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American Steel – Dear Friends And Gentle Hearts – CD Review

Banded then disbanded then rebanded, American Steel is back with their second release since their regrouping. After reuniting just two years ago after a five year hiatus the Bay City punkers have a follow-up release on Fat Wreck Chords titled Dear Friends And Gentle Hearts since joining forces with the independent label in 2007.

Having been around since 1995 the band has had some obstructions with some change ups and personal battles including a bout of Leukemia, but they overcame those obstacles and seem to be back in full force. With their onward battle to keep as a band they pretty much keep the punk rock tough in their music on their latest release making for a solid listen.

Opening track “Emergency House Party” has a full forced approach to it. Reminding me of the SoCal punk styles of the nineties I found myself already enjoying the CD just one song in. Before the track “Tear The Place Apart” even finished I found myself tapping my foot and singing along as if I had heard the song a hundred times before.

“Your Ass Ain’t Laughing Now” is a clear callout to someone that might have overlooked the abilities of American Steel in their early stages or perhaps jaded them. The song is comical as well as just fun to listen to with a small ska feel hiding behind guitar playing.

Hinting at a Strung Out style was “The Blood Gets Everywhere” a track that was a little more technical than the others. I absolutely adored this song and found myself sitting there with the CD book open in front of me reading the lyrics while listening along to the song. I felt like a kid all over again.

Title track “Dear Friends And Gentle Hearts” was a little more of an upbeat punk track inviting you to move along to the song but with a clear discontented message that really will make you think. If a video has not been made for this track showing people carelessly dancing around then maybe one should be.

“Lights Out” was more of a rough sounding punk rock track once again hinting back to the SoCal style of the nineties. Fast paced and to the point the track really reminded me of Face To Face. “Bergamot” continued with the awesomeness of the album as well did “Where You Want To Be”.

This album is going to be liked by a lot of people once all of the current American Steel fans tell all of their friends how great Dear Friends And Gentle Hearts really is. From start to finish I was treated to a revelry of a punk rock album. With no dull moments throughout, this is one of those recordings out there that sets the standard for wholesome punk rock.

American Steel truly has outdone themselves on Dear Friends And Gentle Hearts as they just sound stronger and more controlled than ever. One can only hope they expand their mini tour of the West Coast to more of a statewide venture. I would love to see these guys rock out live. Fans of Alkaline Trio and Face To Face will get a kick out of Dear Friends And Gentle Hearts as well anyone else out there who likes straightforward punk rock from a band not trying too hard just to turn heads.

DOWNLOAD THIS! American Steel – “Emergency House Party”
DOWNLOAD THIS! American Steel – “Safe And Sound”

Here’s a live clip “Sons Of Averice” a song off their previous album:

Portugal. The Man – The Satanic Satanist – CD Review

Portugal. The Man is perhaps one of the extra genre jumping bands out there that I am perfectly ok with. The band that once hailed from Alaska is back with an all new album called The Satanic Satanist on their very own Approaching AIRballoons label through indie label Equal Vision Records. Full of indie rock goodness as well as other variations of music styles this album has become a favorite of mine for 2009.

The album was actually leaked on the internet in late June but it did not bother the band at all. Rather than get discouraged about the rash release they encouraged their fans to download the album but also asked that they support the band by purchasing the album when it came out if they liked it.

The joyful sounding “People Say” clearly is a call out to the poor achievements during a certain someone’s presidency. With lyrics like “What a lovely day, yeah, we won the war. May have lost a million men, but we’ve got a million more” it’s apparent there is some sarcasm directed towards a seemingly never ending war.

“Lovers In Love” was full of harmonious singing and had more of a overseas pop dance style along the likes of Jamiroquai. It’s really a pleasant jam about love and what it can make you do.

The soulful “The Sun” makes you want to pull close someone you love and sway away the night. This is one of those songs I will be putting in the next mix I create. “The Home” kept things interesting with crazy keyboards throughout this indie rock track.

“The Woods” had a funky feel to it in a good way again hinting towards something Jay Kay might have done. It’s an incredible track I really got a kick out of as was “Guns & Dogs” a song that reminded me of Oasis short the uni-brow. “Everyone Is Golden” was very evocative of a Beatles song in a good way.

Portugal. The Man has moved in so many directions since their conception it’s difficult to brand them musically and I think they feed off of that.  I can say this album is a little tamer when it comes to the band being experimental but overall is a great listen. I almost think that this is going to the album that hurls the band into the likes of mainstream candidacy.

Portugal The Man “Everyone Is Golden” Preview from Portugal The Man on Vimeo.

Portugal The Man “The Sun” Preview from Portugal The Man on Vimeo.

The 15th Annual Van’s Warped Tour – Tower City Amphitheater – Cleveland, OH – 07/09/2009 – Concert Review

The Van’s Warped Tour, currently in their 15th year of touring, made their annual stop in Cleveland, OH last Thursday at the Tower City Amphitheater (and parking lot).

The one time punk rock summer camp really should be redefined as a punk, metal, emo, hip-hop, freak rock, scream, indie, and whatnot summer camp festival thanks to the huge array of bands that dedicated their summer to touring the states as well as other countries to play out and travel.

Before even going to this year’s Warped Tour I announced it would be my last; not because I was not enjoying them but I feel I have been to enough. I don’t feel old at all as a lot of the bands I have seen over the years trump me in age, but the whole ambiance of the festival slowly has been wearing off for me. This is a festival for the kids and the young at heart and where I feel like I am 19 all over again when I make way into the festival I want to withdraw while it’s still a good feeling.

Teamed up with a small group of friends this year we made way to downtown Cleveland on a sky blue beautiful day. Saving myself $20 once again by avoiding the pay lots, I parked about a mile away from the venue and hoofed it to the venue alongside my three friends. I find it outrageous that people are charging that much for parking seeing on how that is half the price of the ticket. I have no problem walking a little further and to be honest, I love making that trek from Nautica to Tower City.

Anti-Flag was already on the main stage officially opening the day as we cut in front of the huge line of kids that spanned all the way up to the parking deck at Tower City. Honestly it was amusing to see the structured line of fans dwell up top from the street, down through the parking lot, and to the entry way. No one told them to stand in such a line but they did it anyways. Being a jerk, I walked around them alongside my friends and made my way in.

One of the things that is unique about the Warped Tour is that each stop has different time slots dedicated for the bands that play. To the attendees it is completely random and one can not plan out who they want to see until they get a copy of the schedule or find the inflatable schedule over by the main stage.

The downfall of this is that sometimes you miss some of the bands you would like to check out because bands you love are playing. Case and point, Anti-Flag was playing at 11:15am, well before the festival got going. I was able to see a brief moment of their set and you could tell they were ok with the early set and playing just has hard and loud as if they were closing the day.

Another distress to such a festival is that not all the bands hang on for the entire tour. Some of the bands only make it though half of the tour for reasons unknown while others stick it out from start to finish. I was bummed that the Bouncing Souls as well as Shooter Jennings would not be playing at the Warped Tour in Cleveland. Still how can I complain about something like the Warped Tour when it brings so many amazing bands together?

After making a quick lap around the area to see where the stages were positioned my friends and I obtained a schedule and started our ritual of planning out who we were going to be checking out as well as whom we would be avoiding. I pointed out on the schedule to my friends that there was a special guest playing today, with no clue what act it was we could only wonder and hope it was someone we wanted to see. Rumors later in the day pointed towards a possible Blink 182 performance. That right there would have made my day.

I was sad to see that some of the bigger bands I came to see were playing super early in the day. Still the point was they were playing and I was planning on being there to see them.  In order to do so though I was going to miss some of the acts I would not have minded checking out, but there was no way I was going to skip out on some of my favorite acts especially since they were playing 45 minute sets this year. This year I came to see specific bands instead of touring around the grounds to see what is good.

Less Than Jake put on one of the better sets of the day. The punk / ska act was full of energy and did not seem to care about their early slot. Their performance of “The Silence Of Selling Yourself Short”, being one of my favorite songs by them, was awesome to hear live. Another highlight of their set is when they started shooting t-shirts into the packed crowd with a t-shirt gun.

With a few moments to kill I decided to see what Brokencyde was all about. As I walked towards the SkullCandy stage I thought I was hearing 3OH!3, but no, it was just the emulate Brokencyde. They were just finishing up their set to a decent gathering and that was enough for me.

Bad Religion being one of my all time favorite bands was a highlight to my day and I made sure I would stay for the whole set. Having seen them every time they have played a Warped Tour I would have to say this was one of their better performances. Rocking through songs old and new the band sounded amazing. During “Let Them Eat War” one of the members of Aiden (as stated by Greg Graffin) filled in for the vocals usually sung by Sage Francis on the album version. Other songs during their set included “New America”, “Supersonic”, “American Jesus” as well as “Generator” and “Sorrow”, two of my personal favorites.

For a band that been around for over twenty years they looked so comfortable on stage and played better than a lot of the younger acts that day. Their live performance reminded me why it is I love punk rock music so much.

Getting away from the main stage, I checked out a couple of random acts on stages throughout including ska act Staylefish, UK pop punk band TAT, and the more so folk indie rockers Dear and Headlights. TAT was one of those bands I wish I would have been able to see more of where Dear and Headlights was the surprise of the day for me and I will be looking for their album shortly. Sadly I missed a pop rock act called Lights, a band that seemed to be getting talked about a lot during the day.

Minneapolis rapper P.O.S. performed at the Hurley.Com stage but really was not on the stage but rather in the crowd. Showcasing a more intimate performance the hip hop lyricist was perched atop one of his equipment cases in the middle of the crowd rapping away. I am not sure if you have heard P.O.S. before but I can tell you this, he is that damn good live too. The surrounding fans on P.O.S.’s declared stage were going nuts over his ability to flow at a fast pace.

Last year 3OH!3, Nat Motte and Sean Foreman, played on a smaller stage at the Warped Tour but thanks to their increasing popularity they took over the main stage to one of the larger crowds of the day. Backed by a live band the Boulder, CO duo performed their mix of punk and hip hop to what seemed like an endless sea of fans. Performing a ton of tracks off their latest release Want they gave their fans their best.

I was content to see Nat pick up a guitar while performing a new 3OH!3 song as I know many question the duo on really being musicians. The new song they played, according to Sean, was about LeBron James. Regardless if it was or not it was a nice peek into what 3OH!3 has in store for their next release.

On the other side of the venue Bayside was playing out to a decent sized crowd by the time I tore through the crowds. I enjoyed them from a distance while reconnecting with a couple other friends who finally arrived. With the temperatures not being too extreme it really was rather enjoyable to just hang out in a fenced in parking lot under a bridge listening to the punk rock act.

As the UK hardcore punk act Gallows set up their gear, I noticed a Paramore poster duct taped to the asphalt with a note saying “This Stop Only”. It was clear to me that Paramore was the special guest of the day that would be playing the main stage. All rumors of Blink 182 were shot down. The gaining stardom group took a day of from their tour with No Doubt to play the Warped Tour in Cleveland.

I myself prefer Gallows over pop-punk so I avoided the insanity that took place at the main stage to enjoy an act I was more so a fan of. I found out later in the day from the bouncers of the main stage that Paramore drew in a huge gathering fun of excited fans.

Having seen the Gallows in 2007 I wanted to make sure I did not miss their performance as lead vocalist Frank Carter takes his aggression out on the mic as well as has no problem speaking his mind. The skinny, tattoo covered, redhead alongside his band put on the hardest punk rock performance of the day. To me it was like witnessing a modern day Black Flag.

After a couple of songs in, Frank Carter jumped into the pit with his microphone where the fans respectfully gave him his space to sing, rather, scream songs and jump around. At times he would walk around and put the mic in fan’s faces to give them a chance to sing a lyric. Frank Carter had a look of angry approval each time a fan would sing into the mic. I could only wonder what would happen if a fan did not know any of the song.

Midway through the Gallows set Frank Carter started speaking his mind and the fans were all ears. He spoke on his disapproval for bands like 3OH!3, Jeffery Star, and Brokencyde. He did not seem to be too thrilled about the way the Warped Tour has been going as well and mentioned that “Jeffree Star is a confused individual”. He called out 3OH!3 multiple times and started the Warped Tour was just not punk anymore.

It was not all negativity though as Frank Carter did comment on how there still were punk bands out there like NOFX and Bayside that keep the punk in Warped. He also admitted to the crowd that played corn hole for the first time and just did not care for the scoring rules. It was not all talk of course as the band hammered through songs from the band’s two albums to a assembly of rowdy fans.

Another Warped Tour veteran act, NOFX, took the stage a little inebriated and a lot excited. The person the most excited was Eric Melvin who earlier told me behind the scenes that it was his birthday. He kept announcing it to the crowd that it was his birthday and it was pretty clear he got his party on well before the set.

In almost a Jane’s Addiction “Mountain Song” flashback someone threw a flip-flop on stage almost hitting Fat Mike in the junk. Laughing he picked up the flip-flop and asked who would wear flip-flops to a Warped Tour, let alone wear them in a pit.

I could not believe some of the tracks NOFX dished out. Opening with “My Heart Is Yearning” as well as later on playing “Arming The Proletariat With Potato Guns” from a 7” Of The Month release I was excited to see such a array of tracks being played.

I got a kick out of hearing NOFX cover Rancid’s “Radio, Radio” more so because I just saw Rancid on the very same stage just weeks before. NOFX of course did the cover their own way and to be honest, it took me a minute to figure out what song it was.

“Linoleum”, “What The Matter With The Parents Today?”, “Quitter”, “Franco Unamerican”, and the humorous “Creeping Out Sara” were other tracks the band performed to a huge crowd of all ages. I honestly think I lost some of my voice while signing along and it was totally worth it. I felt like I was nineteen all over again.

Westbound Train had a half hour set in between NOFX and Flogging Molly and I tried my best to catch at least a few songs by the smooth soulful ska act. The bottleneck human traffic jam did not make it too easy for me and sadly I just gave up. Westbound train is one of those bands I could watch for hours and I hope they return again soon so that I can actually see them this time. On a good note though I did stop at their merch tent earlier where I picked up one of their earlier releases as well as a t-shirt.

Flogging Molly would be the last band I would ever see live at the Warped Tour bearing in mind on how I previously announced my retirement from the punk rock county fair after the day’s end. They are an amazing band to see live and I am so happy they were on the bill this year.

Everyone in the crowd got a heavy dose of Irish spirit thanks to the men and woman of Flogging Molly. Slamming Guinness and playing out like it was their most important show, the band had the crowd in the palm of their hand and put on a near perfect performance.

There were a few bands I missed I would have loved to see live like Alexisonfire, Senses Fail, Fake Problems but when NOFX and Bad Religion are playing an aging punk like myself will drop all interest for other acts to see them. I am sure the veteran bands will be playing for many more years but honestly I am not the type to miss out on the bands I cherish most in life.

The Warped Tour this year was a remarkable event and I hands down enjoyed it a lot more than last years. Not only was the line up a bit more catered to me, but I felt that I had no down time at all and the sun was not too brutal. In fact I really felt this year’s tour flew by be and before I knew it, it was over.

As I stood outside of the venue I had to remind myself that this was it for me. The towel was thrown in and I stand by my decision. I’ll keep my eye on next year’s line-up and years to come because I know this festival has the capability to go on for another 15 years easily. Who would have thought such a tour could last a decade and a half?

I really need to thank Kevin Lyman for creating the Warped Tour as well as his crew, the promoters, and especially all of the bands devoted to playing on the tours over the years. His insane idea of taking punk rock music and everything good about it on a tour all over the United States and beyond has kept me entertained since I was a teenager just looking for something to do.

Against Me! – The Original Cowboy – CD Review

Gainsville punk residents Against Me! recently dropped a special release for all of their fans.  The band once again reunited with the independent punk record label Fat Wreck Chords to put out The Original Cowboy, an eight song, never before heard demo album.  Available on CD and LP, this release gives the fans a pre-game,  a younger Against Me! attempt, something as an enthusiast I was happy they chose to share.

Recorded in summer of 2003, these demos are what was to become the band’s second full length release and the Fat Wreck Chords debut titled As The Eternal Cowboy.  The demo was actually recorded for the producers of the album just to make sure they were familiar with the songs as Against Me! was looking to make an all analog recording.  Since the band was to record at a different studio (Memphis’ Ardent Studios) they wanted to have something to help keep what they were looking to create on their final version.

Minus the track “Sink, Florida, Sink” all of the other songs from As The Eternal Cowboy appear on the demo release but not in the same order. The combined opening track “A Brief Yet Triumphant Introduction / Cliché Guevarra” even if not fully produced carries enough energy to get you past that grainy sound.  It’s interesting to hear these first takes on songs that later turned into a must have album for many punk rockers out there.

“Mutiny On The Electronic Bay” actually sounded better than the studio mastered version as did “T.S.R.”  Perhaps it was the lack of overdubbing or just the pure integrity of the track making it that much more enjoyable. 

The beginning of “Cavalier Eternal” cracked me up with the comedic prelude to the song with the boys of Against Me! goofing around briefly just as it appears on the mastered release.  The sincere acoustic demo of the song, to me, should have been just put in with the final release.  It sounded a lot better under-processed than that of which appears on As The Eternal Cowboy.

Closing the demo is another combined track “You Look Like I Need A Drink / Turn Those Clapping Hands Into Angry Balled Fists” a track guaranteed to get all the diehard Against Me! disciples to go insane upon hearing it regardless of the take.  After hearing this song, and album for that matter, I wondered why the band even bothered to travel to Memphis in the first place.

The demos may very well just be a money maker for Against Me! and Fat Wreck Chords but honestly, who cares?  It was a good listen and I am happy to add it to my Against Me! collection.  Tom Gabel actually had this to say about the demos, “Recorded and mixed in only a couple of hours, The Original Cowboy was only meant to be a trial run, but, listening to it today, there’s a part of me that feels foolish for ever recording these songs a second time.”  I could not agree anymore Mr. Gabel.  These demos sound better than most fully mastered stuff out there.

DOWNLOAD THIS! – Against Me! – “Unsubstantiated Rumors (Are Good Enough For Me To Base My Life On)

Against Me! videos not related to the above review but still fun to watch:

Those Darlins – Those Darlins – CD Review

Nikki, Jessie, and

Before I even start this review you all should know that this band hit me hard in the ears with something good.  Ever since my introduction I have been a fan and I really like to support these girls hense all of the posts in recent months.

I guess that is one of the cool things about having your own blog, freedom to do what you want.  Well what I want is to help out three ladies from the Nashville area be heard.  I know they should have no problem doing so but it does not hurt to help.

Next week Those Darlins return to Cleveland on July 14th and you can bet your grits I will be there.  Do yourself a favor and get up to the Beachland Tavern to check out this great up and coming band.  I would not talk about them so much if I did not think they were all that.

 So what that said, here is the review of the debut release by Those Darlins:


Tennessee’s best kept little secret no longer remains hidden as Those Darlins have released their debut self titled album on their very own label Oh Wow Dang! Records. Kelly Darlin, Nikki Darlin, and Jessie Darlin who make up Those Darlins do their own thing their own way. The result is a band that spills out some great tunes combining pop with rock, punk, and country.

Hailing from Murfreesboro, TN the musically inclined trio of women have already made their way around the US playing shows small and large. With their constant touring with acts such as Dan Auerbach, The Features, and even playing a stage at this year’s Bonnaroo, the girls have finally released their debut album for all to hear.

Having already been a huge fan, I was excited for their music to spread to a larger audience. I think it will not be too difficult for that to happen thanks to this release.

So what is it about this band that has more or less turned me into an obsessed fan? The girls mix the perfect blend of garage rock, punk, and even some country rock style all into a sound I just can not get enough of. They have enough sass to knock your grandpa to the floor, the looks that guarantee instant crushes, the smiles of angels, and can party down like no other. I’m pretty sure they can all kick your ass too with out any help.

Their Appalachian sounds seems to clash with a punk attitude as well as female strong ideals.  This mix becomes smashed into a fine sounding bar-rock jam fom three good looking gals who drink their whiskey from the bottle. Think Wanda Jackson and Patsy Cline  meet Joan Jett with even a taste of some Kathleen Hanna.

The classic covers of the Carter Family’s “Who’s That Knocking At My Window?” as well as “Cannonball Blues” proved Those Darlins have a rendering for the country genre but when you move throughout the album you can clearly hear that their musical roots are not just from Nashville

Opening track “Red Light Love” does not even suggest they are a country act as they play a more bar-rock song. What I like about this one so much is I can actually feel them smiling as they sing this fun song.

“Wild One” is more or less the girls’ anthem/reminder of being wild and crazy. This song is Wanda Jackson with punk rock authority and provides a fair warning to all the folk out there that have a more than a musical liken for Those Darlins. This was the first song I had heard from the band and was the reason became so fond of them.

“The Whole Damn Thing”, to me, was the funniest song on the album as the girls sing about getting hammered and eating an entire chicken. To make things even more amusing the song continues with the consumed chicken being forgotten about.

Almost reminding me of something Johnny Cash might have written during his raging days was “Glass To You”, a drunken slur of a track. I almost felt bad for the girls in this painful song as they declare they are having “whiskey blues” and have “been drunk since half past noon” because of their man. Having more than one vocalist sing throughout just keeps it unhappy.

“Snaggle Tooth Mama” is a boot-stomping country jam with some fun intermitting guitar and bar room piano playing that by the end of the track will have you singing along. “222” is a tough track about all about boys, parties, and fun. Coincidentally one of the studios that the girls recorded at was in NYC at Jeff Curtin’s basement studio called 222.  Jeff Curtin also took on the drumming duties for most of the tracks on this album.

“DUI Or Die” was more of a tale of an alcohol infused evening out all ending with sirens and jail bars as well as blaming to booze. “Drunk driving, I’m guilty, and I’m blaming the booze” pretty much summed up the song in a comical way also giving hint to all the ladies who want to avoid DUIs but going home with someone and letting them drive.

Even though some of the songs suggest a country rock like style, they add much more rock and roll and punk rock finesse giving for a fiercer sound. Having the girls split up vocal duties just keeps their songs that much more interesting. Their debut album is an instant classic to my ears and I am sure it will be for many as all of the songs are very catchy, musically and lyrically. This is not a band you will forget about after just one album. These girls are going places.

Seeing them live is a whole experience in its own. Big crowds or small crowds these girls play their hearts out, drink the big boy drinks, and will force you to have a good time. When they take the stage one might think they do not have the capabilities that make up what Those Darlins are all about – loud music and good times. The moment the guitars are strummed and the vocals start it’s clear that something fun is about to happen.

Need some proof? Here, check out these videos: