Category Archives: Indie

BHP Best Of 2018

It’s that time of the year again folks where I share with you the bands and albums that caught my attention throughout the year.

Sure, my reviewing is infrequent these days, may not make total sense or even be read by many for that matter, but I can tell you that I am listening to as much music as possible daily.

If my memory serves me correct, this will be my 10th Best Of post.  Sitting back and just thinking that this blog has been around for 10 years now completely floors me.  Thanks to anyone who’s ever stopped by to see what’s good.  Here’s to however many more years I decide to keep this going.

With that said, happy holidays and here is my list in no particular order:


Timeshares – Out There EP
-Easily one of my most played EPs of the year.  I was obsessed with it for weeks and was caught off guard in a good way by it.  I can not wait for their next full-length now.  Loving their rejuvenated sound.


Strung Out – Blackout the Sky EP
-Not going to lie.  I was not stoked at all to hear Strung Out was going to do an acoustic album.  I do not know why I even doubted that they would not have done something amazing.  This EP was amazing and showed a completely different side to one of the best bands out there.


Spells – Loose Change Vol. 1
-Ok so this is a collection of early out of print tunes by the Colorado punk party rockers, but this was my first taste of the band after somehow missing out of them for all these years.  I caught them touring with Off With Their Heads earlier this year and turned into an instant fan.


Curtail – All Your Luck
-This is probably one of the best releases that came out this year that you may have not heard about.  I could sit here and talk about it for hours, but I will leave it to you and check it out.  Just think 90s alt rock mixed with 00s emo/post-hardcore goodness.


Laura Jane Grace & the Devouring Mothers – Brought to Rot
-This was the most punk rock album to come out all year.  Laura Jane Grace is sincere as she talks about her current dwelling and overall situation without holding back.  I was overly impressed with this one.


Turnstile – Time & Space
-An amazing hardcore release that really is so much more once you get sucked into it.  It really is a genius album to listen to especially with some 80s punk and R&B moments tossed in for the hell of it (just listen to “I Don’t Wanna Be Blind”).  Certainly happy I stumbled on these guys.


Light Years – Afterlife
-Hands down, this is one of the best pop punk albums to come out this year.  I knew it was going to be good, but I did not realize it was going to be that good.


Face To Face – Hold Fast (Acoustic Sessions)
-This album has turned me into an even bigger Face To Face fan.  I feared hearing it because I really did not want to hear a punk band play acoustic renditions of their songs, but man, I was so wrong to doubt them.  They reinvented their songs in the best way possible.


The Interrupters – Fight The Good Fight
-Two-toned, punk fueled, and amazing throughout.  There’s a reason why Tim Armstrong produced this album.


The Ruen Brothers – All My Shades of Blue
-This album was like listening to The Gaslight Anthem team up with Roy Orbison to score a Wes Anderson flick.  I adore these guys and hope to hell I can see them live one day.  This was the album that complete caught me by surprise this year and fell in love with.


Spanish Love Songs – Schmaltz
-This album is like the energy of The Menzingers + the emotion of MakeWar.  The band clearly has matured into something incredible and this release proves it.  Do not sit on this one.


Red City Radio – SkyTigers EP
-This is the best thing this band has ever done.  There was just this certain amount of gallant confidence throughout.  The song “SkyTigers” proved that to me over and over.


Johnny La Rock – Gold Codes
-I was drunk in Vegas earlier this year and admitted Gold Codes was an album of the year for me.  La Rock is a hidden gem in Cleveland that the world really should get to know some.


Bar Stool Preachers – Grazie Governo
-Working class and bad ass all in one album.  These guys rule.  It’s like Dropkick Murphys if they were a ska band.


Mad Caddies – Punk Rocksteady
-Taking punk rock songs and putting their own reggae style to it was just a brilliant idea.  This covers album was done right and received well by this listener.


Restorations – LP5000
-Yeah, this was one of my favorite releases this year.  This band can do no wrong and I appreciated their maturing lyrics more than ever.  Seeming them live finally this year was also an added bonus.


Four Fists – 6666
-This collaboration between P.O.S. and Astronautics completely slays.  This rap duo really dropped an impressive album complete with plenty of punk references and beats guaranteed to get stuck in your head for days.


Vessel of Light – Woodshed
-This album takes everything great about Danzig, White Zombie, and even old Alice in Chains and puts them all together for a solid listen.  Super impressed with this one.


Frank Turner – Be More Kind
-Everyone needs to listen to this album, especially “Be More Kind”.  I am fairly sure it will make your day if not a better person.  Frank Turner is one talented mo-fo.


Lucero – Among The Ghosts
-I love this album mostly for the band embracing where life has taken them over the years.  They have not lost their style one bit and for that I thank them.  This has turned into one of my favorite Lucero releases.

 

Thanks for reading and happy holidays!

Album Review: Johnathan Richman – SA

Sometimes you forget about things because you’re  just so preoccupied with life.

That normal routine, if you’re like me, starts with coffee and ends with exhaustion.  What I’m basically trying to get at is that I forgot to do something.  It was an honest mistake though.

I forgot to take a few moments to myself and write about the latest release by Johnathan Richman titled SA.

SA is Richman’s 17th album as a solo singer/songwriter.  Once again on Blue Arrow Records, Richman has recorded an eccentric yet honest, poetic album where he sings about everything from love, dancing, and even a creative point of view from a dog.  It’s simply art put to music.

According to Blue Arrow Records on their Bandcamp site, “SA, the root note in Indian ragas, was what Ramakrishna,
the much beloved mystic, told his spiritual students to search for underneath all things of this world.”  Chances are if you are reading this, you know Richman and why he would reference such.

Album title track “SA” opened up with a relaxed, island-y feel and had Richman singing of focus and love without hesitation.  The sitar, at least that is what it sounded like to me, complimented Richman’s strumming.

Subtle quirks were heard in Richman’s pitch throughout “The Fading Of An Old World”.  This track really had a lot going on musically when you sit back and listen.  On top of it, Richman did what he does best in flowing ample and intense lyrics throughout.

“O Mind! Let Us Go Home” held as an eccentric tune that had some likable psychedelic qualities.  The jazzy drumming behind the tambura playing kept things beyond mysterious.

Richman sounded so youthful in “O Mind! Just Dance”, a track that seemingly was a continuation of the previous ‘O Mind’ track.  This experimental track became one of my favorites the moment Richman just started opening up and going on a positive tangent about not worrying.  I loved how he seemingly turned his attention and spoke to the audience halfway through asking everyone to forget and dance.

“¡Alegre Soy!” was just amazing as it was a peppy, cheerful song.  Sung mostly in Spanish, the song really just built up so well.  I instantly adored the track the moment Richman just started doing a spoken word about how happiness surrounded his life.  I could hear him smiling as he spoke about always being happy in his life for the most part.  Once the track ended, I was just left with such a good feeling in my heart.

“Yes, Take Me Home” was easily my favorite track off this release.  As someone who has rescued a dog more than once, I because almost a little emotional listening to Richman speak as a sheltered canine with an undisclosed past.  I loved the harmonium playing accompanying Richman’s guitar, but I just wish I knew if the dog was taken home.

“And Do No Other Thing” was an instant classic for me.  Songs like this one were what turned me into a Richman fan in the first place.  It was romantic yet blunt with completeness especially when everyone came together at the end.

This album, in my opinion, was far more entertaining and good-spirited than the last making for a great listen.  Richmond, at times, sounded as if he got lost in the moment more than once and did not once chance his approach at what he was born to do: Entertain.

I should note that Richman and Tommy Larkins currently are on tour in support of SA.  I was lucky enough to catch them a few weeks back at the Grog Shop in Cleveland  and I will tell you, it was probably one of my favorite intimate performances that I have ever seen.

I went to that show purely as a fan and not to review it and left with a happy vibe that lasted well past the car ride home and the next work day.  It was my first time seeing him live even though I have been a fan for longer than half my life.  He was everything I had hoped for.

With that said, if Johnathan and Tommy made it to your neck of the woods during this tour or even the next, just go.  You will not be disappointed.  Even if you are not terribly familiar with his material, I can honestly say you will be entertained by one of the best.

SA is available on CD and for download on Bandcamp.  Look for a cassette and LP release in early 2019.

Album Review: Restorations – LP5000

I might as well disclose that Philadelphia’s Restorations are easily one of my favorite bands out there.  So if this review sounds biased, well…it is.

Keeping along the lines of a pre-famed Gaslight Anthem and The Menzingers, I have always been attracted to what Restorations produce album after album.  I owe it all to the band’s former and current label Tiny Engines actually, as they were the ones to introduce me to them many years back by just tossing me an EP my way to review.  The rest is history for me as a fan.

LP5000 is the band’s 4th release and to be perfectly honest, this might be their best one yet.  It’s a quick one which sucks because you know, I wanted more, but it’s full of some memorable tracks with equal impacting lyrics and music.

“St.” started off the album with a powerful jam with Jon Loudon and his all too welcoming raspy vocals.  This was kind of a triumphant introduction with haste and honesty thrown hard.  This song’s best moments where when the band came together with force.  It was a perfect indication that this album was going to rule.

“Nonbeliever” followed with more of a political approach about personal current affairs and life in general.  With lines like, “if you burn all the fires, they’re going to make you the king” and the all too close to home “got a partner for starters and a kid on the way/can’t be doing this dumb shit no more.”  The song manages to hit the head on so many points as it progressed onward.

“Remains” was a rocker touching on past memories that probably would have best been buried rather than unearthed due to such disdainful change.  The track carried a great 90s alt-rock feel to it even if it make me want to hang my head low.

Loudon repeating ” no I don’t want to hear that name again” on “Melt” just added to an emo track of sorts clearly about someone once held in a higher regard.  This track was beautiful and dreary at the same time with electronic sounding beats layered behind simple guitar picking.

“The Red Door” was incredibly athematic and contained a guitar solo that easily could suck in some well-deserved attention.  Add to the catchy drumming and bass-line, and you have yourself a quality track that really showcased the talent this band carries.

“Eye” was more Postal Service sounding at first with the electronic noise but was not at all discouraging.  This song was not like the others and was well-received by this listener.  I loved the more experimental approach and word has it that there is a locked grove that permits this song to loop infinitely.  I can not wait for my copy to get here so I can see if there is truth to that.

I have listened to LP5000 over and over (easily 20+ times now) since it’s release and have not gotten tired of it once.  I will tell you it is a lot different from their earlier stuff and is just the cause of maturity and experimentation.  Personally, I adore this new sound.

Of course LP5000 is hitting my best of list for 2018.  Albums like this are the ones I hold onto for the rest of my life and sporadically will spin when I just can’t seem to find anything else to listen to.

I lucked out and caught them on tour a few weeks back when they played the Grog Shop in Cleveland with my pals Signals Midwest and let me tell you, they are even better live.

Anyways, I feel like I do that whole “do yourself a favor and check this band/album out” shtick of a closing sentence, but I am dead serious this time: This band is far more talented than I feel they are credited for and I’m fairly sure you will agree with me upon listening.

Album Review: Curtail – All Your Luck

I’ve known Jesse Sloan for a while now thanks to places like The Gurley House and It’s a Kling Thing.

I was a big fan of his two-piece Cherry Cola Champions and remember when he pulled me aside at some local show telling me he had something new he was working on and could not wait to share it with me.

Mind you that was a year or two ago, but I was intrigued the moment he told me of what he was working on.  My curiosity was finally satisfied when he told me about Curtail, a new band featuring some other familiar names in acts I adore including Eric Sandt (The Ground is Lava), Dan Corby (Bethesda), and Ben Hendricks (Annabel).

Cleveland’s Curtail dropped their debut All Your Luck at the end of May on Skeletal Lightning Records.  A supergroup of sorts with all angles of talent combined resulted in a hell of a listen.  I hate that I am just getting around to talking about it when it has been on regular rotation since it dropped over a month ago.  Still, it needs to be noted.

“Rush Hour” started the album off a bit reserved but with good measure.  Half way in, the song kicked it up a notch and made for a great listen overall.  “Smile” continued with the trend and the group vocals mad it so much more fun to nod my head to.  I especially loved Sloan’s erupted singing style throughout.

“The Lesson” is the track that completely won me over.  Taking queues from 90s alt- rock past, this song ruled in so many ways. This  is what New Radicals would have sounded like if they were an emo band.  Please note that I adore the 90s one hit wonder Gregg Alexander band so this is not a diss at all.  This song was catchy, emotional and perfect for summer listening.

I loved hearing “Good Year” as I felt I really related pertaining to the ups and downs throughout life.  This emo jam intermittently erupted into a grudge track  this former flannel wearing teenager approved of.

“Come Around” was an uppity, fuzzy jam that reminded me some of The Promise Ring.  Clearly the content was about overcoming, but brought forth in a positive way – at least musically.  This was one of my other favorite tracks on the album.

“Sleight of Hand” was another favorable song for me.  You could just head the fun Sloan was having singing this song.  I loved the many references only Northeast Ohioans would appreciate.

“Glow” completely moved into more of a chilled out that probably would have faired well to a crowd in a smoky, cramped venue in the 90s full of thrift store cardigans and Doc Martins.

“Skyscraper” easily could have been a Sense Field track that never was released.  This post-hardcore closing track was good on so many levels from the singing, the drumming, and of course the guitar playing that eventually faded out in a fuzzy departure.

For someone like me who grew up in the 90s and was obsessed with indie and alternative rock, All Your Luck really brought me back some.  Sloan and crew really dropped something special that deserves all of the attention of music fans.  Give it a listen, I highly doubt you will be disappointed if you still think music from the 90s was the best.

Check Curtail out on BandCamp and support the living daylights out of them by downloading All Your Luck.  I hope I can check them out live so I can give them all hi-fives for dropping one of my favorite releases of 2018.

 

 

Check It Out: Sweet Apple’s Music Video For “A Girl and a Gun”

As someone who grew up in the 90s, I have a strong appreciation for bands like Dinosaur Jr. and Guided By Voices.  It really should come to no surprise that I am a huge fan of Sweet Apple.

Sweet Apple features local heroes John Petkovic (Death of Samantha, Cobra Verde) and Tim Parnin (Sons of Elvis, Cobra Verde) along with J. Mascis (Dinosaur Jr., Witch) and  Dave Sweetapple (Witch).

Sweet Apple’s 2017 release Sing the Night in Sorrow was one of my favorite albums of the year.  If you have not listened to it yet, you really should change that.

Today, the band dropped a crazy video for “A Girl and a Gun”.  You know the video is pure gold when you hear that Petkovic was actually arrested while making it.  I’d like to hear the details on that…

Check it out:

While you are at it, check out the video they released a few weeks back for “Everybody’s Leaving” starring Mark Boone Junior:

Check out Sweet Apple via the following links:
Facebook: facebook.com/sweetapplesongs
Twitter: twitter.com/sweetapplesongs
Website: sweetapplesongs.com