Philadelphia pop punkers Luther recently dropped an EP titled Siblings & Sevens on Black Numbers Records. This is the bands first official release and I must say, it’s catchy as hell. Having formed just about a year ago, the band has a great sound to them that compares to The Menzingers, Get Up Kids, and even a little Superchunk. The EP may only be seven songs, but each song proved this band has the potential of being a big deal.
The acoustic “Siblings” opens up the EP with a gentle, quick start. Reminding me a lot of something The Riot Before might throw into one of their albums, I loved the song, especially the lyrics, but it just seemed to just stop. This melodic song alone impressed me even if I felt the guitar was set down too soon. “This Is Light Fight Club” immediately took over and set the level for the rest of the EP. I loved the breakdown during this track that really reminded me of the 90s rock I used to adore. The lyrics on this track begged to be sung along with as well.
“The Suitor” was without a doubt my favorite track on this EP. Starting off like an old Gaslight Anthem song, it jumped into a tough track. Carrying a lot of Jawbox similarities, it even had a nice little bridge in the middle with “tell me you don’t want this, tell me you can’t remember” repeating after. At just over 5 minutes and if I had it my way, would have gone on for 5 more. I may have been impressed before, but after hearing this track, I was a confirmed fan.
“There’s Always Money” actually featured fellow Philadelphian Tom May of The Menzingers. I could not help but imagine this song being played in a cramped, humid basement of some random house full of excitable kids. The gritty, raw singing just fit in well and was far from an overproduced punk rock song. “The Communion” on the other hand leaned towards more indie rock, almost a Jimmy Eat World feel. Good song, but not one of my choice tracks by far. “Aztec Tomb” finished up the EP with a lasting punk imprint as well as some group vocals at the end leaving me wanting more.
I am really looking forward to seeing what these guys have to offer on their full length release. I have the feeling that they will not be wasting any time making that happen. Siblings & Sevens as far as I am concerned is just a sample of of their talent. The band has been touring like crazy (see below for dates) and will actually playing Cleveland on November 14th with Tom May (The Menzingers) at Now That’s Class. It’s safe to say I will be there that night.
Check out Luther’s Bandcamp page and check out Siblings & Sevens for yourself!
Singer / songwriter Jeff Rowe is one of the most DIY guys I have had the pleasure of meeting. A few months back, he stopped and played a show in Akron at the Gurley House. I remembered canceling plans to see another band that night just to make sure I could see Rowe play. I’ve been a fan of his music after I reviewed his solo-debut Barstool Conversations last year. There was just something about his sincere-ness in every song that I ate up and when I found out he was touring, I really wanted to make sure I was in attendance.
That night, I chatted with Rowe for a while and I will say this: He is hands down one of the nicest people I have ever had the pleasure to meet. His wife was pretty damn awesome too. His stories were great and he was just so happy to be able to play for everyone at the house that night.
I finally got some time to chat with Rowe again, this time through email, as I feel more people need to know about this DIY musician. I look forward to the next time he swings through Akron and can not wait for his next release.
BHP – First and foremost, for those who do not know you, who are you and what is it that you do?
JR – I’m a songwriter (sigh) from just north of Boston. I tour a lot and do my best to have a great time and make friends along the way. I’m more of a story collector than a story teller.
You grew up in a tough town just outside of Boston. How did you deal with the hard times as a youth?
The fair city of Gloucester, Massachusetts made for an interesting childhood. In all my travels I’ve still not yet come across a place quite like it. “The Island” is really a conundrum of sorts that is packed with characters that Hemingway would have been banging the keys for if he were writing an episode of the twilight zone. I had a mixed bag of a childhood but falling in love with music in many ways created an exit strategy for me and a way to not fall into some of the trappings that we all know too well.
What types of music were you listening to while growing up?
In the kitchen and living room my mom would be listening to Neil Diamond, Joan Baez and various Motown artists…from my brothers room i would hear Metallica, Slayer and COC… From my sisters room could be heard The Dead Kennedy’s, The Pixies and the Violent Femmes… I think all of that wound up giving me a healthy appreciation for music and shaped my listening habits as a child.
So how did you get your start as a musician? Was Boxing Water the first band you were in?
I got a guitar when I was fifteen years old and started a few local punk bands and helped start a small venue that would later play a vital role for the north shore punk scene as a whole, a life source of sorts. It was a room that held maybe 40 people but we’d pack in a hundred. It still amazes me today thinking about how many bands came through our little venue that went on to be national acts. It was all very DIY for me from the start, my feeling was that if you want something to happen you’ve got to make it happen because no one is gonna do it for you.
What happened to Boxingwater? Where can I find some of their songs at?
Boxingwater was together for 6 or 7 years, we started moving around a bit and it just got to be too hard. Two of the members of Boxingwater are now in the band Landmines and they are fantastic. I was in several bands before Boxingwater but that band was the first time i took it seriously and tried to do something that would go beyond Massachusetts. Most of our stuff is now out of print but I think we may try to get some kind of discography going one of these years, I’ll send you some songs though.
Sweet! You left a punk band and completely shifted in musical style. When did you decide that punk music was not your thing anymore?
I’ve never felt that punk wasn’t my thing at all, playing acoustic is something that I’ve been doing for many years now and it just sort of took over organically and went from convenient to a legit outlet. I love playing songs alone and feeling like I’m walking a wire of sorts with no band to fall back on but at the same time I really do miss playing in a band. That is something I am going to re-visit at some point for sure. Right now its so much easier to tour and write on my own.
Playing acoustic music huh? How did that transition happen?
To be honest I started playing acoustic shows years back when I couldn’t find a drummer and it forced me to take a more detailed look at my songs and how I’d be able to format them to be played acoustic. It really just kind of stuck and i got offered more shows and just went with it. My horizons have been broadened as a result and I’ve stumbled (literally) across some great music that exists beyond the bounds of the punk community.
I heard that you left Boston for Richmond, Va., to more or less perfect your musical style. Is that true? Did you have any influences there that helped you fine tune your act?
I actually moved down to RVA with a bunch of Boston friends because it was much cheaper and we thought it would be easier to tour, not to mention that Richmond is a great city as well. I made many friends down there but I’m not sure how much of an effect it had on my music or playing acoustic in general. Richmond has always had a wealth of great bands from Born Against and Inquisition up to Smoke or Fire and Landmines.
Your debut full length Barstool Conversations was dropped about a year ago, how personal were the songs on that release to you? It was not the most upbeat album, but to me hit me hard in a good way.
Barstool for me is a very personal record. There is a lot of myself and my close friends in those songs. In a way I think songs are my way of confronting some things in my life that I otherwise couldn’t find the words to articulate or convey what it was exactly that I was feeling. Those songs are all very real for me and I’m proud of that record for what it is and even though in some cases it makes my head spin that those songs had to be written, I wouldn’t change a thing.
You have toured not only the US but also overseas. What were your experiences like while traveling?
The travel is one of the absolute best parts of touring for me. Music has taken me to places that I never thought I’d get the opportunity to see and I’m real thankful for that. I’ve made some friends in far off cities and countries that I will have for the rest of my life and nothing can touch that. The experience of letting your guard down in a foreign country and just going with whatever the days and experiences bring is something that I’ll always keep close and those memories are the ones that inevitably stick when the tour is over.
You tour with your wife correct?
I always tour with my wife Alissa. She is my best friend and to be honest she’d much better with handling the rigors of the road and more adept than most folks I’ve ever traveled with. At the end of the day we both want the same things and neither one of us is willing to fracture our relationship over extensive touring so we do it together, the planning, the routing, merch etc…
You dropped an EP in the spring called New Winter, New England. I dug what I heard, but what exactly is a Tragabigzanda?
Tragabigzanda is what the city of Gloucester was called by its original inhabitants. All that seems to be left of that history is a road on the outskirts of town where wealthy folks “summer” called Tragabigzanda. I used it because I thought it was fitting because the song is really about trying to remember the innocence of teenage years and the steps that were taken to inevitably lose it. Also there is an amazing poet from Gloucester named Charles Olson that dropped it a few times in his earlier work.
Are you going to record a new full length anytime soon? Will you put that song you recorded in a hotel room in it? I forget what it was called, but I loved it when you played it live at the Gurley House.
Right now I’m writing and culling through a bunch of new songs to start piecing together the next record, not sure of any timeline, but by the end of 2012 I’d very much like to have a new record out. That song is called “simple & fair” and I’m 99.9% sure that’s going on the next one.
When we chatted the night you played Akron, you were telling me some funny stories about touring Europe. Care to entertain the readers here with one or two?
Where to begin… I’ve actually thought about compiling a bunch of road stories for a zine and giving them out at the merch table to anyone interested. I could take up pages and pages for this one. I’ll just say that I’ve got a doozy that takes place in Russia and involves a man that’s incapable of reading social queues, a potential kidnapping, wild dogs and Dostoevsky.
Potential Kidnapping? I do not think you told me that one. I would totally love to read that. So, when not touring you have quite the cool job back home in Boston. Who is it that you work for again?
I have been a professional craft brewer for the last five years with Harpoon Brewery in Boston. It’s a fantastic job that couples hard work with science… perfect for a dork like me.
Two dream jobs, man you lucked out. What’s next for Jeff Rowe?
I’ve got a split 7″ with a sick pop punk band called Mayflower. We both have an original and we cover one of each others songs. I’ll be playing Fest 10 and plan on hitting the road again in Feb. It looks like I’ve got Europe, U.S., Canada and beyond on the docket.
Check out Jeff Rowe’s website, http://jeffrowemusic.com/, for more videos and updates from this one man band (and his lovely wife). If you want to hear more of his music, head over to his MySpace page or Facebook page. Better yet, head over to Anchorless Records and grab one of his albums!
Leave it to punk-rock-superstar-cover-project-extraordinaires Me First and the Gimme Gimmes to make America look good. Usually us U.S. folk will see Japanese bands covering American tunes, but when is the last time you saw someone from the states actually take the time to cover a Japanese pop song as well as turn it into a punk rock jam?
The Gimmes have been making covering songs cool since the 90s with help from Fat Wreck Chords. Featuring members of NOFX, Swingin’ Utters and even Foo Fighters, the Gimmes are not your Friday night hole-in-the-wall cover band. By taking tracks your parents and probably grandparents listened to before you were accidentally conceived, the Gimmes add a punk rock style and make the songs tolerable. I remember the first time I heard the Gimmes cover Elton John’s”Rocket Man”. I found the track on a free comp CD I snagged at a Warped Tour in ’96 and I was hooked instantly.
On the bands newest EP Sing In Japanese, the Gimmes decided to cover a new territory of music and once again add their own punk rock flair while doing so. Having covered many different genres of music in the past (including country, Broadway tunes and adult contemporary), it was no surprise the the boys in the Gimmes would eventually try something a tad more challenging. The result is a catchy culture crossing take on songs more likely sung along to in the bars of Japan.
“Hero” started off the EP with the Gimmes covering a Kai Band song. Lead vocalist Spike Slawson did not hesitate at all while singing this track in Japanese. While listening I read the band’s bio for this release and learned that Spike actually learned Japanese phonetically thanks to a friend of Fat Mike. I have to admit, I was impressed to learn that.
With a clever Social D “Story Of My Life” intro, the cover of the 70’s hit “Kekkon Shiyou Yo” (“Let’s Get Married”) by Takuro Yoshida was actually a lot of fun to listen to.
“C-C-C” mixed in Japanese and English lyrics into the song originally recorded by the early 70s Beatles-inspired band called The Tigers. The track, although I could only understand 50% of it, it was my favorite track on the EP.
“Linda Linda” ended the six song EP with a more ska-punk feel. With trumpets supplied by Brad Magers and Keith Douglas of Mariachi El Bronx, the song was indeed a genre bender of a track.
This is not the first time the Gimmies have played a songs in different language as previously heard in their only live album to date Ruin Jonny’s Bar Mitzvah. Ok, it was just “Hava Nagila”, and yes, they were at a Bar Mitzvah. Still, NOFX has covered the classic French tune “Champs Elysées” before, and they nailed it. The point I am trying to make is that the Gimmes are more talented than many may think.
So why did they do a Japanese EP full of songs you probably have never heard of in your life? Simple…because they can.
The band will be touring Japan shortly and I am sure that had something to do with which culture they decided to cover. Just like the band’s last EP Go Down Under (they toured Australia upon releasing the EP), the band threw together a bunch of songs together just in time to tour. I really would like to think that this was a little more involved than a couple of jam sessions as Spike really does a hell of a job singing the lyrics of each track in Japanese. Funny thing about this concept is that the band plans on releasing future EPs in Spanish, German, and even French. Is it wrong of me to be excited about this world tour of covering?
I can not say I knew any of these songs by heart nor have I the slightest clue what they were about, but I enjoyed what I heard. The Gimmies could play Jesus Christ Superstar in its entirety for all I care and I am sure I would say the same thing. I love these guys.
It’s no secret, Broken Headphones loves Henry Wagons and his band Wagons (two consecutive posts might hint at that…). The guy beyond hilarious and his band dishes out some of the best outlaw country/rock I’ve heard in a long time.
I just hammered out a review of the latest Wagons release the other day for your reading pleasure and decided I might as well touch base with Henry through the magical forces of email. Currently Henry and his band are touring North America in support of their new release titled Rumble, Shake and Tumble. Here’s what he had to say:
Henry, what brings you back to the states?
My global brainwashing mission is in full effect! I eventually want to take over the world with one of those swirly patterns on a TV transmission. Playing music with my band is the first step.
Were you able to bring your band along this time?
I have brought 3 stinky dudes with me.
How has the tour been so far?
It’s been great. Pretty much Seattle and Canada so far. I’m still bracing myself for the rest. I want to try as many weird burgers as I can.
I understand you flew to Toronto Monday night in a small plane with old men. How did that go?
It was a little bumpy and a little grumpy (old men).
How’s the tour been this round? Did that stupid hurricane affect you at all?
The only hurricane style event we have faced was the powerful massage shower in our Toronto hotel room.
What can someone expect to see at a Wagons show?
A lot of pent up energy expressed from many hours in the van and in airport customs queues. All the bodily fluids that are retained within our bodies from a aeroplane pressurised cabin come out on stage in the form of blood sweat and tears.
Most importantly, are you rocking the headband?
You know it.
Wagons are actually playing the Beachland Tavern this Sunday! Tickets are only $8. As I have mentioned previously in posts, Wagons are already big deal in Australia. 8 bucks…do it!
Wagons ‘Rumble, Shake and Tumble’ USA/Canada Tour Sep 03 | Bumbershoot Festival – Seattle
Sep 04 | Railway Club – Vancouver
Sep 06 | Horseshoe Tavern – Toronto
Sep 07 | Zaphod Beeblebrox – Ottawa
Sep 08 | Rockwood Hall – NYC
Sep 09 | Union Hall – NYC
Sep 10 | World Café Live – Philadelphia
Sep 11 | Beachland Tavern – Cleveland
Sep 13 | Hide Out – Chicago
Sep 14 | The Basement – Nashville
Sep 15 | Hangar 9 – Carbondale
Sep 16 | Off Broadway – St Louis
Sep 17 | Hi-Tone – Memphis
Sep 19 | At the Earl – Atlanta
Sep 21 | Hotel Café – LA
Henry Wagons and I met by chance one day last September. He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief. His set filled up the tavern that night with outlaw folk/country jams making me an instant fan. After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states. Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states. I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.
I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time. Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album. Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.
Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer. The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies. When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age. The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.
Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm. “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within. The music video as seen below is pretty damn amazing as well. “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”. Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.
The ever catchy tribute to Willie Nelson, properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to. Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great. “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to. I would love to know what Nelson’s reaction was about this track.
“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything. “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon. Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up. “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in. “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment. i did not know what to think about this song. It definitely strayed away from the rest. “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.
Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist. Wagons and company pull off yet another impressive release that more people need to check out. Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.
Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th. Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live. Not only is the music good live, but Wagons himself is a pretty candid guy. Don’t be lame. Get up there Sunday night.
This music blog could have a driver's license by now…