Tag Archives: Music

Concert Review: Those Darlins / Turbo Fruits / Henry Wagons – Beachland Tavern – Cleveland, OH – 09/21/2010

Face it, the Beachland Tavern was really not that heavily packed last night, but every music lover that set foot in that bar for the Those Darlins / Turbo Fruits / Henry Wagons show all were treated to an amazing evening of music.

Three bands with three different backgrounds played the small stage not caring one bit how many tickets were sold. They were there to rock out and have fun with their fans, and that is exactly what happened.

It’s been about a year since Nashville’s Those Darlins graced Cleveland with their beauty, not to mention their amazing music making abilities.  The ladies had a rough start to the summer when one of the Darlins took a tumble at a Southern Ohio music festival breaking her arm.  This was just a small set back but their ladies (and drummer Lynn) had to take an unwanted break.  Just a few months later the band regrouped, recorded a second album to be released in 2011, and hit the road doing what they love to do best.

If anyone knows something about the man behind BHP (you know, the guy who writes all this stuff) it is one thing: BHP hearts Those Darlins.  I saw them 4 times alone last year.  Overly impressed with their sound and live show-woman-ship, I never missed a show.  Needless to say when I discovered they were coming back to the Beachland, I made plans to be there.  I was excited to see them and hear perhaps a new song or two (more on that in a bit) but what I did not expect was the surprise that was the opening act, a man named Henry Wagons.

The moment I walked into the tavern I looked at the stage and there he was, a 6-foot tall Australian man with an acoustic guitar in hand.  With shaggy hair, glasses, mustache and a sweet green headband he was already playing a song to the minimal crowd that seemed to suckle around the edges of the bar.  He sung with an outlaw country vibe that immediately caught my attention.  I felt I was listening to an Aussie version of Waylon Jennings but also had an amazing sense of humor.  He called out the crowd a few times, made reference to the longest walk ever he experienced at Cleveland-Hopkins Airport and ended his songs with comedic heavily acted strums to his guitar.

Playing his own rendition of Kenny Roger’s “The Gambler”, or so he said, the crowd went crazy for it.  I laughed when Henry Wagons said just before playing the song , “I wanna be like Kenny Rogers in another 10 to 15 years,” and also commenting that he lacks the silver-lining at the current moment.  Another track he played had him screaming “Willie Nelson” over and over, it was amazing.

The winning song of his set to me was a cover of “Never Been To Spain”, a classic Elvis song that was in fact, not written by Elvis.  While playing his set he commented that he was just one man from his band back home called Wagons and that it was his first trip to the states as well as his first night with Those Darlins and Turbo Fruits.  After taking to his manager, who was touring with him later in the evening, I learned that they could not afford to have the whole band come over this time around but hope to change that next time they go on tour.  After buying a Wagons CD after his set and listening to it on the way home all I have to say is this: I can not wait till Wagons plays the states.  The CD is incredible.

Up next was another Nashville act called Turbo Fruits.  They were a blend of Nashville and Detroit that was overly impressive, think Hank Williams meets Detroit Cobras.  They had 50’s riffs in some songs and dipped into a blues feel during other tracks that had me almost overanalyzing them at times.  My conclusion of them was simple though, they were a kick ass band that really put on a show.  I especially enjoyed “Dreams For Sale” and “Volcano” and even went so far as to grabbing their LP after the show to check them out some more.

Finally the headliners of the evening, Those Darlins, took to the stage.  This time around there were five folk on stage, the three Darlins, drummer Lynn, and some other dude.  One would assume that they have a touring guitarist to help out with their shows or perhaps even help Nikki Darlin with some of the guitar duties seeing how she did break her arm in half as mentioned earlier.

Regardless, Those Darlins wasted no time jumping into their set starting off with “Who’s That Knocking At My Window”, a familiar track to most of the crowd.  They sounded just as amazing as the previous times I saw them, if not better.  They looked happy to be up on the stage and aimed to make sure all were going to have a good time.

Things soon changed for the good when the band decided to play a series of new songs from their upcoming release.  With no setlist guiding their performance the girls would shout out the names of the songs and jump into them.  Playing tracks like “Boys”, “Be A Brother”, and “Waste Away” it was clear that their sound had taken a turn from the country/punk feel their first album displayed so well.

Their new material mixed up 70’s rock with indie rock yet did not drop the sound where they came from.  It was a good sound that all in the house went crazy for.  I know I am not the only one excited for their upcoming release.  To make matters even better, Lynn was providing back-up vocals on some of the tracks while Nikki focused on her singing duties losing the guitar.  Every time the girls announced a new song was being played the crowd just stood their in great anticipation for what was going to come next.  I can honestly admit that there was not one new song they played that I did not like and I was not the only one who felt that way.  These girls were turning heads at the Beachland and it was not just from their good looks.

Wrapping up their set they played “Red Light Love”, “Wild One” and “Night Jogger”, a new track off their recently released 7″ split with Funsticks, a Jesse Darlin and Lynnwood side project.  Making things even more fun they played the Funsticks song that appears on the 45 as well.  Yeah, I might have picked one of those up al well…

This was one of the better shows I have been to as a whole seeing that I enjoyed all three bands that played.  I can not even tell you the last time that I was this entertained by acts I had never heard of before.  I went in there looking for a country/rock night and left with a whole other experience.  Henry Wagons and the new material by Those Darlins were the major winners for me.

To think I almost skipped out on that show too.  I am so glad I talked myself out of it.  Totally worth it.

Fake Problems – Real Ghosts Caught On Tape – Album Review

There was a time and place when I liked the band Fake Problems because they sounded like some other band out there that I enjoyed that will remain unmentioned.  The similarities between them and this certain Gainsville, Fla. act I speak of were clear but never to be considered a rip off, at least to my ears.  I soon learned of their hard working antics, their harsh stories while touring and most of all their passion for what they love to do.

I recall the first Fake Problems release as being an enjoyable punk/folk sing-a-long jam while the follow-up showed a clear change in their style.  Now dropping Real Ghosts Caught On Tape,their third full length release, Fake Problems really have evolved from a one time punk rock sounding band into a fine-sounding rock n roll outfit that impresses me on a few different levels.

Still kicking it with Side One Dummy Records, the Naples, Fla. foursome is back with all new material bordering on more of an indie-rock feel without letting go of their roots.  There is this major fun change though that is heard throughout making me think that Fake Problems has pointed their style in a different direction almost hinting back to the 60’s.   Real Ghosts contains 11 toe tapping songs that will easily compliment any good day you are having.

The opening “ADT” won me over immediately.  I loved the drum playing, the white-collar rock n roll strums and of course the, dare I say, heartfelt lyrics.  It was easily the catchiest song on the track.  Following was “5678”, a more dance-causing, Electric Six sounding, jam worthy of multiple listens.  Again, another catchy track especially with the “everybody’s clapping along” chorus.

It’s not all about the fun though on the album, just listen to the lyrics on “Songs For Teenagers”, a beautifully done tune but with a saddened message about letdowns, suicide contemplation and drug use.  “Soulless” on the other hand was fun-major, if that makes sense, with tons of energy slapped into the 60’s-ish, girl doo-whopping track Phil Spector would even enjoy (I have the feeling I am not the only one who has said that but oh well…).

Real Ghosts is well written from start to finish and if anything, the band has proved on how they have matured as musicians.  With hints towards So.Cal. indie-rock and sandy beach jams they have not forgeotten where they came from.  Real Ghosts is a whole more fun and a lot more mainstream friendly than their priors, but don’t be too quick to throw that “sellout” label at them.

In a sense sellouts happen because it there is a certain element that grabs attention – it happens all the time if you think about it (i.e. Gaslight Anthem, Flogging Molly, 1/2 the bands on the Warped Tour).  Sure, sometimes bands throw in a huge twist to earn more green in their wallets but this is not the case with Fake Problems.  They are a fun and hardworking act that dropped a great, fun album aimed at anyone out there who is looking for a upbeat and catchy album to listen to.

Let’s Talk About Weezer…

September 14th is right around the corner and if you are a Weezer fan like I am you know that it is the day that Hurley will be released on Epitaph Records.  This will be the band’s first release on an independent label in their 17 years as a band.  Focusing on the rock over the pop this round the album has grabbed my attention in a major way.  See for yourself – head over to www.myspace.com/weezer and listen to Hurley in its entirety.  You can also download their first single entitled “Memories” courtesy of Spinner.com.

The album title, if you have not figured it out yet, comes from one of the more memorable characters from one of the greatest TV series of my time, Lost, and might just be my favorite Weezer cover ever.  Have you even seen the cover for Hurley yet?

Yeah, that is great.  Jorge Garcia spoke to MTV recently on how he felt about being the inspiration for the latest release.  As much as I despise MTV I did get a kick out of reading his reaction on his mug being on an album cover.

Here is a video from Spin.com with what looks like a very happy Rivers Cuomo:

An Important Message From Those Darlins…

An important message form the fine fine ladies in Those Darlins (and Linwood):

Buddies,

Those Darlins here. We have a new website and along with it a new 7″, new T-shirts, and new tour dates. Let us know what you think.
XOXOX, TD

Short, simple, and sweet just like Jessi, Nikki, and Kelley Darlin.  The 7″ titled Nightjogger is only $5 and is a preview of their forthcoming sophomore release (can’t wait!!!).

I love the cover and know what it is all about.  Do you?  The vinyl is actually a split with Funstix, a Jessi and Linwood side-project. For more info and to purchase the 7″ along with some other rocking merch head over to ThoseDarlins.com.

The girls and Linwood are current on tour once again and will be making a stop in Cleveland.  If you have not seen them yet now is your chance…  I am highly considering making the trek down to Louisville to see them play with Trampled By Turtles.

TOUR DATES
Aug
24 – Nashville, TN @ Billups Art Gallery (Heavy Cream release show)
27 – Morning View, KY @ Whispering Beard Folk Festival

Sept
8 – Birmingham, AL @ Bottletree #
9 – Atlanta, GA @ The Earl #
10 – Atlanta GA @ The Earl #
11 – Asheville, NC @ The Grey Eagle #
12 – Myrtle Beach, SC @ Drink
14 – Chapel Hill, NC @ Local 506 #
15 – Washington, DC @ Black Cat #
16 – New York, NY@ The Bowery Ballroom #
17 – Boston, MA @ TT The Bears #
19 – Philadelphia, PA @ Kung Fu Necktie # (early show)
20 – Philadelphia, PA @ Kung Fu Necktie # (late show)
21 – Cleveland, OH @ Beachland Tavern %
22 – Chicago, IL @ Lincoln Hall %
23 – Urbana, IL @ Independent Media Center – Pygmalion Fest
24 – Iowa City, IA @ The Mill %
25 – Madison, WI @ High Noon Saloon %
26 – Minneapolis, MN @ 7th St. Entry %
28 – Omaha, NE @ Slowdown Front Room %
29 – Lincoln, NE @ Lincoln Calling
30 – Kansas City, MO @ The Record Bar %

Oct
1 – Columbia, MO @ Roots n’ Blues n’ BBQ Fest
2 – Louisville, KY @ Headliners Music Hall &
7 – Dallas, TX @ Sons of Hermann Hall *
8 – Austin, TX @ Austin City Limits Festival
9 – Laredo, TX @Old No. 2

# w/ The Strange Boys & Gentleman Jesse
% w/Turbo Fruits
& w/Trampled By Turtles
* w/ The Soft Pack

Devil’s Brigade – Devil’s Brigade – CD Review

Chances are if you have heard of Rancid you already know who Matt Freeman is.  Most notably known for his exceptional bass playing abilities he also is the man behind the gruff gritty vocals sometimes heard on Rancid tracks as well as being a founding member of Operation Ivy.

Not just limiting him solely as a member of Rancid, over the years Freeman has played with legendary X member Exene Cervenka in Auntie Christ, stepped in with Social Distortion, as well as started his own band behind the scenes called Devil’s Brigade.

Devil’s Brigade is a psychobilly/punk rock side project started in 2000 with fellow band mate Tim Armstrong between Rancid tours.  The project yielded a couple of EPs and some of the songs were featured on Hellcat Records Give Em The Boot compilations but a formal album never was released.   After Rancid released Let The Dominos Fall in 2009 Freeman decided that it was time to head to the studio and make something of his project.

At first Freeman was hoping to record a musical about the “Half Way To Hell Club”, a name that was given to those who fell off the Golden Gate Bridge during its construction and fell into a safety net.  Although Freeman skipped the idea of the musical, he did take six of the songs he wrote for the musical along with original Devil’s Brigade songs and decided to put them together on an album.

Enlisting Armstrong as well as DJ Bonebrake, another member of X fame, they entered the studio earlier this year and recorded the self titled release.  With Freeman taking vocal duties he also decided to play stand up bass throughout while Armstrong played guitar and DJ Bonebrake on drums.  Dropping at the end of August, the album will mark yet another consecutive release by a member of Rancid on Hellcat Records proving that they have no intentions of quitting anytime soon.

“I’m Moving Through” opens the album full forced with Freeman’s indistinguishable singing backed by his bass playing immediately grabbing my attention.  “My Own Man Now” really did not sound anything outside of Rancid but nonetheless was still enjoyable and carried that Bay City punk sound I have been fond of half my life.  “Shake Down” followed with Freeman slapping his stand up bass singing about his “25 years of punk, rock, and roll”.

“Bridge Of Gold”, featuring Armstrong and Lars Frederickson, was a noteworthy song about the building of the Golden Gate Bridge and was one of my favorite cuts off the album.  I loved the old barroom jam sound with the piano in the background and just the reference itself to a 1930’s wonder of the world.

“Ride Harley Ride” was a mysterious biker tune with an almost Natural Born Killers feel to it.  “Vampire Girl” repeated “I want to get rid of you” throughout the twangy psychobilly tune.  “Gentleman Of The Road” was another track I really enjoyed with xylophone, a distinct bass line, and outlaw story to follow.  Closing the album was the working man’s “Half Way To Hell”, another track I really appreciated due to the guitar playing and history contained within.

It’s easy for someone to assume that this is just another Rancid release, but once you hear the album your opinion will be changed.  Of course it is going to sound like Rancid here and there, look who’s in it.  Once you actually sit back and listen you will understand that it is a Matt Freeman project full of what he enjoys to do.  He has branched in his own direction with his musical talent just like Lars Frederickson & the Bastards did as well as the Transplants.

The album is enjoyable all around without any lulls in between.  Freeman has no trouble displaying his musical abilities from slapping the bass to screaming in the mic.   I am glad he finally decided to do something with Devil’s Brigade finally.  What was just a spare time thing at one time has incorporated into something so much more.

Already touring in support of the release, Freeman has gathered up a touring band and will be joining fellow label mates the Street Dogs and Left Alone.

Devils Brigade Tour Dates:
Sept 7 – San Antonio, TX – White Rabbit
Sept 9 – St. Petersburg, FL – State Theatre
Sept 10 – Ft. Lauderdale, FL – Revolution
Sept 11 – Orlando, FL – Firestone Live
Sept 12 – Jacksonville Beach, FL – Freebird Café
Sept 13 – Charleston, SC – The Oasis
Sept 14 – Atlanta, GA – The Masquerade
Sept 16 – Washington, DC – Rock and Roll Hotel
Sept 17 – Philadelphia, PA – Theatre of Living Arts
Sept 18 – New York City, NY – The Gramercy Theatre
Sept 19 – Pawtucket, RI – The Met Café
Sept 21 – Buffalo, NY – Town Ballroom
Sept 22 – Pittsburgh, PA – Diesel
Sept 23 – Cleveland, OH – Grog Shop
Sept 24 – Hamtramck, MI – Small’s
Sept 25 – Chicago, IL – Reggies Rock Club
Sept 26 – St. Louis, MO – Firebird
Sept 28 – Dallas, TX – The Loft
Sept 29 – Austin, TX – Red Seven
Oct 7 – Tempe, AZ – The Clubhouse
Oct 8 – Santa Ana, CA – Galaxy Theatre
Oct 9 – Los Angeles, CA – El Rey Theatre
Oct 16 – San Francisco, CA – Slim’s
Oct 19 – Portland, OR – Hawthorne Theatre
Oct 20 – Seattle, WA – Chop Suey
Oct 21 – Boise, ID – Knitting Factory Concert House
Oct 22 – Salt Lake City, UT – Club Sound
Oct 23 – Denver, CO – Marquis Theatre
Oct 24 – Colorado Springs, CO – Black Sheep