Tag Archives: Cleveland

Album Review: Harvey Pekar – Paris Green

The fact that Cleveland’s hardcore homies Harvey Pekar titled their recent release Paris Green solidifies their genus and complexity.

Paris green is a highly toxic insecticide and also entertains the masses as it is an ingredient used in fireworks.  Was there hidden meaning in their selection of words for the album’s title?  I would like to think so.

I should disclose I have been a fan of Harvey Pekar since 2011 when they dropped the impressive Thirty Ghosts.  I remember seeing them at a hole-in-the-wall Akron bar and becoming instantly down with their tunes.

Fast forward 8 years with a couple of changeups, Elliott Frank, Ian Douglas, Nick Kratsas, and Nick Schmitt still kick severe ass.  They are also all some of the best dudes I have ever have the privilege of getting to know over the years

Enough of the chemistry lesson and personal memoir, it’s time to talk about Paris Green, Harvey Pekar’s third full-length release that recently was put out by Steadfast Records.

Produced and engineered by the one and only Ryan Foltz at Cleveland Audio (Dropkick Murphys, Rancid), Paris Green was everything I was hoping for in new Harvey Pekar material and a whole lot more.

The album started off with the ripper “Predation in Shadow Position” with Kratsas talking helm with his poetic lyricism while the rest of the band supported him in full-force.

“Drag Hesitations” was brutal as all hell and I loved everything about it.  That breakdown though is what did it for me.  I felt a little tougher than normal while listening to this one.

“Glow Aplomb” carried on a with little more melodic approach than I would have expected, but it worked so well.  It’s full of gruff and force, but was carried with a toned down sound at times that really just was proof how far this band has come along and how they do their own thing without worry.  In fact, this was one of the tracks I have gone back to a few times now.

I am fairly sure “Slash Centre Unison” has got to be insane live.  I can just envision everyone losing their shit while the band blasts this on stage.  I adored the shift midway that just involuntary asked for everyone’s participation to sing along.

“Forever the Follow” finished things up on this release with memorable bass playing and furious drumming.  Best part about the track was the ultimate buildup halfway in with Frank playing away that had me nodding my head in all sorts of approval only to have the band collectively lose it with Kratsas almost sounding like fired off ammunition screaming to his heart’s content.

I was left wanting so much more after this album ended.  My blood was boiling, heart was pounding, and thoughts were scattered all over the place.  It was a nice distraction, that is for certain.

After a few listens, I am convinced this is the best material they have put together to date.  In keeping with their hardcore/punk ethos, the band stretched things out some making for a likable change in style I personally saw as maturing and evolving.  Think about that Gallows sound right before Frank Carter jumped ship and went completely rock and roll or when Cave In slowed it down because they felt like it.  That is what stuck in my head the most but please do not see either as a direct comparison.

I can’t help to think what’s to come by these guys down the road based on what I heard.  All I know is that you really should make yourself privy to them so you can share the excitement I hold.

Album Review: Worlds Scariest Police Chases – Ablum 3

The thing I love most about Pittsburgh’s Worlds Scariest Police Chases is simply that they give no shits.

Fueled by cheap beers, working class aggression, and heavy doses of realness, they are like Propaghandi in a sense but only love themselves.  Jerks.

The punk rock outfit at one time was thought to have called it quits in 2014 only to change their mind or just screw with anyone they could.  For what it’s worth, I am glad they continued on because we need more bands like WSPC.

Recently dropping Ablum 3, the band aims to mess with fans, new and old, instantly.  Released on Say 10 Records, I have to confess, this is some good, harsh stuff and just seems to outsmart that “Oh let’s reference a bunch of 90s punk album titles into our album title” release.

“Modernbaseballiswar” started off with the band questioning “what if everyone hates us for this” followed by “I hope everyone hates us for this.”  The raw, don’t care attitude easily can relate to any young punker as well as us old punkers who can just sit back and laugh at when we cared what people thought about us.

“Mindtrap” easily was my favorite track on this album.  It’s probably all due to the xylophone playing, but honestly, it was just a killer track calling out everyone as possible in less than 2 minutes.  I laughed when I heard “punk is dead, no matter what Kevin says” might have been targeted at that guy who did that Warped Tour for a couple of years but who knows.  The video was entertaining as hell though.

“My Death” was a 90s punk rock track down to the core.  The band really offered some mature, hard moments on this one.  I adored this track for the punk ethos being blasted out.  I’ll be keeping this song handy for when I’m having one of those days.

Of course my old ass appreciated the rerecorded version of “Adolph Hipster”, a track that was released in 2015 and clearly was aimed at those who think punk is a fashion statement.  With the band admitting they are poking fun at anyone who thought the song was about them, the true genius of this song was the Kid Rock “get in the pit and try to love someone” tossed in.

Calling out douchebags was “Trigger Warning”, a track that dismissed anyone who takes advantage of others.  Clearly this track was aimed at a certain someone with “you violated trust, you are not one of us” being released at the end.  Whoever this is, even I think you suck.

I found entertainment in the song titles too which held reference to some classic punk rock acts.  Titles like “The Shape of Punk is Dumb” and “How To Glean Everything” just reminded me how clever these guys really are.  Both tracks were good too.

WSPC remain a true gem of a punk band and Ablum 3 clearly showcased that.  It’s nice to see these 6 hard-working dudes carry on their band with purpose to piss off, have fun, and just play for themselves (and their fans too of course).

WSPC is playing Cleveland on 12/28 with Boston’s Rebuilder at Now That’s Class.  You can bet your ass I will be there.

Album Review: Johnny La Rock – Gold Codes

I hate to break it to you, but summer is almost over.  Soon it’s going to be cold and miserable out.  

No need to get depressed just yet though as there is still plenty of time to get rad.  Luckily Johnny La Rock is here to add fuel to that fire with his debut, dance-your-pants-off release titled Gold Codes.

Cleveland native La Rock, aka Eddie Fleisher, once showcased his talent in hip-hop duo Johnny La Rock & Mushmouth as well as Presque Vu, but has taken an entirely new approach that surely will appeal to all those looking for a good time. 

Gold Codes is La Rock’s solo debut album that is more or less a “life can’t get any worse, let’s party like those people did in Independence Day on top of that skyscraper before the aliens blew that shit up” album.  Yeah, I just said that.  It’s pop, it’s soul, it’s electronic, and most importantly, it’s good.

“Dance to the Rhythm (Party Time)” started things off just right with a body-moving jam complete with a little 90s inspired hip hop enthusiasm.  This was a sincere as hell track that really will make you want to get down.

The inspirational “210 and Mustache” more or less punched negativity in the throat and walked away proud with your head up high.  If you do not know what 210 refers to, go ahead and just Google that along with Urban Dictionary.  

“Swipe Left” is a honest yet candid track about the norm that is called online dating.  I loved the line “you seem cool on the internet, in real life you’re insane.”  I loved the vintage video dating samples, it accompanied perfectly.

“Keep On Keepin’ On” was a fun instrumental jam as was the 80s thriller sounding “Phantasm”.  It was cool to have both songs just change things up for a moment without losing momentum.  Least I not forget about “Lumin8”, that was solid too.

“Blue Away” was an uplifting alternative to shake off any funk currently holding anyone back.  No lie, this song cheered me up.  I think a music video is in order for this one (hint, hint).

“Gold Codes” stuck on me for some reason.  I think it was more or less because I’ve felt what La Rock sung about on a few occasions over the past 20 years.  This was the fight jam I needed to remind me that retaliation happens in many forms as long as you don’t give up.

I’ve seen La Rock live a few times when he focused on rap and most recently with programmer Furface and I have to admit, I am a bigger fan of his solo stuff than I thought I would be.  At first I was set back because I was expecting the hip hop, but when the soul-pop dropped, I was an instant fan.

I have to note that this album fueled my recent trip to Vegas and if I had it my way, I would have played it for everyone around me at all hours.  The release has jumped up high as one of my favorites of 2018 and I’m not sure any music quite like this will be topping it.  I speak high praises because I thoroughly enjoyed almost this entire album from start to finish many times over.

La Rock is the Har Mar Superstar of Cleveland and even manages to keep his clothes on during live sets.  

Interpersonal ,humorous party vibes a al Electric Six, La Rock knows how to deliver a good time to all his fans.  

Check out what La Rock has to offer below and hopefully you’ll agree that it does not disappoint at all.

EP Review: The Stable – Difficult People

Hey Cleveland, how ya doing?

Lebron (more like L.A. Bron) is gone, but who cares?

Well if you do care, just know local punkers The Stable recently dropped an energetic, gritty album on BandCamp that’ll help you forget all about that sports nonsense in mere minutes.

Featuring members of Seafair (R. Kelly), RAM ONES ( J. Voland), Above This Fire (C. Wright), and Varsity Pinball (I. Bowers), it’s no surprise at all how impressive The Stable’s debut EP is.

4 songs, all quality, are contained in Difficult People. These may be quick bangers, but they certainly are impacting and leave a mark.

“Clothesline From Hell” is proof of my previous statement.  Full-force, no corners cut track full of insane drumming, vocal chord destroying singing, and of course some good ol’ group vocals.

“We Belong In Hell” might just be my favorite cut off the EP given how catchy it is.   There’s something to be said about a song that embeds in your mind as a track you won’t soon forget, this is one of them.

“Shyamalan Twist” seemed to carry this 90s punk/hardcore ethos in the background that I totally adored.  I loved the breakdown towards the end as it just made it that more enjoyable.

I warn you, this EP is quick, but if you are like me, you’ll jump back to the beginning for another round.

The Stable remind me of The Shaking Hands and The Holy Mess a ton in a good, good way.  Given the gents who are in this band, I expect big things to come in the near future.  I can not wait to check them out live soon.

Check them out:

 

Album Review: Heart & Lung – You Wanna Know the Truth?

When a great pal tells me to check out a band that one of his bandmates happens to be in, I stop what I am doing and look for my headphones.

Heart & Lung is the band I speak of and thanks to Jeremy (most call him Rozco), I can not stop listening to these guys.

This four-piece pop-punk act hails from tropical Cleveland and has been doing their thing for a couple of years now.  Featuring current members of Throw Shade and former members of The Fucking Cops, Let em’ Run, and The Public, it is safe to say that this band has plenty of rustbelt punk rock talent.

You Wanna Know the Truth is the band’s debut release and I must say, it is pretty damn impressive.  Released independently, you’d think someone from an independent label would have scooped them up already (hint, hint to you label owners out there).

As far as the sound goes, think the energy of Direct Hit! mixed with the singing style of Say Anything, the memorable lyrics of Iron Chic, and glorious group harmonies of Masked Intruder.

As an avid Cleveland Indians fan, I certainly appreciated the opening sample with Hammy doing this thing on “Telecaster”.  This opening track just has the band jumping right in and giving it their all.

“Hey Man” was kind of like a fun blend of Max Bemis and Masked Intruder, hence my previous comparison.  This happy-go-lucky track is best played with friends.  Nice job incorporating the band name into the lyrics by the way…

I am not sure what “1954” is all about, but I do know that is the year the Cleveland Indians went to the World Series.  I also know that is the year the infamous Sam Sheppard  supposedly murdered his wife.   I appreciated the Cleveland pride and references throughout this jam.

“You Wanna Know the Truth?” was easily my favorite track off the album.  The steady yet furious drumming, the piano playing, and just the honest chorus “you wanna know the truth?  I’m fucking in love with all of you” pretty much did it in for me.  Hearing the band profess enjoyment while on tour as well as their admiration for the great state they all hail from was all too intoxicating.  The ending though…man, that was so perfect (you can check out the song below).

“Recession” was 50 seconds of the ups and downs of corporate America and the broke asses who live there.  “Don’t Need You” was as you guessed it, a song about tacos from someone who is trying to diet furiously.  I love tacos.

“The Sound” ended things in almost Weezer fashion sans the heavy repeating bass line.  Hearing this song build up, explode, and just exhale with piano playing at the end put this album to rest in a good way (no pun intended of course).  With lyrics about ending it all, carrying fear in doing so, and finally seeing someone looking back eliminating said fear, this wasn’t exactly a happy-go-lucky track.

My only complaint about this album?  It clocked in at a whopping 27 minutes.  11 great songs, but I would have gone for a few more.

This Cleveland pop punk act has what it takes to turn heads and snag the attention of many.  Don’t believe me?  Check out what the bassist John’s sixth-grade students had to say about it…

This slideshow requires JavaScript.

I feel like I should have just started out the review with their quotes.

This band has been playing like crazy lately here in Cleveland as of late, most recently with Off With Their Heads, and I am excited to see what happens with them next.  If you are looking for something new and fun, check these dudes out.


https://heartandlung.bandcamp.com/album/you-wanna-know-the-truth
https://www.facebook.com/heartandlungcleveland/
https://www.instagram.com/heartandlung/