No seriously…do you? I hope you have not made any plans this Friday because punk rock heroes The Swingin’ Utters are playing with The Menzingers, and The Facials in a small bar also know as Rockstar in good ol’ classy Cleveland, OH.
This is your chance to see 3 amazing punk rock acts for the low low price of $13.
The Utters just started recording new material after a seven year break and rumor has it will be releasing a new album shortly. This will be my first time seeing these guys live. I swear, every time they have played Cleveland I either forgot or had to work. No way am I missing out on this chance to see them finally.
The Menzingers, one of my top punk acts of 2010, are just full of energy and are looking to have a good time. This will be my first time seeing them live on account of the band canceling their set at the NOFX show I attended earlier this year in Covington, KY. Needless to say I am psyched.
The Facials….suck. Show up late so you do not have to see them. I am kidding. The Facials are like family to me and have been in the Cleveland punk scene for years now. If you have not seen this local act yet do yourself a favor and get there early grab a PBR and enjoy.
Progressive indie rockers Coheed & Cambria return to Cleveland this week with special guests Porcupine Tree and The Dear Hunter. I really didn’t think I was going to make it to this show but a pair of tickets landed in my lap and there is no way I am going to miss seeing them. Having been to multiple Coheed shows over the years I know they never fail to impress. Looking forward to seeing Porcupine Tree finally as well as taking in The Dear Hunter.
A few weeks back I had the pleasure of reviewing the newest release of Chris McCaughan’s side project, Sundowner. For those of you who are not familiar with McCaughan, he is a guitarist and vocalist in The Lawrence Arms. Having been a fan of The Larry Arms for quite some time I was really impressed with what he had to offer on We Chase The Waves Itstuck to me in a good way thanks to the mellow feel throughout along side McCaughan’s storytelling. It’s been, hands down, one of my favorite releases to date this year.
Recently I had the opportunity to chat with McCaughan about Sundowner and just plain old randomness. He was more than kind to answer some questions for me and actually made me hungry by the end of the interview – a first for me.
Let’s do this…
So let’s start things off… How did Sundowner start? Was it something that you wanted to do for a while?
Sundowner started in the attic of my parents house as acoustic songs recorded to an old four track which I posted to a myspace page. Then eventually there were enough songs to actually consider the idea of making a real record. So, it was born out of wanting to share some songs and enjoying playing the acoustic guitar and singing with it. I didn’t start it with the intention of a fully realized project, just a way to create and have fun.
I know mostly it began with just you during your free time but you have some friends as well who chipped in and soon were playing intimate shows in the Chicago area. Who all did you recruit or did they sort of just blend in naturally?
It began as a solo foray but as I prepared for making the first record I enlisted Neil of The Lawrence Arms and Jenny Choi, who is a talented musician from Chicago to play on 4152. Only Neil played on We Chase the Waves. My friend Eli Caterer plays electric guitar live sometimes and adds a really unique element when we have the chance to do that. Now I play solo most of the time but occasionally Neil and Eli join me.
Where did the moniker come from? Why Sundowner? Which sundowner do you refer to with your band name?
It was the original name of a song on 4152 called “Midsummer Classic” but at the time I didn’t want to use my name because it didn’t feel right and I wasn’t certain of where I was going with all this. So I adopted Sundowner and changed the name of that song. I like that the word refers to different things. My initial associations were drinks and sunsets which seemed fitting. If I had to choose the meanings I like the most I’d go with ‘hobo’ or ‘trade wind’ over some of the other references.
Did you ever think that your solo material would make it onto an album, let alone two?
I figured I had one in me but it wasn’t till I was about three quarters of the way through writing the second record that I actually knew I had another one in me and that I wanted to make it. I feel like I’ve just followed where my instincts have taken me and tried to make records that were authentic and genuine. Like I said, I didn’t initially start making acoustic songs as a way to start making records.
Was there any inspiration behind your solo material or was it all you?
Inspiration comes from everywhere, man. I know it sounds funny but for me it’s true. I kind of feel like the songs are a way to filter and understand my experience in the world. It seems cheesy but that’s where it comes from.
I totally get what you are saying. So what can you tell me about the new album We Chase The Waves that recently dropped on August 10th?
It’s a collection of material that was written, put together and recorded over the last couple years. It’s a homemade album. My friend Neil Hennessy helped me make and played the bass on. I think it exhibits a progression in sound for me. I think it offers what a lot of fans of the Lawrence Arms have come to expect from me but my hope is that it displays some kind of evolved focus.
Is it true that it was recorded in eight months at someone’s pad?
Yes, totally true. We recorded some of it at my house and a bunch at Neil’s place. It’s what made the experience so unique and different than any record I’ve ever made. Borrowed gear, just hanging out together making a record with the resources we had and no time limitations or deadlines. It was a super cool process. We were trying to capture the natural feel of the songs and felt like making the record in its home environment was a good way to try to make that happen.
Are there any songs off the new album that you favor over others? My favorite is easily “Mouth Of A Tiger”.
If I had to choose I would pick “In the Flicker” “What Beadie Said” and “As The Crow Flies”. Those are the songs that I see as the pillars of the record – that hold it all together. “Mouth of A Tiger” is also a song that I think really illustrates what makes the record new and exciting.
Not that I am complaining, but is there any reason why you did your own rendition of “Baseball’s Sad Lexicon”?
I did it cuz it was fun and I’m a lifelong Cubs fan. I like the vintage ditty feel of it. My friend Ryan Suma played the lapsteel on it. It was a blast. I love baseball.
Any offers from the Cubs yet to play that for the fans? I know Dropkick Murphy’s were asked to play “Tessie” in Boston before.
Not yet but I’d love to sing the seventh inning stretch. Of course I’d probably destroy it. Eh, couldn’t be as bad as Ditka and he’s a god in this town. I’d like to see a bunch of drunk old Cubs fan[s] sing it polka style.
Sure. It would’ve been great. He’s a one of kind talent. But I never really thought we’d get him. We did alright in the off season though and just because the Heat are stacked doesn’t guarantee anything. That’s why they play the games.
Do you agree with me and feel that his stupid ESPN decision special was not needed?
It was poorly executed. I think when everyone tells you you’re a king you’re decision making becomes cloudy. He should’ve gone about it the same way all the big athletes do. It was painful to watch and made him look like kind of a self congratulatory dork.
Seems like a lot of punk rockers turn to folk/acoustic projects as age catches up with them. Who are some of your favorites?
Of course Chuck Ragan and Tim Barry do great folk punk. I love Joey Cape’s solo stuff a lot. I really love Jose Gonzales. I like to think this new record of mine isn’t really folk/punk. I don’t know entirely how I’d classify it. I think that’s a good thing.
Do you see that movement as a trend or something much more than that?
I don’t know man. I’m not one for identifying movements and trends. I think time and history makes those judgments.
What about in general? What bands are you currently in to?
I’m not really into a lot of bands. I haven’t really discovered a lot of new music lately. I like Neil Young and Leonard Cohen a lot.
If you had to pick Sundowner or The Lawrence Arms who would you go with?
Picking Sundowner would be quiet, kinda lonesome . . . picking the Arms would be loud, kinda drunk . . . I guess there’s a time for both.
Are you planning on taking Sundowner on the road?
No plans to do any heavy touring but I will get out and play some shows here and there. It’s tough right now to get out for long runs for a lot of reasons but we’ll see how it all goes.
Technically you could open for yourself. Has that happened yet?
Yes. Sundowner and The Falcon opened for The Lawrence Arms in 2007. I think that’s something you only try once maybe. I dunno.
During past live Sundowner shows you have covered Lawrence Arms songs, is that something you see happening again when you do get to play out?
Occasionally I play Arms songs, which is fun. I have a lot more Sundowner songs to choose from now so that all depends on timing. I leave those decisions up to the moment and let that happen as it happens.
Why should someone check out Sundowner?
I think fans of the Lawrence Arms will hopefully find something they already kinda like, although it is very different. I think there is something very universal that music fans may be drawn to, melody, lyrics, themes, sounds. I feel like it’s an honest and genuine record and my hope is all types of people will enjoy it. Cheers.
A sundowner can be a lot of things (a car, drink, plane, type of wind), but in this case the Sundowner I am referring to is an amazing solo project by Chris McCaughan, the guitarist and vocalist of punk act The Lawrence Arms.
We Chase The Waves is Sundowner’s second album and like the first, it is far from punk rock and more of a brush with folk music that brings forth good moods and instant sing alongs. Recently dropping on Asian Man Records, We Chase The Waves might just be the album that gets me through the rest of the summer.
Starting as a side project, McCaughan wrote a few songs in his free time and played intimate shows around the Chicago area taking the moniker Sundowner. With help from fellow band mates and friends the project turned into a band of sorts with Sundowner’s debut being released in the spring of 2007 on Red Scare Records. Just three years later McCaughan and friends decided for a follow-up and recorded We Chase The Wave in their homes, literally, in just eight months.
Passionate and compelling are the two words that describe McCaughan’s wiring styles on the CD. The guy is a natural storyteller and just has a way with words. From the moment “In The Flicker” started off the album I was beyond mesmerized. The song was nothing more than an acoustic jam amongst friends but I was addicted, I wanted more, and before I knew it the ten track album was wrapping up.
Tracks like “As The Crow Flies” impressed the hell out of me even though the song was nothing over the ordinary. The way the song presented itself to the listener, told the story, and ended it on a positive note not only begged for another listen but might have very well inspired a certain someone typing out this review…
“Baseball’s Sad Lexicon” took words from the 1910 poem of the same title by Franklin Pierce Adams telling the tale of the Cubs succeeding over the Giants thanks to a game winning double play (the only way I ever would have known this was by reading the CD insert and Google). As an ode to McCaughan’s beloved Chicago Cubs he did a great job rendition of the classic poem.
“Mouth Of A Tiger” was a stern and ever so low opinionated track with lyrics like “I’m as lucky as a funeral” and “I’m not looking at the glass half full”. I adored the singing style on the song match up with the acoustic and lap steel guitar playing. Full of everyday truth and plain old honest opinions, the song begged to be played on repeat.
We Chase The Waves was an amazing start to finish album with no lulls in between. McCaughan nails it dead on with his catchy melodies and fine storytelling that will grow on you regardless if you are a fan of him, The Lawrence Arms, or not. Don’t look at Sundowner as a side project by a punk rock guy, look at it as a talented musician who has created something that more people need to know about.
Matt Freeman (sporting the hat in the pic to the left) is releasing a full length Devils Brigade album!!!!!! As a long time Rancid/Hellcat fan I am just thrilled to have heard this. The album will drop at the end of August and a tour will follow. With any luck he will be playing a show in Cleveland. One can only hope!
Matt Freeman is without a doubt one of my favorite bassists out there. Having played with Op Ivy as well as Auntie Christ his most known material is of course with Rancid. He and Tim Armstrong have actually been friends since they were little kids so it is no wonder that their musical careers have revolved around one another.
Devils Brigade was just a side project with a song released here and there but until now Matt Freemon never took the time to record his own album. See below on the following Epitaph press release about this exciting news!
RANCID’S MATT FREEMAN GOES UPRIGHT FOR NEW DEVILS BRIGADE ALBUM
Celebrated Bay Area punk legend Matt Freeman of Rancid and Operation Ivy fame will release the long awaited, self-titled debut album for his side project Devils Brigade on August 31 via Hellcat Records. The bass player has assimilated a touring band to join him this fall when they hit the road with labelmates Street Dogs on a US tour.
Devils Brigade was conceived in 2000, when bassist Matt Freeman began writing songs with Tim Armstrong between Rancid tours. This led to a few EPs and some songs on Hellcat’s Give Em The Boot compilation, but the project was put on the back burner when Rancid began touring and recording again. Years went by and after Rancid took a break from touring on the Let The Dominoes Fall record, Matt got the itch to reactivate the project with a new studio album.
“The original concept for this record was going to be a musical,” says Freeman. “Tim had been kicking around an idea of doing a musical about the building of the Golden Gate Bridge. He had the title “Half Way To Hell Club.” This was based on the name for the bridge workers who fell off the bridge while it was being built and fell into the safety net that was between them and the ocean. We grew up in the East Bay looking at that bridge and it has always been a part of our lives. Six of those songs ended up on the Devils Brigade record. The other songs were all original Devils Brigade songs from the first demo. We thought they were still good and we should record them again.”
In early 2010, Matt and Tim entered the studio with DJ Bonebrake from the influential punk group X and recorded twelve quick tempered songs featuring Matt’s signature, snarling vocals along with his snap, thumping upright bass, which shine through on roots driven punk tracks like “I’m Moving Through,” “Who’s Gonna Save Your Now” and “My Own Man Now.”
“It was a great vibe in the studio,” Matt adds. “The record has a real live and loose vibe. Loose in a good way. Tim’s guitar style blended really well with DJ and everything clicked very quickly. We had a lot of fun making this record. I am going to take it out on the road whenever I can when Rancid is not doing anything.”
