Tag Archives: Indie

Alt Rock, Cleveland, Emo, Hip Hop, Indie, Metal, Music, Post-Hardcore, Punk, Rock

BHP BEST OF 2025

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Every year I say I am going to do more on the blog and get pulled away from it with other things. Let’s face it, life is crazy and I just do not find myself on this site as much as I used to be. I still listen to a TON of music and that is never going to change.

With that said, I still am committed to at least doing a best of post annually. I am sure I missed a few, but here is a list of bands in no particular order that I adored this year.

Enjoy.

BHP BEST OF 2025 LIST

Dead Pioneers – PO$T AMERICAN

Such an important album to me. A stick it to you, punch in the face to everyone who thinks everything is ok.

Faulty Cognitions – They Promised Us Heaven

I was lucky enough to befriend Chris Mason years ago when I was a recluse mess in Las Cruces, NM. Dude is amazing and I am not shocked he put out one of my fav albums this year. Perfect blend of Replacements and Husker Dü sounds completely won me over and over.

Deafheaven – Lonely People With Power

Love that these dudes went back to their heavy approach without dropping the shoegaze completely. One of my more repeated albums of the year start to finish.

Model Martel – A Thousand Couple Times

Name a more perfect debut album by a bunch of your gracefully aging punk pals… In all seriousness, this album is really, really good. I was overly impressed when I finally got my hands on this emo, post-punk release. These guys carry years of experience from a bunch of Cleveland bands and their styles fell into a perfect place together. Don’t sit on this one.

Hotline TNT – Raspberry Moon

Will Anderson has something good going on here with this release. There are so many nods to early 00s styles of bands like Radiohead and Arcade Fire but also dips back even further with a grudge effect. I admit, never heard of Anderson or Hotline TNT prior to this release, but that changed instantly.

Militarie Gun – God Save the Gun

“Thought You Were Waving” has been stuck in my head for months. This band continues to impress me with their almost aligning personal lyricism.

Deftones – private music

My first listen, I was not impressed. I picked at the drumming, nodded with the riffs, felt it just was lazy. My 400th listen, I am just sucked in, obsessed, and realize I was the lazy one for a lack in interest when it should have been there the entire time.

Kid Cudi – Free

I always argued Cudi’s best album was Speedin’ Bullet 2 Heaven, but that changed this year. Yeah, totally not his known hip-hop and certainly more of a border-lined pop-punk which begged to be played over and over.

Turnstile – Never Enough

I over-played the shit out of this album this year. It’s perfect. That’s all I have to say about that.

Heart Attack Man – Joyride the Pale Horse

This album was just so much fun to listen to. The boys in Hammy continue to mature and are taking tongue-in-cheek situations and expressing them in catchy songs. Knowing how many shows they’ve played this year proves the success these guys deserve.

Greet Death – Die In Love

Shoegaze city with this one. So freaking good. Shocked I did not snag this on vinyl yet.

Bob Mould – Here We Go Crazy

Bob Mould gets better and better with his releases. Case and point, this album is just full of incredible jams. I feel like I am repeating myself, but whatever. Mould rules, I adore him, and if Sugar drops a new album next year I am going to lose my mind.

Coheed & Cambria – The Father of Make Believe

It’s been a minute since I have geeked out so hard on a Coheed album. I keep missing them live these days, but adore them so much and love that I was sucked back into their world.

Sam Russo – Hold You Hard

Sam Russo is easily one of my fav musicians on this shitty little planet of ours. Usually he is know at that brit-punk solo artist, but for this release he enlisted his touring band to record with him and it’s probably some of the greatest songs he’s ever done.

Raging Nathans – Room for One More

Dayton, OH punk rock dudes drop insanely good album. This is the band’s sixth most memorable release thanks to them leaning into pop-punk a little hard. Caught these guys at No Class earlier this year and they just rip.

The Dirty Nil – The Lash

This is the best current three-piece band out there today. This album is better than good, it is goddamn fantastic.

Of course I missed some after getting some feedback. Here are a couple more I adored this year:

Matt Berry – Heard Noises

Matt Berry slays me. Such a funny human, but his taste in music is immaculate. I hate to admit this, but it was not until this year that I found out he writes and plays how own music. This genre is usually not my go to, but this jazz fusion hit me in all the good ways.

Ways Away – I’m Not You

I love me some gruff punk tunes. Add constant hooks and pull in a dude from Hot Water Music and it’s a no brainer I would love this.

Spiritual Cramp – RUDE

These dudes are so much fun. Anything they drop is gold to my ears likely because they have no problem mixing punk and dub along with other musical styles. This was the album I tossed on this year when I needed an instant cheer up.

I’m going to try and park it here now and not list any more. I mean it this time…

I feel the need to tell you all that on my list above, I bought 14 of their releases on vinyl. Some at their shows, some on their websites, and one through a pal who made it to the show that I could not. I plan to get the rest in due time as I know in this day and age, buying physical albums and merch is what really keeps these bands going. I am not saying you need to do the same, but if you have the means, help the bands.

Sure, some of them will be fine with their generous major label (and well-deserved) record signings, but there’s so many more out there who give it their all while sacrificing so much just to make their tour happen.

Support those bands you love. Hit a show on a Tuesday night on the other side of town knowing Wednesday morning is going to suck. Buy the t-shirt at the merch booth that you keep eyeing up. Who knows how much longer we have until end of days. Be happy you have this music you love surround you. I know I do. I don’t take this for granted, ever.

Be well and happy holidays y’all. Much love if you made it this far.

Alt Rock, Country, Electronic, Emo, Experimental, Hardcore, Hip Hop, Indie, Metal, Music, Outlaw Country, Pop, Post-Hardcore, Punk, Rap, Rock, Ska

BHP Best of 2023

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This year absolutely flew by and here I am scrambling to toss something together to validate myself for poorly running my blog.

Clearly other objectives in life got in the way of how I wish I could maintain the site and keep it current, but here we are, so I guess I just do what I can, when I can.

I will say this past year has been a wild ride and I was able to really to enjoy it with friends and family, but something tells me that next year is going to be even better.

The absolute highlight of 2023 was covering the Punk in Drublic fest (thanks Vanessa!!!!) in Columbus, OH. If you missed that you can check it out HERE. To see so many of my favorite bands with some close pals of mine was just perfect.

I may not have reviewed a lot of bands this year, hell, I think I only did one looking back…but I did listen to tons of music and wanted to share a few that really caught my attention in 2023.

Enjoy.

BHP BEST OF 2023 LIST

Codefendants – This is Crime Wave

Easily one of the best releases this year. When I heard Fat Mike got The D.O.C. to drop some lines on one track I knew this was going to be something special.

Lucero – Should’ve Learned by Now

I love Lucero and everything they stand for and have to admit this took me a couple of listens to truly get into and I am glad I did because there are some gems on this one.

Heart Attack Man – Freak of Nature

I love this album. I really do not know what else to say here other than if you have not checked it out yet, you really should change that.

koyo – Would You Miss It?

This band won me over this year in the best way. Melodic emo hardcore. Does it get any better than this?

Militarie Gun – Life Under the Gun

Catchy as hell sums up this release. This has been a weekly listen since it dropped.

Sincere Engineer – Cheap Grills

File this one under “Deanna Belos makes me cry again with her poignant lyrics.” Dammit.

Bollweevils – Essential

Dr. Daryl Wilson is back with the gang and completely blew me away with this release. It sounded even better live at a local dive bar. That was a true treat.

Blink 182 – One More Time

I grew up in the 90s. Did you seriously not think this was going to land here at some point? Old punks are still cool, we just go to bed at a reasonable time.

Spanish Love Songs – No Joy

This band always stabs me in the feelings. This album was no exception.

Svalbard – The Weight of the Mask

I found this band a few years back as a suggestion to Holy Fawn and have loved them since. I was so stoked to see a new album drop by them this year and it simply rules.

Hot Mulligan – Why Would I Watch

Pop punk fun. Honestly, I did not think I was going to enjoy this one as much as I did.

Chayla Hope – Damn, Feelings

True Cleveland talent here. I will not be shocked when she grabs the attention of the world. Chayla can do no wrong.

Joey Valence & Brae – Punk Tactics

Just got into these guys a few weeks ago and adore their style that really reached back to the 90s. This release is pure fun and begs to be listened to on repeat.

Lil Yachty – Let’s Start Here.

This was one of those releases I read a review on and knew I needed to stop what I was doing and check it out. It is wild.

Incendiary – Change the Way You Think About Pain

Meanest album of the year. I adore it and listen to it on my worst days.

MSPAINT – Post-American

Music-genre bending at its best. I certainly cannot tell you their style other than “all of the above.”

Flying Racoon Suit – Moonflower

Oh hi, this band takes almost all the sounds of music I adore, tosses it in a blender, purees it, and pours out one hell of a release. Do not let the band’s name fool you.

Kerosene Heights – Southeast of Somewhere

2023 was a pretty emo year for me and this band helped fuel that.

I want to thank all my friends out there for keeping me going. New and old, life rules when you are all around.

More importantly, shoutout to my amazing kids who continue to give me purpose in life and let me continue to be my goofy-ass self with zero apologies. I hope one day you come across this and are reminded of the joy you both bring me.

Happy New Year and thanks for reading. Let’s see if I can kickstart the blog in 2024. I think I am up for it.

Electronic, Experimental, Indie, Music, New Release, Review

Album Review: The Electric Grandmother – Relaunch

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80s synth-pop smashed with experimental sci-fi indie rock is about the best I can explain The Electric Grandmother these days to anyone who asks.

Taking their duo to a conceptional level higher than their last release, Cancelled that literally surrounded a man losing his mind over an axed sitcom, Relaunch is the most unique release I’ve heard these two drop to date.

Residing in Washington DC, and originally staking claim to fame in Columbus, OH, the high-level 411 on The Electric Grandmother is a husband/wife duo who have taken their love for each other and televised entertainment and put their own twist into it musically.  Sitcom Core pretty much was their lovechild, but with time comes maturity and they really are beyond what they once created.

I could sit here and tell you how much Pete and Mary Alice mean to me, but I’ll save that.  Instead, I would like to remind them the time I showed up at their wedding reception first if I am not mistaken and they both ran to me, excited to see someone on their level that wasn’t a family member asking over and over when they were going to start a family and talk about their lost cat or bridge mix.

What am I getting at you ask?

I was there for them then, and I still am today.

I write this review not because they asked me to check it out, but as a fan of a band that really has seemingly taken gimmicks to levels that almost carry on hidden meaning.

Case and point, Relaunch, is about Ronald Regan getting kidnapped, but surrounds the crew that came together to find and hopefully  bring him back to safety.  It’s a silly, serious escapade into another dimension with room for one more to enjoy the trip.

“The Kidnapping of Ronald Reagan” set up the story with Mary Alice’s ever so sweet singing followed up with her main squeeze’s melodica infused singing.  Not going to lie, I just sat here and marveled at how great this track sounded while hanging on for the ride.

Classic, crass sounding “Nancy Reagan” followed with plenty of poo and butt jokes including Mr. T’s lap.  I’d expect nothing less seeing how much these two shouldn’t always be taken seriously.

“Relaunch” could have been mistaken for Chemical Brothers at the start with the instrumentals.  Seriously, this track ruled so much that i had to listen to it a second time once it ended.  Clearly this track fueled the journey to space to find the president.

Even rescue astronauts need a distraction as proved in “Shuttle Dance Night”.  The samples were great, but the singing as provided by Pete and Mary Alice was far more intriguing.  Plenty of 80s references reside on this track all sampled perfectly.

“Stand For The Air Demon” carried beats like none other.  The end dropped with an almost Orson Welles monolog that drifted into silence only to be picked up and amplified in “Nine Miles To The Water”.

The only problem with “Two Mummies” is that someone missed the opportunity to toss a freestyle over it.  I suppose there’s always a chance of the Relaunch Remix.  

This is where I stop talking about the album because really do not want to ruin it for anyone.  If you’ve found yourself interested in this crazy tale, then it is up to you to check out the album to find out the conclusion.

As for The Electric Grandmother, they’ve once again wowed me with originality, but impressed me with how much further they have taken their talents music-wise.  They have not lost their charm, but at the same time are showcasing their true worth.  Never quit you two.

Available on Bandcamp, the band is taking proceeds from this album and donating to their favorite DC hangout spot, Slash Run.

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Acoustic, Cleveland, Experimental, Folk, Indie, Music, New Release, Review

Album Review: Johnathan Richman – SA

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Sometimes you forget about things because you’re  just so preoccupied with life.

That normal routine, if you’re like me, starts with coffee and ends with exhaustion.  What I’m basically trying to get at is that I forgot to do something.  It was an honest mistake though.

I forgot to take a few moments to myself and write about the latest release by Johnathan Richman titled SA.

SA is Richman’s 17th album as a solo singer/songwriter.  Once again on Blue Arrow Records, Richman has recorded an eccentric yet honest, poetic album where he sings about everything from love, dancing, and even a creative point of view from a dog.  It’s simply art put to music.

According to Blue Arrow Records on their Bandcamp site, “SA, the root note in Indian ragas, was what Ramakrishna,
the much beloved mystic, told his spiritual students to search for underneath all things of this world.”  Chances are if you are reading this, you know Richman and why he would reference such.

Album title track “SA” opened up with a relaxed, island-y feel and had Richman singing of focus and love without hesitation.  The sitar, at least that is what it sounded like to me, complimented Richman’s strumming.

Subtle quirks were heard in Richman’s pitch throughout “The Fading Of An Old World”.  This track really had a lot going on musically when you sit back and listen.  On top of it, Richman did what he does best in flowing ample and intense lyrics throughout.

“O Mind! Let Us Go Home” held as an eccentric tune that had some likable psychedelic qualities.  The jazzy drumming behind the tambura playing kept things beyond mysterious.

Richman sounded so youthful in “O Mind! Just Dance”, a track that seemingly was a continuation of the previous ‘O Mind’ track.  This experimental track became one of my favorites the moment Richman just started opening up and going on a positive tangent about not worrying.  I loved how he seemingly turned his attention and spoke to the audience halfway through asking everyone to forget and dance.

“¡Alegre Soy!” was just amazing as it was a peppy, cheerful song.  Sung mostly in Spanish, the song really just built up so well.  I instantly adored the track the moment Richman just started doing a spoken word about how happiness surrounded his life.  I could hear him smiling as he spoke about always being happy in his life for the most part.  Once the track ended, I was just left with such a good feeling in my heart.

“Yes, Take Me Home” was easily my favorite track off this release.  As someone who has rescued a dog more than once, I because almost a little emotional listening to Richman speak as a sheltered canine with an undisclosed past.  I loved the harmonium playing accompanying Richman’s guitar, but I just wish I knew if the dog was taken home.

“And Do No Other Thing” was an instant classic for me.  Songs like this one were what turned me into a Richman fan in the first place.  It was romantic yet blunt with completeness especially when everyone came together at the end.

This album, in my opinion, was far more entertaining and good-spirited than the last making for a great listen.  Richmond, at times, sounded as if he got lost in the moment more than once and did not once chance his approach at what he was born to do: Entertain.

I should note that Richman and Tommy Larkins currently are on tour in support of SA.  I was lucky enough to catch them a few weeks back at the Grog Shop in Cleveland  and I will tell you, it was probably one of my favorite intimate performances that I have ever seen.

I went to that show purely as a fan and not to review it and left with a happy vibe that lasted well past the car ride home and the next work day.  It was my first time seeing him live even though I have been a fan for longer than half my life.  He was everything I had hoped for.

With that said, if Johnathan and Tommy made it to your neck of the woods during this tour or even the next, just go.  You will not be disappointed.  Even if you are not terribly familiar with his material, I can honestly say you will be entertained by one of the best.

SA is available on CD and for download on Bandcamp.  Look for a cassette and LP release in early 2019.

Alt Rock, Indie, Music, New Release, Punk, Review

Album Review: Restorations – LP5000

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I might as well disclose that Philadelphia’s Restorations are easily one of my favorite bands out there.  So if this review sounds biased, well…it is.

Keeping along the lines of a pre-famed Gaslight Anthem and The Menzingers, I have always been attracted to what Restorations produce album after album.  I owe it all to the band’s former and current label Tiny Engines actually, as they were the ones to introduce me to them many years back by just tossing me an EP my way to review.  The rest is history for me as a fan.

LP5000 is the band’s 4th release and to be perfectly honest, this might be their best one yet.  It’s a quick one which sucks because you know, I wanted more, but it’s full of some memorable tracks with equal impacting lyrics and music.

“St.” started off the album with a powerful jam with Jon Loudon and his all too welcoming raspy vocals.  This was kind of a triumphant introduction with haste and honesty thrown hard.  This song’s best moments where when the band came together with force.  It was a perfect indication that this album was going to rule.

“Nonbeliever” followed with more of a political approach about personal current affairs and life in general.  With lines like, “if you burn all the fires, they’re going to make you the king” and the all too close to home “got a partner for starters and a kid on the way/can’t be doing this dumb shit no more.”  The song manages to hit the head on so many points as it progressed onward.

“Remains” was a rocker touching on past memories that probably would have best been buried rather than unearthed due to such disdainful change.  The track carried a great 90s alt-rock feel to it even if it make me want to hang my head low.

Loudon repeating ” no I don’t want to hear that name again” on “Melt” just added to an emo track of sorts clearly about someone once held in a higher regard.  This track was beautiful and dreary at the same time with electronic sounding beats layered behind simple guitar picking.

“The Red Door” was incredibly athematic and contained a guitar solo that easily could suck in some well-deserved attention.  Add to the catchy drumming and bass-line, and you have yourself a quality track that really showcased the talent this band carries.

“Eye” was more Postal Service sounding at first with the electronic noise but was not at all discouraging.  This song was not like the others and was well-received by this listener.  I loved the more experimental approach and word has it that there is a locked grove that permits this song to loop infinitely.  I can not wait for my copy to get here so I can see if there is truth to that.

I have listened to LP5000 over and over (easily 20+ times now) since it’s release and have not gotten tired of it once.  I will tell you it is a lot different from their earlier stuff and is just the cause of maturity and experimentation.  Personally, I adore this new sound.

Of course LP5000 is hitting my best of list for 2018.  Albums like this are the ones I hold onto for the rest of my life and sporadically will spin when I just can’t seem to find anything else to listen to.

I lucked out and caught them on tour a few weeks back when they played the Grog Shop in Cleveland with my pals Signals Midwest and let me tell you, they are even better live.

Anyways, I feel like I do that whole “do yourself a favor and check this band/album out” shtick of a closing sentence, but I am dead serious this time: This band is far more talented than I feel they are credited for and I’m fairly sure you will agree with me upon listening.