Category Archives: 90’s

90's, Hip Hop, Metal, Music, Music Video, New Release, Rap, Review, Rock

Album Review: PowerFlo – PowerFlo

18 August, 2017 Brian Mc Leave a comment

My best friend in high school was one year younger than I was. I want to say I met him in my German class where I was more about messing with the teacher, Herr Van Halen or whatever his name was, rather than learning a second language.

I have tons of memories of us hanging out and just encompassing a true friendship as teens.

One of the things that we both had in common was our love of music. We could talk about bands for hours and if there was one thing I was always jealous of, it was his musical talents that I seemingly lacked.

He and I once went on a ride with a homeless man who wore a Sea World hat the projects of Cleveland so he could “pick something up for a friend.” In exchange he bought us a bunch of 40 oz. beers with our money and wound up keeping the change.

It’s a memory I’ll never forget, especially the part were my friend and I were laying down in the back of the pick-up truck’s bed through the crazy adventure because there was no room for us up front. Ahh youth…

A couple of years after that memorable evening, my friend told me at a random afternoon driveway party that he was going to move to California to live with his father and look into the music world. As shocked as I was, I understood he needed to do this and wished him all the luck in the world.

You know how things go. You grow up. You become distant, not on purpose of course, but because life gets in the way. We did our best to keep in touch, but truth be told, I have not seen him in over 20 years now. Thanks to the Internet and smart phones, we touched base here and there and i knew he was doing well and following his passion.

Where am I going with this? There’s a point, I promise…

Just a few weeks ago, my pal reached out to me to tell me about something he has been working on for a while now and wanted me to check it out and let me know my thoughts on it. He told me he has been heavily involved with PowerFlo, a band full of musicians from the 90s that we obsessed over as teenagers.

One could say I freaked out when I heard this. Still, I needed to hear it for myself. To say I was proud of his accomplishment is an understatement. Of course I told him I would check it out and offer up a review of sorts.

So I guess here we go…

PowerFlo is a supergroup metal/rap outfit from LA. Consisting of Cypress Hill’s Sen Dog, Biohazard’s Billy Graziadei, former Fear Factory bassist/guitarist Christian Olde Wolbers, Downset’s Rogelio Lozano, and Fernando Schaefer, one could say this band is full of talent.

This group of seasoned musicians perfectly took their areas of expertise and infused metal and rock with hip-hop for an album that any fan of the “Judgement Night” soundtrack would approve of.

The album was produced by my pal Josh Lynch and also Graziadei. It was mixed by Jay Baumgardner, and was mastered by Maor Applebaum at Maor Applebaum Mastering and released on New Damage Records.

Opening the album with a cocked gun (literally), “My M.O.” did not disappoint More of a hardcore track over rap/metal, I loved the brutal drumming and heavy guitar riffs. Sen Dog fits in perfectly with the rest of the gang and just goes berserk in the middle of the track with his unforgettable rap flow style.

“Resistance” followed with a slow start reminiscent of a funeral thanks to a slow bell being rung, but just exploded out of no where. Sen Dog shined on this track and pretty much proved he’s beyond a rap artist.

“Where I Stay” had this Fear Factory Remanufacture likeness with the electronics incorporated into the track. Sen Dog has no problem taking his style and mixing it into the song. This hard homage to LA threw me off with the “na na na” back vocals, but after a few listens it just worked. I loved the thrash breakdown half way through.

The punk rock me absolutely adored “Crushing That.” Yeah, it is mostly rap/rock, but think of what would happen if Public Enemy and Rise Against did a collaboration.

I found myself getting into “The Grind”, a full-on rager of a track. Reminding me of Biohazard in a good way with plenty of group screaming, Sen Dog just flowed perfectly throughout.

“Victim of Circumstance” was just insane. The band really killed it together on this one.

“Made It This Way” had Sen Dog singing / screaming more than rapping showing how diverse his talent is. This track was just bad ass.

“Finish The Game” was a positive, forcefully charged song about getting things done without giving up. I almost wondered if there was a hidden nod to Hatebreed on this track. Not complaining here at all.

Ending the album was the powerful “Start A War”. This track was all about swinging fists and not asking questions at all. I could not help of think of Chuck D and Anthrax on this one.

There really is no sleeper of a track on this album. It started strong and ended full-force. My only vice is that it clocked in at just over 30 minutes and I really wanted more.

I’ll say it – PowerFlo is what I expected Prophets of Rage to sound like. Where the former Rage guys still have yet to impress me completely, PowerFlo has straight up delivered a solid album to my ears that has been worthy of multiple listens.

Perhaps not nearly as brutal as the new Body Count was, this album is still heavy, poignant, and should not be sat on. I am really hoping these guys hit the road soon as I would love to see what they sound like live.

When you hear metal musicians from the 90s came together with a 90s hip-hop artist, it is easy to dismiss the whole idea but PowerFlo delivered an excellent release. I look forward to seeing this band succeed.

90's, Biography, Books, Folk, Indie, Music, New Release, Review, Rock

Book Review: Jason Molina: Riding with the Ghost – Erin Osmon

19 April, 2017 Brian Mc 2 Comments

For those who know the name Jason Molina, there is a certain unspoken agreement that his talents were plucked from his adoring fans far too soon.

As many know, he was a musical genius who succumbed to an addiction he could never overcome and in turn put down his guitar and great talent in order to hold on to a bottle.

I call myself a fan, but a Molina novice at best. I openly admit that I am one of those late fans who never got to see him play live and grew to appreciate his entire catalog after his passing. I can not say I have ever quite heard music like what Molina created.

I didn’t know the whole story of a man who got his start less than an hour from where I live. I knew he was with Secretly Canadian and knew how he passed, but I knew nothing in between.

It only seems fitting to have someone collect all the memories, both good and bad, and put them into a book for all inquiring minds like mine. This biography, to be released by Rowman & Littlefield on May 15th, was full of memories and folklore about a mysterious individual who took his music far past any boundaries ever set prior and in doing so did it his way.

Jason Molina: Riding with the Ghost, written by Erin Osmon, pretty much answered questions about Molnia’s life that some of me never wanted to know. From tales of his youth in a trailer park Lorain, OH to memories in recording studios and overseas, this family-authorized book really covered it all.

Family, friends, bandmates, and even tourmates all provided insight to the life of Molina. Where most of the book spoke on Molina’s journeys from Songs: Ohia to Magnolia Electric Company and even his solo work and impromptu sessions, the book also brought to light family tensions, failed relationships, depression, and of course the demise of greatness.

Molina’s college days and the years shortly after were probably my favorite recollections to read. Obviously, the toughest parts to read were about his separation from his wife and an attempt at recovery through bandmates and the very label he helped get their start.

It was interesting to learn how Molina formulated his albums in homes and studios alone and with others. I was also fascinated learning about his life outside of the music including living conditions and places of employment.

Reading how Molina got material released by Secretly Canadian seemed like something that would have happened in a comedy movie, but it was all true. He was the stepping stone of a label that may not have gotten their start had they never connected.

Molina’s humor style as told by others made me laugh more than once. His approach with his bands though seemed rather repressed at times, especially when he would up and leave without communicating properly to those involved.

The book obviously was not all fun and games. Reading about uncomfortable obsessions and how they were put to song made me realize the inventiveness Molina’s mysterious mind carried. The self-sabotaging of a musical career as told in detail, really opened my eyes and held my interest to the point I couldn’t put down the book. The marriage that never ended in divorce was painful to absorb but the love that remained was inspiring.

The last few chapters were very difficult for me to read as I lost an uncle to alcoholism earlier this year. The stories of the support Molina received by loved ones and all of the chances given to him that were eventually passed upon just reminded me of what addiction can do to someone. Reading about the deterioration of a proud man who kept too many secrets just hit too close to home for me.

Overall, the book carried a life-spanning account of a musician from his young days on Lake Erie to his final days secluded in a room slowly drowning his life away. The emotions were really felt through this book from those who were stunned at his approach to making music to finding out their friend was no more.

My only small distress with this book is at times it seemed the author had a synonym book handy that was used frequently. Perhaps it was I, the reader, who needs to dip deeper in to a more prolific writing style, but in the first chapter alone, Molina’s father was referenced as a “patriarch” and the term “spinning platters” was used over playing records.

Eventually I was able to get in tune with Osmon’s style, but there were times I just felt some of the vocabulary used was just too much and interfered with the story-telling. One thing Osmon did well was put all of the memories and stories together in a chronological order making it easy to set down the book and pick it up again without losing your spot.

The copy that I read was not the final copy but one provided to me early on my the publisher, so there is a chance things will be changed. I will tell you this, the chapters at times were long, but they were read through quickly as the memories were so well put together.

Fans of Molina will appreciate this book due to all of the content Osmon was able to hunt down over the span of three years. There were so many angles of Molina’s life put down in this book and I am sure it was not easy for Osmon to capture it all, yet she did it well.

As an added bonus to die-hard Molina fans, Secretly Canadian is releasing a limited-edition bundle of the book with a LP pressing of a 1994 Jason Molina WOBC radio session at Oberlin College. Where I failed to pre-order my copy in time before it sold out, I did get to listen to the performance and I can tell you it is beautiful and will haunt you, but not in a scary way. Molina even back in 1994 was so laid back and happy to be sharing his songs with others. Personally speaking, I think had I heard that session live back then on the radio, I would have been a changed man.

Jason Molina: Riding with the Ghost is available for pre-order through Rowman & Littlefield, Amazon, Barnes & Noble, Target, and other fine retailers.

00's, 70's, 80's, 90's, Country, Folk, Motown, Music, New Release, Pop, Punk, Review, Rock, Soul

Album Review: Me First and the Gimme Gimmes – Rake It In: The Greatestest Hits

28 March, 2017 Brian Mc Leave a comment

A few weeks back, I found a photo of myself from when I was working in shipping and receiving at some internet company.

I was about 21 years old at the time and looked ever so thrilled in the picture. The photo showed me working hard while I rocked a backwards hat as well as a Me First and the Gimme Gimmes shirt, a shirt that I basically wore in the late 90s until it fell apart. That was almost 20 years ago.

Where am I going with this you ask?

Well, clearly I was a fan back then, and I still am today. Ever since I heard the Gimmes play “Country Roads” on a Fat Wreck comp, I fell in love. There was just something so appealing about hearing a song my parents listened to in the 70s altered to my standards.

For those of you who live under a rock, Me First and the Gimme Gimmes consist of Joey Cape, Chris Shiflett, Dave Raun, some guy who calls himself Fat Mike, and good ol’ Spike Slawson. They have been taking overplayed and classic tunes and covering them the only way they know how to. The result is catchy, likable, and just downright fun. i should probably add that they have been doing this since 1995.

Over the years, they have tackled adult contemporary, Motown, show tunes, country, and even Japanese pop songs just to name off a few genres. I guess you could say they are not the gimmicky type. Hell, they have 7 studio albums under their belts released on Fat Wreck Chords. Clearly they are pretty damn important in the punk cover band scene.

To showcase their accomplishments (and squeeze you out of your hard earned cheddar), they are about to drop a greatest hits album on April 7th full of renditions of songs cleverly titled Rake It In: The Greatestest Hits.

Featuring 17 memorable covers, the Gimmes threw together the best of the best for all to hear in one collective listen. I am sure it was tough for the Gimmes to pick the right songs for this “greatestest” hits album, but I think they did a pretty good job.

Starting with Bob Dylan’s “The Times They Are A-Changin'”, the album spans the Gimme’s eclectic taste in covers. It was great to hear “Straight Up” and “Jolene” and of course “I Believe I Can Fly”.

I’d be lying if I said I wasn’t stoked to hear “Desperado” as well as “End of the Road”. I adore the Gimme’s take on these two originally over-played-as-hell songs.

As an added bonus, a few non-album tracks that I have not heard in a long time appeared. “City of New Orleans” off of Willie, a Fat Mail Order limited edition EP, was an excellent surprise to hear. The Del Shannon classic “Hats Off to Larry”, originally on the Live Fat, Die Young: Fat Music Vol. V, was the other.

The one track missing that I felt should have been on this greatest hits was the Gimme’s version of “Rocket Man” by Sir Elton John. Luckily, I have Have A Ball in my collection and can listen to it whenever I please, but for those out there that are just discovering this punk rock cover band, that is one song I know they would enjoy.

To be honest, I was really hoping for the band to have a new album full of covers, but I will take this “greatestest” hits release over nothing. I hope one day they decide to cover 90s hip hop songs in the key of punk rock, I seriously think that would be amazing and I know they could pull it off.

What I’m trying to say is simple: Long live the Gimmes. They are the best cover band of my time.

In support of this release, Me First are touring and have been since February. I can not even tell you the last time I have seen these guys tour, so make sure you go see them live. It is going to be an all out blast. Give them your money. All of it. Being in a cover band can’t pay that much, can it?

Tour Dates:

04/11/17 Pittsburgh, PA at The Rex *
04/12/17 Cleveland, OH at House of Blues *
04/13/17 Chicago, IL at Concord *
04/14/17 Detroit, MI at Majestic *
04/15/17 Toronto, ON Canada at Phoenix Theatre *
04/16/17 Montreal, QC Canada at Club Soda *
04/19/17 Boston, MA at Royale *
04/20/17 Philadelphia, PA at Union Transfer *
04/21/17 Baltimore, MD at Baltimore Soundstage *
04/22/17 Asbury Park, NJ at Stone Pony *
04/23/17 New York City, NY at Webster Hall *
05/02/17 Portland, OR at Wonder Ballroom ^
05/03/17 Vancouver, BC Canada at Commodore ^
05/04/17 Seattle, WA at Showbox ^
05/05/17 Boise, ID at The Olympic ^
05/06/17 Salt Lake City, UT at The Depot ^
05/07/17 Denver, CO at Summit Music Hall ^
05/10/17 Scottsdale, AZ at Pub Rock ^
05/11/17 San Diego, CA at House of Blues ^
05/12/17 Santa Ana, CA at The Observatory ^
05/13/17 Los Angeles, CA at The Fonda ^
05/14/17 Berkeley, CA at The UC Theatre ^
05/27/17 Las Vegas, NV at Punk Rock Bowling
06/09/17 Interlaken, Switzerland at Greenfield Festival
06/11/17 Milano, Italy at Carroponte w/ Descendents *
06/14/17 Attnang-Puchheim, Austria at EQUALITY Festival
06/15/17 Nickelsdorf , Austria at Nova Rock Festival
06/16/17 Bischofsmais, Germany at Rock The Hill
06/17/17 Bischofsmais, Germany at Rock The Hill
06/23/17 Neuhausen ob Eck, Germany at Southside Festival
06/23/17 Scheessel, Germany at Hurricane Festival
06/24/17 Neuhausen ob Eck, Germany at Southside Festival
06/24/17 Scheessel, Germany at Hurricane Festival
06/25/17 Scheessel, Germany at Hurricane Festival
06/25/17 Neuhausen ob Eck, Germany at Southside Festival
07/01/17 Würzburg/Giebelstadt , Germany at Flugplatz Mission Ready Festival

* = w/ PEARS & MASKED INTRUDER
^ = w/ Together Pangea

90's, Live Shows, Music, New Release, Punk, Review, Rock

Album Review: Mike Watt – “Ring Spiel” Tour ’95

20 November, 2016 Brian Mc 1 Comment

It seems like 1995 was forever ago. I was fresh out of high school and naive to the world. There were no smart phones with cameras on them, no Facebook statuses, and people actually talked to one another in the same room. Times were different that’s for sure, and the music scene back then was amazing.

When I heard that Legacy Recordings and Mike Watt decided to release a live show from 1995, I told myself that I just had to check it out. Having been a young fan of Watt in Minutemen and fIREHOSE in the 90s, I became a bigger fan of him in ’95 when he released Ball-hog or Tugboat?, his debut solo album full of special guests including J. Mascis, Adam Horovitz, Dave Grohl, and Henry Rollins just to name a few. Hell, I still have the double LP promo that Mike from Disc Den gave me when he heard how much I loved the album.

In support of that new release, Watt hit the road with Hovercraft and the barely known then Foo Fighters (lead by Grohl who apparently was touring for the first time since Kurt Cobain’s death). He formed quite the impressive backing band for this tour to accompany him consisting of Eddie Vedder (Pearl Jam), Dave Grohl (Nirvana / Foo Fighters), Pat Smear (the Germs), and William Goldsmith (Sunny Day Real Estate / Foo Fighters). This was a once in a lifetime tour and can finally be heard on “ring spiel” tour ’95.

[Side note: I actually caught Watt live in the summer of ’95 when he opened up for Primus at Nautica in Cleveland. I do not recall him having any of the heavy-hitting musicians as his backup band there, but I still have a scar on my left thumb due to someone’s Dr. Martins making contact to a barrier with my thumb in the way. Concert war wounds are the best.]

Recorded live at The Metro in Chicago on May 6th, 1995, Watt’s live show was beyond amazing to listen to and brought me back 20 years to my youth. One could only imagine being at the Metro in person seeing the energy that came from Watt and his special crew taking turns playing behind the legendary bassist.

Having never heard about this live show before, it was insane to hear Watt start the set off with a Daniel Johnston cover of “Walking The Cow”. As someone who has found appreciation in Johnson material over the last 10 years, I know I probably would have been clueless about this track had I seen it played in front of me at this show.

It only made sense for Watt to play his rendition of Chip and Tony Kinman’s (Rank & File) “Big Train” seeing how it was the first single off of Ball-Hog. At first, the crowd really did not seem into it, but that soon changed.

“Against the 70s” was a straight up jam with Watt and Vedder singing hard. Perhaps more toned down on Vedder’s part over the studio version, I actually liked this live version better.

“Drove Up from Pedro” deserves to be heard especially if you were too young too have seen a show in the 90s. This track alone brought back so many memories and it was all in thanks to the crowd. They absorbed the sounds when needed, and then just belted out their approval.

After playing fIREHOSE’s “Makin’ the Freeway”, Watt took a moment to ask the crown to chill out on the crowdsurfing by saying: “You like those people rolling all over your heads? Why don’t we give it a break.” Classic.

“Forever…One Reporter’s Opinion” had Pat Smear offering vocals alongside Watt. The song was just nuts and you could feel the venue explode at the end.

The cover of Blue Oyster Cult’s “The Red and The Black” was one of the best songs I heard on this set. I loved his take on the song , especially the ending.

Another excellent cover was of a Madonna song, “Secret Garden”. The best part was that just hearing Smear sing. Was this a joke? I think only the performers will know. Regardless of their intentions, it was a fun listen.

fIREHOSE’s “Powerful Hankerin'” ended the show with just Watt on stage doing what he does best. The solo playing was perfect for closing out an amazing show. The crowd approved and so did this listener the moment after a humbled Watt said thank you and left the stage.

If you were a kid of the 90s who hit up all the cool underground shows, this album really deserves to be in your collection. If you are someone who just likes to listen to live rock and roll, it doesn’t get any better than this. I just with there was a full video to accompany this performance.

At least there is this:

As I was trying to search for more info on Watt’s ’95 tour, I found an online journal called “Clam Blow” Tour. There was a pretty cool read from Watt and band mates in Cleveland. They talked about playing Repeat The Beat Records in Brooklyn, OH. How I missed that back then, I will never know. Apparently CBS was even there covering the performance. Read the entries from 7/28 and 7/29.

“ring spiel” tour ‘ 95 is available online on CD and LP as well as at your favorite local music shop. It’s also on digital music streaming sites like Apple and Spotify.

00's, 90's, Music, New Release, Punk, Review, Rock

Album Review: Blink 182 – California

14 July, 2016 Brian Mc Leave a comment

It’s pretty crazy to me that Blink 182 still exists. Don’t get me wrong, I have been a fan since the 90s when they were just some unknown pop-punkers. After all they have been through, all of the fame, all of the drama, and most of all the departure of one Tom DeLonge, wouldn’t you think the band would just call it quits for good already?

Perhaps in a fit of spite, Mark Hoppus and Travis Barker continued on and invited Alkaline Trio‘s Matt Skiba to take on vocal/guitar duties for a reunion show of sorts. I remember thinking “how bad ass would that be if Skiba just joined them and they put out a new album?” I know I was not the only one who thought that either.

Shortly after, it was confirmed Skiba had joined Blink and they were recording a new album. Now here I am about to throw some words and whatnot into a review for it. Perhaps a little delayed, but here it is.

Time for a story about me. Feel free to skip over…

The lyrics “nobody likes you when you’re 23” will always have special meaning in my mind for the rest of my life. Any Blink fan knows what song those lyrics come from. The year that song came out, an immature me swore the song was about my own experiences in a sense as I worked hard to get through a tough year thanks to an ex-psycho girlfriend and my own bad decision-making.

What I am trying to get at is simple, I was a Blink fan back then. “Dammit” was one of my go to songs, I loved Dude Ranch and Cheshire Cat. I remember even seeing Blink live at Blossom with Bad Religion opening for the Enema of the State tour. That was the show Barker missed as he broke his hand punching some a-hole at the Taco Bell my cousin was working at in Akron. Good times.

A few years later thanks to an old friend, I scored a front row ticket to see them again at Blossom with No Doubt. Both shows were amazing.

As the years passed, more Blink albums came out, Angels & Airwaves, Boxcar Racer, Transplants, and other side projects emerged, and Blink slowly moved out of my continual rotation of daily tunes. It happens folks, you know exactly what I am talking about. I got bored with them.

A certain Blink flame was re-ignited inside of me the day I heard Skiba was going to be on their new album. I remember hearing the first single off the new album, I was stoked. I still am stoked. So pardon my fandom and honestly on this post, these are my favorite reviews to do, the ones that I am legit excited to write on.

California is Blink 182’s seventh full-length release. Currently consisting of Hoppus, Barker, and the recent addition of Skiba (Alkaline Trio), who replaced Tom DeLonge. Blink 182 has been around since the early 90s and moved from a silly pop-punk band on underground labels, to a heavy-hitting act selling out stages all over the world.

When I listened to California the first time, my initial thought was that there was a lot of filler songs on the album. Long gone are the days of bands putting out albums with 16 tracks. After listening to the album over and over, that thought went away.

Opening track “Cynical” reminded me of past Blink material, at least the start did. Barker’s over the top drumming helped speed up the song and Skiba’s introductory backup singing proved this was not going to be the same Blink at all and not in a bad way.

“Bored To Death” has already taken over the radio stations. The beginning had an “Adam’s Song” similarity to it, but not enough to discourage. When the band jumps in together at the chorus, it pretty much blew me away. I know in time I am going to get sick of this song in time as it will be played over and over, but until that happens, I am going to enjoy the hell out of it. The video for the song cracked me up too, but only because I have reached old man status and remember feeling invincible once.

“She’s Out of Her Mind” will probably take responsibility for the younger generation to have a sudden interest in Bauhaus. Aside from that, this catchy song really planted a positive reminder that you should be yourself and not care about what others think.

“Los Angeles” was more of a rock masterpiece than a pop-punk track. I would not be shocked if this track alone brings in new fans of all ages. Hoppus and Skiba trading vocals and howls throughout was just perfect.

A more realistic “Sober” sang a story about substance-abused-rough-times in relationships and carried a level of honesty throughout. It was easy to compare my own bad decisions from my past in this track and also recall the apologetic resolutions. This song grew on me the more and more I listened to it. I loved the lyric “I’m a dandelion, you’re a four-leafed clover.”

The quick “Built This Pool” was about as crass as the band got on this album. Seeing how raw they used to be, I am glad they have not completely thrown away their comical ideals. Personally speaking, I really was hoping for a lot more of their humor throughout.

Skiba just killed it on “No Future”. This track was the song that had me smiling ear to ear knowing that Skiba was the perfect fit for the redesigned Blink. Hoppus and Skiba compliment the hell out of one another on this track. This dreary track which seemingly sounded like a humble departure, was one of the more catchier ones on the entire album for me.

“Kings of the Weekend” was one of the tracks I felt was more of a filler track at first, but the more I listened to it, the more I enjoyed it. This is everything a Blink fan could want in a Blink song. Not to mention the different singing styles keep things interesting.

I feel like I can say there is a lot I can say about”San Diego” as it really reminded me of the good times, but I won’t. I will just say it has grown on me a lot and I know the younger generation is going to eat this song up.

“Brohemian Rhapsody” was lame until I saw this:

Then it was hilarious…

All in all, California is an exceptional release. I can admit that I have not been a fan of Blink’s last few releases, but this one hits all the high marks in my mind. Initially I told myself and others that I only liked about 70% of the album, but the more and more I listen to it, the more I am digging it.

Perhaps my liking of California is because Skiba is on board now and I’ve been a AK3 fan for as long as I can remember, but I wish nothing but the best for Blink 182 and love seeing them at the top of the music world again. I seriously hope they continue and can not wait to see what they come up with next.