous of. I’m not quite sure what the hell was going on there, but I like to think I enjoyed it.
Overall, Keep Walkin’ Pal was a solid listen. Kelly and pals once again have managed to entertain and confuse me at the same time. If that was the intent, awesome, but if not, maybe I am getting too old for this shit. Anyways, check out the album, it was pretty great.