Bars Of Gold (BoG), a new project including former Bear vs. Shark (BvS) members Marc Paffi and Brandon Moss, recently released their debut album entitled Of Gold through Friction Records. Moving from the post-hardcore sound the band carries a more punk rock / indie rock sound. BoG may not necessary cater to many BvS fans out there on this release, but after just one listen, I am a fan.
A Nintendo-y opener, properly titled “Boss Level” started off the album with me scratching my head wondering what the rest of the album would entail. Not that there is anything wrong with a little 8-bit-core, it was just unexpected.
“Heaven Has A Heater” focused more towards an indie sound with a punk singing style that really sounded amazing. This is definitely a track that needs to be checked out. While I am talking about tracks that needed to be checked out, listen to “Birds” as well. The sound was like what might happen if Modest Mouse and Talking Heads decided to collaborate. It was catchy and bizarre all at once.
“The Hustle” was unlike any other track on the album and by far the most entertaining to my ears. The banjo almost hypnotized me throughout the wild folk-heavy track with Paffi’s vocals howling all over the place. Dare I say Hot Water Music vocals meets Travis guitar playing? Yes, I just said that.
The melodic “………….” was a nice, chill track to listen to at the start but soon had a little group vocals going on in the background leading up to Paffi taking over. The song reminded me of Cursive track in a good way.
“Cannibals” was a great track to sit back to and just enjoy. In the true spirit of indie rock, this song kicked ass and I loved how the beginning crept up around you and then just turned into a mad frenzy of insanity.
It’s nice to see musicians move on in differnet directions without sounding like they are trying too hard. Bars Of Gold have a good sound going for them and I am loving what they have created. I am sure there are BvS fanatics out there wondering what happened and it is expected, but I have the feeling that once a few of them make way through this album they will grow to appreciate all that it is.
2010 is coming to an end and I think I have found my favorite indie-ish rock album of the year. Check it out for yourself:
Punk rock is not dead. I say that a lot recently because I know it’s true and there are still bands out there releasing honest, wholesome punk rock albums for the sake of just doing it. They are not looking for money or fame, just a good time doing something they love.
Here is where I now introduce a punk rock band that I like right? Well you are half right.
Recently I had the chance to talk it up with Christian Martucci about his new band as well as some of his amazing past. If anyone has lived a punk rock dream, it’s Martucci.
Dylan Howard, Pat Kim, & and Chris Martucci
BHP: Your new band, Thousand Watt Stare, has an EP dropping next month. What can you tell me about this new project you’ve created?
CM – We just love to play music and have a good time with it… I’m very happy to play with these guys. No ego’s, no pressure… It’s a breath of fresh air.
Why the change-up in sound from previous bands you have been in?
In Dee Dee’s band it was Ramones songs, Black President was all Charlie, and The Chelsea Smiles were more of a straight rock n’ roll band… I’ve had the Thousand Watt Stare stuff in my head for years now. It was just never anything that would work with the other bands. I’m glad they’re finally seeing the light of day.
So how did you hook up with Unwritten Law’s Pat Kim and Dylan Howard?
PK played with Black President early on when Hetson was still in the band. We had a great time hanging out back then and always kept in touch. When Black President ended and it was time to start something new, I called Pat and we started jamming. He brought Dylan on board and two weeks later, we started recording.
Why did Black President disband anyways?
I think Black President had to break up… When you consider some of the guys schedules, it doesn’t really allow them to go full steam a head with a side project. The thing with that band is that it wasn’t supposed to be anything more than a cover band to blow off steam. That was actually my favorite part of doing it… Looking back I’m actually really surprised we even made the record. It wasn’t meant to have a long shelf life. I think of it more as a psycho that everyone cheated on their bands with for a few years.
As you already mentioned, you;ve worked with some heavy hitters in the punk rock world including Bad Religion’s Greg Hetson and Dee Dee Ramone. How did those opportunities come about?
Your guess is as good as mine… I wasn’t having good luck where I was, so I saved up $600, packed a suitcase, one guitar and just moved from Philly to LA in ’99. I only knew one person out here and was sleeping on his couch. He introduced me to Stefan Adika. Stefan was playing bass for Dee Dee at the time and asked if I’d like to come down and play. I ran home, went over like 30 something songs and showed up at the rehearsal room that night… Dee Dee had NO idea I was coming down and was a little freaked out… He looked at me and said “So, what are you gonna try to play guitar or something?” I didn’t know what to say.
He was one of my biggest hero’s. I just smiled like a nervous idiot, plugged in and we played “Rockaway Beach”. We got done, he looked at me and was like “OK you better sing the next song now… ‘Chinese Rocks’… 1-2-3-4!” “Alright I think we better go to ‘South America’ now…” The whole time I was standing there I couldn’t believe I was playing with Dee Dee Ramone. That feeling lasted the entire 3 years I was able to do it. Everything about him was for real.
The thing with Greg happened from when Black President was still a cover band called Shithead. We had Marc Diamond from The Dwarves playing with us and… I can’t remember what happened. I think The Dwarves had to go on tour, so Charlie told us Greg Hetson wanted to do it. I actually thought he was kidding at first. Next thing you know, he’s at rehearsal playing Dead Kennedy’s songs with us. I really like Greg a lot… Awesome guy and as down to earth as they come…
You started touring recently around California . Any chance of a nationwide tour any time soon?
No definite plans yet but we really hope so…
Your previous bands toured a lot over the years. Who were some of your favorite bands to tour with?
Bouncing Souls, TSOL, New York Dolls, Social D, Backyard Babies… There are so many but those are the ones that stick out the most for me. They are all very good people.
For the punk rock lovers out there, can you tell them why they should check out Thousand Watt Stare?
The punk rock I like is the kind where there aren’t any rules. In the 70’s punk didn’t have a defined sound yet, that’s why I think it was a great as it was. Television, Dead Boys, Ramones, The Clash, etc. None of those bands sound like they should be in the same genre. I think you should check out Thousand Watt Stare because we don’t worry about those things either… It’s just honest rock n’ roll.
I can not say I dig the band’s name at all, it reminds me of Five Finger Death Punch….(worst band name ever), but I do dig all three musicians and am looking forward to hearing this release. They promise “zero whining and no screaming” in their music that is aimed at the fans of real punk rock.
Want to hear it? Head over to their Reverb Nation page and check out a few songs!
September 14th is right around the corner and if you are a Weezer fan like I am you know that it is the day that Hurley will be released on Epitaph Records. This will be the band’s first release on an independent label in their 17 years as a band. Focusing on the rock over the pop this round the album has grabbed my attention in a major way. See for yourself – head over to www.myspace.com/weezer and listen to Hurley in its entirety. You can also download their first single entitled “Memories” courtesy of Spinner.com.
The album title, if you have not figured it out yet, comes from one of the more memorable characters from one of the greatest TV series of my time, Lost, and might just be my favorite Weezer cover ever. Have you even seen the cover for Hurley yet?
Yeah, that is great. Jorge Garcia spoke to MTV recently on how he felt about being the inspiration for the latest release. As much as I despise MTV I did get a kick out of reading his reaction on his mug being on an album cover.
Here is a video from Spin.com with what looks like a very happy Rivers Cuomo:
Chances are if you have heard of Rancid you already know who Matt Freeman is. Most notably known for his exceptional bass playing abilities he also is the man behind the gruff gritty vocals sometimes heard on Rancid tracks as well as being a founding member of Operation Ivy.
Not just limiting him solely as a member of Rancid, over the years Freeman has played with legendary X member Exene Cervenka in Auntie Christ, stepped in with Social Distortion, as well as started his own band behind the scenes called Devil’s Brigade.
Devil’s Brigade is a psychobilly/punk rock side project started in 2000 with fellow band mate Tim Armstrong between Rancid tours. The project yielded a couple of EPs and some of the songs were featured on Hellcat RecordsGive Em The Boot compilations but a formal album never was released. After Rancid released Let The Dominos Fall in 2009 Freeman decided that it was time to head to the studio and make something of his project.
At first Freeman was hoping to record a musical about the “Half Way To Hell Club”, a name that was given to those who fell off the Golden Gate Bridge during its construction and fell into a safety net. Although Freeman skipped the idea of the musical, he did take six of the songs he wrote for the musical along with original Devil’s Brigade songs and decided to put them together on an album.
Enlisting Armstrong as well as DJ Bonebrake, another member of X fame, they entered the studio earlier this year and recorded the self titled release. With Freeman taking vocal duties he also decided to play stand up bass throughout while Armstrong played guitar and DJ Bonebrake on drums. Dropping at the end of August, the album will mark yet another consecutive release by a member of Rancid on Hellcat Records proving that they have no intentions of quitting anytime soon.
“I’m Moving Through” opens the album full forced with Freeman’s indistinguishable singing backed by his bass playing immediately grabbing my attention. “My Own Man Now” really did not sound anything outside of Rancid but nonetheless was still enjoyable and carried that Bay City punk sound I have been fond of half my life. “Shake Down” followed with Freeman slapping his stand up bass singing about his “25 years of punk, rock, and roll”.
“Bridge Of Gold”, featuring Armstrong and Lars Frederickson, was a noteworthy song about the building of the Golden Gate Bridge and was one of my favorite cuts off the album. I loved the old barroom jam sound with the piano in the background and just the reference itself to a 1930’s wonder of the world.
“Ride Harley Ride” was a mysterious biker tune with an almost Natural Born Killers feel to it. “Vampire Girl” repeated “I want to get rid of you” throughout the twangy psychobilly tune. “Gentleman Of The Road” was another track I really enjoyed with xylophone, a distinct bass line, and outlaw story to follow. Closing the album was the working man’s “Half Way To Hell”, another track I really appreciated due to the guitar playing and history contained within.
It’s easy for someone to assume that this is just another Rancid release, but once you hear the album your opinion will be changed. Of course it is going to sound like Rancid here and there, look who’s in it. Once you actually sit back and listen you will understand that it is a Matt Freeman project full of what he enjoys to do. He has branched in his own direction with his musical talent just like Lars Frederickson & the Bastards did as well as the Transplants.
The album is enjoyable all around without any lulls in between. Freeman has no trouble displaying his musical abilities from slapping the bass to screaming in the mic. I am glad he finally decided to do something with Devil’s Brigade finally. What was just a spare time thing at one time has incorporated into something so much more.
Already touring in support of the release, Freeman has gathered up a touring band and will be joining fellow label mates the Street Dogs and Left Alone.
Devils Brigade Tour Dates:
Sept 7 – San Antonio, TX – White Rabbit
Sept 9 – St. Petersburg, FL – State Theatre
Sept 10 – Ft. Lauderdale, FL – Revolution
Sept 11 – Orlando, FL – Firestone Live
Sept 12 – Jacksonville Beach, FL – Freebird Café
Sept 13 – Charleston, SC – The Oasis
Sept 14 – Atlanta, GA – The Masquerade
Sept 16 – Washington, DC – Rock and Roll Hotel
Sept 17 – Philadelphia, PA – Theatre of Living Arts
Sept 18 – New York City, NY – The Gramercy Theatre
Sept 19 – Pawtucket, RI – The Met Café
Sept 21 – Buffalo, NY – Town Ballroom
Sept 22 – Pittsburgh, PA – Diesel
Sept 23 – Cleveland, OH – Grog Shop
Sept 24 – Hamtramck, MI – Small’s
Sept 25 – Chicago, IL – Reggies Rock Club
Sept 26 – St. Louis, MO – Firebird
Sept 28 – Dallas, TX – The Loft
Sept 29 – Austin, TX – Red Seven
Oct 7 – Tempe, AZ – The Clubhouse
Oct 8 – Santa Ana, CA – Galaxy Theatre
Oct 9 – Los Angeles, CA – El Rey Theatre
Oct 16 – San Francisco, CA – Slim’s
Oct 19 – Portland, OR – Hawthorne Theatre
Oct 20 – Seattle, WA – Chop Suey
Oct 21 – Boise, ID – Knitting Factory Concert House
Oct 22 – Salt Lake City, UT – Club Sound
Oct 23 – Denver, CO – Marquis Theatre
Oct 24 – Colorado Springs, CO – Black Sheep
This music blog could have a driver's license by now…
Bars Of Gold (BoG), a new project including former Bear vs. Shark (BvS) members Marc Paffi and Brandon Moss, recently released their debut album entitled Of Gold through Friction Records. Moving from the post-hardcore sound the band carries a more punk rock / indie rock sound. BoG may not necessary cater to many BvS fans out there on this release, but after just one listen, I am a fan.
“The Hustle” was unlike any other track on the album and by far the most entertaining to my ears. The banjo almost hypnotized me throughout the wild folk-heavy track with Paffi’s vocals howling all over the place. Dare I say Hot Water Music vocals meets Travis guitar playing? Yes, I just said that.
