Starting their year off right, Hot Water Music has just dropped an all new music video for “Drag My Body”. This is their second video off their recent release Exister (the video for “State Of Grace” was dropped last summer). Directed by Josh Hegard, the video has dropped just 2 weeks prior to the band hitting the road once again.
Check it out:
I enjoyed the video, but wish the old dude would have regulated at the end. At least his daughter put two and two together. I am also craving some whiskey now. Ok, where was I? Exister, check it out if you have not done so already.
Additionally, Hot Water Music and No Idea Records recently announced plans to release Live in Chicago on limited edition 3xLP and 2xCD+DVD on January 15. Recorded at the Metro in Chicago on February 1-2, 2008, the triple LP (with download code) includes 30 songs that clock in at 90 minutes from both nights at the Metro, and will be available on six different colors (Blue, Red, Yellow, Green, Purple and White), all of which are limited to 550 copies each. The double CD will include the same set of songs, plus an 80 minute, 24 song live DVD of the February 2 show, which features a few alternate versions, plus one song not found on the album. Fans are invited to pre-order Live in Chicago now though No Idea’s website. I already ordered mine!
Hot Water Music Tour Dates (w/The Menzingers, La Dispute):
Jan 16 – Tampa, FL – Orpheum Theatre
Jan 17 – Orlando, FL – Beacham Theatre
Jan 18 – Gainesville, FL – Florida Theatre of Gainesville
Jan 19 – Atlanta, GA – Masquerade
Jan 20 – Charlotte, NC – Amo’s Southend
Jan 22 – Washington, DC – 9:30 Club
Jan 23 – Pawtucket, RI – The Met Cafe
Jan 24 – Brooklyn, NY – Music Hall of Williamsburg (SOLD OUT)
Jan 26 – Philadelphia, PA – Electric Factory
Jan 27 – Huntington, NY – The Paramount
Jan 28 – Montreal, QC – L’Olympia
Jan 29 – Toronto, ON – Danforth Music Hall
Jan 30 – Pittsburgh, PA – Altar Bar
Jan 31 – Chicago, IL – Metro
Feb 1 – Minneapolis, MN – Mill City Nights
Feb 2 – Omaha, NE – Slowdown
Feb 3 – Denver, CO – The Summit Music Hall
Feb 5 – Los Angeles, CA – Echoplex
Feb 6 – Santa Ana, CA – The Observatory
Feb 7 – Sacramento, CA – Ace of Spades
Feb 8 – Portland, OR – Hawthorne Theatre
Feb 9 – Vancouver, BC – Vogue Theatre
Feb 10 – Seattle, WA – Showbox at the Market
For More Information:
And if you have not seen “State Of Grace”, you can check it out below:
Earlier this year, I threw a record on my turntable by a band I had never heard of. I did it out of morbid curiosity and honestly was not too sure I was going to even get through the first side. Of course I judged a band by its cover and had no right in doing so, because that record ruled. The band is called The Fake Boys and I made sure I did a proper review on them clearly pointing out that they reach back to the 90s and should never have been considered a pop punk band.
I do not know honestly why I was hesitant in spinning that record. Maybe I need to just cut that crap off.
Anyways, I am glad I introduced myself to The Fake Boys. If you were lucky enough to have grown up in the 90s and fed off the music scene, chances are you will love this band. They recall alternative rock, grunge rock, and true punk rock in their style making for a style this music listener really appreciated.
Recently I was able to catch up with signer/guitarist Jim Domenici of The Fake Boys post-Fest. It’s a little bit of a read, but let me tell you, this may be my favorite interview I have done to date. Jim’s mind rolls just like mine does in ways and it was just fun shooting the breeze with him. Check it out:
BHP: So, tell me, since I once again missed out on it…how was The Fest?
JD: We had a great time [and] got to see all our friends from around the country in one stop. I tucked myself away at a bro bar and watched football for the majority of my time. Overall, Fest exceeded my expectations and we couldn’t have been happier
Football huh? College or pro? What teams are you a fan of? I’ll always be a Browns fan for life.
Pro. I’m a New England Patriots guy through and through though I would like to see them get away from this pussy pass shit and get back to defense. The Buffalo Bills are also my guilty pleasure. I know they are in my division, but I love the dirty culture. Other then that, I can get behind the Browns, Niners, and Chiefs.
Nice. So were you able to check out a lot of bands you wanted to see?
Luckily, we got to enjoy all of the bands we wanted to see. Negative Approach was great; most brutal.
More importantly, how was your set?
Anyone there who means anything to us was in the room singing along and headbanging the whole time. Probably the best show we’ve ever played. I realized how lucky we are to do what we do.
Seriously, what feelings do you have when you play your heart out to a crowd and see them all singing along with you?
I can’t even explain. I’m just a regular dude who tries to be as selfless as possible so the shit I write about really floors me. To see people connect or even just appreciate my art enough to apply my songs to their own lives is the only reason I’m alive. I’m a lucky guy.
Who else did you guys get to play with that night?
House Boat, Pretty Boy Thorson, and Vacation all destroyed Nelly’s. We were all lucky to play such a solid venue to such a dope crowd.
So, let’s talk about the Fake Boys. Is there any special meaning behind your band’s name?
Our band is an open book. The name, lyrics, melodies, song structures, album art, and even Facebook posts are all meant to be ripped apart so i don’t want to give away too much, but anyone who knows us personally knows we don’t front. In a scene that blows it’s load over anyone and anything made of paper or plastic, we are definitely the odd men out but that’s ok. We want the listener to figure things out for themselves and apply what they dig up to their own lives.
Can you give me a little history on how The Fake Boys became?
We all played in hardcore bands for years and as we got older we really missed melody. We combine the ethos and aggression of hardcore with our love for song writing and crafting melody.
Nice way to formulate what you are now musically. So was it always just Jim, Joe, and Jay? That’s a lot of J’s.
No, we’ve had a few drummer, but this is the first time we’ve felt like we’re all on the same page.
What was it like growing up in Lowell, MA?
We all actually grew up in different parts of Massachusetts and moved the band to Lowell to write the This Is Where Our Songs Live LP. It’s a great city and reflects the working class values we believe and has always been a vibrant art community. That being said, because of it’s mix of culture, it’s a wonderful place to create for good, honest, hard working people.
It is so easy for me to hear 90s alt rock in your sound. Who are some of your influences? I am sure that is a very open ended question…
Well, I’m 30 so what do you expect? For us the 90s sound is not a trend, it’s something what we grew up on. Unlike the fake punk boom of 1994 that destroyed music as we know it, the explosion that came before it was the first and last time we saw real people getting their due for making real music in our lifetime, besides a few important bands who broke through i.e. rage against the machine and Against Me!. The early 90s explosion was driven by that hardcore ethos that lives within us, it’s something innate that we just can’t shake. It’s not so much about a sound but about a way of thinking. The bands that really do it for us are Nirvana, The Fastbacks, Superdrag, Negative Approach, Ramones, Black Flag, Poison Idea, The Beatles, and Dinosaur Jr.
I’m 35. I hear ya about your preference in sound. I’ve been listening to more bands than ever that I grew up with like Hum, Promise Ring, Quicksand, and Dino Jr. just to rifle off a couple. Do you really need to just blame all the fake 94 punk acts? What about all the new bands or even the old bands thatjust keep trying to stay alive and really have no business doing so like dare I say Green Day and sadly Jane’s Addiction?
Ha ha, I don’t mean for shit like that to be taken too seriously as most of the time I’m just trying to entertain myself while putting my true feelings on the table. The differences between people’s taste is important and keeps music from getting boring. I don’t know why people seem to get bummed when I write about how I don’t like a band. Just because I’m not a fan doesn’t mean that I think others shouldn’t be. I grew up on bands like Nirvana and the Ramones who hid nothing. Kurt liked Eddie but was pretty vocal about how he thought Pearl Jam was terrible! The Ramones hated the Sex Pistols and Johnny was a proud Republican. These bands were powerful because they kept it real and didn’t play the game for the sake of doing better.
I’m not a little bitch, so I’m not going to lie about my taste to sell records or make friends. Anyone offended needs to lose their ego. It’s just for me personally, the 94′ explosion never did anything. When I look at it, I see a departure from the independent nature of the early 90s and the start of “we will do whatever you want, just pay us.” It just sucks that the culture that bent over for business is what people commonly refer to as punk. That’s just not punk to me, so I guess maybe I’m not punk. To be honest, I try my best not to mention Green Day in this mess ever. I think they’ve written some really great songs. I’m a fan up until Warning, and besides that “Minority” song, I think Warning has some of their best material. I also do not dislike music just because it’s a specific genre or from a certain time period, I dislike music when I get a feel that the song writing is dishonest. I don’t write because I want to, I do it because I have to, so maybe I’m a tough sell. I like any band who I think writes good songs. I think of music from a next level perspective, I’ve learned to ignore all genres. We are a band and when we go on tour we play with other bands and I take them for what they are with no influence from public opinion. With that being said, there are a lot of great bands in this country and they know that I’m not talking about them. I think Lipstick Homicide should be the biggest band in the world and they’re going to be; they could save rock and roll.
Damn dude…well said on many levels. Moving on, Pig Factory was a killer release by you all. When can we expect a follow up?
Aas soon as we wrap up this trip, we are going to demo some new jams. We’ve actually been playing a new one called “Red, White, and Bouge” on this current tour.
I have seen a lot of people label you guys as pop-punk including someone at punknews.org, but that is far from the truth. What do you have to say to those who are quick to label your sound in one genre?
I mean, people can only speak about what they think they understand. The fact is, I grew up on bands, not specific types of bands. The Beatles were a fucking band, The Ramones were a fucking band, as bands grew you wanted to grow with them because you liked the fucking band! For me, the best part about rock and roll was wondering what a band was going to do next. With the pop punk scene, you don’t seem to see that as much because most people within the scene aren’t intelligent enough to do so It’s insecurity that scares people from thinking outside the box. We come from the strongest hardcore scene in the country and shit is real, so we honestly don’t give a fuck about pop punk scene.
So, what is up with the cover for Pig Factory?
I want people to put the record on, read the lyrics, examine the cover and figure it out for themselves. Like I said, this band is an open book.
I did that exactly with Pig Factory. I felt like a teen all over again examining everything from the vinyl itself to the lyrics. I wish more bands would do that. iTunes really ruined that experience if you ask me.
I agree. People I went to school with in the 90s who don’t go to shows or know anything about punk have emailed me and said things like “I haven’t gave a shit about music since high school and i just want you to know that you’re record brought back feelings i thought i would never feel again” and that’s what it’s all about.
I love that you have no problem vocalizing your thoughts over certain social networking sites. From salt intake to being of age when In Utero originally released, I am always entertained and intrigued by what I read. One of the posts I found interesting was pertaining to how you were once a 22 year old brainwashed Republican. What happened to you that broke the chains of self-closure within the comfort zone you were trapped in?
I took a principles of logic class and it fucked my life up for good in the best way possible. I realized that the choices I’d been making weren’t logically sound and were in no way reflective of who I really was as a person. I realized that being happy was the only goal worth having and that it was easier to achieve than people think or don’t think. When I examined my life choices up to that point, I realized that the driving force behind them was insecurity, status, and money. I was completely brainwashed. It’s hard to think back on my life without getting upset, I was such a miserable person. I wanted to die but was too much of a fucking pussy to do anything about it because I was caught in that comfortable, corporate net. In the end, I have no one to blame but myself, but with the help of logic, philosophy, hardcore, and a good friend, I was able to figure out who I really am and how to live my life to it’s fullest potential.
I’m glad you got there, but I don’t think you should blame yourself at all man. You came to terms and moved to where you want to be. Honestly, I’m still hoping to find that niche that takes me to a new level where I can honestly say I’m living life to the fullest.
Right, life moves. We gotta move with it and to think that where we are today is where we will be tomorrow is absolutely illogical.
So I know you are going to be wrapping up a tour, but what is next for The Fake Boys?
Just going to spend the holidays with my friends and family, get back to busting my ass at a job that i truly love with all my heart, and i’m going to write the greatest rock and roll record of all time… again.
Tell me why people should listen to your band.
Anything you would like to mention?
Save the country, buy American, and lose your ego.
I am one of those guys out there who has no problem admitting that they like the band Brand New. Yeah, I can be a little sensitive when I need to be and sometimes pop-punky emo rock is all I need to soothe my nerves. I am beyond the point in life where if you question me about this confession that I will challenge you to a duel with fists and a spiked club, but you get my drift. Point is, I like all sorts of music and it was no surprise to me when I first heard State Lines and immediate dug them. They sound relatively close to a younger Brand New and I am sure they are completely aware of that.
Earlier this year, State Lines, with help of Tiny Engines, released a 4 song self-titled 7-inch EP. The result is a quick listen, but those four songs beg to be played over and over again. They may have formed in 2010 and were probably born right around the time I was kicking ass in high school, but they do not sound very novice at all.
Speaking of high school…that guy on the cover of this 7-inch reminds me of Rotor Man. Unless you grew up in Cleveland and went to Geauga Lake in the 90s, chances are you have no idea who I am talking about.
“5’s On The Elephant” started things off and was hands down the best track of the four. This song that reminded me of the all the bands I started branching out to once I became a late fan of poppy punk thanks to a girl who used to work with me at a record store back in the day. It was almost a blend of Brand New and Taking Back Sunday and I completely was sucked into it. Pounding drums matched up with catchy guitar playing just carried along a fun vibe throughout. “Plenty Of Time” followed, but was not nearly as powerful as the opener. Still, it was a good track that sped up halfway though. B-side “Win Free” was another solid track to listen to. I loved hearing the raspy voice of Dimitri met with Werring’s harmonic singing throughout the track.
Here’s hoping that this EP is just a sample of what they have in store for their next release which should be coming up shortly. So what if they sound like Brand New? They sound amazing and I think that hey are well aware of that and plan on acting upon it. Here’s hoping that their follow up LP drops very soon. I am stoked about this young act and can’t wait to see where their talent takes them next.
Check it out for yourself and see what I am taking about:
There is nothing in the world quite as mysterious as a relationship. From the start until the end, however it may conclude, we have all been there. There are easily a million songs that have been written over time about relationships and love. Some are positive tunes that end happily ever after, and then there are the ones that are straight up depressing with no light in the future for a resolution. We all know these songs, and honestly almost all of them were written because of love and heartache.
Emily Barker & The Red Clay Halo may have written one of the sadder love songs I have heard in my time in regards to the departure of love. The chamber-folk song, “Fields Of June”, is just depressing as hell. Considered a murder ballet duet by Barker, it actually was written back in 2007. The song became even more poignant once the song was re-recorded and the male vocal duties were taken over by a good friend of Barker’s, Frank Turner. The original duet is nothing compared to the re-released single on Xtra Mile Recordings. Barker and Turner are perfect in trading verses, no matter how run down they may be.
To make things even more melancholy, the two made a music video, or should I say filmed a silent movie, to accompany said track. The result is a clip I have watched over and over now. It hits the heart hard and can cause a laugh or two as well. Turner has proved quite the performer in the video.
Barker and Turner make for one hell of a duet act on “Fields Of June”, and it would only make perfect sense that collaborate again in the future.
The song is available for download on iTunes as well as was released on a white 7″ in the UK with another Emily Barker & The Red Clay Halo track “Nostalgia” that came from their album Despite The Snow. The second track may not have been infectious to me as the first, but was really an amazing listen.
After hearing both songs, I must say I am really interested in hearing more of this chamber-folk that Barker and company creates.
Check out the video below for “Fields Of June” featuring Frank Turner:
I do not know about you, but I am pretty excited about this.
Chris from No Sleep Records posted this picture on his Facebook today (of course it still needs print and whatnot:
Into It. Over It. Tour Dates:
Oct 17 – Cleveland, OH – Now That’s Class
Oct 18 – Philadelphia, PA – Unitarian Church
Oct 19 – New York, NY – Santos Party House (CMJ)
Oct 20 – Boston, MA – Middle East/Upstairs
Oct 21 – Hartford, CT – Webster Underground
Oct 22 – Baltimore, MD – Ottobar
Oct 23 – Richmond, VA – The Camel
Oct 24 – Columbia, SC – New Brookland Tavern
Oct 25 – Orlando, FL – Will’s Pub
Oct 26 – Gainesville, FL – The Fest
Oct 27 – Gainesville, FL – The Fest
Oct 28 – Gainesville, FL – The Fest
Oct 29 – Atlanta, GA – Vinyl
Oct 30 – Louisville, KY – The Vernon Club
Oct 31 – Chicago, IL – Beat Kitchen