Category Archives: 90’s

90's, Music, New Release, Pop, Punk, Review, Rock

Album Review: Useless ID – Symptoms

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As many of you know, good, wholesome punk rock is not just an American thing.  Middle Eastern punk rockers Useless ID can prove that and have been for almost 18 years.  The foursome, who hail from Haifa, Israel, signed with Fat Wreck Chords last year and recently released Symptoms.

So what took Fat Wreck Chords so long for them to suck them in?  Well, perhaps because the band never seems to sit still and is too busy playing shows all over the world and befriending anyone in their path.  Regardless, Fat Wreck Chords has them now and I seriously doubt they will be letting go anytime soon.

Symptoms was recorded with the legendary Bill Stevenson and Jason Livermore (Rise Against, NOFX) at The Blasting Room Studios once the band was able to come back to the states from their current hometown of Tel Aviv.  The result of months of hard work is a pop punk gem that Fat Wreck Chords should be beyond proud of.  (I’m talking “dad, I just won my first fistfight in grade school” proud.)

“Live or Die” started the 12-track album off full of pop punk goodness.  I was set back at how great this song started off the album.  The lyrics were catchy, the music was solid and I wanted more.  Good thing I was only on the first track.  Lucky for me “Before It Kills” followed with the same amount of substance I was already craving.  Hell, the second track was better than the first.

“I’m just suffering with you” repeats throughout “Normal With You”, a very singable track.  “Erratic” hints heavily towards something Lagwagon might have meant to do years ago.  I loved the lyrics on this track a lot and found myself singing “Down over the low, there’s always something on my nerves that gets me so erratic” almost instantaneously.  Add in a great breakdown halfway though, and you have yourself a must hear song on the album.

“Mani Depression” sounded to me like what would happen if the Descendants and Cobra Skulls would have joined forces.  This was another killer track on the album and I think anyone who thinks that 90s punk rock is the best should take a listen to this track.  I felt 18 all over again listening to it and favored this track over all of the others without a doubt.  “Sleeping With Knives” was another track I just dug a whole lot.  It was just one of those songs that once I listened to it for the first time, it felt like I had heard it a million times before.

If  “Symptoms” was the post-breakup song, then “Obsessive Compulsive Disorder” without a doubt was the “I’m so over you” realization.  “Your obsessive compulsive disorder creeps me out, I don’t want it” loops throughout the track that hints at anything more than to go away.  “Somewhere”, on the other hand, ended the album with almost a feared reconciliation.

If i had to describe what Useless ID sounded like to someone, I would tell them to take the pop punk from the Ataris, vocals of Milo and mix them up with loads of Cali 90s punk rock riffs.  Symptoms has been in the CD player of my car for weeks now.   I have listened to it over and over form start to finish and each time it ends I just tell myself that I need another listen.

It’s early on in 2012 and Symptoms already has a place on my best of list.  This was a shocker of a release for me.  I have a split by them as well as The Lost Broken Bones, but there is just something about this album that has turned them from a punk band I like, to one I adore.  This is about the time when I tell everyone that I will be digging into their catalog.  That is a given.  If you like 90s punk rock you need to check out Useless ID’s latest release.

00's, 70's, 80's, 90's, Alt Rock, Austin, Babble Blog, Fun Fun Fun Fest, Good Times, Grindcore, Hardcore, Hip Hop, Indie, Live Shows, Metal, Music, Personal Entry, Pop, Pop Rock, Post-Hardcore, Punk, Road Trip, Rock, The Awesome

Dearest Danzig…Fun Fun Fun Fest 2011 Still Ruled.

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I am sure many of you caught my last post about good ol’ Danzig’s awesome show I caught at Fun Fun Fun Fest this past weekend.  Love it or hate it, Danzig’s set on Friday night had the potential to ruin my weekend.

I knew the plug was going to get pulled the moment he announced to the crowd that they were told they could only play 5 more minutes.  That’s why I grabbed my camera and took that terrible video.  I wanted to capture the moment shit hit the fan, and I did.  I just discovered the Spin.com has used the video in one of their posts.

Prior to that announcement, I was finally starting to get into the set, granted the band just played “Vampira”.  I will not lie, they could have sounded way better.  I am sure there was a multitude of factors that resulted in what I heard.  It was windy as hell out and the equipment was heavily used all day , but there is no doubt in my mind that the band’s techs were not satisfied with their sound check.  Not only did the asshats do an impromptu sound check while the Murder City Devils were still playing (dicks), but they also had that extra 45 minutes before Danzig went on stage.

One of the whole reasons I went to Fun Fun Fun Fest this year was to check out the Danzig Legacy.  I was so hoping to hear “Hybrid Moments” and maybe even “Hollywood Babylon”, but we all know that was not the case.  Instead I heard heard Danzig, including 2 mediocre songs, some not so good sounding Samhain, and you know what happened after…

Plug pulled + Temper tantrum on stage = Me leaving and getting awesome vegan pad thai in downtown Austin.

Danzig make $100k that night and never finished his set.  The fans were all disappointed, and I was too.  Face it, we were all standing in front of the Black Stage to hear Misfits songs and nothing else.  With the time limit, one would think that Danzig could scrap one part of his set and focus on what people really wanted.  I felt worse for Doyle who probably just caked all that make-up on his face before coming out on stage.

Don’t worry, I did not want to tear off my Misfits tattoos and stomp on it after what I saw.  Hell, I am still a fan and always will be.  I was just pissed that Danzig was acting like a diva but also knew that I had 2 more days of Fun Fun to look forward to.  Perhaps the Misfits, the REAL Misfits, were never meant to be resurrected.  I do not care what Danzig has done for the music world, all I know is what I saw was unprofessional and beyond rockstar.  He was given fair warning of the time limit, did not want to even play, and then pulled his shit.  You know what?  I’m done talking about it.  Maybe if the Danzig calamity happened Sunday night I would have a different “Attitude” about the weekend but it was only night one.

I was already in a great mood after seeing Murder City Devils and Russian Circles take the stage Friday night.  Saturday I got to see Hot Snakes and The Damned (both were mind-blowing).  Sunday I saw Eyehategod, Kid Dynamite, Cannibal Corpse, HUM ( amazing) and eff’n Slayer. I also throughout the weekend saw Major Lazer, Diplo, Childish Gambino, Big Freeda, Spoon and Del The Funky Homosapien.

There was one quick performance though that just made me happy to be a part of the entire weekend.  While my friends and I were walking across Auditorium Shores to check out a veggie hot dog eating contest we noticed that there was a band covering Misfits songs on one of the main stages.  We all stopped dead in our tracks and literally ran to see what the hell was going on.  We caught the end of Ted Leo and the Pharmacists’s set where Leo and friends were performing their Misfits cover band TV Casualty.  It was awesome, it was funny, and it sounded awesome.  The four songs that Leo and crew played made up for the bullshit Danzig stirred up Friday night.

I’ve been to a whole bunch of festivals in my time.  This years Fun Fun Fun Fest was the best one I have ever been to and I was only at maybe 1-1/2 of it.  I missed all of the early shows due to other things going on in Austin like eaten grub or getting a sweet tattoo (stay tuned for that).  I was ok with missing a couple of the acts as the main ones were in the evening.  I got to see MCD, Hot Snakes, and HUM all in a weekend.  How cool is that?

This is not a review.  This is me declaring how much fun I had last weekend.  Great music with the greatest of friends, old and new.  Throw in the sweet motor-boating I did on a healthy rack right before Slayer and, my friends, I may have had one of the best weekends ever, in fact, I know I did.  Thanks Austin.  Thanks Fun Fun Fun Fest.  I wish it was last weekend all over again.

90's, Cleveland, Good Times, Grunge, Live Shows, Music, Rock, The Awesome

The Joy Formidable To Play Free Show Wednesday At The Rock Hall

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Designed by the ever cool Aaron Seachrist @ okpants.com

In case you hadn’t heard, UK’s The Joy Formidable are going to be playing a show this Wednesday at the Rock Hall around 7pm.

Did I mention the show is FREE?  Well, you will need to cart your booty down to Cleveland one way or another, but you get the idea.

As part of the awesome Summer In The City Concert Series, The Joy Formidable and Cleveland’s very own HotChaCha will play in front of the Rock and Roll Hall of Fame Museum to everyone who shows up.  This series is a great way to check out new bands and just enjoy an evening in Cleveland for no charge.  I missed the first two already this summer, but will be sure to make it to this one.

I have the feeling this is going to be one of those shows that should not be missed.  I envision an all around good time already.  I know some of my pals from 92.3 Radio will be there as well as other good folk.

If you have not heard any material by the three-piece, 90s rock comparable sounding, female-fronted band yet, check out some videos below.  They’ve been around since 2008 and really have a sweet sound to them.  Rolling Stone recently nominated them as a band to watch.  Not to mention the lead female vocalist is a total fox…


(I did not know Roseanne had a cameo in this video)

90's, Acoustic, Cleveland, Music, New Release, Punk, Review

Album Review: Alkaline Trio – Damnesia

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Punk rockers Alkaline Trio (AK3) recently dropped a mostly-acoustic, sort-of-best-of-album entitled Damnesia on their very own label Heart&Skull.  The album, that was also released on Epitaph Records, contains seletions from previous releases from the band’s career  as well as two brand new songs.  If you recall, AK3 already took a stab at releasing some acoustic tracks as seen on last year’s deluxe version of This Addiction.  This time though, the band had a reason to dig into their catalog.

Marking their 15 year anniversary, the band saw it best to celebrate their success by putting together an album for the fans.  The result is a nice twist at classic songs with some of the re-recorded acoustic / semi-unplugged versions sounding better than the original cuts.

“Calling All Skeletons” started off the 15-track album, sounded well, but just was not overly impressive.  “Nose Over Tail”, originally found as a b-side from the “Sundials” single, on the other hand was awesome.  I loved that they re-recorded such a great track and it sounded better to me than the original thanks to  Skiba’s vocals sounding  so personal and heartfelt.

The pianos throughout  “This Could Be Love” was a nice touch.  A bit gloomier this round, the track was a tad slowed down which was fine by this listener.  “Calvicle” kept things moving with a speedy acoustic jam.  “Mercy Me” almost sounded rejuvenated with its rebirth into the un-plugged world.

“The American Scream” started with a duo of Skiba and piano playing.  I have to admit I enjoyed this version a lot.  I loved when the rest of the band kicked in and started playing / singing along.  “We’ve Had Enough” continued impressing me.  There was just something about this version that made me tap my foot a little harder to the ground while listening to.

One of the two new tracks, “Olde English 800” was an awesome tribute to a iconic malt beverage.  The sing-a-long had me craving for a 40oz. or two by the time it was over.  Comedic?  Perhaps…  Sincere?  Absolutely.  Am I going to have a hangover tomorrow?  That is has not been determined yet.  All in all, great love song for a top-notch beverage.

AK3 covering The Violent Femmes was not overly impressive to me, but it was nice see them choose “I Held Her In My Arms” over other overly-covered Femmes songs.  It was not terrible to listen to at all, it was just not something I was really looking to listen to although I appreciated the light twang feel to it.  Then again I never was the biggest Femmes fan.

“I Remember A Rooftop” was the other new track on Damnesia and was a lot more serious than the O.E. 800 song.  Andriano took over singing duties this round on the acoustic guitar only track. With lyrics like “I took my lousy shot at public recognition” the lyrics clearly were a little darker, something this beloved band has never been afraid to dish out. 

The very Dexter Morgan describing “Private Eye” was another nice surprise to find on this album.  A great version of “Radio” closed out the album.  Once again, the singing sounded just a little more personal and meaningful on this track.  I really enjoyed it a lot. 

A lot of times when I hear that bands are going to take songs and re-record them in an acoustic manner I am usually not overly excited about it, sans Unwritten Law’s Music In High Places.  AK3 nailed it though with Damnesia.  The album takes a nice detour from the punk rock path and brings you to just a nice chill (chilling?) listen many punk rock and non-punk rock fans will enjoy. 

Does recording an acoustic album mean the band has slowed down (not trying to knock anyone)?  Well, perhaps in some cases for some bands, but I doubt AK3 has any means to take it down a notch anytime soon.  This was a nice novel idea for the fans from the band that has been kicking it for a decade and a half.  Look for AK3 to be touring this summer in support of the new release as well as means to continue to celebrate their 15 years as a punk rock act. 

Andriano had this to say about the tour:

“We’re looking forward to our 15th anniversary tour this summer. We’re going to really try to put together a set that encompasses everything the band has done over the past 15 years and plan to play some songs that rarely find their way in to the set list. We will also play some songs in an unplugged style similar to what we’ve recently recorded on Damnesia. It’s going to be a lot of fun.”

AK3 will be playing at the House Of Blues in Cleveland on Aug. 8th.  The Smoking Popes (stoked about this act!!!) and River City Extension will provide as openers.  This is going to be a kick ass show.

90's, Music, New Release, Punk, Review, Rock

Album Review: Fact To Face – Laugh Now, Laugh Later

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I am seriously in an old school punk rock overload as of late these days and could not be happier. It seems as if all these bands I used to adore as a kid are coming out of the woodwork and are releasing albums as well as touring in support of them.  In the last week alone I have seen live performances by some amazing bands from the 80s and 90s including Bad Religion and Strung Out. There is one band though that I was most excited for, a band that I was more or less obsessed with in my high school years.

Seeing Face To Face live completely blew me away.  I saw them last summer at the Warped Tour and they sounded great, but their set was so short it was almost depressing.  For more on the show check out the review I posted last week.

Let’s talk about Face To Face…

Trever Keith and company may have stated that Face To Face was done back in 2004 due to indifferences, but just four years later the band decided to regroup but had no plans on releasing new material.  Featuring Keith (the only original member), Chad Yaro, Scott Schiflett, and Danny Thompson, the California punk rock act is back in the scene.  Not only have they been hitting the roads, but they have also decided to drop an all new album titled Laugh Now, Laugh Later on Antagonist Records. This is the band’s first album release in almost eight years.

“Should Anything Go Wrong” opened the album off strong and almost sounded as if the band never took a break.  With a catchy chorus and fierce guitar playing, the song reminded me why I have loved this band for so long.  “It’s All About You” follow and was a little less intense, but Keith’s lyrics just made the song as well as the fun guitars throughout, especially midway through.  Just two songs in on the album and I was already impressed.

“The Invisible Hand” was an instant classic to my ears.  With lyrics of trying to grasp on to what you can not have, the track immediately was lodged in my mind.  Although I liked the bass lines in “Bombs Away”, I felt the song was a little too Ignorance Is Bliss for me and I just could not get into it.  “Blood In The Water” was a good track though and begged for another listen as was “What You Came For”.  “I Don’t Mind And You Don’t Matter” really could have been left off the album as it just did not fit in with the rest.

“Stopgap” was a nice harsh track with Keith repeating  “you got something you want to say to me / so what’s your story better get it straight / don’t waste my time with your apologies” throughout carried by some great guitar work and drumming.  In a more positive feel, “All For Nothing” was a decent love song that had a couple Social D-sounding notes thrown about.

“Pushover” tried hard to hang on to the old school Face To Face sound.  While the track sounded great, I felt the bass riffs could have been faster and heavier.  They seemed to hide behind a lot of the track on the album, especially this one.  The track was also incredibly short and just dropped off leaving “Under The Wreckage” to close things up on the album.

I interviewed Keith a few years back and remember him saying that they missed playing shows and he had no intentions on recording new material.  It did not sound like he was that excited to create a new album as much as he was with playing older material, but I am pretty sure the tables have turned.  Laugh Now, Laugh Later may not be the best thing I have heard come from Face To Face, but there are a couple gems in there.  I am just more thrilled the band is back and doing their thing.

As previously mentioned, I saw them live about a week ago and they killed it on stage.  Throughout their set their played three of the new tracks and, to me, they fit in just fine with all of the classics they created years ago.  The one thing though that impressed me the most though was how happy Keith and crew were on stage.  They were having a good time doing what they love best and as a fan, I could not ask for anything more.