Into It. Over It.

Solo musician, songwriter, and frontman Evan Thomas Weiss has got himself a sweet little project called Into It. Over It (IIOI). He came through town a couple weeks back and I missed it. Bummed would be an acceptable word I am looking for.

I would sit here and introduce Weiss, but he does it best:

I used to play in a couple bands called The Progress and Up Up Down Down Left Right Left Right B A Start, but that isn’t too important. I’m 25 years old. I live in Chicago. I’m 6’2″. I’m a Libra. I have a beard. My shoes are a size 9. I’m always busy. I’m always broke. I’m (almost) always happy. I write songs. Let’s kick it.

I have to disagree with Weiss about Up Up Down Down not being important.  I loved than band.

Anyways, here are a couple vids to give you a taste of IIOT.

Maybe I will run into him at SXSW.  That would be awesome.

If you like what you hear check out his MySpace Page and peruse through the page to find links to his releases.

Lemmy: The Movie

Last night was a blast.  In case some of you missed it, there was a screening of the new Lemmy documentary called LEMMY: 49% Motherf**ker, 51% Son of a Bitch at the Beachland Ballroom in good ol’ Cleveland, OH.  It was a great film and I invite anyone who is a Motorhead fan to check it out when it comes out on DVD in a couple of weeks.

I would like to consider myself the soul reason the movie appeared last night at the Beachland.  It was not because I organized the event or got in touch with director Wes Orchoski and asked him to come out and do a Q & A – That was Matt @ Addicted To Vinyl.

The reason was because I provided the Blu-Ray player.  Yes friends, if it were not for me last night, none of this would ever have happened…

Ok, it was not my Blu-Ray player.  Still, I was the one who brought it in and hit “play” when the lights went out.  I had a job to do last night and I did it well…

It really did not go that smoothly though…

I arrived a little early to the Beachland Ballroom after a couple failed attempts at doing some vinyl shopping on Warterloo.  I forgot it was Sunday and the shops tend to close earlier.  It worked out to my advantage though as the sound and video folk at the Beachland were waiting for my arrival.

We hooked up the Blu-Ray player as the tribute band set up and then just hung out in the soon to be filled ballroom.  During the downtime I hung out with Wes who is a really kick-ass guy.  He talked about his statewide tour showcasing his project that took him four years to create as well as some of the musicians he interviewed.  Needless to say, I was jealous.

By 8 o’clock the place was packed.  It was funny because I snuck downstairs for a bit to chill out  abot 20 minutes earlier and when I came back upstairs almost all the seats were filled.  It was a full house.  All the chairs were filled and people were standing, all waiting for the film to start.

I was asked to join WJCU/Auburn Records Owner Bill Peters and Chris Akin on stage to introduce Wes to the stage for a shot opening speech by Wes and then was given the cue to start the movie.

So what do I do?  I screw up.

I forgot to take out the screensaver disc and enter the blu-ray into the player.  As I stood there confused the crowd was wondering what the hell the kid in the Social Distortion jacket was doing on the side of the state.

It was me vs. the crowd and I did what I do best – ignored them…for a moment at least.

I stood there looking at the screen wondering why the damn movie was not playing and then it hit me…  I quickly realized what I forgot to do, exchanged discs, and threw up a fist-pump for the crowd (many who cheered).

I am an idiot.

The movie started and all I can tell you is this:  It was a funny, truthful, honest, and real documentary on the hardest working musician on the planet.  I loved all the interviews Wes was able to capture including some great stories from Scott Ian (Anthrax), Dave Grohl (Nirvana/Foo Fighters/Pro-Bot), and Henry Rollins (duh).

There was plenty of music throughout and also some history of Lemmy that many probably are not aware of.

Lemmy himself was a blast to listed to talk, when I could understand him – thankfully there were plenty of subtitles throughout.

It was one of the better documentaries I have seen in my time and enjoyed every moment.  Wes asked me to go back up stage with him and kill the movie once the credits ended so I made my way up there and turned the Blu-Ray player off.  Lots of the crowd wanted more and thankfully Bill Peters introduced Wes one more time for a Q&A.  This gave me enough time to get everything packed out and I snuck off the side of the stage.

Everyone who joined in on the Q&A had some good questions for Wes.  Well that is not entirely true as one lady asked why Lemmy didn’t come…  Anyways, it was a blast to see the crowd interact with Wes.

The tribute band immediately followed and rocked out.  All who stayed enjoyed their performance.  I stayed for a few songs and made my way to the exit.

I had a blast helping out with the event and make some really awesome new friends.  I was 1/16th rockstar that night as I got to stand on stage and miserably fail at starting a simple movie.

The crowd rocked, the documentary was entertaining, and now of course now I want to go out and buy all the Motorhead and Hawkwind vinyl I can get my hands on.

Thanks to Addicted To Vinyl’s Matt for putting on the event, thanks to all who showed up, and special thanks to Bill Peters and Chris Akin for helping out as well.

Interested in checking out the Lemmy movie?  CLICK HERE.

Share A Bus With Thursday

Be the first to hear Thursday’s forthcoming new album!  On their bus!!!

Wait.  What?

It’s true.  Emo/Post-Hardcore act Thursday are currently in the middle of a tour and want their fans (well, 6 of them at each show) to hang out on their bus and listen to a few songs off their new album.

See the following from the band:

“Throughout our current tour with Underoath we’re giving you a chance to hear a little bit of the brand new album!  Each show we’ll bring 6 fans onto the bus to hang out and hear a few songs.  All you have to do to enter is send an e-mail to turnpikedivides@gmail.com with your NAME, CELL PHONE NUMBER and the DATE/CITY of the show you’ll be attending.  We’ll be notifying the winners a few days before the show so keep an eye on your e-mail as the date of your show approaches.  Winners will also receive a text day of show letting you know where to meet for the listening session.” – Thursday

Pretty sweet if you ask me.

What’s even sweeter s that they are coming to Cleveland on Feb 10th.  Shoot them an email and try your luck if you are going to the show.

Thursday Tour Dates:
Jan 24 – Albuquerque, NM – Sunshine Theater
Jan 25 – Tempe, AZ – Marquee Theatre
Jan 26 – West Hollywood, CA – House of Blues
Jan 27 – Anaheim, CA – House of Blues
Jan 28 – Las Vegas, NV – Hard Rock Café
Jan 29 – San Diego, CA – Soma
Jan 30 – San Francisco, CA – The Regency Ballroom
Feb 1 – Portland, OR – Roseland Theatre
Feb 2 – Seattle, WA – Showbox SoDo
Feb 3 – Spokane, WA – Knitting Factory
Feb 4 – Boise, ID – Knitting Factory
Feb 5 – Salt Lake City, UT – In The Venue
Feb 6 – Denver, CO – The Summit Music Hall
Feb 8 – Minneapolis, MN – First Avenue
Feb 9 – Chicago, IL – House of Blues
Feb 10 – Cleveland, OH – House of Blues
Feb 11 – Buffalo, NY – The Town Ballroom
Feb 12 – Royal Oak, MI – Royal Oak Music Theatre
Feb 13 – Toronto, ON – Phoenix Concert Theatre
Feb 14 – Montreal, QC – Metroplis
Feb 16 – Pittsburgh, PA – Club Zoo
Feb 17 – New York, NY – Terminal 5
Feb 18 – Worcester, MA – The Palladium
Feb 19 – Philadelphia, PA – Trocadero
Feb 20 – New Haven, CT – Toad’s Place
Feb 22 – Washington, DC – 9:30 Club
Feb 23 – Charlotte, NC – Amos’ Southend
Feb 24 – Knoxville, TN – Valarium
Feb 25 – Atlanta, GA – The Masquerade
Feb 26 – Lake Buena Vista, FL – House of Blues
Feb 27 – Ft. Lauderdale, FL – Revolution

“Be Your Bro” With Those Darlins

Next Tuesday, Those Darlins will be releasing a 7-inch of two new new album songs entitled “Be Your Bro” and “Let U Down.” This is the first taste from their sophomore album Screws Get Loose that is dropping at the end of March on OH WOW DANG Records.

It is safe to say I am excited. If anyone knows anything about me, I am a big big Those Darlins fan.  After seeing them last Fall, it is safe to say I am stoked to hear their new release.  They changed their sound up a little and it sounds amazing.

7″ Track list
Side A) Be Your Bro
Side B) Let U Down

Those Darlins are currently touring in support of their new release. When these girls (and Linwood) tour, they tour…

Photo by Veta&Theo for Ovvio Arte

TOUR DATES:

JANUARY
27 – Oxford, MS – Proud Larry’s
28 – Hattiesburg, MS – Thirsty Hippo
29 – Auburn, AL – The Independent

FEBRUARY
17 – Fayetteville, AR – George’s Majestic #
18 – St Louis, MO – Pageant #
19 – Chicago, IL – The Vic #
20 – Minneapolis, MN – First Avenue #
22 – Louisville, KY – Headliners #
23 – Cincinnati, OH – Southgate House #
24 – Asheville, NC – Orange Peel #
25 – Atlanta, GA – Buckhead #
26 – Charleston, SC _ Music Farm #
27– Jacksonville, FL – Freebird #

MARCH
1 – Orlando, FL – Plaza Theater #
2 – Tampa, FL Skipper’s #
3 – Tallahassee, FL – The Moon #
4 – New Orleans – Tipitina’s #
5 – Houston, TX – House of Blues #
17th-20th — Austin, TX — SXSW
24 – Washington, DC – The Black Cat +
25 – New York, NY – Bowery Ballroom +
26 – New York, NY – Bowery Ballroom +
27 – Boston, MA – Middle East +
29 – Providence, RI – Firehouse 13
30 – New Haven, CT – BAR
31 – Baltimore, MD – Golden West

APRIL
1 – Columbus, OH – Newport Music Hall +
4 – Omaha, NE – Waiting Room +
6 – Denver, CO – the Bluebird +
7 – Salt Lake City, UT – the Urban Lounge +
8 – Boise, ID – Neurolux +
9 – Seattle, WA – the Crocodile +
10 – Portland, OR – Dante’s +
13 – San Francisco, CA – the Independent +
14 – Santa Cruz, CA – the Rio Theatre +
16 – Santa Barbara, CA – the Mercury Lounge

JUNE
2 – Ozark, AR – Wakarusa Festival

# w/Old 97’s
+ w/Black Joe Lewis

Album Review: Fat Music Vol. 7 – Harder, Fatter + Louder

Hey kids, I want to let you in on a little secret.  Before the internet and digital downloads were around, there used to be this thing called a CD compilation ( and before that they were  called cassette compilations).  It was a CD full of choice tracks that record labels would sell at a discounted price (usually) to help share the music of bands that appeared on their label.  No, I am not talking about that never-ending Now That’s What I Call Music series (seriously, when the hell is that garbage going to end?).   I’m talking about music that actually mattered: non-comercial goodness.  More specifically I am talking about punk rock comps.

Today there still are comp CDs released out there, but they just are not the same and most are digital downloads in an effort to save money in this ever struggling business music.  AMP Magazine did a good job for a while there releasing free comp CDs with their magazines, but after a while I just got bored with them.  The 2cd Warped Tour comps are good and feature a ton of bands on them, but I can not stand most of them.  It just seems like the comp CDs of my younger years always had quality songs from great artists that I could appreciate.

Back in my day, man I sound old, I used to eat up punk rock comps when they came out.  Labels like Fat Wreck Chords, Nitro, Hopeless, Vagrant, and Recess (just to name a few) released some killer comps in the 90’s that helped supply new music to my ears.  I did not have the luxury back then to sit at a computer and type in “new unheard of punk rock music I will enjoy”  and get instant results.  I actually had to go to a music store, many of which are extinct, and BUY an actual CD with money and not a debit card.  Ok, I think you get it.

Whenever I think of punk rock comps I always think of the Fat Music series.  Created by Fat Wreck Chords in 1994, the Fat Series were a series of comps featuring bands on their label that were sold for cheap.  I loved the variety on each release and always found a new band on them to appreciate.

Keep in mind this was before you were able to burn CDs at the click of a mouse.  You kids these days have no idea how easy you have it.  I remember the days where I had to actually make mix-tapes because it was the only way…  So yes, comp CDs were where it was at.

The Fat Music series stopped in 2002 with Uncontrollable Fatulence and soon moved on to digital downloads like everyone else as it was a new era of music and, let’s be honest, they needed to cut corners to keep the business alive thanks to illegal downloading.

I really thought that it was the end of a good thing, that is until Fat Wreck Chords dropped Harder, Fatter + Louder last November.  After a 8 year break, the god people of Fat Wreck Chords decided to drop an all new comp featuring newer acts as well as older contenders. I felt like a kid all over again once I had the copy in my hands, I even used my teeth to rip the plastic off the CD.

On the 7th volume of the series, Fat Mike – owner of Fat Wreck Chords, took 22 songs from upcoming Fat releases as well as a couple older tracks that dropped around in ’09 and ’10.  The result is once again a perfect mix of tracks by a bunch of talented bands.

I was stoked when the first song, “For Better, For Worse”, played on the CD by a band I was not familiar with.  It was an instant reminder why I always loved comp CDs.  The band called, Old Man Markley, is not like any band I have heard on the Fat Wreck label as they are more a folky friend jam that emulates both Flogging Molly and the Avett Brothers in a way.  Coincidentally, their debut on Fat entitled Guts N’ Teeth just dropped this past Tuesday.

Throughout the comp, there were a lot of acts I was already aware of like The Flatliners, Mad Caddies, Tony Sly, and of course NOFX.  Honestly, Old Man Markley was the only band I did not know of prior to listening to the comp but I was stoked to hear new stuff from Cobra Skulls and Chixdiggit!.  Most of the tracks were from upcoming albums giving a taste of good things to come and the rest were obviously already released gems.  Regardless if I had heard them before or not, the collection of songs brought together was good.

If Fat Mike asked me to make a mix I honestly think that: a.) That would be the absolute shit. b.) I would have a hell of a time taking the right songs and limiting them to just one CD – I’ll leave it to the pros.

If you are looking for a punk comp this year go out and grab yourself a copy of Harder, Fatter + Louder.  At just $8 bucks for the CD, there really is no excuse not to get this if you like your rock punk.  Come on, all the cool kids are doing it.

DOWNLOAD THIS! – Cobra Skulls – “Hot Sand”
DOWNLOAD THIS! – Old Man Markley – “For Better, For Worse”