Category Archives: Rock

Album Review: Seafair – The Querencia

SeafairCleveland’s Seafair is about to turn some heads this year.

I know I have talked about a lot of Cleveland acts on my site, but this is the first time I have spoken on a band that is this incredibly multi-genred.

Seafair has been doing their thing since 2012 and is comprised of six amazing musicians whose roots  dip into an impressive and diverse dynamic of musical styles including everything from classical to punk rock.  The Querencia is the band’s debut release and is dropping next month.

Lead vocalist Chayla Hope has a voice that demands to be heard by anyone willing to open their ears.  Its deeper, powerful style is more Juliana Hatfield over Adele/Lorde (from what I have heard via mainstream radio, honestly I can’t stand either of those two).  Seriously, it is a bit fierce and a whole ton of passionate.

SeafairSide note: Having been good pals with Seafair’s drummer Ryan Kelly for at least 10 years now, there was no way I was not going to talk about this new band.  On another side note, I used to work with Andrea Bleding Elson’s husband at an EB Games back in the day.  Small world…

A classical intro to the album set me back for a moment as I became enthralled in the peaceful composure that morphed into “Vultures”.  I am not going to lie, I was not terribly impressed with this track and although Chayla Hope had a forceful and beautiful singing voice, the track itself did nothing for me.

“DIM”, however, was the complete opposite.  I adored this track on so many levels.  From the string playing to the infectious drumming of Sir Kelly, everything about this track was likable.  Perhaps it was the Björk-like melodies and singing towards the end that grasped me.  I almost hate myself for admitting I did not like the prior track, but then again, I am one one of millions of opinions out there.  This track though was a solid jam and everyone needs to check it out.

“Inferno” followed with a bellowing Hope singing her heart out.  This was one of the tracks I could image sounds so much better live on a hot summer night.

Hearing the “The Score” was like hearing an orchestrated indie rock track like none other.  This song built up so nicely and once the guitar playing picked up at the peak of the track, I was quietly rocking out here to it.  It was like one of those songs that is a story that builds with excitement.  My only quarrel with this track, is I wish the story lasted a little longer.

I am fairly certain “Ohio” was written about me and my return back to my favorite state in the world.  I am also positive that is not the case at all, but I’m ok with thinking that.  Honestly, this track about love growing distant was amazing to listen to.  I loved the breakdown at the end that changed things up.  This was one of the best tracks on the album in my opinion.

“Discovery” was another fantastic track.  I am sure this may be misconstrued in a sense, but this track was like listening to Foxy Shazam with a female singer.  Hope’s range on this track was just all over the place and perfect throughout.  I also got a kick out of the back up vocals that interjected throughout.  The more and more I listened to it, the more I loved it.

Quick props need to be given to the Ween-like guitar solo in “Not A Cure”.  The track overall was intense to listen to and it just erupted at the end.

Seafair to me is festival music, you know, the kind is best heard live during warm summer nights.  I know they were trying to play Bonnaroo but sadly did not win a voting competition.  That’s the voters loss, I think this band would kill it at the ‘Roo.  Regardless, they will play shows and they will turn heads.  I know it.

The Querencia is a beautifully put together album that is not over produced and spans over so many genres that I feel it will be difficult for anyone to not enjoy some part of it.  The album really grasps your attention throughout and treats it to a fine listen.

I was not expecting Seafair to sound the way they did, and that’s ok.  Surprises in music are one of my favorite things in life and I really hope others experience that feeling too.

Album Review: Success – Radio Recovery

Success - Radio RecoverySeattle’s Success does not suck.  I repeat, Seattle’s Success does not suck.

In fact, this band has completely won me over almost instantaneously and I am still trying to figure out how the hell they snuck under my radar for so long.

Success are a hybrid of 90s SoCal pop punk and current DIY punk rock.  I have no clue how they met or how many albums they have put out or any of the typical default bio stuff.  I am sure I could find out, but right now I am focused on telling everyone how I am feeling. Deal.

I do know they covered a Spin Doctors song that I found while stalking them online the other night and I’ll be happy to post it at the bottom of this post as a reward for making it through my review.

It’s seriously being a while since I’ve gotten sucked into an album so quickly.  Radio Recovery, dropping March 24th on Red Scare Records, did that in just about 30 minutes.  I can not tell you how many times I have listened to this album over and over since the release was thrown my way (thanks Toby!).

Success“Believe In” opened strong with a pop-punk jam full of sing-alongable qualities.  This track was produced well and impressed the hell out of me.  I loved the bass playing and the guitar solos, but it was the dual singing style that did it for me.  It reminded me of everything I loved about late-90s punk rock music.

“Revolution Schmevolution” continued to keep my attention with this powerhouse of a sing-along.  I especially got a kick out of the lyrics, “what’s the problem with this world today is that every Batman thinks he’s a Bruce Wayne.”

Another track that caught my attention was “Lives That We Deserve”.  Perhaps it was the piano playing that hid behind everything or just the fact that it was a quality tune.  This track was motivational in a sense with the working man’s life being sung upon.  This easily was one of my favorite tracks on the album.

“Flowers” was one of the tracks that that had a huge effect on me.  It was not too personal by any means, but it was just real.  This song was like the polite and caring Rancid that no one ever had the chance to meet.  In fact, I would allow Success to steal my sediment and made a cartoon video of clean-cut versions of Tim and Lars picking bouquets of flowers for their special sweethearts.  Beyond my puke of creativity, this song was incredible and perhaps did not sound anything like Rancid.

The acoustic “Impossible Truth” was a nice chance but was move Revival Tour material and did not necessarily go with the rest of the album.  The organ playing was great throughout and I was really reminded of Frank Turner due to the style.

Closing the album up was “Resignation”, a harmonic punk rock track that pretty much solidifies why I love punk rock music so much.  This track just built up so well and just exploded.  Perfect way to end a great album.

If you like catchy punk rock jams, this band is for you.  Success have won me over and Radio Recovery has earned a well-deserved spot in my Best Of 2015 list.

Hands down, this album rules and while produced well, it still is nothing too clean sounding and has plenty of reasons for multiple listens.

If only more newer bands could sound like Success.  Then we could say stupid things like these guys sound like the sweet, sweet sounds of Success.

OK I’m done.

Enjoy.

Song Premiere: Borders – Holiday

I’m very stoked to be able to premiere a track by a band called Borders for you all to enjoy.

Featuring Dustin Andrews, formerly of Of Us Giants, this alt rock band has put out one hell of a single and I was asked to showcase it on my site.  After I listened to it, I could not wait to share it.

Check it out:

Borders

Download Link: Borders – “Holiday”

Last year around this time, I was talking up Of Us Giants and was more or less shocked when the band called it quits before they even got to tour.  Things happen for a reason I suppose.

Borders pretty much carries the torch that was prematurely dropped by Of Us Giants.  I am looking forward to hearing their full-length titled Wandering Youth that should drop in May.

 

Darius Koski Solo Debut To Drop April 7th

Hey Swingin’ Utters fans,  Darius Koski is about to debut his solo album.  Before you start throwing down assumptions that the guy is going acoustic just to to make a quick buck, please see what he had to say about the whole solo route:

“I’ve been wanting to have an outlet for it for so long—for longer than I’ve been with the Swingin’ Utters, basically. And I just hadn’t done anything with it. I didn’t really know how I was going to release it, I hadn’t done much live, I have problems remembering lyrics… So I’ve been putting it off for so many years, but it’s finally coming together, and I’m thrilled about it. I’m totally going to go for it.”

Now that you’ve read that, how about you take a listen to one of this new songs:

https://soundcloud.com/fat-wreck-chords/darius-koski-listen

You’re weren’t expecting that much twang were you?  I know I was not, but I will tell you this, I love it.

Dropping on April 7th, Sisu, is in a genre really of its own with a plethora (yes I said plethora) instrument playing including guitar, piano, banjo, accordion, violin, glockenspiel, vibraphone, melodica, ukulele, and percussion.  This is not just some solo album.  This is years of built up creativity by Koski finally being released property.

I know I am stoked to hear this.

Pre-orders are up at Fat Wreck as of today.  Hurry up and get you some.

Album Review: Bombadil – Hold On

Bombadil - Hold OnI was told Bombadil, who hail from Durham, NC, were a pop-folk act that I needed to listen to.

Seeing they hail from the same state as a certain Brothers band that I adore enough to tattoo their cover art on me, I figured why the heck not.

I cannot say I’d heard of Bombadil prior to checking them out, but after doing a little research, I learned that they have been around since 2005 and caught the attention of Ramseur Records thanks to their MySpace page.  Next month, the band is dropping their fifth full length album on  titled Hold On.

I was not sure about “Coughing on the F Train” when I first listened to it.  The song reminded me of an 80s track mixed with a storyline Beck might have created in the 90s.  Overall, it was catchy, but just slower in some areas.  One song in and I already started to wonder if this band had any folk in them (Note: Their older material has a much heavier folk appeal to it from what I have listened to after writing this up).

“Amy’s Friend” cleared my question up immediately.  This track was a gentle duet that clearly has swooning abilities with great harmonies throughout.

I enjoyed “Bill You For Your Trash”, especially the guitar solo towards the end.  I could not help but think of Simon & Garfunkel in a sense while listening to this track.

“I Can’t Believe in Myself and Love You Too” made me just want to crawl in a hole with a bottle of something strong.  What a sad track.  I can not say I dug the backing vocals though, it was almost too much.

“Framboise” was one of my favorite tracks on the album.  It was almost like listening to something from the 60s.  I loved the mix of French and English singing on this track.  I secretly wish this song would have morphed into a “Bohemian Rhapsody” of sorts.  The explosion at the end I was waiting for, never happened though.  Still, very creative track.

“Love You Too Much” carried one hell of a Motown feel.    Robinson’s vocal range on this track was impressive to say the least.  I have the feeling this track is ten times better live.

I laughed to myself when I saw the title “Rhapsody in Black and White” given my previous thought regarding Queen.  I was not too sure about this track.  It was almost too weird.  I understood the premise, but was this serious or satire?  Also, can I just comment how much Robinson sounds like Pete Townshend?  I can not tell you how long it took me to find the perfect comparison, but while listening to this song, it finally struck me.

“Honest” should have been called “Brutally Honest”.  If this was not a personal confession of revalation, then Robinson has one creative ass thought process.  This track easily could have been a Brand New track.  I am not sure how many of you will even understand what I just stated, so allow me to clarify:  This track was super heavy on the emo, even with the random electronic breakdown towards the end.  This was an amazing, powerful song that I was not expecting.

“Love Is Simply” closed out the album with a very well put together composure.  There was so much going on in this track.  I candidly thought of Flight of the Concords, but only due to the singing styles.  This track was pro-love, at least I think it is.  The burning bag comment kind of threw me off.

Bombadil has their own unique approach to pop-folk with a more subtle sound that in turn is quite comforting and catchy at times.  I really think their genre is a lot broader than they get credit for.

Plenty of people are going to get into this band with Hold On as it almost caters to everyone.  With plenty of creativity in creating their own style, I can admit that I am now a fan.