Tag Archives: Cleveland

Album Review: Brain Cave – Stuck In The Mud

I got to see one of my all time favorite bands play Cleveland last year. Worried I would not have a good spot to see said band, I arrived early to claim my area.

I’m glad I showed up early that night because, little did I know, I was about to be introduced to my soon to be favorite local band.

The band I speak of is Brain Cave.  The three-piece noise-rock / post-hardcore locals blew me away that night and turned me into a fan.

Fast-forward 6+ months and I just so happen to see that the band is taking preorders for Stuck In The Mud, the band’s first full-length album released by Tiny God Inc. (the drummer’s label).  They had a couple of songs to check out and after hearing them both, I immediately preordered the release on cassette. I cannot even tell you the last time I did something like that.

So I guess I take this time now to talk about why I’m so enthusiastic about these guys.

“Erosion” started off the album with a self-preservation method many of us could use right about now with “reset” being repeated throughout along with other words of encouragement.

“Night Work” continued with aggression and force.  This tune accompanied with restless thoughts was full of breakdowns, riffs, and just insane drumming.  Technical as hell, as much as I hate to say this, it was almost Mastodon-y sans that wizard shit and whiney vocals.

“Assigned Seat” brought me back to the years when I would see hardcore and post hardcore shows what seemed like daily.  Loved this track a ton musically as well as the message presented about not giving up ever.

“Sideline To Rot” was equally technical as was it just untamed.  This was one of those tracks where I asked myself how the hell a three-piece pulled this out.

“Bar Seat No. 1” are on me a lot since this album dropped.  Maybe it was the hint of punk embedded within the post-hardcore track.  It was most likely because this song filled me up with rage in the best way.

Precise like a Cave In track, “Ahead Thought” sucked me in.  Just when I thought I liked it, things shifted down and I became even more consumed.  The ending of this track was dead-on amazing.

“Moved Obstacle” finished up the album with the bad just not letting up at all.  This was the kind of song introduced to a young me that held the capability to open up my thought process.  I am trying to think of best how to explain this.  Think about the message and hose it was received.  That is the feeling that hit me when this song played.

The sound that Brain Cave delivered brought me back to the 90s in the best way possible.  All I could keep thinking about while listening is how they related to Helmet, Handsome, and Quicksand.  The year is half gone and Stuck In The Mud will be sitting high on my best of list for this pretty screwed up year.

Perhaps once this COVID crap is tame and venues start allowing shows to play Brain Cave will play again.  I honestly would love to check this band out again, especially now.

With that said, if you need a solid distraction due to these current events, check out the Brain Cave debut already.  I cannot get enough of it.  In fact, I listened to it two times earlier today and once more this evening as I wrapped up this review.  It’s that damn good.

Check It Out: Don’t Fall in Love with Yourself: A documentary about Justin Pearson, Three One G and the San Diego Punk Scene.

My pals at the talented TurnStyle Films never cease to amaze me.

They are a collective group of hardworking music lovers who always manage to drop things equally interesting as unique.

I wish I could remember what show I was at when I saw Jon Nix last year, but he was full of excitement as he told me he was working on something he knew I was going to like.  As he started telling me about it, I immediately smiled ear to ear.  I knew this was going to be something awesome.

Months later, an announcement was made to the world that TurnStyle Films was working on a Justin Pearson documentary.  As a fellow punk lover, it is clear why I shared so much excitement when I first learned of the project.

The documentary is in the final rounds of finishing and TurnStyle is asking for help via a great Kickstarter campaign with plenty of great rewards including autographed books, vinyl, and enamel pins.

I think Jon and crew said it best on Kickstarter what this documentary is all about:

Don’t Fall in Love With Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy and his roots in the San Diego punk scene, to his appearance on Jerry Springer and rise to cult celebrity status. An in-depth look at a career made out of blood, sweat and spit.

Much of the B-roll has been sourced from dozens of VHS & Mini-DV tapes recorded over the past three decades. Controversial and never-before-seen footage of one of the most interesting and unique musical movements is recent memory.

The film’s interviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Bobby Bray, Travis Ryan, Jeremy Bolm, Alexis Marshall, Jon Syverson, Molly Neuman & Becky DiGiglio and more.

I took a few moments to toss my support they way in hopes this campaign is fully funded.  This looks to be one of the best things TurnStyle has done to date.

Check it out:  https://www.kickstarter.com/projects/jonnixfilm/dont-fall-in-love-with-yourself-finishing-funds?ref=project_build

Album Review: Harvey Pekar – Paris Green

The fact that Cleveland’s hardcore homies Harvey Pekar titled their recent release Paris Green solidifies their genus and complexity.

Paris green is a highly toxic insecticide and also entertains the masses as it is an ingredient used in fireworks.  Was there hidden meaning in their selection of words for the album’s title?  I would like to think so.

I should disclose I have been a fan of Harvey Pekar since 2011 when they dropped the impressive Thirty Ghosts.  I remember seeing them at a hole-in-the-wall Akron bar and becoming instantly down with their tunes.

Fast forward 8 years with a couple of changeups, Elliott Frank, Ian Douglas, Nick Kratsas, and Nick Schmitt still kick severe ass.  They are also all some of the best dudes I have ever have the privilege of getting to know over the years

Enough of the chemistry lesson and personal memoir, it’s time to talk about Paris Green, Harvey Pekar’s third full-length release that recently was put out by Steadfast Records.

Produced and engineered by the one and only Ryan Foltz at Cleveland Audio (Dropkick Murphys, Rancid), Paris Green was everything I was hoping for in new Harvey Pekar material and a whole lot more.

The album started off with the ripper “Predation in Shadow Position” with Kratsas talking helm with his poetic lyricism while the rest of the band supported him in full-force.

“Drag Hesitations” was brutal as all hell and I loved everything about it.  That breakdown though is what did it for me.  I felt a little tougher than normal while listening to this one.

“Glow Aplomb” carried on a with little more melodic approach than I would have expected, but it worked so well.  It’s full of gruff and force, but was carried with a toned down sound at times that really just was proof how far this band has come along and how they do their own thing without worry.  In fact, this was one of the tracks I have gone back to a few times now.

I am fairly sure “Slash Centre Unison” has got to be insane live.  I can just envision everyone losing their shit while the band blasts this on stage.  I adored the shift midway that just involuntary asked for everyone’s participation to sing along.

“Forever the Follow” finished things up on this release with memorable bass playing and furious drumming.  Best part about the track was the ultimate buildup halfway in with Frank playing away that had me nodding my head in all sorts of approval only to have the band collectively lose it with Kratsas almost sounding like fired off ammunition screaming to his heart’s content.

I was left wanting so much more after this album ended.  My blood was boiling, heart was pounding, and thoughts were scattered all over the place.  It was a nice distraction, that is for certain.

After a few listens, I am convinced this is the best material they have put together to date.  In keeping with their hardcore/punk ethos, the band stretched things out some making for a likable change in style I personally saw as maturing and evolving.  Think about that Gallows sound right before Frank Carter jumped ship and went completely rock and roll or when Cave In slowed it down because they felt like it.  That is what stuck in my head the most but please do not see either as a direct comparison.

I can’t help to think what’s to come by these guys down the road based on what I heard.  All I know is that you really should make yourself privy to them so you can share the excitement I hold.

Album Review: Worlds Scariest Police Chases – Ablum 3

The thing I love most about Pittsburgh’s Worlds Scariest Police Chases is simply that they give no shits.

Fueled by cheap beers, working class aggression, and heavy doses of realness, they are like Propaghandi in a sense but only love themselves.  Jerks.

The punk rock outfit at one time was thought to have called it quits in 2014 only to change their mind or just screw with anyone they could.  For what it’s worth, I am glad they continued on because we need more bands like WSPC.

Recently dropping Ablum 3, the band aims to mess with fans, new and old, instantly.  Released on Say 10 Records, I have to confess, this is some good, harsh stuff and just seems to outsmart that “Oh let’s reference a bunch of 90s punk album titles into our album title” release.

“Modernbaseballiswar” started off with the band questioning “what if everyone hates us for this” followed by “I hope everyone hates us for this.”  The raw, don’t care attitude easily can relate to any young punker as well as us old punkers who can just sit back and laugh at when we cared what people thought about us.

“Mindtrap” easily was my favorite track on this album.  It’s probably all due to the xylophone playing, but honestly, it was just a killer track calling out everyone as possible in less than 2 minutes.  I laughed when I heard “punk is dead, no matter what Kevin says” might have been targeted at that guy who did that Warped Tour for a couple of years but who knows.  The video was entertaining as hell though.

“My Death” was a 90s punk rock track down to the core.  The band really offered some mature, hard moments on this one.  I adored this track for the punk ethos being blasted out.  I’ll be keeping this song handy for when I’m having one of those days.

Of course my old ass appreciated the rerecorded version of “Adolph Hipster”, a track that was released in 2015 and clearly was aimed at those who think punk is a fashion statement.  With the band admitting they are poking fun at anyone who thought the song was about them, the true genius of this song was the Kid Rock “get in the pit and try to love someone” tossed in.

Calling out douchebags was “Trigger Warning”, a track that dismissed anyone who takes advantage of others.  Clearly this track was aimed at a certain someone with “you violated trust, you are not one of us” being released at the end.  Whoever this is, even I think you suck.

I found entertainment in the song titles too which held reference to some classic punk rock acts.  Titles like “The Shape of Punk is Dumb” and “How To Glean Everything” just reminded me how clever these guys really are.  Both tracks were good too.

WSPC remain a true gem of a punk band and Ablum 3 clearly showcased that.  It’s nice to see these 6 hard-working dudes carry on their band with purpose to piss off, have fun, and just play for themselves (and their fans too of course).

WSPC is playing Cleveland on 12/28 with Boston’s Rebuilder at Now That’s Class.  You can bet your ass I will be there.

Album Review: Johnny La Rock – Gold Codes

I hate to break it to you, but summer is almost over.  Soon it’s going to be cold and miserable out.  

No need to get depressed just yet though as there is still plenty of time to get rad.  Luckily Johnny La Rock is here to add fuel to that fire with his debut, dance-your-pants-off release titled Gold Codes.

Cleveland native La Rock, aka Eddie Fleisher, once showcased his talent in hip-hop duo Johnny La Rock & Mushmouth as well as Presque Vu, but has taken an entirely new approach that surely will appeal to all those looking for a good time. 

Gold Codes is La Rock’s solo debut album that is more or less a “life can’t get any worse, let’s party like those people did in Independence Day on top of that skyscraper before the aliens blew that shit up” album.  Yeah, I just said that.  It’s pop, it’s soul, it’s electronic, and most importantly, it’s good.

“Dance to the Rhythm (Party Time)” started things off just right with a body-moving jam complete with a little 90s inspired hip hop enthusiasm.  This was a sincere as hell track that really will make you want to get down.

The inspirational “210 and Mustache” more or less punched negativity in the throat and walked away proud with your head up high.  If you do not know what 210 refers to, go ahead and just Google that along with Urban Dictionary.  

“Swipe Left” is a honest yet candid track about the norm that is called online dating.  I loved the line “you seem cool on the internet, in real life you’re insane.”  I loved the vintage video dating samples, it accompanied perfectly.

“Keep On Keepin’ On” was a fun instrumental jam as was the 80s thriller sounding “Phantasm”.  It was cool to have both songs just change things up for a moment without losing momentum.  Least I not forget about “Lumin8”, that was solid too.

“Blue Away” was an uplifting alternative to shake off any funk currently holding anyone back.  No lie, this song cheered me up.  I think a music video is in order for this one (hint, hint).

“Gold Codes” stuck on me for some reason.  I think it was more or less because I’ve felt what La Rock sung about on a few occasions over the past 20 years.  This was the fight jam I needed to remind me that retaliation happens in many forms as long as you don’t give up.

I’ve seen La Rock live a few times when he focused on rap and most recently with programmer Furface and I have to admit, I am a bigger fan of his solo stuff than I thought I would be.  At first I was set back because I was expecting the hip hop, but when the soul-pop dropped, I was an instant fan.

I have to note that this album fueled my recent trip to Vegas and if I had it my way, I would have played it for everyone around me at all hours.  The release has jumped up high as one of my favorites of 2018 and I’m not sure any music quite like this will be topping it.  I speak high praises because I thoroughly enjoyed almost this entire album from start to finish many times over.

La Rock is the Har Mar Superstar of Cleveland and even manages to keep his clothes on during live sets.  

Interpersonal ,humorous party vibes a al Electric Six, La Rock knows how to deliver a good time to all his fans.  

Check out what La Rock has to offer below and hopefully you’ll agree that it does not disappoint at all.