Tag Archives: Pop

EP Review: Low Culture & Needles//Pins – Split EP

Low Culture - Needles//Pins SplitPower-pop, garage-punk rockers Low Culture and Needle//Pins have both been on my radar for a while now.  When I heard that the two were putting together a split release, it just made complete sense.

Low Culture won me over hardcore when I was introduced to them while staying in Las Cruces.  Featuring members of Shang-A-Lang and Marked Men, the foursome blends in the perfect amounts of rock and punk making for tunes that can easy fuel a good time by all.

British Columbia’s Needles//Pins are more of a power pop garage act that I have recent been getting into thanks to their latest release Shamebirds.  This band is to me the saviors of old school punk pop.  You know, the good stuff that did not get suffocated by talentless acts with more t-shirts for sale in a Hot Topic than quality songs.

Low Culture hammered out with “Reservations”, a fun, infectious garage rock track with plenty of drumming and distorted guitar.  I loved the break downs at the end that eventually led the song into a climax of sorts only to drop more signing that sounded like a new song, but alas, it was still the same track.

“Don’t Tell Me” was equally as fun to listen to.  The guitar solos were quick at times but also memorable on this track about a solitary man.  This track was not nearly as scattered as the previous but just slayed in a good good way.

“Hateful” by Needles//Pins was gruff yet thoughtful to listen to in regards to a crashed relationship.  I felt like some of the lyrics were plucked out of my past thoughts in regards to crap relationships.   “And I hope you don’t think that I’m hateful, it don’t matter very much to me” were lyrics that stuck to me especially.

“Bored” followed and pretty much could either have continued talking about poor relationships or perhaps just being old in the scene.  The more I listened to it, the less I thought it was about an actual relationship with someone and more so with some other form of attraction.  Clearly I think weird.  Deal.

It is no surprise that the two acts decided to release a split together.  Both bands really compliment one another’s sound making for a great listen.  Currently available on iTunes and also on Spotify, the split was put out by the amazing Dirtnap Records and the 7″ should be available very soon for purchase on their site.

If you like classic bands like the Ramones, The Ruts, and The Weirdos, do yourself a favor and get into both of these bands now.  They are both too good to not know about.

Album Review: Electric Six – Human Zoo

Electric Six - Human ZooI remember the very first time Electric Six (E6) hit my ears.

I was working at a Borders Books, Music & Cafe in some fancy Cleveland suburb one night just minding my own business.  One of my co-workers was unpacking all of the promotional CDs for the listening booths and asked me to help him out.

Flashback Memory: As I am sure many of your remember, there was a time when CDs were the staple of the music industry and at Borders, we literally had to manually input CDs into the CD players that were locked below the CD shelves.  This was done so all you consumers could come in and check out an album prior to its release.  Duh.

Anyways, I remember seeing a copy of E6’s debut release Fire sitting out on the counter.  For whatever reason, I picked up the CD to see what it was all about and soon flipped it over to see the track titles.  I decided to sneak in a listen after I put the CD into the listening station.  I have been a fan ever since.  I just sat there on the floor of the music department loving every song on that title.  Needless to say, I snagged that CD the day it officially released and have had it in rotation for years.

I can’t say every release since Fire had as huge of an impact on me, but I have always appreciated what Dick Valentine and crew have done for 10+ years now.  Last years Mustang left a pretty good impression on me, but I just was not blown away completely.

The Detroit garage/rock/funk/disco/jam/electronica/jack-of-all-trades genre-bending act just dropped an all new album titled Human Zoo.  I am happy to say I mostly enjoyed the living hell out of it and I am pretty confident any E6 fan out there will too.

“Karate Lips” opened with an enthusiastic chant of “Electric Six” that quickly changed to “karate lips”.   The song, clearly about some tough-ass women, was heavy on the funk with an electric indie rock style that closely resembled stuff you might hear from the The Faint.

“It’s Horseshit!” was almost too much for my brain to compute yet I loved it.  It was like listening to a late 80s boy baElectric Sixnd infused with Daft Punk.  Definitely a track that people can get weird to.  The music and just overall feel of this song really resembled that vibe I first felt on Fire.

Valentine swooned beyond senselessly in “Alone With Your Body”.  I listened to this track a couple of times over because I liked it so much.  This was like the working man’s love jam.  Valentine sang as a simple man with plenty of Detroit soul backing him up.  I adored the back up singing as well as candid lyrics like “I’ll be there in a jiffy with a stiffy”.

“Satanic Wheels” grew on me after listening to it a couple of times.  I loved the synth throughout.  I felt like I was listening to typical E6 but with keyboard playing taking queues from 80s arena rock bands.  It was psychedelic yet indie if that makes sense.  I guess what I am trying to say is that this song ruled and was one of my favorites on the album.

“Gun Rights” was bizarre and unexpected.  I thought I was listening to Ween mashed with Mike Patton.  “Don’t take away my rights, my gun rights” repeated over and over with a fun Mexican folk melody.  The quick spoken-word of Valentine in the middle just kept things even more interesting.

“I Need A Restaurant” just did not do it for me.  The song seemed to just downgrade from all the craziness I previously was engulfed in.  Sadly, I skipped this track halfway into and barely made it through “Worst Movie Ever”.

“I’m the Devil” sounded more like something Tenacious D would have done one of their albums.  It was not terrible by any means but seemed more of a skit than a song.  I almost wish Dave Grohl would have jumped in on this track dressed as the devil.  I did like the Young Guns-like guitar playing style.  The best part of this track was at the very end when apparently Jesus Christ had a speaking roll.  Who knew he was such a burnout?

“The Afterlife” ended with a synth-pop tune that thankfully did not let the album end on a bad note for this listener.  I wish it were a little more sped up but for what it is worth, it was not a terrible listen by any means.

Human Zoo overall was a blast.  E6 continues to entertain but I will admit the latter portion of the album kind of fell short.   Regardless, most of the release got me all sorts of excited just like their debut did over 10 years ago.  This band in my opinion still entertains on a higher level.

Album Review: Baby Ghosts – Maybe Ghosts

Baby Ghosts - Maybe GhostsWhat happens when you take your unforgotten obsession with  late-90s pop punk rock and mix it with the styles heard in female-led DIY punk / garage rock jams of today?

The answer is Salt Lake City’s very own Baby Ghosts.

Warning: This band has the full potential to become your new favorite band and I’m pretty sure you’ll be kicking yourself for not getting into them earlier.  It’s ok.  I am in the same boat.

In a perfect blend of pop punk and garage rock, Baby Ghosts have been doing their thing since 2010.  At one time, the band could have been considered a local act, but those barriers have long been broken.

Baby Ghosts recently dropped Maybe Ghosts, an all new album full of poppy hooks, sneaky guitar solos that could make J. Mascis blush, and plenty of just straight up fun.

“Ghost Boyfriend” completely floored me when I heard it for the first time.  I adored the garage rock sounds tucked behind the blaring pop punk goodness.  I am reminded slightly of RVIVR in a way with the female / male singing style, but this jam is way more fun to rock out to.

Baby Ghosts“Tumblr” had the band taking on at least 3 decades of different punk rock styles in under three minutes.  I was so wowed that I had to listen to it over and over again.  Maybe the band did not intend this, but listening to this track alone was something special.

“Oil/Sunshine” was a pop punk gem with forward intentions of moving onward.  “Crash” went a little dark for a moment but it did not change the way I felt about this album at all.

I loved the guitar shredding that was hidden behind the singing in “COOKIES”.  Coincidentally this is also one of my favorite kinds of treats.  “alien.edu” easily was one of the best tracks on the album.  “Computers” was very riot grrl sounding in a good way.

“Oh, a Surprise” should have been titled “This is What Rancid Would Have Sounded Like if Tim and Lars Were Females”.  That is all I have to say about that.

I had a hard time not thinking of Juliana Hatfield and Kim Gordon while listening to Kar and Kat sing throughout this album.  I hope to hell that was the idea.

I’m glad Baby Ghosts was suggested to me by a swell guy (Thanks Chris).  I would hate to have missed out on this band even longer than I already have.  These talented SLC punks deserve to be heard by all.

Baby GhostsTruth be told, I can not keep up with all these bands today.  Perhaps this music lover is just too preoccupied with fighting off being an adult to take notice to every single act out there throwing down good music.

If you do find yourself digging this release as much as I did, don’t be shy and snag a copy of the LP.  Lost Cat Records, Drunken Sailor Records, Dirt Cult Records, Hip Kid Records, and Waterslide Records all have assisted with releasing the album.  I doubt it will be a challenge to find but I know the 1st pressing will be gone sooner than later…

EP Review: The Public – Shibuya Crossing

The PublicMr. Joshua Voland promised me a pizza if I reviewed his band on my site, so here we go…

I am kidding about the pizza of course.  I don’t take bribes, even if in the form of delicious pizza.

All jokes aside, Voland did  ask me to check out what his band recently dropped on Bandcamp and man, I am stoked I did.

Shibuya Crossing is the debut EP by Cleveland’s very own The Public.  Lasting just under 20 minutes, this release is impressive as hell.  Not sure why they named the EP after the busiest intersection in Japan, but I am sure stranger things have happened.

Featuring members from Ultra Ultra, Heart Attack Man, and Let’em Run, I already knew in advance that I would be into The Public.

“Liquor Store” was such a powerhouse of a song to start off the EP with.  This will win fans automatically with sing along qualities.  Damn shame it wrapped up so quickly.  I liked that track.

“The Breaks” reminded me of a certain little band from Scranton, PA that people might have heard about.  I loved the lyrics “I was just too set in my old ways.  Trying to pry my way out of your ribcage.”  I seriously could not get enough of this song.

“No Bother” had enough breakdowns and group vocals to make this my favorite cut on the release.  Maybe it was the fact that it reminded me of a Seahaven track for a moment or probably because it was just catchy as hell.  “The Dogs” might have been even catchier though.

As much as I hate to have a negative comment about any song I hear, there was a part in “Mexico” that just did not sit right with me and it was mostly due to a brief group vocal harmony that lasted not even a second.  Voland asked me to be honest on how I felt…

Fans of  the Lawrence Arms, Menzingers, The Tim Version, Banner Pilot, and even Cleveland sweethearts Worship This! need to check out The Public.

This band just kicks so much ass. I am really looking forward to hearing their full length debut which should be out in 2015.

The Public

Check it out and pay what you will on the band’s BandCamp page.

Album Review: Masked Intruder – M.I.

Masked Intruder - M.I.Pop punk’s hooligan heroes, Masked Intruder, are back on the prowl with their all new sophomore release M.I.  The ski-masked foursome clearly have no problem dodging the law while stealing hearts and throwing together one of the catchiest releases you will probably hear all year.

Having  kept their identities safe so far, probably due to the band threatening anyone with blunt force to those who may know who all is actually under those masks, Masked Intruder remain an enigma of sorts in the punk rock world playing some of the greatest stalker-love jams ever recorded.  Think Ramones and Chixdiggit!, but with plenty of obsession and missing valuables.

The album started out with a revamped recording of “I Fought The Law”, a track that originally appeared on Masked Intruder’s 2011 demo.  This version clearly trumped the original and sounds even catchier than the demo version.

“The Most Beautiful Girl” is flawless when talking about a pop punk love song.  In less than 2 minutes, the band manages to pack together harmonies within sing-alongable lyrics (is that even a word?) all while swooning someone special.

“Saturday Night Alone” pretty much sums up some of my weekend nights  sans spending it in the slammer like these masked heartthrobs do.  Hard-driven guitar playing (that easily could have been stolen from label mates Teenage Bottlerocket) played throughout making for a fun track.  I loved when the band just stopped playing and just sang and crooned for just a couple of seconds only to start jamming out again.

I loved the track “When I Get Out”, especially on how the band sang about what they were going to do when they were released from the slammer.  From getting revenge to slamming ice cream and pizza, it is clear that Masked Intruder had a lot of time to plan out their freedom while locked away and incorporate it all into a fun song.

I really was hoping the band would go all a cappella again on this release, and they did in “Almost Like We’re Already In Love”.  It’s like a barbershop quartet song, but different.  I’m sure if the band sang this song to me in person, I would be batting my lashes and blowing kisses their way.

“Hey Girl”, was a quick, catchy jam aimed at breaking the ice with the ladies.  “Don’t Run Away” followed perhaps on purpose to assure all the beautiful ladies by singing “don’t run away, I think this is it.”

“Say that I’m a freak, a geek, a weirdo” started off “Wierdo”, a track that may have been written by actual events that happened in my life.  Seriously, I think these guys plagiarized my lady luck in my early 20s and threw it into a song.  What the hell guys?

Another great track was “I Don’t Wanna Say Goodbye To You Tonight”.  It was a pop punk love track that may or may not require a restraining order.

Ending the album was “Locked Up And Lonely”, a song that did not really sound like the others as it was a little slow starting at the beginning, but only for a moment.  I could not but help think 90s punk rock on this song.  On another note, can someone please tell me why I thought of Charles Manson in this song (in a comical way of course).   Seriously, as this song played, I thought of an emo’d out Manson sitting in a cell looking out his cell window and writing about how lonely he is.

After listening to this album at least 37 times in a row, it is safe to say that Masked Intruder has once again dropped a solid release.  I was so addicted to their debut release so much that I failed to review it, but this time I decided I had to at least say a couple nice things about their latest effort.

M.I. has the potential to make Masked Intruder appear on many Most Wanted lists.   With their quest to avoid Miranda Rights as well as continue to hide their identity, this band has surpassed the gimmick stage and is going toward full-blown rockstar.

So who are Masked Intruder?  Who cares.  Just keep them away from my record collection and wallet.  Beyond that, I hope they keep doing their thing.  Those guys rule hard.

Masked Intruder is seemingly always on tour.  Personally, I think it is because they are running away from the law.  Regardless, they are playing Cleveland on June 20th at Now That’s Class.