Concert Review: Elliott Brood / The Pack AD / Leah Lou & The 2 Left Shoes – Beachland Tavern – Cleveland, OH – 03/09/2012

I completely forgot that Toronto’s Elliott Brood was coming to town last week and if it wasn’t for a a good friend of mine, I would have surely missed out on an awesome show.  Luckily for me, my pal Kyle was quick to remind me last Friday, hours before the show, that Elliott Brood was playing the Beachland Tavern.  (Thanks Kyle, you are always looking out for me…)

It was a last minute decision to hit up the show, and I can not tell how how glad that I was able to.  The Ontario country / rock act was just about to finish up a stretch of their tour last week in support of their new release Days Into Years, and made sure that Cleveland was one of their destinations.  Touring with their pals The Pack AD, the band turned what could have been a boring Friday evening into something much more entertaining.

Locals Leah Lou & The 2 Left Shoes opened the night with their cute yet harsh indie pop sounds.  At times, I thought that Ms. Leah Lou was going to smash her acoustic guitar into the ground as it would not tune right for her causing the duo to skip over more than one song from their set.  Instead, she hid away her frustrations and used the free time to get to know the crowd as well as introduce her family to them.  When she was able to play some of her songs, the crowd was just eating it up.  I did notice while Leah Lou played her set that Casey Laforet from Elliott Brood was checking her out and was loving what he heard.  How couldn’t he though?  I love this local act.  Lea Lou reminds me of Regina Spektor mixed with Joanna Newsome, but far sassier.  If you have not seen this local act live yet, you really should.

Up next was Vancouver’s The Pack AD and I will admit, I did not know what to expect from this female duo at all.  The young looking lead signer had a punk rock look to her while the drummer appeared to have been well versed in the days of rock n roll.  I was expecting more of a Runaways / Joan Jett sound but was blown away by what I heard.  Their sound was more or less the White Stripes mixed up with some Black Keys with a span of singing stiles that sometimes reminded me of Justin Hawkins (not the high pitched crap) making for some great tunes.  Guitar, drums, and singing was all these ladies delivered and it was awesome.  I loved “Haunt You” as well as when Becky Black just tore up her guitar during “Lights” and also during “Deer” (at least that is what I think the song title was).  A couple gents from Fort Worth, Indiana, actually traveled 3 hours to see these ladies rock out.  At first I questioned why they would do such a thing, but by the set’s end, I fully understood.  I’m shocked that The Pack AD has not already grabbed some major attention already.  I will be checking these girls out more in the near future.

I’ve missed Elliot Brood in the past when they played Cleveland, so I made sure I found a close standing spot to watch the band.  I actually wound up leaning against the small wall by the stage.  As the band played, I could not help but stare at Laforet’s feet as he played what looked like a drum machine hooked up to some organ pedals while playing guitar.  It was a very makeshift instrument, but it was perfect.  He barely even glanced at his feet while playing songs.  It was kind of impressive.

Throughout their set, Marc Sasso joked with the crowd.  At one time he even paid tribute to the SS&W Boardwalk Bar just down on Waterloo and mentioned how he liked to grab drinks there before shows in the past.  He then went on to inform everyone that is where his parents met and eventually conceived him.  Laforet added that he was conceived on the pool table in the corner pocket.  All jokes aside, the band did let the crowd know that they appreciated everyone for coming out.

The band played a lot of tracks off their recent release Days Into Years including “Lindsey” and “If I Get Old”, but was also quick to jam out to some older tunes like “Oh, Alberta” and  my favorite,”Write It All Down For You” (can I tell you all how much better that song sounds when they play it to you in a tavern?).  It was the highlight of my evening.  I would have liked to have seen Stephen Pitkin beat on a suitcase over a drum set like I heard he used to years ago, but I guess you can’t have everything.  Speaking of percussion, Pitkin actually passed out pie tins and wooden spoons towards the end of the set so that the crowd could help Elliott Brood play songs.

Elliot Brood finished up their set and exited the stage.  They had more important things to do, like hang out with the crowd.  It was a great show to start off my weekend and I am sure that all who were there would agree on that.

Harvey Pekar (the band, not the legend)

I love Cleveland and its half-cousin-of a-city Akron.  There are a ton of reasons that have kept me here for so long.  One of them is the good people who I have surrounded myself in.  I know some of the best people in this area and feel privlidged.  The other reason I dg Northeast Ohio so music is because of the music scene.

What?  Cleveland and Akron have a music scene?  You bet your damn ass they do.  Lately it has been picking up too.

Sure, it might be a week or two between a solid show, but the local bands in Cleveland and Akron are good, scratch that, they are amazing.  Well, at least to me and that is all that should matter.  Some of my favorite releases last year were local bands.

Case and point: Harvey Pekar (the band, not the legend)

I love this Cleveland hardcore band so much that I am going to pimp them out to anyone who happened to accidentally read this.  Last December this band opened up for my pals Worship This! and killed it.  I was an instant fan.  With no material released at the time of the show, I was almost bummed all I was able to do was hear them one time.  Luckily a few weeks later they uploaded their EP to Bandcamp.

Harvey Pekar mixes up punk rock and hardcore with intelligence if that makes any sense.  The lyrics are the kind that make me want to research and the music makes me want to go nuts.  Some people might think the breakdowns are a tad excessive on a couple of tracks, but honestly, I think it works.  I dig their Thirty Ghosts EP a whole lot, especially “Confronting Flag” and “Begotten of Ian Fleming” (I do like me some James Bond you know…).  I look forward to seeing this band play out more and more in 2012 and drop a full-length.

Check them out if you want.  Keep it local folks.

Repo Man Soundtrack Tribute In The Works!

I’ll admit, I am not one for tribute albums and never really have been.  There are a couple of exceptions out there (Bad Religion’s tribute from SPIN Magazine is one of them), but overall I just turn my head away usually when I hear the term “tribute album”.

Today was one of those days I changed my mind about a certain tribute.  Earlier today, I heard about a tribute album and rather than ignore it, I got excited.  I got really excited.

American Laundromat Records announced today that they would be releasing a tribute for the soundtrack to the 1980s cult classic Repo Man. Having a tribute featuring modern day bands cover classic late 70s / early 80s punk rock tracks from one of my favorite soundtracks to date has the potential to be seriously awesome.

Maybe it is because I adore the movie so much that I like this idea, or perhaps the fact that Those Darlins are covering the title track for Repo Man originally performed by Iggy Pop.  Come to think, it could even be because Polar Bear Club is covering Black Flag’s “TV Party”.

Regardless, this is one of those “exceptions” I spoke of earlier in regards to tribute albums, and I have already put in my pre-order for the CD that drops September 18th.

Why did I pre-order so early? Check this out (taken from ALR’s website):

All pre-order customers receive a 6-panel CD eco-wallet featuring original artwork by revered rock poster designer Lonny Unitus (Melvins, Decemberists, Willie Nelson), bonus promo pin, album preview prior to release date and, while supplies last, an official Little Trees’ royal pine tree-shaped air freshener which were featured in the film — “you find one in every car… you’ll see” (Miller to Otto).

Did I mention the CD pre-order bundle is only $10? Click HERE to pre-order one for yourself.  See the track list below.

While you are at it, click HERE to check out a post I did in 2009 about why I like Repo Man so much.

Track List:
“Repo Man” – Those Darlins
“TV Party” – Polar Bear Club
“Institutionalized” – Amanda Palmer & The Grand Theft Orchestra
“Coup d’Etat” – New York Rivals
“El Clavo y la Cruz” – Black Francis
“Pablo Picasso” – The Tellers
“Let’s Have A War” – Mike Watt
“When The Shit Hits The Fan” – TBA
“Hombre Secreto (Secret Agent Man)” – Matthew Sweet
“Bad Man” – TBA
“Reel Ten” – Weekend

Album Review: Useless ID – Symptoms

As many of you know, good, wholesome punk rock is not just an American thing.  Middle Eastern punk rockers Useless ID can prove that and have been for almost 18 years.  The foursome, who hail from Haifa, Israel, signed with Fat Wreck Chords last year and recently released Symptoms.

So what took Fat Wreck Chords so long for them to suck them in?  Well, perhaps because the band never seems to sit still and is too busy playing shows all over the world and befriending anyone in their path.  Regardless, Fat Wreck Chords has them now and I seriously doubt they will be letting go anytime soon.

Symptoms was recorded with the legendary Bill Stevenson and Jason Livermore (Rise Against, NOFX) at The Blasting Room Studios once the band was able to come back to the states from their current hometown of Tel Aviv.  The result of months of hard work is a pop punk gem that Fat Wreck Chords should be beyond proud of.  (I’m talking “dad, I just won my first fistfight in grade school” proud.)

“Live or Die” started the 12-track album off full of pop punk goodness.  I was set back at how great this song started off the album.  The lyrics were catchy, the music was solid and I wanted more.  Good thing I was only on the first track.  Lucky for me “Before It Kills” followed with the same amount of substance I was already craving.  Hell, the second track was better than the first.

“I’m just suffering with you” repeats throughout “Normal With You”, a very singable track.  “Erratic” hints heavily towards something Lagwagon might have meant to do years ago.  I loved the lyrics on this track a lot and found myself singing “Down over the low, there’s always something on my nerves that gets me so erratic” almost instantaneously.  Add in a great breakdown halfway though, and you have yourself a must hear song on the album.

“Mani Depression” sounded to me like what would happen if the Descendants and Cobra Skulls would have joined forces.  This was another killer track on the album and I think anyone who thinks that 90s punk rock is the best should take a listen to this track.  I felt 18 all over again listening to it and favored this track over all of the others without a doubt.  “Sleeping With Knives” was another track I just dug a whole lot.  It was just one of those songs that once I listened to it for the first time, it felt like I had heard it a million times before.

If  “Symptoms” was the post-breakup song, then “Obsessive Compulsive Disorder” without a doubt was the “I’m so over you” realization.  “Your obsessive compulsive disorder creeps me out, I don’t want it” loops throughout the track that hints at anything more than to go away.  “Somewhere”, on the other hand, ended the album with almost a feared reconciliation.

If i had to describe what Useless ID sounded like to someone, I would tell them to take the pop punk from the Ataris, vocals of Milo and mix them up with loads of Cali 90s punk rock riffs.  Symptoms has been in the CD player of my car for weeks now.   I have listened to it over and over form start to finish and each time it ends I just tell myself that I need another listen.

It’s early on in 2012 and Symptoms already has a place on my best of list.  This was a shocker of a release for me.  I have a split by them as well as The Lost Broken Bones, but there is just something about this album that has turned them from a punk band I like, to one I adore.  This is about the time when I tell everyone that I will be digging into their catalog.  That is a given.  If you like 90s punk rock you need to check out Useless ID’s latest release.

Concert Review: Frank Turner – Outland On Liberty – Columbus, OH – 02/22/2012

It’s a known fact:  If you speed, you risk a good chance of getting caught.  I can tell you this first hand seeing how I was speeding down I-71 Wednesday evening on my way to see Frank Turner in Columbus.  I was just outside of the state capitol cruising at about 80 m.p.h. not paying attention at all when I saw, out of the corner of my eye, a state trooper shooting my car with his laser gun.  We made eye contact immediately after, and I knew I was screwed.

In a flash, the trooper was tailing my car down I-71 and the moment I switched lanes thinking that maybe, just maybe he would pull the guy over in front of me, he switched lanes again and turned his lights on.

Crap.

I knew I was speeding and was at fault, so I pulled over and waited for the trooper to approach my car and tell me what I already knew.  I tried to tell the state trooper that I was just cruising along and not paying attention to my speed because of how excited I was to be seeing Frank Turner at a venue in Columbus.  The trooper looked at me and asked who Frank Turner was.  I wanted to tell him all about one of my favorite musicians and persuade him to let me off the hook, but just told him that he was a punk rocker folk artist from England.  The trooper smiled at me and told me that he would be back in a moment with my ticket.

Shit.

So, my trip to Columbus from Akron cost me an extra $130 and I have no one to blame but myself.  Then again, if the trooper knew who Frank Turner was, maybe he would have shared his excitement with me and let me off.  After bidding the trooper a farewell, I jumped back on to the highway and made it to the Outland on Liberty.

Having never been to this venue before, I was not sure what to expect at all.  Hell, I had to ask a parking attendant where is was only to feel like a complete idiot when he pointed to the building directly across the street.  To be fair, it was my first time to the brewery district.

Outside, the Outland did not really resemble a venue at all.  Granted Turner’s tour bus was parked in front of it, I did not notice a sign for it nor did it look like your typical concert club.  There was also a Eiffel Tower metal-looking structure in a patio area that towered over everyone that stood out.  I was not sure what the significance was at all, perhaps a tribute.  Walking inside though, I had a completely different impression of the concert venue.  The place looked like what would happen if Austin Powers’ clubhouse turned into a goth club.  Crosses adored the walls and there was a giant tiered stage full of lights.  It was interesting and to be honest, I kind of dug it.

While asking myself if that stage was for real, I realized that there was in a completely different room that hosted the main stage.  Once I made my way to the stage area, I felt a little better about seeing Turner and crew play a normal stage and not a plexi-glass tiered stage, although that might have been awesome.

There were two opening acts and I will not lie,  I did not watch either of the openers as I was too preoccupied with catching up with some of my friends, new and old, who also were attending the show.  I will say though that I did hear one of the guys singing a song about Touchdown Jesus.  That is pretty bad ass if you ask me, but chances are if you are not from Ohio, you have no idea what that heck I am talking about.

Frank Turner and the Sleeping Souls (his full band) took the stage around 10 p.m. to the adoring crowd.  Opening with “Eulogy” from the band’s latest release England Keep My Bones, Turner and crew put forth an amazing set.  Playing songs, old and new, the crowd sung along at the top of their lungs with each song.  It was not just a concert, it was a party, a gathering of friends all having a good time.  Following was “Try This At Home” and I could not help but get lost in the song.

Turner and crew continued on playing tracks such as “I Am Disappeared” as well as his tribute to home “Wessex Song”.  I liked how Turner told everyone that he could care less about songs about NYC and L.A. and wanted to pay tribute to where he grew up.  When he asked the crowd if anyone had ever been to England, a few hands rose, and when he asked if anyone was from England, a girl screamed in excitement that she was. I am sure she appreciated that song more than anyone else that night.

Not just keeping to material the fans knew, Turner played a couple brand new including “Cowboy Chords” and “Four Simple Words”.  The latter of the two was really fun to listen to.  Before he sung it, Turner told the crowd that he hoped one day that the crowd would break into a choreographed dance when he played it.  The crowd did their best to dance together, but it was no Broadway performance.

In between the new songs, Turner played “Dan’s Song” but let the crowd know that no one would be invited on stage to play the harmonica solo as he was afraid that there might be a few people who might get pissed that they were not chosen and punch him in the balls after the show.  Instead, he invited the entire crown to play the “air harmonica”.  Basically, everyone cupped their hands into an O shape and screamed whatever noise they wanted to in their hands.  It was no harmonica solo, but it did the job.

Although one of his more popular songs, I was still psyched to hear the band break into “The Road” and later “I Still Believe”.  I could not help but laugh though when they played “Glory Hallelujah”,  knowing that it was Ash Wednesday.

To end the night, Turner set down his acoustic and took the mic belting out Queen’s “Somebody To Love” while the rest of the band rocked out.  This cover was the perfect way to end the show.

It was kind of suiting that the set ended with a Queen song seeing how in the very first song played that night, Turner sang “not everyone can be Freddie Mercury”.  Did anyone else catch that?

Throughout that impressive cover, everyone went insane and naturally wanted more, so it was no surprise to see Turner return to the stage moments after everyone exited.

To barter with the crowd, Turner promised two more songs during the encore and then added one more .  Turner, sans the Sleeping Souls, played an awesome cover of Tom Petty’s “American Girl” and a lot of people could not help but sing along.  Following was the always fun “Ballad Of Me And My Friends.”

During the last song of the night, “Photosynthesis”, the rest of the band joined Turner  on stage and played along.

Frank piped up just before the last chorus of the song and let the crowd know how he felt about rock n roll and said, “I’m always disappointed when rock n roll turns out to be a bunch of fucking dickheads with a tour bus and a raised piece of flooring who show up and make noise with a bunch of fucking hits and just turn around and go home. And no one talks to anyone anymore and no one fucking interacts and it’s boring and pointless and not the kind of shit we are supposed to be doing with our time.”

He continued with, “rock and roll is and always is, and punk rock especially, was about a run for the people who are equals and who are friends, who don’t have a fucking barrier who are doing something together and something communal, something transcending, something necessary…”

Needless to say, the entire venue went ballistic.  His words may very well single handedly changed they way people look at rock n roll in Columbus.

He was not joking about what he said either.  Once the band finished up, they all hung out with the crowd that stuck around.  Turner actually took time to talk to each and every fan that approached him, allowed photographs, and even signed records, fliers, and even a 20-year-old polo shirt (that was odd if you ask me, but who am I to judge?).  I think the greatest thing though, was that Turner was sincere with each interaction and wholeheartedly smiled and his fans, shook their hands, and even gave out hugs.

When I finally had a moment to chat with him, I thanked him for coming back to Ohio and could not help but tell him about my speeding ticket.  He laughed and grabbed my record  and signed it “Keep Speeding”.  He also was quick to give me a hug after we finished talking and I accidentally head butted him.  I was quick to apologize and he laughed and said “it’s ok, I feel as if we are now closer…”

Star struck?  Not one bit.  The guy is just like you and I.  He is real and does not play out for the paycheck.  He appreciates his fans as much as they appreciate him and that, to me, is beyond admirable.

Wednesday night was a good night in my book, well, not the speeding ticket part, but spending time with with some cool people and listening to one of my favorite acts out there definitely was.

Set List:
Eulogy
Try This At Home
If I Ever Stray
Prufrock
I Am Disappeared
Lore, Ire and Song
Wessex Boy
Fastest Way Back Home
Cowboy Chords
Dan’s Song
Four Simple Words
The Road
Peggy Sang The Blues
One Foot Before The Other
Glory Hallelujah
Long Live The Queen
I Still Believe
Somebody To Love (Queen Cover)

Encore:
American Girl (Tom Petty Cover)
Ballad Of Me And My Friends
Photosynthesis