Tag Archives: Fat Wreck

Interview: Joey Cape (Lagwagon, One Week Records)

Joey CapeFest. Fest. Fest.

I was not there, so I interviewed Joey Cape.  I guess that is the next best thing, right?

Cape and his band Lagwagon just stopped at Fest in the middle of their tour to play a Halloween show.  Based on the photos and videos I saw on the good ol’ internets, they donned King Diamond’s look and played a killer set.

Now, many of you know that Cape is a busy guy.  Not only is he touring with Lagwagon right now, but he released  Stitch Puppy, an all new solo album on Fat Wreck Chords that has really exceeded my expectations.  Seriously, you should probably check it out before you read my interview so you know I am not just kissing booty throughout.  I sincerely enjoyed it.

For a guy that is pushing 50, he does not seem to be slowing down one bit.  Not only is he focused on his music, but he is also still continuing with One Week Records.  On top of that, he is a family man.  A true hero if you ask me.

I managed to get Cape’s attention the other day and was able to chat about Stitch Puppy, Lagwagon, and even other avenues.  At the end, I was even able to get some fanboy questions answered.  Let me just say that the final question was answered amazingly.

Check it out, and enjoy:


BHP: Man, Stitch Puppy was beautiful. Was the concept of this album leaning towards a darker path? I am not saying all tunes were gloomy, but it certainly had a somber feel to it.

Joey Cape:  Well, I just decided to make it somewhat conceptual in a very broad sense. It was all written within the idea of the doll Stitch Puppy itself. It’s a victorian morning doll my daughter and wife made me. I had had a tough couple years with the death of a few friends, a falling out with an old friend, and a friend going to prison for a capitol crime. The lyrics simply represent the last couple of years of trauma in my life and the lives of others. In that way, the lyrics are no different than what I always write about. I guess I have always been most inspired by the dark side of life. It rings more true to me.

I loved the piano playing in “This Like IS Strange”. It seriously intensified the song for me, especially towards the end. Tell me, who is the monkey in this song?

I’m glad you like it. The piano is my friend Brian Wahlstrom. We have been working together for the last 5 years. We have co-written music together, his and mine and done extensive touring. I just love the way piano fills up the sound and adds tone. Brian and I have a great musical report. I am not going to share the “Monkey” name. Haha. I make an effort now to be discrete. I have gotten into a lot of trouble in the past for being too transparent.

You took a great song from a totally underrated album of yours, re-recorded it with Chris Creswell, and more or less blew my mind. Why did you select “Spill My Guts” off of that The Playing Favorites album?

I have done very little touring with that band and always wanted to play the 5 songs I wrote for that record. It just seems like the best way to re-introduce them by recording them acoustic. I don’t think any of them would work for Lagwagon.

“Moral Compass” was more folky sounding than the other tracks. Who helped you out with this song?

It was a song I originally recorded with Lagwagon for the “Hang” album. It didn’t really fit that record so I decided to do the Stitch Puppy version. The solo was written by Chris Rest of Lagwagon. I asked him if it was cool to use it. Otherwise, it was mine but, I think the reason it sounds a bit different is because I wrote it as a letter to a child and that effected the overall tone of the song. It’s supposed to be a soft delivery I suppose

“Tracks” was so emotional. Seriously, I just got chills listening to you sing “he would lay down on tracks for you”. Who was this song about?

“Tracks” was originally entitled “I Would Have Laid Down On Tracks For You”. A better title but too long for the layout. Haha. I wrote it in third person because it felt more like a story with empathy and less defensive that way. I wrote it as a letter to an old friend. Someone I knew for 30 years and recently had a falling out with. As far as I am concerned I was a scapegoat. Sometimes couples choose that “Me against the world” role in their relationships. They just have to cut friends almost randomly to keep it together. It’s a shitty move and difficult to forgive.

Back_Cover_Photo_450Tell me more about your daughter and the doll that inspired this release.

Yeah, it was all her doll and catharsis. That doll is my most prized possession and it speaks to me. There is something about a child’s ability to give a pure uninhabited view through their art. That sort of thing gets forced out in my cases by this overwhelming world. It’s beautiful and sad but vital to site and source.

I take it the cover art for this album is a representation of said doll? It’s like Powder meets the Nirvana smiley face, but different.

I thought it would be a good idea to embody the doll. It was fun to play the personality I imagined Stitch Puppy would have. I made a video for “This Life IS Strange”. I walked all over San Francisco in that get up. People starred. It was unnerving.

Can I ask, did you treat Stitch Puppy like a One Week Records recording and left it completely raw, or was there some mastering involved?

It was raw at its base. Brian Wahlstrom and I recorded the basics live at my studio just as I do the One Week Records I produce. It was aesthetically inspired by those records. I did bring some additional instrumentalist in for overdubs and had some guest singers lay down background vocals. I like the idea of not being precious with the production and going for the stripped down vibe. I like the idea of a more pure performance.

Were you able to get a lot of friends to help you write this album, or was most of it done by yourself?

I wrote the songs very quickly, then took them to my writing partner Brian Wahlstrom. Brian calls me out when I’m doing the same old same old. He’s the best sounding board I have worked with. We added a few parts, bridges, etc. and we tightened the arrangements up.

How tough is it to balance all you have going on in life? You have your solo material, Lagwagon, and One Week, plus a family on top of that. How do you do it?

As far as music goes, I just keep working and whatever is in front of me is what gets my full attention. It looks more difficult than it is. I don’t like down time. My family is of course, the most important thing to me and I would spend more time at home if possible. Unfortunately, we all need to work. At least I have a great job that I love even if it takes me away from them.

This was your first solo release in 5 years. Can we expect another one in the future?

I hope so. I just write songs and make records accordingly. It’s hard to calculate the best home for the songs. Lagwagon always gets the first right of refusal.

How’s touring going? Do you prefer the solo route or do you enjoy being with Lagwagon?

I like them both. They compliment each other. They alleviate the tension that either can bring. Sometimes a song gets lost in the band dynamic and that is where my true love lies. Doing the acoustic thing keeps that aspect alive. But I need the energy of the band too. They are both like addictions.

What does it feel like to be on an independent label that just passed the 25 year mark?

It feels great. I can’t say enough about the subject. We are so lucky to have foregone the drama and ups and downs of label change. Fat is an absolutely awesome label and they have always respected us and our wishes. We haven’t never had our integrity challenged by them. They support us unconditionally. We are the fortunate ones.

What’s one thing you can tell me that Tony Sly taught you about yourself musically?

Tony reminded me that it’s okay to do anything you want to do in songwriting. I think I reminded him of that fact too. We both recognized each other’s go to chords and melodies and I believe we both reminded each other that it’s okay to have them. They become your personality as a songwriter, your style. They can be a gift if allowed and appreciated.

Did you ever think you would be where you are today? Look at all you have accomplished as an artist. I seriously doubt you have even reached your peak.

Thank you. No, I am always surprised by every step. It’s just one of those things you are gracious for or not. I am very aware of my fortune, to be doing what I love and the ability to nurture it. I know how lucky it is to be able to spend nearly all my time doing this. I used to paint houses for a living. That is a great job and I loved that too but, this is better.

Not everyone can get into your solo stuff. I think sometimes as we grow older, our tastes change and we appreciate a good sounding acoustic track. I guess what I am asking is, which do you prefer more, Lagwagon or your solo material?

I have always loved both but I am a song guy. That’s what it’s about for me. I don’t really care much about the format. I listen for the hook, the lyric and want to identify. That is the universal language we all can speak.

What is this Cape karaoke that I keep hearing about?

I have no idea. Maybe it stems from the few shows over the years where I got sick and lost my voice. When that happens, we opt for Karaoke rather then cancelling the show. It sucks but it’s fun.

What’s next for Joey Cape?

Good question!

BHP FANBOY QUESTIONS:

I was hoping to talk about Bad Astronaut for a quick moment if you are cool with that. How did you get John Popper of Blues Traveler to play harmonica on “Our Greatest Year”?

My wife and him grew up together. I met him through her. I asked. He said yes. That simple. I doubt that will ever happen again.

So what is the fate of Bad Astronaut? Grated you stated there was no Bad Astronaut after Derrick passed on, but reforming in 2010 to play the band’s first live show as well as hints of a b-side album have gotten some of us fans curious.

Well, we still have a bunch of unreleased material but I have used many of the song ideas for other projects over the years. We have done a few tours but have had some drama with drummers and other members life schedules. We are all still very close and I imagine we will eventually record together again. They are amazing musicians and some of my closest friends.

Have you, Wahlstrom, and Snodgrass ever talked about maybe continuing with Scorpios or starting another project collectively?

Funny you ask. We are talking now. Jon and I are going to start working on some stuff in February and there is a new Scorpio in town. His initials might be C.C.. I’ll leave it at that.


Stitch Puppy is available on CD or LP at Fat Wreck Chords.

Cape and Lagwagon are currently on tour.  If you have never seen Lagwagon live before, do yourself a favor and check them out.

Date Location Club Details
10/30/15 Ft. Lauderdale, FL Revolution w/ PEARS, Runaway Kids
10/31/15 Gainesville, FL The Fest 14!!!
11/2/15 Pensacola, FL Vinyl Music Hall w/ Riverboat Gamblers, PEARS, Runaway Kids, Broken Gold
11/3/15 New Orleans, LA Parish at House of Blues w/ PEARS, Runaway Kids
11/4/15 Houston, TX Warehouse Live Studio w/ PEARS, Runaway Kids
11/5/15 Corpus Christi, TX House of Rock w/ PEARS, Runaway Kids
11/6/15 San Antonio, TX Paper Tiger w/ PEARS, Runaway Kids
11/7/15 Dallas , TX Club Dada w/ PEARS, Runaway Kids
11/8/15 Austin, TX FFF Fest Fun Fun Fun Fest
11/10/15 Scottsdale, AZ Pub Rock w/ PEARS, Runaway Kids
11/11/15 Las Vegas, NV Fremont Country Club w/ PEARS, Runaway Kids, The Breifs
11/12/15 Santa Barbara, CA Velvet Jones w/ PEARS, The Runaway Kids
11/13/15 West Hollywood, CA Troubadour w/ Bobgoblin
11/14/15 San Diego, CA The Observatory w/ Runaway Kids
11/15/15 West Hollywood, CA Troubadour w/ PEARS, Runaway Kids
11/23/15 Tokyo, Japan Makuhari Messe Fat Wrecked for 25 Years in Japan w/ NOFX, Strung Out, Good Riddance, Snuff, Swingin’ Utters, Western Addiction, Masked Intruder, toyGuitar and more!
11/26/15 Byron Bay, Australia The Northern w/ The Flatliners
11/27/15 Brisbane, Australia The Triffid w/ The Flatliners
11/28/15 Sydney, Australia Metro Theatre w/ The Flatliners
11/29/15 Central Coast, Australia The Entrance Leagues Club w/ The Flatliners
12/2/15 Geelong, Australia Barwon Club w/ The Flatliners
12/4/15 Melbourne, Australia Max Watt’s w/ The Flatliners
12/5/15 Adelaide, Australia Unibar w/ The Flatliners
12/6/15 Perth, Australia Amplifier w/ The Flatliners
2/26/16 Curitiba , Brazil Music Hall
2/27/16 Sao Paulo , Brazil Clash Club
2/28/16 Rio De Janeiro , Brazil Teatro Odisseia
3/2/16 Buenos Aires , Argentina Groove
3/4/16 Santiago , Chile Teatro Cariola
3/5/16 Lima, Peru Festiva
3/6/16 Bogota , Colombia Festival Skate Punk

Darius Koski Solo Debut To Drop April 7th

Hey Swingin’ Utters fans,  Darius Koski is about to debut his solo album.  Before you start throwing down assumptions that the guy is going acoustic just to to make a quick buck, please see what he had to say about the whole solo route:

“I’ve been wanting to have an outlet for it for so long—for longer than I’ve been with the Swingin’ Utters, basically. And I just hadn’t done anything with it. I didn’t really know how I was going to release it, I hadn’t done much live, I have problems remembering lyrics… So I’ve been putting it off for so many years, but it’s finally coming together, and I’m thrilled about it. I’m totally going to go for it.”

Now that you’ve read that, how about you take a listen to one of this new songs:

You’re weren’t expecting that much twang were you?  I know I was not, but I will tell you this, I love it.

Dropping on April 7th, Sisu, is in a genre really of its own with a plethora (yes I said plethora) instrument playing including guitar, piano, banjo, accordion, violin, glockenspiel, vibraphone, melodica, ukulele, and percussion.  This is not just some solo album.  This is years of built up creativity by Koski finally being released property.

I know I am stoked to hear this.

Pre-orders are up at Fat Wreck as of today.  Hurry up and get you some.

Fat Wreck Announces NOFX Backstage Passport Soundtrack

As many of you probably already know, NOFX’Fat Mike has a mean punch and swift kick ready for anyone who happens to sneak up on him while he is rocking out on stage.

fat_mike_kick_face

Was it a dick move?  Maybe, but you know what?  He not only apologized to the kid on Twitter after the kid Tweeted him an apology, but even invited the kid to join him and the band backstage at the following show and allowed the kid to kick him back.

I really hope that makes a future Backstage Passport episode.

I also hope Ben Weasel can just drop it already.  I do not even wish to get into that quarrel between those two former label mates.  It is almost depressing to even think about.  In fact, I am done even thinking about that bull mess…

Anyways, Fat Wreck Chords announced last week that there would be a soundtrack released for NOFX Backstage Passport.

NOFX Backstage Passport Soundtrack

Normally I would just skip over this idea as it sounds like a quick way to make a quick buck by the band, but this soundtrack is actually rare, unreleased, and remixed material from seasons 1 and 2 of the hilarious show.

Season 2 has not even been released yet if that tells you anything…

The soundtrack drops in a month and there will be a vinyl release that should be pressed and shipped out by  January 13th, 2015.

Taken from the Fat Wreck press release since I am running out of crap to say:
In 2008, NOFX starred in the TV show Backstage Passport, a series that documented the insane hijinks of the band as they weaved an unsteady path through exotic locales where most sane bands fear to tread. Today, we’re pleased to announce that the official Backstage Passport Soundtrack is being released on December 9th (Vinyl in January 2015). Packed with 15 tracks from both seasons (That’s right! The second season is nearing completion as you read this.), the Backstage Passport Soundtrack is a one-stop shop for all the rare, remixed, and unreleased material that folks could only previously enjoy as snippets during the show. If you’re new to the game and haven’t seen Backstage Passport, do yourself a favor and grab a DVD copy. NOFX will be pulling their passports out once again for an extensive headlining tour of Australia.

Pre-orders for the Backstage Passport should be up soon.  Head over to the Fat Wreck site for more info.

Track List (* Previously Unreleased / + Remixed)
1: Backstage Passport *
2: No Fun In Fundamentalism +
3: Insulted By Germans (Again) +
4: All My Friends In New York +
5: You Will Lose Faith +
6: Teenage Punching Bag
7: Leaving Jesusland (Live) *
8: The Greatest Country In the World *
9: Last Night Was Really Fun? +
10: We’re Bros *
11: Your Hubcaps Cost More Than My Car +
12: Fan Mail +
13: Arming the Proletariat With Potato Guns
14: I, Melvin
15: Punk Rock Passport *

 

7″ Review: Old Man Markley – Stupid Today

Old Man Markley - Stupid TodayI am sure I am not the first to say how much I enjoy it when Old Man Markley (OMM) decides to cover a song.

There’s just something so great about OMM throwing down their own bluegrass/punk rock style into a song.

Case in point, the OMM is dropping a 7″ next week called Stupid Today and the B side is a cover of NOFX’s “Reeko”, a track on the infamous Punk In Drublic.  Can I tell y’all how awesome this cover is?

It’s awesome folks.

I especially appreciated the cover that was hidden inside the cover with a quick spoken word-type  rendition of “Perfect Government”.  That is correct, I said a cover within a cover.   OMM is clearly a bigger fan of NOFX than you think.

The title track on side A, “Stupid Today”, revolves all around the ups and downs of being in love.  It’s a punk rock ho down with plenty of opportunity to swing your partner or knock them down.  I loved the harmonies throughout as much as the quick-plucking of the banjo and fiddle playing.  It’s safe to say this song just adds further proof why they are so damn amazing.

Head on over to the Fat Wreck site and pre-order yourself a copy of Stupid Today.

Old Man Markley

Me First And The Gimme Gimmes Announce New Album

Perhaps the greatest punk rock cover band of them all, Me First And The Gimme Gimmes have announced an all new gender-bending release Are We Not Men? We Are Diva!  to be dropped on May 13, 2014 on good ol’ Fat Wreck Chords.

Me First And The Gimme Gimmes - Are We Not Men? We Are Diva!

After taking stabs at country, R&B, and even Japanese pop, the band continues to surprise their billions of diehard fans with unique covers of songs that everyone has probably heard in a sappy-ass love story or in an elevator.

I laughed when I saw this last night because I was not expecting them to go this route with their punk-infused covers (plus I appreciated the Devo reference).  I just hope one day they take a stab at 90s hip-hop.  Hearing Spike sing Tupac might be the coolest idea ever.

Track Listing:
1. I Will Survive
2. Straight Up
3. Believe
4. Beautiful
5. My Heart Will Go On
6. I Will Always Love You
7. Top of the World
8. Speechless
9. Karma Chameleon
10. Crazy for You
11. On the Radio
12. The Way We Were

Pre-Orders for the new album should be up soon on the Fat Wreck Chords website!