Bands like Big Nothing are hard to come by. I first learned of them back in 2019 and have been a fan since. Their style then was something that was just so enticing to my ears. Said release became one of my favorites and to this day is still in regular rotation.
Featuring Liz Parsons (bass/vocals), Matt Quinn (guitar/vocals), Pat Graham (guitar/vocals), and Chris Jordan (drums), Big Nothing has this distinctive charisma all in thanks to how they share vocal duties that coincides with the music they create. Their overall style, which clearly shows strong appreciation for various genres of music, results in an unique sound that teeters between indie punk and alt-country without missing a beat.
“Always On My Mind” opened up this 10-track album with an impactful yet chill song about inhibitions around courtship. I loved their regressed sound that the band managed to produce outside of traditional studio sessions all in thanks to stupid Covid.
I loved everything about “A Lot of Finding Out.” With so many proper Westerberg similarities, this track sucked me in immediately. It was personal and wholesome and catered directly to the listener.
“Still Sorta Healing,” all in thanks to Parsons, reminded me of early Juliana Hatfield in the best way. This track brought me back to the days when I shook off the grunge and started expanding on my musical tastes
The damper “Curiosity” was an alt-country stumble that truly hit at somber feelings. I’m almost afraid to know what this one was about. Truly a personal battle with the loss of great impact.
I feel the band came together the most in “Dog Hours.” This track was just great in every way. Without being overly complex, it carried a good sound throughout.
“Make Believe” had Parsons taking over lead vocals once again changing the dynamic of the album without distraction. I honestly look forward to this shift as it showcases the true talent of this band.
“Accents” just ruled. The hook on this track was so memorable it had me singing along at first listen. This track is going to get this band a lot of attention I feel. Seriously, scroll down and listen to this one.
In true alt-country form, “What I Wanna Say” closed down the album with a good story backed by harmony and twang. I loved the laughing and someone saying “done” at the end, but it just left me wanting more.
Dog Hours continued where Chris left off for listeners like myself who just simply wanted more jams from their debut. There was a clear in change in tempo and style for the benefit of the band. With a more intimate, pure sound, I feel more connected to this band. As much as I adore their debut, Dog Years is equally as impressive.
Call me corny, but they really should have called themselves Big Everything. Dog Hours without a doubt is one of my fav releases of the year.
Big Nothing links:
Bandcamp / Twitter / Instagram / Facebook / Lame-O Records