Category Archives: 90’s

Interview: Jim Domenici of The Fake Boys

Earlier this year, I threw a record on my turntable by a band I had never heard of.  I did it out of morbid curiosity and honestly was not too sure I was going to even get through the first side.  Of course I judged a band by its cover and had no right in doing so, because that record ruled.  The band is called The Fake Boys and I made sure I did a proper review on them clearly pointing out that they reach back to the 90s and should never have been considered a pop punk band.

I do not know honestly why I was hesitant in spinning that record.  Maybe I need to just cut that crap off.

Anyways, I am glad I introduced myself to The Fake Boys.  If you were lucky enough to have grown up in the 90s and fed off the music scene, chances are you will love this band.  They recall alternative rock, grunge rock, and true punk rock in their style making for a style this music listener really appreciated.

Recently I was able to catch up with signer/guitarist Jim Domenici of The Fake Boys post-Fest.  It’s a little bit of a read, but let me tell you, this may be my favorite interview I have done to date.  Jim’s mind rolls just like mine does in ways and it was just fun shooting the breeze with him.  Check it out:


BHP: So, tell me, since I once again missed out on it…how was The Fest?

JD: We had a great time [and] got to see all our friends from around the country in one stop.  I tucked myself away at a bro bar and watched football for the majority of my time.  Overall, Fest exceeded my expectations and we couldn’t have been happier

Football huh? College or pro?  What teams are you a fan of?  I’ll always be a Browns fan for life.

Pro.  I’m a New England Patriots guy through and through though I would like to see them get away from this pussy pass shit and get back to defense.  The Buffalo Bills are also my guilty pleasure.  I know they are in my division, but I love the dirty culture.  Other then that, I can get behind the Browns, Niners, and Chiefs.

Nice.  So were you able to check out a lot of bands you wanted to see?

Luckily, we got to enjoy all of the bands we wanted to see.  Negative Approach was great; most brutal.

More importantly, how was your set?

Anyone there who means anything to us was in the room singing along and headbanging the whole time.  Probably the best show we’ve ever played.  I realized how lucky we are to do what we do.

Seriously, what feelings do you have when you play your heart out to a crowd and see them all singing along with you?

I can’t even explain.  I’m just a regular dude who tries to be as selfless as possible so the shit I write about really floors me.  To see people connect or even just appreciate my art enough to apply my songs to their own lives is the only reason I’m alive.  I’m a lucky guy.

Who else did you guys get to play with that night? 

House Boat, Pretty Boy Thorson, and Vacation all destroyed Nelly’s. We were all lucky to play such a solid venue to such a dope crowd.

So, let’s talk about the Fake Boys. Is there any special meaning behind your band’s name?

Our band is an open book.  The name, lyrics, melodies, song structures, album art, and even Facebook posts are all meant to be ripped apart so i don’t want to give away too much, but anyone who knows us personally knows we don’t front.  In a scene that blows it’s load over anyone and anything made of paper or plastic, we are definitely the odd men out but that’s ok.  We want the listener to figure things out for themselves and apply what they dig up to their own lives.

Can you give me a little history on how The Fake Boys became?

We all played in hardcore bands for years and as we got older we really missed melody.  We combine the ethos and aggression of hardcore with our love for song writing and crafting melody.

Nice way to formulate what you are now musically.  So was it always just Jim, Joe, and Jay? That’s a lot of J’s.

No, we’ve had a few drummer, but this is the first time we’ve felt like we’re all on the same page.

What was it like growing up in Lowell, MA?

We all actually grew up in different parts of Massachusetts and moved the band to Lowell to write the This Is Where Our Songs Live LP.  It’s a great city and reflects the working class values we believe and has always been a vibrant art community.  That being said, because of it’s mix of culture, it’s a wonderful place to create for good, honest, hard working people.

It is so easy for me to hear 90s alt rock in your sound. Who are some of your influences?  I am sure that is a very open ended question…

Well, I’m 30 so what do you expect?  For us the 90s sound is not a trend, it’s something what we grew up on.  Unlike the fake punk boom of 1994 that destroyed music as we know it, the explosion that came before it was the first and last time we saw real people getting their due for making real music in our lifetime, besides a few important bands who broke through i.e. rage against the machine and  Against Me!.  The early 90s explosion was driven by that hardcore ethos that lives within us, it’s something innate that we just can’t shake.  It’s not so much about a sound but about a way of thinking.  The bands that really do it for us are  Nirvana, The Fastbacks, Superdrag, Negative Approach, Ramones, Black Flag, Poison Idea, The Beatles, and Dinosaur Jr.

I’m 35. I hear ya about your preference in sound. I’ve been listening to more bands than ever that I grew up with like Hum, Promise Ring, Quicksand, and Dino Jr. just to rifle off a couple.  Do you really need to just blame all the fake 94 punk acts?  What about all the new bands or even the old bands that just keep trying to stay alive and really have no business doing so like dare I say Green Day and sadly Jane’s Addiction?

Ha ha, I don’t mean for shit like that to be taken too seriously as most of the time I’m just trying to entertain myself while putting my true feelings on the table.  The differences between people’s taste is important and keeps music from getting boring.  I don’t know why people seem to get bummed when I write about how I don’t like a band.  Just because I’m not a fan doesn’t mean that I think others shouldn’t be.  I grew up on bands like Nirvana and the Ramones who hid nothing.  Kurt liked Eddie but was pretty vocal about how he thought Pearl Jam was terrible!  The Ramones hated the Sex Pistols and Johnny was a proud Republican.  These bands were powerful because they kept it real and didn’t play the game for the sake of doing better.

I’m not a little bitch, so I’m not going to lie about my taste to sell records or make friends.  Anyone offended needs to lose their ego.  It’s just for me personally, the 94′ explosion never did anything.  When I look at it, I see a departure from the independent nature of the early 90s and the start of “we will do whatever you want, just pay us.”  It just sucks that the culture that bent over for business is what people commonly refer to as punk.  That’s just not punk to me, so I guess maybe I’m not punk.  To be honest, I try my best not to mention Green Day in this mess ever.  I think they’ve written some really great songs.  I’m a fan up until Warning, and besides that “Minority” song, I think Warning has some of their best material.  I also do not dislike music just because it’s a specific genre or from a certain time period, I dislike music when I get a feel that the song writing is dishonest.  I don’t write because I want to, I do it because I have to, so maybe I’m a tough sell.  I like any band who I think writes good songs.  I think of music from a next level perspective, I’ve learned to ignore all genres.  We are a band and when we go on tour we play with other bands and I take them for what they are  with no influence from public opinion.  With that being said, there are a lot of great bands in this country and they know that I’m not talking about them.  I think Lipstick Homicide should be the biggest band in the world and they’re going to be; they could save rock and roll.

Damn dude…well said on many levels.  Moving on, Pig Factory was a killer release by you all. When can we expect a follow up?

Aas soon as we wrap up this trip, we are going to demo some new jams.  We’ve actually been playing a new one called “Red, White, and Bouge” on this current tour.

I have seen a lot of people label you guys as pop-punk including someone at punknews.org, but that is far from the truth. What do you have to say to those who are quick to label your sound in one genre?

I mean, people can only speak about what they think they understand.  The fact is, I grew up on bands, not specific types of bands. The Beatles were a fucking band, The Ramones were a fucking band, as bands grew you wanted to grow with them because you liked the fucking band! For me, the best part about rock and roll was wondering what a band was going to do next.  With the pop punk scene,  you don’t seem to see that as much because most people within the scene aren’t intelligent enough to do so  It’s insecurity that scares people from thinking outside the box.  We come from the strongest hardcore scene in the country and shit is real, so we honestly don’t give a fuck about pop punk scene.

So, what is up with the cover for Pig Factory?

I want people to put the record on, read the lyrics, examine the cover and figure it out for themselves.  Like I said, this band is an open book.

I did that exactly with Pig Factory. I felt like a teen all over again examining everything from the vinyl itself to the lyrics. I wish more bands would do that.  iTunes really ruined that experience if you ask me.

I agree.  People I went to school with in the 90s who don’t go to shows or know anything about punk have emailed me and said things like “I haven’t gave a shit about music since high school and i just want you to know that you’re record brought back feelings i thought i would never feel again” and that’s what it’s all about.

I love that you have no problem vocalizing your thoughts over certain social networking sites. From salt intake to being of age when In Utero originally released, I am always entertained and intrigued by what I read. One of the posts I found interesting was pertaining to how you were once a 22 year old brainwashed Republican. What happened to you that broke the chains of self-closure within the comfort zone you were trapped in?

I took a principles of logic class and it fucked my life up for good in the best way possible.  I realized that the choices I’d been making weren’t logically sound and were in no way reflective of who I really was as a person.  I realized that being happy was the only goal worth having and that it was easier to achieve than people think or don’t think.  When I examined my life choices up to that point, I realized that the driving force behind them was insecurity, status, and money.  I was completely brainwashed.  It’s hard to think back on my life without getting upset, I was such a miserable person.  I wanted to die but was too much of a fucking pussy to do anything about it because I was caught in that comfortable, corporate net.  In the end, I have no one to blame but myself, but with the help of logic, philosophy, hardcore, and a good friend, I was able to figure out who I really am and how to live my life to it’s fullest potential.

I’m glad you got there, but I don’t think you should blame yourself at all man. You came to terms and moved to where you want to be. Honestly, I’m still hoping to find that
niche that takes me to a new level where I can honestly say I’m living life to the fullest.

Right, life moves.  We gotta move with it and to think that where we are today is where we will be tomorrow is absolutely illogical.

So I know you are going to be wrapping up a tour, but what is next for The Fake Boys?

Just going to spend the holidays with my friends and family, get back to busting my ass at a job that i truly love with all my heart, and i’m going to write the greatest rock and roll record of all time… again.

Tell me why people should listen to your band.

We’re real.

Anything you would like to mention?

Save the country, buy American, and lose your ego.

Album Review: The Fake Boys – Pig Factory

Massachusetts threesome The Fake Boys have somehow taken 90s indie rock and mashed it up with a little DIY pop punk as well as post-hardcore in a good good way on their debut album Pig Factory.

Released by Animal Style Records, Pig Factory was recorded by the great Jay Maas (Title Fight, Transit, Polar Bear Club) and pretty much kicked ass from start to finish.  I will admit, I was super hesitant before listening to this album, but am stoked I checked it out.

“This Is Our Band” opened up the album with the lead vocalist having a very Billy Corrigan singing style (as well as a Ravishing Ride Rude resemblance), but not that “despite of my rage I’m still just a rat in my cage” annoyance.  “This Is Our Sound” followed making this listener think back to the alternative / grunge days, especially with that J. Mascus-like guitar playing.

The sound kept consistent through and didn’t get old at all.  “Don’t Live” might have had some deep lyrics that I could not crack, but the song was great.  “You’re A Loser” followed with a perfect grunge to post-hardcore ratio making for an impressive listen.

“Best Post” had this Five Man Electrical Band sound at first that was completely off from the rest of the tracks.  Don’t get me wrong, it was a good listen with acoustic guitars and such, but that only lasted a moment as the rest of the band kicked in making for a good ol’ 90s alt-rock listen.  I found myself really digging that track a lot.

I really enjoyed the 90s alt-rock-heavy “Hi Friend”.  There’s nothing quite like a fun, friendly song that   just makes you gently rock your head.  Hands down, this was my favorite cut off the release, well at least I thought it was until the next track came on…  Just wait till that distorted bass kicks in, and you will most likely agree with me – “Realist World” ruled.  Lots of emo and post-hardcore going on the track.  I’m sold.

The Fake Boys sounded like a punk rock Smashing Pumpkins with a gracious nod to 90s rock.  I caught hints of Jawbreaker, Briad, and even Texas Is The Reason as well  as Dinosaur Jr.  Spite what I think they sound like, the truth is, this band knows how to deliver their own style and the result is a pretty solid listen.  There’s nothing fake about these guys at all and I am sure they are fully aware of that.  Do you like 90s rock?  Yes?  Go listen to The Fake Boys now.

Album Review: Useless ID – Symptoms

As many of you know, good, wholesome punk rock is not just an American thing.  Middle Eastern punk rockers Useless ID can prove that and have been for almost 18 years.  The foursome, who hail from Haifa, Israel, signed with Fat Wreck Chords last year and recently released Symptoms.

So what took Fat Wreck Chords so long for them to suck them in?  Well, perhaps because the band never seems to sit still and is too busy playing shows all over the world and befriending anyone in their path.  Regardless, Fat Wreck Chords has them now and I seriously doubt they will be letting go anytime soon.

Symptoms was recorded with the legendary Bill Stevenson and Jason Livermore (Rise Against, NOFX) at The Blasting Room Studios once the band was able to come back to the states from their current hometown of Tel Aviv.  The result of months of hard work is a pop punk gem that Fat Wreck Chords should be beyond proud of.  (I’m talking “dad, I just won my first fistfight in grade school” proud.)

“Live or Die” started the 12-track album off full of pop punk goodness.  I was set back at how great this song started off the album.  The lyrics were catchy, the music was solid and I wanted more.  Good thing I was only on the first track.  Lucky for me “Before It Kills” followed with the same amount of substance I was already craving.  Hell, the second track was better than the first.

“I’m just suffering with you” repeats throughout “Normal With You”, a very singable track.  “Erratic” hints heavily towards something Lagwagon might have meant to do years ago.  I loved the lyrics on this track a lot and found myself singing “Down over the low, there’s always something on my nerves that gets me so erratic” almost instantaneously.  Add in a great breakdown halfway though, and you have yourself a must hear song on the album.

“Mani Depression” sounded to me like what would happen if the Descendants and Cobra Skulls would have joined forces.  This was another killer track on the album and I think anyone who thinks that 90s punk rock is the best should take a listen to this track.  I felt 18 all over again listening to it and favored this track over all of the others without a doubt.  “Sleeping With Knives” was another track I just dug a whole lot.  It was just one of those songs that once I listened to it for the first time, it felt like I had heard it a million times before.

If  “Symptoms” was the post-breakup song, then “Obsessive Compulsive Disorder” without a doubt was the “I’m so over you” realization.  “Your obsessive compulsive disorder creeps me out, I don’t want it” loops throughout the track that hints at anything more than to go away.  “Somewhere”, on the other hand, ended the album with almost a feared reconciliation.

If i had to describe what Useless ID sounded like to someone, I would tell them to take the pop punk from the Ataris, vocals of Milo and mix them up with loads of Cali 90s punk rock riffs.  Symptoms has been in the CD player of my car for weeks now.   I have listened to it over and over form start to finish and each time it ends I just tell myself that I need another listen.

It’s early on in 2012 and Symptoms already has a place on my best of list.  This was a shocker of a release for me.  I have a split by them as well as The Lost Broken Bones, but there is just something about this album that has turned them from a punk band I like, to one I adore.  This is about the time when I tell everyone that I will be digging into their catalog.  That is a given.  If you like 90s punk rock you need to check out Useless ID’s latest release.

Dearest Danzig…Fun Fun Fun Fest 2011 Still Ruled.

I am sure many of you caught my last post about good ol’ Danzig’s awesome show I caught at Fun Fun Fun Fest this past weekend.  Love it or hate it, Danzig’s set on Friday night had the potential to ruin my weekend.

I knew the plug was going to get pulled the moment he announced to the crowd that they were told they could only play 5 more minutes.  That’s why I grabbed my camera and took that terrible video.  I wanted to capture the moment shit hit the fan, and I did.  I just discovered the Spin.com has used the video in one of their posts.

Prior to that announcement, I was finally starting to get into the set, granted the band just played “Vampira”.  I will not lie, they could have sounded way better.  I am sure there was a multitude of factors that resulted in what I heard.  It was windy as hell out and the equipment was heavily used all day , but there is no doubt in my mind that the band’s techs were not satisfied with their sound check.  Not only did the asshats do an impromptu sound check while the Murder City Devils were still playing (dicks), but they also had that extra 45 minutes before Danzig went on stage.

One of the whole reasons I went to Fun Fun Fun Fest this year was to check out the Danzig Legacy.  I was so hoping to hear “Hybrid Moments” and maybe even “Hollywood Babylon”, but we all know that was not the case.  Instead I heard heard Danzig, including 2 mediocre songs, some not so good sounding Samhain, and you know what happened after…

Plug pulled + Temper tantrum on stage = Me leaving and getting awesome vegan pad thai in downtown Austin.

Danzig make $100k that night and never finished his set.  The fans were all disappointed, and I was too.  Face it, we were all standing in front of the Black Stage to hear Misfits songs and nothing else.  With the time limit, one would think that Danzig could scrap one part of his set and focus on what people really wanted.  I felt worse for Doyle who probably just caked all that make-up on his face before coming out on stage.

Don’t worry, I did not want to tear off my Misfits tattoos and stomp on it after what I saw.  Hell, I am still a fan and always will be.  I was just pissed that Danzig was acting like a diva but also knew that I had 2 more days of Fun Fun to look forward to.  Perhaps the Misfits, the REAL Misfits, were never meant to be resurrected.  I do not care what Danzig has done for the music world, all I know is what I saw was unprofessional and beyond rockstar.  He was given fair warning of the time limit, did not want to even play, and then pulled his shit.  You know what?  I’m done talking about it.  Maybe if the Danzig calamity happened Sunday night I would have a different “Attitude” about the weekend but it was only night one.

I was already in a great mood after seeing Murder City Devils and Russian Circles take the stage Friday night.  Saturday I got to see Hot Snakes and The Damned (both were mind-blowing).  Sunday I saw Eyehategod, Kid Dynamite, Cannibal Corpse, HUM ( amazing) and eff’n Slayer. I also throughout the weekend saw Major Lazer, Diplo, Childish Gambino, Big Freeda, Spoon and Del The Funky Homosapien.

There was one quick performance though that just made me happy to be a part of the entire weekend.  While my friends and I were walking across Auditorium Shores to check out a veggie hot dog eating contest we noticed that there was a band covering Misfits songs on one of the main stages.  We all stopped dead in our tracks and literally ran to see what the hell was going on.  We caught the end of Ted Leo and the Pharmacists’s set where Leo and friends were performing their Misfits cover band TV Casualty.  It was awesome, it was funny, and it sounded awesome.  The four songs that Leo and crew played made up for the bullshit Danzig stirred up Friday night.

I’ve been to a whole bunch of festivals in my time.  This years Fun Fun Fun Fest was the best one I have ever been to and I was only at maybe 1-1/2 of it.  I missed all of the early shows due to other things going on in Austin like eaten grub or getting a sweet tattoo (stay tuned for that).  I was ok with missing a couple of the acts as the main ones were in the evening.  I got to see MCD, Hot Snakes, and HUM all in a weekend.  How cool is that?

This is not a review.  This is me declaring how much fun I had last weekend.  Great music with the greatest of friends, old and new.  Throw in the sweet motor-boating I did on a healthy rack right before Slayer and, my friends, I may have had one of the best weekends ever, in fact, I know I did.  Thanks Austin.  Thanks Fun Fun Fun Fest.  I wish it was last weekend all over again.

The Joy Formidable To Play Free Show Wednesday At The Rock Hall

Designed by the ever cool Aaron Seachrist @ okpants.com

In case you hadn’t heard, UK’s The Joy Formidable are going to be playing a show this Wednesday at the Rock Hall around 7pm.

Did I mention the show is FREE?  Well, you will need to cart your booty down to Cleveland one way or another, but you get the idea.

As part of the awesome Summer In The City Concert Series, The Joy Formidable and Cleveland’s very own HotChaCha will play in front of the Rock and Roll Hall of Fame Museum to everyone who shows up.  This series is a great way to check out new bands and just enjoy an evening in Cleveland for no charge.  I missed the first two already this summer, but will be sure to make it to this one.

I have the feeling this is going to be one of those shows that should not be missed.  I envision an all around good time already.  I know some of my pals from 92.3 Radio will be there as well as other good folk.

If you have not heard any material by the three-piece, 90s rock comparable sounding, female-fronted band yet, check out some videos below.  They’ve been around since 2008 and really have a sweet sound to them.  Rolling Stone recently nominated them as a band to watch.  Not to mention the lead female vocalist is a total fox…


(I did not know Roseanne had a cameo in this video)